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Anarchist voices: an oral history of anarchism in America

Avrich, Paul
Through his many books on the history of anarchism, Paul Avrich has done much to dispel the public's conception of the anarchists as mere terrorists. In Anarchist Voices, Avrich lets American anarchists speak for themselves. This book contains 180 interviews conducted by Avrich over a period of 30 years, interviews that portray the human dimensions of a movement much maligned by the authorities and contemporary journalists. Most of the interviewees (anarchists as well as their friends and relatives) were active during the heyday of the movement, between the 1880s and the 1930s. They represent all schools of anarchism and include both famous figures and minor ones, previously overlooked by most historians. Their stories provide a wealth of personal detail about such anarchist luminaries as Emma Goldman and Sacco and Vanzetti. The interviews are grouped in six sections organized around individuals or major aspects of the movement. Each section begins with an explanatory essay, and each interview with a biographical note. Avrich also includes a selected bibliography and a list of anarchist periodicals. This work of impeccable scholarship will be an invaluable resource not only for scholars of anarchism but also for those studying immigration, ethnic politics, the history of education, and legal and labor history. -- "Publishers Weekly"
Princeton University Press 1995 574 pages

Sasha and Emma: the anarchist odyssey of Alexander Berkman and Emma Goldman

Avrich, Paul,Avrich, Karen
In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives, the lasting influence of the anarchist movement they shaped, and their unyielding commitment to equality and justice. Berkman shocked the country in 1892 with "the first terrorist act in America," the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman's closest confidant though the two were often separated-by his fourteen-year imprisonment and by Emma's growing fame as the champion of a multitude of causes, from sexual liberation to freedom of speech. The blazing sun to Sasha's morose moon, Emma became known as "the most dangerous woman in America." Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street. Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world.
The Belknap Press of Harvard University Press 2014-11-24 490 pages

Language acquisition: core readings

Paul Bloom
Language Acquisition offers, in one convenient reader, work by the most outstanding researchers in each field and is intended as a snapshot of the sort of theory and research taking place in language acquisition in the 1990s. All of the articles and chapters were chosen to reflect topics and debates of current interest, and all take an interdisciplinary approach to language development, relating the study of how a child comes to possess a language to issues within linguistics, computational theory, biology, social cognition, and comparative psychology.While there are several introductory texts on language development, and countless collections of articles, these scientists are asking about language acquisition, the important experimental findings, and the key theoretical debates, suitable for students at advanced levels and scholars with a range of different perspectives and interests.The readings are organized into six sections: - the onset of language development, - word learning, - syntax and semantics, - morphology, - acquisition in special circumstances, and- alternative perspectives. Each section serves as an introduction to a specific area and provides sufficient background for further reading.ContributorsDare A. Baldwin. Paul Bloom. Melissa Bowerman. Kathie L. Carpenter. Eve V. Clark. Stephen Crain. Richard F. Cromer. Anne Fernald. Lila Gleitman. Richard Goldberg. Susan Goldin-Meadow. Peter Gordon. Jess Gropen. Michelle Hollander. Janellen Huttenlocher. Annette Karmiloff-Smith. Ellen M.Markman. Peter Marler. Jay L. McClelland. Carolyn Mylander. Elissa L. Newport. Laura Ann Petitto. Steven Pinker. David E. Rumelhart. Patricia Smiley. A Bradford
MIT Press 1994 622 pages

Gilligan unbound: pop culture in the age of globalization

Cantor, Paul A.
"In Gilligan Unbound, a distinguished Shakespeare scholar and literary critic proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature - and a lot more fun. Paul Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present." "Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America." -- From publisher's website.
Rowman & Littlefield 2001 255 pages

Conservatism in America: making sense of the American right

Gottfried, Paul
This book argues that the American conservative movement, as it now exists, does not have deep roots. It began in the 1950s as the invention of journalists and men of letters reacting to the early Cold War and trying to construct a rallying point for likeminded opponents of international Communism. The resulting movement has exaggerated the permanence of its values; while its militant anti-Communism, instilled in its followers, and periodic suppression of dissent have weakened its capacity for internal debate. Their movement came to power at least partly by burying an older anti-welfare state Right, one that in fact had enjoyed a social following that was concentrated in a small-town America. The newcomers played down the merits of those they had replaced; and in the 1980's the neoconservatives, who took over the postwar conservative movement from an earlier generation, belittled their predecessors in a similar way. Among the movement's major accomplishments has been to recreate its own past. The success of this revised history lies in the fact that even the movement's critics are now inclined to accept it.
Palgrave 2007-09-25 189 pages

The strange death of Marxism: the European left in the new millennium

Gottfried, Paul
"Describes a twentieth-century transformation in European leftist and Marxist politics. European Marxism began as an economically focused workers' movement, then became the domain of those desiring cultural transformation of Western Europe. The transformation emphasizes Western European guilt and promotes multiculturalism, feminism, and acceptance of alternative lifestyles condemned by European cultures"--Provided by publisher.
University of Missouri Press 2005 154 pages

The writings of Paul Frees: scripts and songs from the master of voice

Frees, Paul
Paul Frees, known as the Man of a Thousand Voices, was more than an actor providing the unforgettable voices of such amusing, animated cartoon characters as Boris Badenov on The Rocky and Bullwinkle Show and The Pillsbury Doughboy, the Ghost Host in Walt Disney's Haunted Mansion at Disneyland and Walt Disney World, and narrator of classic films, such as The Manchurian Candidate (1962) and The Shaggy Dog (1959). He was also an accomplished artist. Author, publisher, and history detective Ben Ohmart recently discovered a creative cache of Frees' scripts, lyrics, songs, paintings, and furniture designs that were unearthed only recently and never before seen by the public. Includes a full-length screenplay, The Demon from Dimension X, and unused material once written for satirical musician Spike Jones.
BearManor Media 2004 179 pages