"The Frontier Garrison" is the first English translation of "Az elõretolt helyõrség" by the Hungarian novelist Jenõ Rejtõ (1905-1943), originally published in 1939 under the pen name of "P. Howard." The translator, Balint Kacsoh (a university professor) also annotated the edition. The preface provides biographical data of Jenõ Rejtõ in historical and literary context. The genre is fiction; elements of action, adventure, mystery, and comedy are mixed in the story. It is suitable for young readers and adults. Synopsis: Action and adventure are mixed with a healthy dose of offbeat humor in this P. Howard classic, set in the second half of the 1930s. Harrincourt is dishonorably discharged from the French Naval Academy for a prank. He realizes that his carefree behavior put the livelihood of his widowed mother and teenage sister in jeopardy. To secure their financial future, he pays the premium on his life insurance policy and joins the French Foreign Legion destined to Africa, where his death "in the course of professional duty" would be all but guaranteed. While in basic training in Oran, he unwittingly becomes mixed up in murder and espionage and encounters the ghost of a murdered woman who has a penchant for singing. In short order, his unit is dispatched to a frontier garrison established to support French colonial expansion into equatorial Africa. Rival foreign powers, however, attempt to thwart the French plans and Harrincourt finds himself in the crossfire of international intrigue and falls in love with the beautiful woman whose haunting ghost follows the legionnaires as they march through the deadly Sahara. It is up to Harrincourt to save the day and uncover the secret of a mysterious watch, even if it might mean foregoing the death benefit his insurance policy would pay to his family.

In post-war Israel, the Kol family strive to regain the ability to love as they struggle with devastation and loss, and with finding the meaning to their hates, fears, and passions

When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre, with Stanislavsky as Trigorin, and was an immediate success, changing for ever the nature and possibilities of drama. Chekhov's description of the play was characteristically self-mocking: 'A comedy - three f., six m., four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love'.

Poems deal with marriage, love, music, travel, mortality, myth, nature, and the past

A tale of love and lust set in a small Midwest American town.

PILGRIM STATE is a stunning memoir which tells the story of Dorothy Walker - equal parts beautiful, headstrong, brave and tragic. Her life is lovingly recreated by her daughter Jacqueline in homage to the remarkable woman she was. In the haunting opening pages, set in Pilgrim State mental facility in New York State in 1951, Dorothy has been forcibly sectioned and is battling to keep her children and her sanity. She will struggle all her life to retain both. Dorothy and her children return to Jamaica before finally making a home in post-Windrush London in the early 60s. Dorothy and her children face prejudice and loss but are bound by incredible love and their unique sense of family. This will prove to be Dorothys greatest gift. Stories like PILGRIM STATE dont come along that often. And when they do you recognise you have something very special. And when a voice is this strong and original, you stop to listen. PILGRIM STATE celebrates place, the life-affirming nature of family and the bonds between mothers and daughters that can never be broken. The story is haunting and powerful and speaks for generations of women, resonating long after the story ends. Jacqueline Walker has done her mother proud.

From writing a birth announcement that won’t attract the attention of kidnappers, to doing criminal background checks on the other parents before having a playdate, How Not to Kill Your Baby is the perfect comedic antidote to parental paranoia. "This laugh-out-loud hilarious book is mandatory reading for parents, and should be taught in schools as the "cautionary tale" portion of Sex Ed. Run don't walk to buy it, and if you're a baby with lethal parents, crawl don't roll." --Rob Kutner (writer, The Daily Show, Conan, The Future According To Me ) "Unlike babies themselves, copies of Jacob Sager Weinstein's book can be bought and sold on the open market. Buy two and bring joy and laughter to the lives of a copy-less couple." --Jose Arroyo (writer, Conan ) "The "s-a-g-e" in Jacob's middle moniker indicates exactly that. He is a whimsically wise and hysterically funny fellow whom any child (or book buying adult) would be wise to listen to." --Dennis Miller "If you don't buy this book and then your baby dies, how are you going to feel? Pretty bad, I imagine." --Larry Doyle (writer, I Love You Beth Cooper; Go, Mutants!; The Simpsons ) Have you ever read a parenting book that left you feeling inadequate and/or terrified? In other words, have you ever read any parenting book whatsoever? If so, you need How Not To Kill Your Baby , a hilarious parody of every fear-mongering, crazy-making pregnancy and parenting manual you've ever cringed over. Just consider the following advice: * "As you know if you have ever seen someone give birth in a movie or television show, all newborns emerge with adorable round faces, pudgy limbs, and twinkling eyes. If, by contrast, the nurse hands you a tiny, squawling creature with the face of an old man and skin covered in goo, hand it back immediately. There has clearly been some sort of mixup with a nearby ward for senile midgets." * "It's essential that you keep careful track of your baby's every bodily function. That way, when she is president of the United States and a paranoid-minded conspiracy movement springs up denying her eligibility for the position, you will have documentary proof that she did, in fact, poop on U.S. soil at 8:23AM on February 23." * "When choosing a nursery school, make sure to visit first, and ask the teachers about their educational philosophies. Then ask about their criminal records. If they insist they have none, you may need to keep asking, perhaps while shining a bright light in their face. Also, take their fingerprints, then follow them home from a discreet distance and go through their trash. Oh, and don't forget to thank them for their dedication to helping the young!" * "It is easy to adjust your parenting techniques as your children grow: simply do and say the exact same things, but raise your voice by one decibel for every year of your child's age." How Not To Kill Your Baby is printed on child-safe, 100% piranha-free paper, and bound without the use of exploding staples. You'll get no such promise from What To Expect When You're Expecting . How Not To Kill Your Baby is the book for you... unless you're some kind of baby-hating creep who wants to parent all wrong.

It's about these 6 friends in college CJ, Dashawn, Marcus, Vanessa, BB, Jasmine. They go through ups and downs. A lot go on while in college. It's not easy but with love, friendship, life, growth and hardship. This will want you to read because this is a great story about how 6 friends in college can make it. Can strive. Learn to love l, fight, make up and always be there for each other hope you like this story. This how it go CJ and BB are step brother and sister, Dashawn and Vanessa are brother and sister Vanessa is dating CJ and Marcus and Jasmine are not related to anyone or is dating no one but that is what the story is about.

When Diana Longden's life is shattered by a mystery illness, she and Deric must learn to cope. Doctors are helpless in the face of a disease which seems to have neither cause nor cure, but for the Longdens life goes on - a life full of laughter, trust and the power of love.

“Poetry is really a weapon. It’s a spiritual weapon for the transformation of the world. And, of course, all my poems are love poems. The nicest thing in the world is to propagandize for love.”—Jack Hirschman “Jack is a very American voice. He certainly aims to be the Voice-of-the-People—of course, he would define ‘the people’ in Marxist terms.”—Lawrence Ferlinghetti In this unique collection of new and previously published work by San Francisco’s Poet Laureate Jack Hirschman, a lighter, humorous side of the award-winning poet is revealed. Even in his most ardent political pieces, Hirschman’s playful side shines through (“New World Odor”). Known for his commitment to social justice, Hirschman often frames ordinary urban moments with extraordinary clarity (“Folsom Prison Haiku”), gently guiding the reader to a new way of seeing. Also included are acerbic reflections on the fall of Communism (“Red-Baiter”), tender memorials for friends (“The Day Bobby Kaufman Died”), and melodious love poems (“A Woman’s Darkness”).

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

"With The Covenant Irving Layton takes up once more the controversial theme of his previous volume, For My Brother Jesus. Returning to the fray, he lays waste to his critics with the kind of impassioned eloquence and well-honed reason that have kept succeeding generations of readers in awe if his prodigious mind and craft. The Covenant extends Layton's earlier argument about the relationship between the Holocaust and Christianity; it is an attempt to humanize and to de-mystify Jesus Christ, and to show the difference between his true disciples and those whom Layton calls "Xians", the ones who have perverted the teachings of Christ. With prophetic fire, Layton roars forth his testimony in stanzas that ring with honesty, conviction, and truth. His genius flashes with similar intensity but contrasting mood in the many beautiful love lyrics and meditative poems that are interspersed throughout. The Covenant is a worthy successor to the long list of books that mark the progress and popularity of this major poet." -- From back cover.

`Don't let the title fool you; this is not a book of romanticDance with Desire chosen from across the span of his long career, Layton styles himself as a 20th-century Catullus, loving and hating with equal glee, given to passionate excesses and epigrammatic precision, utterly unconcerned with sweet nothings or political correctness. Layton is often charged with being too verbose, with having published far too many substandard poems, and having let his verse grow slack as he grew older. These are all valid criticisms, but they don't really apply to Dance with Desire since its very existence depends upon the excesses, embarrassments, and foolishness of the unstifled love that Layton celebrates.'

In 1954 18-year-old Irma Kurtz left New Jersey to travel across Europe, intent on transforming herself and changing the world. On her post-war Grand Tour she found what she believed in: art, culture, beauty and love, and some horror as a Jewish girl encountering the seat of much of her family's destruction. In the year 2000, sifting through a cardboard box of memories, she rediscovered the journal of her first journey, which marked the beginning of a life of writing and living abroad. Gripped by intense recollections of her adventurous younger self, she left London and retraced her footsteps, this time with herself as a guide.

Even before his birth, Johnny Baker's life is in danger. His mother breaks the law when she has her fertilized egg endowed with genes that will give her son the potential to become a visual artist. Born in 2038, John Firth Baker is the first genetically engineered artist. At the age of nineteen, at the threshold of his career, he is murdered. Now, ten years after his death, Baker has become famous. An art curator has organized a show of his work, and his biography-culled from journals, e-mails, and interviews with those who knew him best-is published. The Song of the Earth is this "biography." It presents a powerful and haunting portrait of an artist as a young man in the twenty-first century. Baker is born into a world transformed by technology: genetic profiles, space travel, and controlled housing communities are commonplace. Global warming has altered the environment. A planetary gender war is raging, familial structures are shattered, and new religions contend with the old. Yet human needs remain the same: the search for love, the desire for approval, the longing for fame, and the quest for knowledge. The Song of the Earth is a hypnotic novel about our desire to control our destinies, our yearning for immortality, and the very human impulse to create art. With prose, poetry, and images, Nissenson tells an original tale that brilliantly captures the experience of another time and place.

A complex masterpiece that reveals the mind of a contemporary woman beyond the confines of family, love, and duty to one's self. Lexie, a married woman with four children, undergoes a midlife crisis and questions her role as wife, mother, and lover. From within a Victorian house in the Hudson River Valley, Lexie dissects her life experiences in hopes of gaining a deeper understanding of her unhappiness. Through rich symbolism, lively dialogue, and acute commentary, Hortense Calisher conjures a cohesive map of Lexie's personal awakening.

A kaleidoscopic memoir of a 35-year love affair with mysterious, exotic Haiti. The dialogue the author conducts with this beleaguered island is rich with surprising revelations and startling juxtapositions. "The best all-encompassing explanation of this . . . tragic island country that I have read".--Digby Diehl, Playboy.

ONE WAS A KILLER: A TOUGH KID--with a record of violence. The headlines screamed for a fast conviction. THE LEADER of a vicious gang. What had he wanted from Ann Avery the night of her death? A DOPE ADDICT--She looked too frail to kill anyone. A HIGH LIVER--on a teacher's salary. Where did he get the big money? A JEALOUS HUSBAND--Did he really love his wife? A LUSH--Blackmail was her only chance for more whiskey. A RELUCTANT WITNESS--Why did he hide a piece of explosive evidence which might clear another suspect? These were the people psychoanalyst Gray set out to question about the murder of Ann Avery, knowing as he searched that one or more among them would also be killed

Product Description Screenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-nots of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.com Review Funny and Sexy! Engrossing, enlightening and entertaining! --Rex Reed, NEW YORK OBSERVER. An ascerbic portrait of the Movie Business in histrionically high gear! --Stephen Holden, THE NEW YORK TIMES. --Kevin Thomas, LOS ANGELES TIMESAn ascerbic portrait of the Movie Business in histrionically high gear! --Stephen Holden, THE NEW YORK TIMESA giddy comic fantasy, full of romance, chicanery and beguiling, sophisticated players! --Kevin Thomas, LOS ANGELES TIMES About the Author The filmmaker/playwright trained in New York at The Actor s Studio, studying acting with Lee Strasberg and writing/directing with Harold Clurman. He performed in off-Broadway theatre and cabaret before coming to Hollywood under contract to Columbia Pictures, where he guest-starred on TV shows ('Gidget,' 'The Flying Nun') and was featured in a number of films, including ones directed by Jack Nicholson (Drive, He Said), Dennis Hopper (The Last Movie) and Orson Welles (The Other Side of the Wind), each of whom he eventually directed in return. Jaglom began his acclaimed filmmaking career, working with Nicholson to edit Hopper's 1969 hit Easy Rider. He made his debut as a writer/director with 1971's A SAFE PLACE, which starred Tuesday Weld, Nicholson and Welles. Since then, Jaglom has written and directed 18 more films, including TRACKS (1976), SITTING DUCKS (1980), CAN SHE BAKE A CHERRY PIE? (1983), ALWAYS (But Not Forever) (1985), SOMEONE TO LOVE (1987), NEW YEAR'S DAY(1989), EATING (1990), VENICE/VENICE (1991), BABYFEVER (1994), LAST SUMMER IN THE HAMPTONS (1996), DEJA VU (1998), FESTIVAL IN CANNES (2002) and GOING SHOPPING (2004). Since selecting her to star in his 2007 HOLLYWOOD DREAMS, Jaglom has collaborated with actress Tanna Frederick on the films IRENE IN TIME (2009), QUEEN OF THE LOT (2010) and THE 'M' WORD, which is currently in post-production.