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Then what happens? storytelling and adapting for the theatre

Alfreds, Mike
A practical investigation into story-theatre and the art of telling stories through theatre, by the renowned director who founded Shared Experience Theatre Company. In Then What Happens?, Mike Alfreds makes the case for putting story and storytelling back at the heart of theatre. He explores the whole process of adapting for the stage, and investigates the particular techniques - many of them highly sophisticated - that actors require when performing 'story-theatre'. The book includes over two hundred exercises, improvisations and workshops dealing with the practical aspects of story-theatre, such as building an ensemble, creating a physical vocabulary, and transforming written narrative into drama. It draws on examples ranging from traditional legends and folklore, through the works of Jane Austen, Charles Dickens and Evelyn Waugh, to contemporary fiction. Alfreds shows how each story demands its own particular set of dramatic choices, opening up endless possibilities for performance. Then What Happens? - like the author's tremendously successful first book, Different Every Night - will be invaluable to directors and actors, to dramatists working in the field of adaptation, to those devising and working from improvisation, and to any theatregoer who has been moved by the power of an unfolding story to ask: 'Then what happens?'
Nick Hern Books 2013 432 pages

All or nothing

Leigh, Mike
After his critically acclaimed departure to period drama with Topsy-Turvy , Mike Leigh returns to the more intimate explorations of working-class life that marked his early career with All or Nothing . Set in a London housing project over one long weekend, Leigh’s masterful and moving new film tells the story of Penny and Phil—a long-estranged couple brought together again after their son becomes suddenly and violently ill. An unflinching look at the often harsh realities of London’s down-and-out, All or Nothing is also Mike Leigh’s most nuanced and heartfelt film to date.
Faber and Faber 2002 153 pages

Mike Leigh: interviews

Leigh, Mike
British filmmaker Mike Leigh began his career in the 1970s as a playwright and theater director. Later he made a number of films of varying lengths for British television and then moved into feature film production. Although well established in the U. K., he slowly gained a reputation in the United States, where, at first, his work was known to a relatively small number of filmgoers and critics. Such major films as High Hopes and Life Is Sweet attracted little attention in America. With the release of Secrets and Lies, however, the audience for Leigh's films increased dramatically. Mike Leigh: Interviews collects published conversations from the past seven years. Not just a close-up encounter with Leigh, they also express both his unusual work style and the emotional and intellectual toughness that characterizes his distinct approach to filmmaking. As Leigh speaks in these interviews, he reveals what is unique in his work, particularly that his films do not begin with a script. Explaining this approach, he discusses how he begins by assembling a few actors who talk, improvise, create characters, and gradually develop a story that contains their actions. Before the camera rolls, a tentative script is set, but many months may pass before the script is finished and the shooting begins. Among those he talks with in these interviews are Jay Carr of the Boston Globe, Kenneth Turan of the Los Angeles Times, and Judy Stone, the longtime critic of the San Francisco Chronicle. Leigh is asked to discuss politics, social attitudes, and religion--all of which give his films a unique signature. Howie Movshovitz is the director of FilmCenter Denver in the College of Arts and Media at the University of Colorado. He also is a film critic for Colorado Public Radio and a contributor to Playboy.com and "Morning Edition" on NPR.
University Press of Mississippi 2000 138 pages

Blake/Paine: In Their Time and Ours

Marqusee, Mike
Product Description The oppositions and affinities of two key figures in the history of radical liberty.Furiously annotating a pamphlet attacking Thomas Paine’s Age of Reason, William Blake challenged Thomas Paine’s dismissal of miracles. “Is it a greater miracle to feed five thousand men with five loaves than to overthrow all the armies of Europe with a small pamphlet?” How could “Paine the worker of miracles” doubt their existence? As this anecdote illustrates, it is all too easy to organize our thinking about the high Enlightenment in ways that place Paine and Blake in stark opposition: Paine the debunker of Biblical fictions; Blake the ecstatic interlocutor of angels. Despite their differences, there was a profound level of sympathy between the two men. In a work that reveals their radical affinities, Marqusee shows how their writing, read together and in opposition, can enliven our understanding of war, revolution and those moments in which the horizon of the possible expands—epiphanies that were, for Blake, true miracles. Review “Both in the eloquence of his writing and the deep humanism of his vision, he stands shoulder to shoulder with the spirits of Isaac Deutscher and Edward Said.” (Mike Davis) About the Author Mike Marqusee’s books include Wicked Messenger: Bob Dylan and the 1960s, Redemption Song: Muhammad Ali and the Spirit of the Sixties, War Minus the Shooting, Anyone but England and If I Am Not for Myself. He is a regular contributor to the Guardian and writes a fortnightly column for the Indian newspaper The Hindu. He lives in London.
Verso 2014 224 pages

PreDictionary Experiments in Verbal Creativity

Mikhail Epstein
MIKHAIL EPSTEIN "PreDictionary. Experiments in Verbal Creativity". Mikhail EPSTEIN is a literary scholar and critical thinker and Professor of Cultural Theory at Emory University (Atlanta, USA). PreDictionary is a dictionary of would-be words that are designed to fill gaps in language and generate new concepts and meanings. Focused on the creative potential of a neologism and a dictionary entry, this book is dedicated to both poetry and poetics. The main part of the book includes 150 entries in 14 thematic sections. All new words are supplied with definitions and examples of usage. "Amazing collection of coinages. Much more impressive than the pop proposals of Faith Popcorn. And what a wonderful word is "predictionary"!" --Allan METCALF, Professor of English at MacMurray College and Executive Secretary of the American Dialect Society.
Lulu.com 2011 131 pages

Forced march: selected poems

Radnóti, Miklós
Forced March is a new edition of Radnóti’s selected poems, in the powerful and moving translations of Clive Wilmer and George Gömöri. Poet Dick Davis explains why this book is so important: ‘Radnóti has emerged as the major poetic voice to record the civilian experience of World War II in occupied Europe. His poems are an extraordinary record of a mind determined to affirm its civilization in the face of overwhelming odds. He is one of the very greatest poets of the twentieth century, and Clive Wilmer’s and George Gömöri’s versions are by far the best that exist in English.’ By the time the Second World War broke out, Miklós Radnóti was already an established poet. When the Nazis took over his home-town of Budapest, Radnóti was sent to a labour camp at Bor in occupied Serbia. Then, in 1944, as the Germans retreated from the eastern front, Radnóti and his fellow labourers were force-marched back into Hungary. On 9 November, too weak to carry on, he and many comrades were executed by firing-squad. When the bodies were exhumed the following year, Radnóti was identified by a notebook of poems in his greatcoat pocket. These poems, published in 1946 as Foaming Sky, secured his position as one of the giants of modern Hungarian poetry.
Enitharmon in association with the European Jewish Publication Society 2003-08-01 96 pages

Sexual knowledge, sexual science: the history of attitudes to sexuality

Roy Porter,Mikulas Teich
Sexual Knowledge, Sexual Science explores attempts to develop bodies of knowledge about sex from antiquity to the present day. Taking into account cognate sciences like zoology, anatomy, embryology and psychiatry, the volume analyses the shaping over the centuries of disciplines which came by 1900 to be called 'sexology'. Various contributions explore the interfaces between 'high' and 'low' sexual teachings, and the connections and tensions between popular and empirical sexual knowledge on the one hand and overtly scientific formulations. A major concern of the book is to investigate the ideological functions - in terms of group, class and gender - of sexual science, especially when incorporated into systems of legal, medical and political power. Among sexual liberals and radicals it has long been an article of faith that sexual science, sexual liberation and sexual fulfilment will all advance hand-in-hand. With the modern backlash against permissiveness, and against the background of AIDS, such views are being challenged. This new book offers an historical perspective upon such questions.
Cambridge University Press 1994-09 408 pages

The scientific revolution in national context

Roy Porter,Mikulas Teich
The "Scientific Revolution" of the sixteenth and seventeenth centuries continues to command attention in historical debate. What was its nature? How did it develop? Controversy still rages about the extent to which it was essentially a "revolution of the mind," or how far it must also be explained by wider considerations--social, economic, political and cultural. In this volume, leading scholars of early modern science argue the importance of specifically national contexts for understanding the transformation in natural philosophy between Copernicus and Newton. Distinct political, religious, cultural and linguistic formations shaped scientific interests and concerns differently in Italy, France, Britain, the Germanies, Spain, and so on, and explain different levels of scientific intensity. Questions of institutional development, and of the transmission of scientific ideas, are also addressed. The emphasis on national determinants makes this volume an entirely original contribution to the study of the scientific revolution.
Camb. U. P. 1992-09-25 305 pages

The Scattering of Light and Other Electromagnetic Radiation: Physical Chemistry: A Series of Monographs

Kerker, Milton
The Scattering of Light and Other Electromagnetic Radiation discusses the theory of electromagnetic scattering and describes some practical applications. The book reviews electromagnetic waves, optics, the interrelationships of main physical quantities and the physical concepts of optics, including Maxwell's equations, polarization, geometrical optics, interference, and diffraction. The text explains the Rayleigh2 theory of scattering by small dielectric spheres, the Bessel functions, and the Legendre functions. The author also explains how the scattering functions for a homogenous sphere change depending on different physical parameters such as the optical size, the complex refractive index, and the angle of observation. The author addresses the assignment of a complex dielectric constant and a corresponding refractive index to plasma when an alternating electrical field is applied that will make the plasma exhibit conductivity and polarization. In a liquid, the author points out that the intensity of scattering is one or two orders of magnitude less than that found in a gaseous system; he explains that the molecules are no longer acting as incoherent nor as randomly located scatterers. This book can be useful for physicists, chemists, biochemists, and engineers whose work includes research utilizing light scattering in the study of certain gases, pure liquids, molecular solutions, macromolecules, polymers, and glass.
Academic Press 2016 688 pages