At the request of a social worker in a homeless shelter, single father David Rosen of Massachusetts agrees to lodge an abused young woman and her child. It is the start of a harrowing experience which begins when the husband, telephoned by his wife, arrives with an axe.

An anthology of poems, most of them by English poets of earlier centuries, which reflect the symbolic overtones and moods of the seasons.

Book by Oppenheimer, Joel

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Guardian of the gates of hell, brightest star in the night sky, the dog is the saucy, swaggering, world-weary trickster whose indomitable spirit has been mythologized for millennia. In Dog, poets Catherine Owen and Joe Rosenblatt have written a volume of solo and conjoined sonnets about dogs of the cosmos, the underworld and the psyche. Orbiting around the striking canine images of photographer Karen Moe's Perros: Dogs of Central Havana, Owen and Rosenblatt wisely and wittily follow the scent of mankind's oldest friend, sniffing out the traces of the dog in all of us.

Mia is in Bosnia as a journalist when she is summoned by Asher, the man she blames for her father's death. In his dying moments, Asher returns the dreamcloth to her, a patchwork of beads and lace he stole when she was just a child. The cloth, woven by a seamstress in a grim shtetl in Lithuania, holds the mystery of a forbidden love affair of Mia's grandmother Maya, as she fled the anti-Semitism of Europe in the 1920's. Mia returns to her homeland South Africa, on the eve of the first democratic elections where she grapples to make sense of the injustices, absences and hauntings of her childhood. What happened to her artist father Issey, her nanny Sarafina, and her best friend Grace? The dreamcloth with its 'glimmer of blue silk, a moon of filigree lace and woven cobblestones of amber, ' holds the answers to all that has been lost. Fedler weaves together the present, past and distant past in a stirring epic of family secrets handed down from generation to generation, and ghosts that will not let go of the living.

In 1959, at the age of 22, Joanna Russ published her first science fiction story, “Nor Custom Stale,” in The Magazine of Science Fiction and Fantasy. In the forty-five years since, Russ has continued to write some of the most popular, creative, and important novels and stories in science fiction. She was a central figure, along with contemporaries Ursula K. Le Guin and James Tiptree, in revolutionizing science fiction in the 1960s and 1970s, and her 1970 novel The Female Man is widely regarded as one of the most successful and influential depictions of a feminist utopia in the entire genre. The Country You Have Never Seen gathers Joanna Russ’s most important essays and reviews, revealing the vital part she played over the years in the never-ending conversation among writers and fans about the roles, boundaries, and potential of science fiction. Spanning her entire career, the collection shines a light on Russ’s role in the development of new wave science fiction and feminist science fiction, while at the same time providing fascinating insight into her own development as a writer.

AcknowledgmentsIntroductionThe place of the history of religions in the study of theologyUniversals in religionThe concept of the 'classical' in the study of religionsThe idea of man in the Near Eastern religionsSpiritual teachings in Islam with special reference to al-HujwiriThe study of Mahayana BuddhismCaspar a pupil & a teacher in the school of ChristThe role of religion in the social philosophy of Alexis de TocquevilleChurch, denomination & sectRudolf Otto & The idea of the holyConclusionNotesIndex

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Art and Text in Roman Culture is a collection of specially commissioned essays exploring the interface between words and images in the Roman world. The relationship of pictures and writing is complex and fascinating. Essays by ancient historians, literary critics and classical art historians examine a range of themes from ekphrasis to epigraphy, from the problems of modern to those of ancient reproduction, from mimesis to self-fashioning, from the cultural meanings of children and death in imperial Roman art to the significance of torture and images of women. The aim of this volume - a sequel to Art and Text in Ancient Greek Culture edited by Simon Goldhill and Robin Osborne (1994) - is to offer a series of commentaries and reflections on different kinds of interaction between images and writing in Rome, in order to enrich the critical debate within Classical art history.

In 2015, Beirut's district president takes the dangerous road to Damascus once a month to bring the sacrament to Syrian Saints. In 1904, a ward rallies around a mentally ill member in Salt Lake City after he's institutionalized. In 1844, a sister gathers new members on the South Pacific atoll of Anaa and teaches them the gospel by singing hymns from dusk until midnight. The twenty-two poems in Song of Names draw images from the lives of ordinary Latter-day Saints from many times and places to make a mosaic of discipleship. Accompanied by historical introductions, reflective essays, and original fine art sketches, this collaboration between James Goldberg, Ardis E. Parshall, and Carla Jimison is a monument to two centuries of struggle and faith.

This book is the first volume in Jacob Neusner's ground-breaking trilogy, "The Foundations of Judaism: Method, Teleology, Doctrine." This Part One - "Method" - offers the first systematic explanation of why the midrash collections - that is, books of rabbinical exegeses of Scripture - were written. Neusner investigates the circumstances in which the earliest midrash collections were organized around the Pentateuch, and explains both the purpose of the work and its historical context.

It's about these 6 friends in college CJ, Dashawn, Marcus, Vanessa, BB, Jasmine. They go through ups and downs. A lot go on while in college. It's not easy but with love, friendship, life, growth and hardship. This will want you to read because this is a great story about how 6 friends in college can make it. Can strive. Learn to love l, fight, make up and always be there for each other hope you like this story. This how it go CJ and BB are step brother and sister, Dashawn and Vanessa are brother and sister Vanessa is dating CJ and Marcus and Jasmine are not related to anyone or is dating no one but that is what the story is about.

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w

Israel Zangwell (1864-1926) was a writer and lecturer, traveling in the United States, through Great Britain, Ireland, Holland, and to Jerusalem. He took a great interest in Zionism. His Mantle of Elijah, about imperialism and the political problems connected with it, was widely read.