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A simple layout of one artwork per page allows you to appreciate each piece in full detail. (Note: individual commentary for each work is not included.) Moïse Kisling (1891–1953), a key figure of the École de Paris, is celebrated for his elegant portraits, vibrant landscapes, and refined still lifes. After moving from Kraków to Paris at a young age, he developed his style among fellow artists in Montparnasse, forming friendships with painters such as Modigliani, Soutine, and Chagall. Kisling’s clear contours, harmonious colors, and attentive observation of his subjects give his works a distinctive presence that continues to captivate viewers. This volume presents Kisling’s representative works in a large, easy-to-view format. Arranged roughly in chronological order, the selection allows readers to follow the evolution of his art—from early Céret landscapes and expressive portraits to the poised nudes and richly colored compositions of his mature years. With the one-work-per-page layout, every nuance becomes visible: the crisp outlines, the subtle modeling of faces, the luminous palettes, and the balanced compositions that define his style. Kisling’s sensitivity, discipline, and unmistakable artistic voice come through vividly in these pages. We invite you to experience the clarity and warmth of his world through this book. Size 215.9 mm × 257 mm (8.5 × 10.1 inches) Usage Enjoy the book as an art collection, or detach the pages to frame and display them in your home. The downloadable image files may be used as wallpapers for your computer or smartphone, or printed as posters. An ideal gift for anyone who appreciates portraiture, modern color, and the spirit of early 20th-century Paris. Contents Please see the first sample page for the full list of included works. About Arca Publishing Arca Publishing brings timeless masterpieces to readers worldwide at an affordable price. Each volume features a simple layout of one artwork per page, allowing every piece to be appreciated in its entirety. New titles are continually being added.

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"This first collection and scholarly edition of Muriel Rukeyser's previously unpublished and uncollected prose draws from her journalism, literary essays, book reviews, lectures, stories, and radio scripts. The selections, annotations, and editorial apparatuses highlight the connections between Rukeyser's modernist experimental poetics and antifascist, antiracist, and queer feminist radical politics"--

2018 Reprint of 1962 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Bookchin wrote Our Synthetic Environment under the pseudonym Lewis Herber. This was one of the first books of the modern period in which an author espoused an ecological and environmentalist worldview. It predates Silent Spring (1962) by Rachel Carson, a more widely known book on the same topic widely credited as starting the environmental movement. "At the time of its publication, Our Synthetic Environment was the most comprehensive and enlightened book on the environmental crisis. Many other books on this topic have been published since, but none, I believe, as comprehensive." --René Dubos

The panic of 1819 was America's first great economic crisis. And this is Murray Rothbard's masterful account, the first full scholarly book on the topic and still the most definitive. It was his dissertation, published in 1962 but nearly impossible to get until this new edition.The American Economic Review was wild for this book when it appeared: "Rothbard's work represents the only published, book-length, academic treatise on the remedies that were proposed, debated, and enacted in attempts to cope with the crisis of 1819," the reviewer wrote. "As such, the book should certainly find a place on the shelf of the study of U.S. business cycles and of the economic historian who is interested in the early economic development of the United States."And specialists have treasured the book for years. It is incredible to realize that some American historians think of M.N. Rothbard as the author of this book and nothing else!The panic of 1819 grew largely out of the changes wrought by the War of 1812, and by the postwar boom that followed. The war also brought a rash of paper money, as the government borrowed heavily to finance the conflict. This would inevitably lead to suspension of specie payments in some parts of the country in 1814.Freed from the shackles of hard money, the suspension of specie led to a boom. When peace came, the so did the bust.But in the end, there was no widespread confusion on what caused the downturn. Instead, it was widely known that false prosperity is a very dangerous thing. It always turns to bust. But unlike today, the government didn't intervene. And precisely because there was no intervention, the panic ended quickly and peacefully.What we have here, then, is not only a dazzling historical account — the research here is deep and thorough, and the prose a model of exposition; it also points the way to how all economic downturns can and should be handled. For that reason, the Panic of 1819 offers important lessons for us today.To search for Mises Institute titles, enter a keyword and LvMI (short for Ludwig von Mises Institute); e.g., Depression LvMI

In this stimulating study, the author explores how Conrad, T.S.Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions Modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some fascinating insights into the nature of the literary works themselves.

LARGE PRINT EDITION! More at LargePrintLiberty.com Since its first issue in the Spring of 1977, the Journal of Libertarian Studies, founded by Murray N. Rothbard, has been the voice of scholarship in libertarian theory, was the major launching pad for every new idea that shaped the world of libertarianism, the preeminent forum for the airing of revisionist historical research on war and interventionism, and the primary venue for reconstruction of the history of ideas in terms of libertarianism.

THE STORY: As described by The New York Post : The play is about a starving young painter living in a Greenwich Village loft...He is immediately established as mildly freaky: beer chilling on top of an ice cube, a mat of hair pasted on his che

Myron Brinig's debut novel, Singermann, originally published in 1929, tells the story of a Jewish family, the Singermanns who immigrate to the mining city of (Silver Bow) Butte, Montana during the early heydays of the west. Follow Moses, his wife Rebecca, and their six children as they navigate the complexities of their rapidly changing world. From the eldest son's unexpected journey into Christian Science to the youngest's fascination with writing, each member of the Singermann clan embarks on a unique path that challenges the family's tightly held beliefs. Themes of the immigrant experience, religion, labor unrest, childhood, and homosexuality, are all told in an honest and captivating voice (the book is largely based on the author's own life). Singermann is groundbreaking and compelling and worthy of being available again!

Ramon Santiago, a fourteen-year-old street kid and poet, records his thoughts in a notebook. He is skilled with words and skilled with his knife, when needed. Alone, he wants to join a street gang to be macho, but to prove himself, he must rob an elderly artist down on his luck, Arnold Glasser. Glasser, as desperate as Ramon, is unafraid of Ramon's knife. From their mutual pain, an unorthodox friendship grows between them. But the gang is just a step behind Ramon, demanding loyalty above all else. "Grit, suspense, warmth, and wry humor."- Kirkus Reviews