These essays reveal another side of Horkheimer, focusing on his remarkable contributions to critical theory in the 1930s. Max Horkheimer is well known as the director of the Frankfurt Institute for Social Research and as a sometime collaborator with Theodor Adorno, especially on their classic Dialectic of Enlightenment. These essays reveal another side of Horkheimer, focusing on his remarkable contributions to critical theory in the 1930s. Included are Horkheimer's inaugural address as director of the Institute, in which he outlines the interdisciplinary research program that would dominate the initial phase of the Frankfurt School, his first full monograph, and a number of other pieces published in the 1930s. The essays, most of which have not appeared in English before, are surprisingly relevant to current post-philosophy debates, notably "On the Problem of Truth," with its focus on pragmatism, and "The Rationalism Debate in Current Philosophy," a sustained critique of the post-Cartesian philosophy of consciousness. Horkheimer's 1933 critique of Kantian ethics, "Materialism and Morality," is of particular interest given the current reaction to the neo-Kantian aspect of Habermas's work. There are also essays relevant to the current foundations debate within Continental philosophy, and the rationality/relativism question is sustained throughout the volume.

In the first years of the 20th century, friends Max Jacob, Pablo Picasso and Guillaume Apollinaire, with associated artists and writers including Georges Braque, Jean Cocteau, Amedeo Modigliani, Henri Matisse, Gertrude Stein, Pierre Reverdy and Alfred Jarry, gathered in a ramshackle house in Paris. From its improvised studios and stages emerged the early expressions of Modernism: Cubism, Dada, Surrealism, incorporation of collage in painting and vernacular in poetry. Jacob's masterwork, The Dice Cup (Le Cornet à Dés), has never before been available in a full English edition. This completely new translation includes the Preface of 1916, with Jacob's critique of Rimbaud, Baudelaire and Mallarme, and his strictures and inspirations for the true prose poem: "The author who has situated his work can use all the enchantments: language, rhythm, musicality and spirit." "I am convinced that artistic emotion ceases where analysis and thought intersect: something else provokes thought and gives the feeling of beauty." "A work of art is a force that attracts, that absorbs the available forces of the one who comes close to it." "The poem is a constructed object... the prose poem is a jewel." from The Dice Cup: THE PRESS: I entered timidly: there was an ostrich that was losing its feathers and, on a white stucco pedestal, a bronze bird whose plumage was represented by a series of engraved shells. It was Mr. Abel Hermant or someone like Mr. Abel Hermant who appeared, as soon as the hallway door opened: "Ah! young man!" said he, "you come for the hundred sous!" I learned later that a hundred sous were given to everybody who came there. At the mention of a hundred sous, the ostrich dropped a feather and the bronze bird flew away. Anyway, the vestibule was deserted and dusty, pins were kept in iron boxes painted with the portraits of great men, Cuvier, Buffon, etc... "Ah! Young man," repeated Mr. Abel Hermant or someone of the same ilk, "you come for the hundred sous!" And the birds re-commenced their motions. "No, sir! It's free! It's a free delivery!" My future spiritual guide did not listen any further: "free delivery" had edified him, he turned his back on me. The ostrich put on his policeman's hat and looked at me with worried curiosity. The bronze bird was even more bronze.

Journalist Max Lerner writes a stunningly honest account of the feelings and thoughts that marked his battle with two successive cancers and a heart attack. Journal entries from this extraordinary ordeal show how mind and body interweave in the healing process. A worthy companion to Anatomy of an Illness.--Kirkus Reviews.

""Hitler In Our Selves"" by Max Picard is a thought-provoking book that explores the psychological impact of Hitler and the Nazi regime on the human psyche. The author argues that Hitler's beliefs and actions have left an indelible mark on our collective consciousness, and that we continue to grapple with the legacy of this dark period in history. Drawing on a wide range of sources, including literature, philosophy, and psychology, Picard examines the ways in which Hitler's ideology has infiltrated our thoughts, feelings, and behaviors. He also explores the role of propaganda and mass media in shaping our perceptions of the world, and how these forces can be used to manipulate and control us. Ultimately, ""Hitler In Our Selves"" is a powerful call to action, urging readers to confront the shadow of Hitler within themselves and work towards a more compassionate and just society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A lengthy critique of Kant's apriorism precedes discussions on the ethical principles of eudaemonism, utilitarianism, pragmatism, and positivism.

Workers' Democracy Versus Bureaucratic Dictatorship In Russia.

When undertaking a new project, the first thing that must be decided on is the layout. Organized so as to encourage creativity, serendipitous discovery, and inspiration, The Layout Look Book is a great guide for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work.

Now in paperback, the extraordinary English language debut from the critically acclaimed writer Maxim Biller, whose “gossamer fictions may remind you of narrative poems in their ability to simultaneously elude and haunt you” (Francine Prose, O, The Oprah Magazine). • A writer on the verge of international acclaim: maxim Biller’s work received raves when it was published in The New Yorker in the summer of 2007, and he’s already been published in Dutch, Danish, French, Greek, and Czech. German cultural institutions based in the u.S., such as the Goethe House, are enthusiastically helping to promote Biller’s work in english. In addition, Love Today is translated by Anthea Bell, the award-winning German-language translator. • Twenty-seven exquisite vignettes: Biller depicts the complexities of romantic relationships in the twenty-first century perfectly—the frustration, longing, and loneliness—in these skillfully crafted stories, designed to build upon each other. It’s as if the reader were standing in the courtyard of an apartment building, observing the lives of others, listening to their conversations, experiencing their intimacy. • For fans of Miranda July, Nathan Englander, and Jonathan Safran Foer: Biller’s writing is sensitive, observant, and honest. The end result is both romantically voyeuristic and deeply moving—Biller is a writer poised for international stardom.

"In his captivating new book, based on new evidence and a series of interviews, author and scholar Maxim D. Shrayer offers a richly journalistic portrait of Russia's dwindling yet still vibrant and influential Jewish community. This is simultaneously an in-depth exploration of the texture of Jewish life in Putin's Russia and an emigre's moving elegy for Russia's Jews, which forty years ago constituted one of the world's largest Jewish populations and which presently numbers only about 180,000. Why do Jews continue to live in Russia after the antisemitism and persecution they had endured there? What are the prospects of Jewish life in Russia? What awaits the children born to Jews who have not left? "With or Without You" asks and seeks to answer some of the central questions of modern Jewish history and culture"--

French

. 1975, light fading to cover, clean tight copy

Poetry. "Syllable by syllable, vigorous aural and resolutely abstract. [Chernoff's] strings of words create L=A=N=G= U=A=G=E poetry of the most radical sort. There is not an iota of ingenuousness to be seen anywhere"--Marjorie Perloff.

The Pulitzer Prize-winning poet writes about her life, the creative process, and the work of other poets.

"Here is a singular story of survival, an earthly miracle wrought by family devotion, gardens, horses, guts. A compelling read."—Carolyn Heilbrun In July 1998, when Maxine Kumin's horse bolted at a carriage-driving clinic, she was not expected to live. Yet, less than a year later, her progress pronounced a miracle by her doctors, she was at work on this journal of her astonishing recovery. She tells of her time "inside the halo," the near-medieval device that kept her head immobile during weeks of intensive care and rehabilitation, of the lasting "rehab" friendships, and of the loving family who always believed she would heal. "[S]he resonates wisdom while announcing a triumph of body and soul."—Anne Roiphe, New York Times Book Review "Maxine Kumin brings the sensitivity and imagination of a poet to her extraordinary ordeal."—Richard Selzer, author of Mortal Lessons: Notes on the Art of Surgery "From a singular experience she has created a lesson that is universal, which, it seems to me, is the essence of being a poet."—Abraham Verghese, author of The Tennis Partner

"From Pulitzer Prize-winning poet Maxine Kumin, a timeless memoir of life, love, and poetry. Maxine Kumin left an unrivaled legacy as a pioneering poet and feminist. The Pawnbroker's Daughter charts her journey from a childhood in the Jewish community in Depression-era Philadelphia, where Kumin's father was a pawnbroker, to Radcliffe College, where she comes into her own as an intellectual and meets the soldier-turned-Los Alamos scientist who would become her husband; to her metamorphosis from a poet of "light verse" to a "poet of witness"; to her farm in rural New England, the subject and setting of much of her later work. Against all odds, Kumin channels her dissatisfaction with the life that is expected of her as a wife and a mother into her work as a feminist and one of the most renowned and remembered twentieth-century American poets" --

Rare book

"A young boy named Max must contend with the fact that there are others named Max, just like him"--