Anew, sun, to fire summer leaves move toward the air from the stems of the branches fire summer fire summer --from Anew Here is the complete music-filled arc of Louis Zukofsky's shorter verse collected in one volume: lyrical love poems written to his wife Celia and son Paul; the groundbreaking "Poem Beginning 'The,' " "which sends up 'The Waste Land' and its cultural vision in a cloud of bricolage, a hilarious pastiche of quotes, canon and kitsch, high and low hopelessly intertwined" (Michael Palmer); the boisterous, riotous translations of Catullus; spare, brilliant nature poems as if written by an ancient hokku master; his genius " 'Mantis' " sestina; the enigmatic, spiraling, and beautiful last poems, "80 Flowers." Anew: Complete Shorter Poetry is a book of blessings and gifts for any poetry lover.

Product Description The new, authoritative edition of “A”: the monumental lifepoem by one of the most important American poets of the twentieth century, Louis Zukofsky. River that must turn full after I stop dying Song, my song, raise grief to music Light as my loves’ thought, the few sick So sick of wrangling: thus weeping, Sounds of light, stay in her keeping And my son’s face – this much for honor ― from “ ‘A’-11” At long last, here is the whole of Louis Zukofsky’s epic masterpiece “A” back in print with misprints corrected and a new, fresh introduction by the noted scholar Barry Ahearn. No other poem in the English language is filled with as much daily love, light, intellect, and music. As William Carlos Williams once wrote of Zukofsky’s poetry, “I hear a new music of verse stretching out into the future.” Review “‘A’ ’s place is in the great line of American personal epic begun in Song of Myself and stretching through the Cantos, Paterson, Notes Toward a Supreme Fiction, and The Dream Songs. It should be read.” - The Nation “Zukofsky’s art, in this work, is without equal. No poet of our time can sound the resources of language, so actuate words to become all that they might be thought otherwise to engender.” - Robert Creeley, The New York Times “Magnificent: a great poem really rolling in all its power and splendor of language.” - James Laughlin “'A' belongs in the company of the major modernist epics such as Pound's Cantos or Williams' Patterson. It will repay as much attention as it is given.” - Bob Perelman, The Philadelphia Inquirer “The poem is “of a life,” but the life that it presents is closer to life-as-experienced than life as narrated or told. And that, in the final analysis, is precisely the essence of Zukofsky’s genius.” - Mary Wilson, Make Magazine About the Author Louis Zukofsky spent forty-six years writing his masterwork “A,” and died before he could see the completed version published. Poet, translator, fiction writer, essayist, anthologist, critic, teacher, WPA worker, and binding force of the Objectivist poets, Zukofsky was born in New York City and lived in or near the city his whole life.

Lisa leads us through the spiritual journey of her life with poignant reflections on family, love, fears, hopes and dreams. Audrey Copeland, Professor UAF Lisa Miller forges a lean and sinewy poetry that is at once reflective and raw, invoking both the head and the heart. Millers free-verse wends its way along peaks and valleys of the human journey, and the author is as steadfast before lifes inevitable pains and she is sanguine amid its myriad delights. This is a collection of sincere and insightful glimpses from a fellow sojourner. Paul Korchin, Ph.D. Professor of Religion, University of Alaska, Fairbanks

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

At the turn of the century, a blizzard maroons guests in a mountain inn in Japan. They are an odd lot and include a theater troupe. There is robbery, murder and love. The protagonist is the innkeeper's apprentice. A first novel.

Step back in time and immerse yourself in the vibrant social tapestry of Paris with Leonard Merrick's "To Tell You the Truth." This collection of short stories offers a glimpse into the romanticism and cultural nuances of Parisian life. Explore tales woven with the delicate threads of human connection, exploring themes of love, friendship, and the everyday dramas that unfold against the backdrop of the iconic city. Merrick's prose paints a vivid picture of Parisian customs and social interactions, capturing the essence of a bygone era. This meticulously prepared edition brings these timeless narratives to life, allowing you to experience the charm and allure of classic French culture. "To Tell You the Truth" is a literary journey into the heart of Paris, a celebration of its enduring romantic spirit and the complexities of its social life. Perfect for readers who appreciate literary fiction and stories steeped in atmosphere. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“Cynthia†is a poignant novel by Leonard Merrick, showcasing his talent for crafting compelling narratives and memorable characters. Set against the backdrop of early 20th-century London, the story follows the intertwined lives of individuals navigating love, loss, and societal expectations. Merrick's elegant prose and keen observations create a rich tapestry of human experience, inviting readers to reflect on the complexities of relationships and the enduring power of the human spirit. This edition of “Cynthia†offers readers a chance to rediscover a classic work of British literature, celebrated for its insightful portrayal of human emotions and its timeless themes. Leonard Merrick's ability to capture the nuances of human interaction makes “Cynthia†a rewarding read for those who appreciate finely crafted literary fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explore the intricate dance of love and deception in Leonard Merrick's "The Man Who Was Good," a compelling psychological drama set in the early 20th century. This meticulously prepared edition, featuring an insightful introduction by J.K. Prothero, delves into the complexities of man-woman relationships, laying bare the subtle nuances of marriage and the devastating consequences of betrayal. Merrick masterfully crafts a story that resonates with timeless themes of trust, identity, and the fragile nature of domestic life. Navigate the psychological landscape of a relationship tested to its limits, as "The Man Who Was Good" explores the hidden depths of human connection and the enduring power of the past. A classic of literary fiction, this novel offers a poignant and thought-provoking exploration of love, loss, and the enduring search for meaning within the bonds of matrimony. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leila Amsel and Joseph Bronner escaped Nazi Europe with their families just ahead of the full onslaught of the Holocaust. Leila grew up in a Chasidic home in Williamsburg, Brooklyn, and with chutzpah and determination became the first woman to earn a doctorate in Ancient Semitic Languages and History in South Africa. She went on to publish seven books, write hundreds of articles, and mentor and teach thousands of students. Joseph established a thriving diamond business, and as a volunteer rabbi in Johannesburg and then in Los Angeles inspired hundreds of children and adults with his teaching of Torah. Together, Leila and Joseph raised three children, and dedicated themselves to establishing and supporting communal, Zionistic, and educational institutions in Johannesburg and Los Angeles, as well as in Israel. With an unflagging belief in the value of education, an aura of elegance, and an embrace of the unconventional, Leila and Joseph share a story of leadership, love, and commitment.

This book is divided into two parts. The first of the book describes my personal life, hobbies, church activities and interactions with family. The second half of the book provides a brief summary of my scientific life. It also has a list of honors, questions and publications that resulted from my research. My hope is that my children, grandchildren and great grandchildren will know me better and know that I love and appreciate them.

Su"ender and catch: give so you can receive, where the giving is your whole self, in a total experience. This is scarcely new on the American scene, and it is ancient knowledge, East and West. The fears of total surrender, the fears of self-revelation and of total abandon, although genuine, are likewise not new. Yet Kurt H. Wolff does attempt something new here, an epistemologi cal essay with the help of this old idea: his subtitle is 'experience and inquiry today'. He tries to formulate an integrated view which incorporates in the theory of total experience not only the accepted component- esthetics, religion, the recent American experience - but also a metaphysics, a phenomenology, a theory of perception, a social philosophy and a methodology of the social sciences, even a philosophy of history and psychopathology. Phenomenology (especially Alfred Schutz), the critical Frankfurt school (especially Adorno and Marcuse), sociology (especially Georg Simmel), and existentialism (especially Camus) are tied in together. It all looks topsy-turvy at first. We have here scraps of a diary, fragments of correspondence, a stray adolescent love letter, notes on notes on field work, and notes and comments on tutorial seminars plus long excerpts from students' essays, a stray paper in a learned journal summarizing the core of the book, comments piled on comments and a web of self-references, literary criticisms, and pieces of poetry, plus a rich scholarly apparatus.

Some readers will have already met GP Sue, her daughters Frankie and Lola, her husband Matthew, and their unexpected surprise addition to the family, Tom. In this delightful sequel, we are a year on... Sue is a GP, her busy life filled with demanding but lovable patients, demanding but lovable children, a husband, and a new dog. But she has just enough time to notice the rather gorgeous neighbour who walks his black lab in the park. Frankie is about to do her GCSEs, and is absolutely certain that no-one is as stressed as she is, nor as in love, nor as confused. Lola is eleven, and endearingly aware of those around her, including all her friends (and whether they are, or not), her Granny, her pain-in-the-neck but scrumptious new baby brother, and the fact that her Dad is spending a lot of time texting. And when she sneaks a peek at his calls, there are far too many to someone called Laura. Suddenly, Lola feels overburdened with guilt and responsibility, so just what is she to do? WHAT ABOUT ME, TOO? is a searingly honest account of life in a normal London household, of how perceptive children can be, and how the dismantling of a marriage can be both devasting and liberating at once. 'An uproarious read that will have women everywhere nodding in wry recognition' You Magazine 'Funny, touching and all too familiar' Woman & Home

Lester (The Last Tales of Uncle Remus, 1994, etc.) offers a potentially controversial and intimate account of the life and death of a black civil rights leader as told 25 years later by the leader himself and the people who loved him. John Calvin Marshall—a fictional Martin Luther King Jr.- -speculates about the movement he led and its unintended consequences. Were the costs too high? As John grapples with this question, three casualties of the movement assess its cost to their own lives in an effort to free themselves from John's burdensome legacy: Andrea, the wife who resented his work during his lifetime and became a national symbol of it as his widow; Lisa Adams, John's white personal secretary and lover who lost everything when he died and she was thrust from the movement; and Bobby Card, the black organizer who sacrificed his youth and sanity for love of John. The three of them are reunited as Andrea lies dying of a stroke in a hospital in Nashville. Lisa leaves her mountain in Vermont to sit with the comatose Andrea and ask for forgiveness and perhaps for permission to move on. Amazingly, Andrea is able to give her both and, at the same time, free herself. In her turn, Lisa helps Bobby forgive himself for not hating whites enough, a terrible weakness in his mind. Lisa and Bobby leave each other with real hope for the future. The future of the movement is more doubtful, however, just as its past is ambiguous. The answer to John's original question is never stated explicitly, but perhaps hope can be found in the Andrea-Lisa-Bobby microcosm. Ultimately, however, Lester leaves John Calvin Marshall's question unanswered because it is unanswerable. A forceful and startling look into the minds and hearts of those involved in the civil rights movement, this novel raises compelling questions about the successes and failures of that movement. -

Includes the plays Theresa, A Dead Woman on Holiday and The Dybbuk Presented as a trilogy at the New End Theatre in 1995 before touring much of Europe, The Dybbuk pays homage to Anski’s great Russian classic. Set in a ghetto in Eastern Europe in 1942, it traces the final moments of five irreligious Jews. A Dead Woman on Holiday is a love story set during the Nuremberg trials. Theresa is based on secret research into the Channel Island occupation by the Nazis and the collaboration of the residents with the Holocaust. The play is still banned there.

"The Yiddish Queen Lear. New York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare's King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds. Woman In The Moon. Set in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich"--Back cover.

Roth tells the tragic story of Mizzi Schinagl, the daughter of a pipemaker, who has fallen in love with a nobleman and cavalry officer - a man of a much higher class. Unfortunately for Mizzi, Baron Taittinger, the object of her affection, has liberally bestowed his charms on too many others. Crushed by the Baron's promiscuities, Mizzi nonetheless finds herself pregnant with his son. Her reputation ruined by the Baron, Mizzi is forced into a bordello after being abandoned by her erstwhile lover. At the same time, the Persian Shah pays a state visit to the Kaiser. Desirous of an affair with an "exotic" Western woman, the Shah conspires with Taittinger to find a consort. When the Shah decides upon a court nobleman's wife, Taittinger must act quickly to deceive his friend from Persia. Mizzi, surreptitiously chosen for this role, soon finds herself enmeshed in an ironic series of calamitous events in which nothing is what it seems.

Born with a split lip and cleft palate, Toshy Wolfman's life is an uphill battle. Believing he is dim-witted and ugly, Toshy finds his resentment slowly building as he is ridiculed, used, and misled. Ultimately, he is imprisoned after being caught stealing a valuable and famous diamond, the Orange Sunset. But Toshy's story is not his alone - it is shared with his two sisters: Lil, a radical and a devotee of anarchist Emma Goldman; and Bessie, who goes to work for one of Goldmans enemies, the owners of the Orange Sunset. Toshy's love for his sisters drives him to make some of the bravest decisions of his life. But despite having seemingly overcome his obstacles, an aging Toshy stuns his nephew by asking for his assistance in committing suicide.Toshy wont fully explain his decision. Nor will he fully explain why, at this late stage in life, he is obsessed with making a journey to France.

Mia is in Bosnia as a journalist when she is summoned by Asher, the man she blames for her father's death. In his dying moments, Asher returns the dreamcloth to her, a patchwork of beads and lace he stole when she was just a child. The cloth, woven by a seamstress in a grim shtetl in Lithuania, holds the mystery of a forbidden love affair of Mia's grandmother Maya, as she fled the anti-Semitism of Europe in the 1920's. Mia returns to her homeland South Africa, on the eve of the first democratic elections where she grapples to make sense of the injustices, absences and hauntings of her childhood. What happened to her artist father Issey, her nanny Sarafina, and her best friend Grace? The dreamcloth with its 'glimmer of blue silk, a moon of filigree lace and woven cobblestones of amber, ' holds the answers to all that has been lost. Fedler weaves together the present, past and distant past in a stirring epic of family secrets handed down from generation to generation, and ghosts that will not let go of the living.

Stories deal with a mysterious child, a daydreamer, a mermaid, fortune telling, obsessive love, women writers, aliens, children and parents

Jewish Fate is an evocative autobiographical poem by Jim Dine accompanied by 18 lithographs of one of his favorite motifs, tools. The poem shows Dine reminiscing about his childhood days spent at his grandfather's hardware store in Cincinnati, where he worked every Saturday and summer for ten years from the age of nine. Dine's vivid co-workers shape his memories. There is the head shipping clerk Joe Kibbing: tall, thin, "very dramatic and high strung and didn't take orders easily." Joe's older brother Bud was the dignified head salesman: "a soft-spoken, intelligent man who had he had an education past high school might have been a lawyer or a surgeon." And finally there was Willie Tapp, "short and lithe ... he dressed elegantly like a lot of black guys did then for a guy loading trucks and handling greasy tools and heavy boxes... This handsome, lovely man showed up for work drunk most Saturdays, but managed to perform most times." Among these characters in the inspirational, overflowing store Dine developed his love for tools which accompanies his art today and is seen in the hammers, rollers, brushes and wrenches in this book-all realized in Dine's inimitable unfinished style, in his words: "Always correcting and reinventing the drawing."