Euripides' THE TROJAN WOMEN is considered by many to be the greatest of anti-war plays. Rubenstein, whose translation of AGAMEMNON, has been acclaimed, has now translated Euripides' masterpiece in clear American English. Aristophanes and Aristotle (and some modern critics as well) objected to the original prologue and choral odes on the grounds that they were irrelevant to the play. Rubenstein has written a prologue and choral odes that are relevant, in addition to being lucid. In addition, Rubenstein has added stage directions, as he did in the case of AGAMEMNON which enhances the play's readability and playability.

Lists of places in the United States to be checked off when experienced, for example: towns that are also color names, islands, main streets of big cities, and many more.

More than any other topic, prophecy represents the point at which the Divine meets the human, the Absolute meets the relative. How can a human being attain the Word of God? In what manner does God, when conceived as eternal and transcendent, address corporeal, transitory creatures? What happens to God's divine Truth when it is beheld by minds limited in their power to apprehend, and influenced by the intellectual currents of their time and place? How were these issues viewed by the great Jewish philosophers of the past, who took the divine communication and all it entails seriously, while at the same time desired to understand it as much as humanly possible in the course of dealing with a myriad of other issues that occupied their attention? This book offers an in-depth study of prophecy in the thought of seven of the leading medieval Jewish philosophers: R. Saadiah Gaon, R. Judah Halevi, Maimonides, Gersonides, R. Hasdai Crescas, R. Joseph Albo and Baruch Spinoza. It attempts to capture the `original voice' of these thinkers by looking at the intellectual milieus in which they developed their philosophies, and by carefully analyzing their views in their textual contexts. It also deals with the relation between the earlier approaches and the later ones. Overall, this book presents a significant model for narrating the history of an idea.

""The Fox sisters grew up just outside of Rochester, NY, in a house that had a reputation for being haunted, due in large part to a series of strange "rappings" or "knockings" that plagued its inhabitants. Fed up by whatever was responsible for the knockings, the youngest of the sisters (who was twelve at the time) challenged the ghost and ended up communicating with the spirit of Charles Haynes, who had been murdered in the house and buried in the cellar.Thanks to the enthusiasm of one Isaac Post, the Fox sisters became instantly famous for talking to the dead, launching the Spiritualist Movement in the US. After taking Rochester by storm, the sisters moved to New York where they were the most famous mediums of the time, giving seances for hundreds of people.Then, it all fell apart, and the sisters were exposed as frauds. Nevertheless, even today the Fox sisters are considered to be the founders of Spiritualism, one of the most popular religious movements of the past couple centuries (consider the success of Long Island Medium and the hundreds of thousands who visit Lily Dale every year). Rich in historical detail, Rochester Knockings novelizes the rise and fall of these most infamous of mediums. Hubert Haddad was born in Tunisia, and is the author of dozens of works, including the novels Palestine (winner of the Prix des Cinq Continents de la Francophonie), Tango chinois, and La Condition magique (winner of the Grand Prix du Roman de la Socie;te; des Gens de Lettres)"--

Drawing on a diverse array of thinkers from Plato to Kierkegaard, 'On The Internet' brings philosophical insight to the debate on how far the Internet can and cannot take us.

Winner of the Runners-up Prize for the American Book Award for 1985, this is a novel about America in its youth. The story takes place in 1811-12 in a frontier settlement in Richland County, Ohio, and is told through the diary of Thomas Keene -- an educated New Englander tormented by his past. The heart of the narrative is Tom's love for Fanny, a young widow, and his obsession with John Chapman, the half-crazed mystic who became known as Johnny Appleseed. Tom is not only a terse, powerful diarist, but also an artist, whose poems and paintings illuminate the text. The journal reveals every aspect of the American pioneering experience, and Tom's own spiritual journey. In the presence of violence and death, struggling with the dark aspects of sex, he saves himself through art and love. ISBN 0-06-015143-9 :

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All is not well in the Big Smoke...When a shadowy cat-burglar called 'Fingers' starts nicking rocks from London's celebrities, Macaulay Lewis, a misfit news-hound, scents opportunity. If he can unmask the thief, he might just stand a chance of holding down his job with the paper. His ex-girlfriend might fancy him again. He might even get snapped by the odd celeb magazine himself. Fame glitters. But is all that glitters really worth the cab ride home? Overexposure is arch farce and rollicking thriller rolled into one, with unforgettable characters, brilliant dialogue and laugh-out-loud quips. Expose yourself to the flashiest, edgiest comedy of modern life in recent years.

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Seeks the origins of later Christian anti-Judaism in Gnosticism and Pauline theology. Describes Gnostic anti-Judaism as directed primarily against the Jewish God and his law, rather than against the Jewish people who are their blind servants. Judaism for the Gnostics is more contemptible than dangerous, since its power is only in this world, to which the Gnostics attached no importance. Suggests that their hostility was aroused by Judaism's claim to equate its God with the higher God of Hellenistic thought. Paul took over much of the Gnostic two-power scheme, including the view of the Jews as blind servants of the Law. Argues that his own anti-Judaism did not go beyond that of the Gnostics. But in seeing the Crucifixion as central to salvation, and in singling out the Jews for a special role in salvation history, he added to the Gnostic two-power theology elements that later took shape as the Christian view of the Jews as Christ-killers and instruments of Satan.

A family celebrates the first Seder of Passover.

Death Shall Be Dethroned is the ?shadow book? of Los, a Chapter, Hélène Cixous tells us. It came along after Los, but it was always there "hidden" in her notebooks, in the Beethoven notebook, say, the one Jacques Derrida gave her. But when it tapped at the window, she ignored it until the day she had to let it in. This is just of one the enigmas Death explores as it probes an old relationship between the narrator and ?Carlos.? Another is her discovery on the Internet that Carlos{u2019}s archives were at Princeton, and that the archive containing their correspondence was closed to the public: ?Bluebeard{u2019}s closet. The fruit on the tree of Good and Evil. You shall not open.? --

'In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years' War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space--a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938--today known as Kristallnacht--when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler's forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp. Osnabrück was also home to Eve Klein, a member of the city's early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that "express the life lost, the life kept." Walking the streets of the city, plumbing the depths of the past along with her own family's history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, Well-Kept Ruins is a genre-defying and timely reflection of the contemporary human condition.'--Publisher description.

Buruma's prismatic, fascinating first novel is a portrait of Ranji, the cricket player who was "not simply the greatest cricketer of all time, but a fairy tale prince . . . so famous that children sang songs about him, and grown men wept when they saw him

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home. As Ben struggles to understand the full contours of his identity, Levy's coming-of-age novel offers an eloquent elegy to a lost time. From the vantage point of a privileged and alienated "outsider" (gaijin), A Room Where the Star-Spangled Banner Cannot Be Heard beautifully captures a heady, eventful moment in Japanese history. Ben's experiences virtually recreate Levy's own youth. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds that reach his ears. Eventually, the symbols and sensations take root, disproving the common assumption that foreigners can never really know Japanese language and culture. Through Ben's explorations, both he and the author break free from English and the constraints of being a "gaijin." Ben's character plays a leading role in each of the book parts: "A Room Where the Star-Spangled Banner Cannot Be Heard," "The End of November," and "One of the Guys."