Always Apprentices collects five years of intimate, wide-ranging conversations with many of today's most prominent writers, taken from the pages of the Believer . The participants don't limit themselves to issues of writing and craft, but instead offer unfettered exchanges on a wide range of topics--from what it means to be a consumer to whether or not to kill a deer, from how we get to know each other to walking while inebriated. The interviews feature the serious-yet-casual Believer approach to the often staid interview format. For example, Sheila Heti asks Mary Gaitskill, "If you go into a room or go to a party, is there a basic disposition you have toward humans going through the world?" Elsewhere, Colum McCann begins his conversation with Aleksandar Hemon by asking, "What are we doing here? Why aren't we in a pub?" Other interviews include Don DeLillo talking with Bret Easton Ellis; Joan Didion talking with Vendela Vida; and Barry Hannah talking with Wells Tower.

The #1 Los Angeles Times bestseller from the host of NPR's Weekend Edition -- "absolutely spectacular-wise and intimate, often funny, always touching" (Scott Turow) -- now in paperback. In a beautifully written narrative that runs from childhood to adulthood through times of war and peace, Scott Simon movingly tracing his life as a fan -- of sports, theater, politics, and the people and things he holds dear. Sports Illustrated columnist Ron Fimrite says of Home and Away, "Rarely do you find in books of this genre a clearer look into mysteries and confusions of childhood . . . moving and often amusing portraits . . . insights into the complex and often corrupt world of Chicago politics, the city being this book's true protagonist. There are compelling scenes from Simon's years as a war correspondent, roving reporter, and political operative . . . There is also an emotional account of Michael Jordan's last championship season with the Bulls that is a book within a book . . . "The writing is uniformly superb. This is, in fact, a memoir of such breadth and reach it compares favorably with another book that is allegedly about the nature of sports allegiance, Frederick Exley's A Fan's Notes. And that, believe me, is saying something."

This is the story of a 30 year, one-man war. The author confesses his bias - in favor of labor, in friendship with Lewis, but he manages to present Lewis convincingly, with his complicated personality, his inconsistencies, his dynamic power, his ruthless use of any means to his end. He traces the steps by which he reached the peak from the pits of Illinois mines. He tells how he created C.I.O. in protest over the limitations of A.F. of L.; of how he secured his own U.M.W. even at the cost of dictatorship. He goes behind the scenes for his breaks with Green, with Murray, with Roosevelt. But the end-all is gains for his miners - in pay, in safety, in security. Brilliant analysis, an unflaggingly interesting chapter in American labor, it provides an interesting insight into a fascinating part of American history. It's a reminder of what unions did achieve and it is a contrast to the comparative powerless of unions these days.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

Uncompromisingly frank, "both brutal and beautifully written" (The Boston Globe), The Cap is an unconventional Holocaust memoir that defies all moral judgment and ventures into a soul blackened by the unforgiving cruelty of its surroundings. Roman Frister's memoir of his life before, during, and after his imprisonment in the Nazi concentration camps sparked enormous controversy and became an international best-seller. With bone-chilling candor, Frister illustrates how the impulse to live unhinges our comfortable notions of morality, blurring the boundary between victim and oppressor and leaving absolutely no room for martyrdom. By the time Roman Frister was sixteen, he had watched his mother murdered by an SS officer and he had waited for his father to expire, eager to retrieve a hidden half loaf of bread from beneath the dying man's cot. When confronted with certain death, he placed another inmate in harm's way to save himself. Frister's resilience and instinct for self-preservation -- developed in the camps -- become the source of his life's successes and failures. Chilling and unsentimental, The Cap is a rare and unadorned self-portrait of a man willing to show all of his scars. Reflected in stark relief are the indelible wounds of all twentieth-century European Jews. An exceptional and groundbreaking testimony, Roman Frister's "gut-wrenching memoir is a must-read." -- Kirkus Reviews

"Power tends to corrupt, and absolute power corrupts absolutely."--Lord Acton, 1887 Lord Acton (1834-1902), numbered among the most esteemed Victorian historical thinkers, was much respected for his vast learning, his ideas on politics and religion, and his lifelong preoccupation with human freedom. Yet Acton was in many ways an outsider. He stood apart from his contemporaries, doubting the notion of unlimited progress and the blessings of nationalism and democracy. He differed from fellow members of the English upper class, holding to his Catholic faith. And he angered other Catholic believers by fiercely opposing the doctrine of papal infallibility. In this remarkable biography, Roland Hill is the first to make full use of the vast collection of books, documents, and private papers in the Acton archives to tell the story of the enigmatic Lord Acton. The book describes Acton's extended family of European aristocrats, his cosmopolitan upbringing, and his disrupted education. Drawing a lively picture of politics and religion at the time, Hill discusses Acton's brief career as a Liberal member of Parliament, his work as editor and owner of learned Catholic journals, his battles for freedom for and in the Catholic Church, his friendship with William E. Gladstone, and his seven years as Regius Professor of Modern History at Cambridge University. Though unable to complete The Cambridge Modern History series he envisaged, Acton transformed historical study and left a legacy of ideas that continues to influence historians today.

At the age of 44—at the height of his success—Richard Lewis found himself on a gurney in an emergency room, suffering from a lethal mix of alcohol and drugs. The same dysfunctions that had been the basis for his successful stage persona and had generated so much wonderful material for comedy had turned on him. In this blistering memoir, Lewis tells how he got to that point, how he got on the road to recovery, and how he copes with being Richard Lewis, sober, on a daily basis, in this very funny, profoundly honest, inspiring but unsentimental book. He shares candid and revealing anecdotes about love, sex, fame, family, drinking therapy, eating disorders, and the serious business of comedy.

Holzman has seen all the great ones in action, and here he discusses the unique contributions of such superstars as Jerry West, Oscar Robertson, Bob Cousy, Julius Erving, Bill Russell, Wilt Chamberlain, and others. These are the names that changed the way the game is played today. The heart of the book is Holzman's appraisal of the great matchups, those individual rivalries that have often decided championship series. The model here is Russell, who brought back the concept of defense, against Chamberlain, the greatest offensive force the game has known and virtual owner of the record book. Other matchups such as Bradley vs. Havlicek are chosen to illustrate Holzman's concept of team play. In each case he breaks down the matchup into its physical and psychological aspects, with plenty of anecdotal spinoffs that reflect the intensity of the rivalry. Reading this book is like sitting beside Red Holzman on the bench. His uncensored observations give a whole new perspective on how the game is played by the pros and what to watch for.

An intimate memoir by the controversial, Oscar-winning director and screenwriter Oliver Stone Before moving to Los Angeles and the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while working odd jobs in Manhattan. Stone, now 73, recounts those formative years with in-the-moment details of the highs and lows: meetings with Al Pacino over Stone's early scripts; the harrowing demon of cocaine addiction; the failure of his first feature; his risky on-the-ground research of Miami drug cartels for Scarface; and much more. Chasing the Light is a true insider's guide to Hollywood's razor-edged years of upheaval in the 1970s and '80s with untold stories of decade-defining films from the man behind the camera.

The final previously unpublished work from two-time winner of the Pulitzer Prize and winner of the National Book Award, Norman Mailer. Norman Mailer is one of America's most consequential public intellectuals of the postwar period. He cofounded the Village Voice , and he was the author of twelve novels, among them The Naked and the Dead and Harlot’s Ghost , as well as numerous works of nonfiction. He is truly one of the giants of American literature. Lipton's, A Marijuana Journal is the only work by Norman Mailer that has not been published previously. Written between 1954-55, from December to March, it contains many ideas he would develop in his later work. The journal includes daily musings, as well as thoughts profound. It is a must-read for Norman Mailer scholars, as well as literature professors. Lipton’s, A Marijuana Journal also includes never before published letters between Robert Lindner (author of Rebel Without a Cause , Prescription for a Reberllion , and The 50 Minute Hour) and Norman Mailer. They introduce the reader to Mailer’s state of mind during the time he was writing the journal and to the unique relationship he had with Dr. Lindner.

The underground artist and journalist presents a memoir of her years between September 11 and the Occupy movement in New York City to discuss the impact of historical events on her work and her decision to become a witness journalist--

As one of the country's foremost restaurant reviewers, Mimi Sheraton set the standard for food writing and criticism. In this engrossing memoir, the doyenne of food criticism explains how she developed her passion for writing about food and wine, sharing the secrets of her career, including her years at the New York Times . Witty and honest, she talks openly about the importance of anonymity, her battle with weight, and the demands of juggling work with the needs of a husband and son. From fine dining to lunch in New York City public schools, Mimi Sheraton gives readers the big dish on a life in food.

Mikhail Botvinnik won the World Chess Championship in 1948 and held the title with two breaks until 1963. Botvinnik announced his retirement from chess in 1970. This book covers the entire period when Botvinnik waa World Chess Champion. Of the great postwar chess players, one figure stands out above all others - the Soviet grandmaster, Mikhail Botvinnik. With the exception of two one-year interludes this dedicated electrical engineer was world champion for fifteen years - from 1948 to 1963; on the second occasion that he regained his title - from Tal - he was in his fiftieth year. It was not, however, until 1970 that he announced his "official retirement" from international competition. "Chess". wrote Botvinnik, "is an art which illustrates the beauty of logic." He could not abide errors which spoiled the beauty of the game, and the secret of his success was thorough preparation and routine, which fully justified his own self-confidence - and which were systematically adopted by the Soviet school. In controlled positional play, Botvinnik was an incomparable virtuoso - as Bronstein, Smyslov, and Tal, among many others, discovered. Above all, he was a perfectionist. Prefaced by a short biography, this volume - the first ever published in English presents over 100 of Botvinnik's best games over the period 1947 to 1970. Nearly all the annotations are by Botvinnik himself, and they reveal the qualities that won him the champion's title. Botvinnik's Best Games is, perhaps, the outstanding collection of the decade.

Rockefeller, Morgan, Vanderbilt, Carnegie, Harriman, Gould, Frick...this is the story of the giant american capitalists who seized economic power after the Civil War and altered the shape of american life forever. Index.

"A compelling account of journalistic malpractice on a grand scale. Those called out in this book should not be allowed to forget what they did." -Brit Hume, senior political analyst, Fox News Sarah Palin spent more than a decade making her town and her state better-she slashed government spending and corruption and encouraged economic growth. In 2008, she took to the national stage to bring her successful vision to the entire country. America quickly embraced her message, and Palin became the hottest rising star the country had seen in years. Palin was a strong and popular conservative with traditional values- work, family, and religion-and Washington Democrats and their allies in the so-called mainstream media decided she had to be destroyed. These elite liberals attacked everything from Palin's clothing to her parenting style to her church. They spread one malicious and untrue rumor after another. The media also treated Palin with such insulting condescension that it frequently lapsed into mockery. Palin was routinely ridiculed and vilified-and so was her family. Continetti shows that the liberal media did succeed in one way: they were able to give the election to Barack Obama.

When you provide the comic relief for the Leader of the Free World, the line between funny and weird can get a little blurry. Consider the extraordinary experiences of Mark Katz, the in-house humor writer of the Clinton White House, whose job was to produce the president’s comic response to the crisis du jour. For eight tumultuous years, he wrote Bill Clinton’s annual series of humorous speeches to the Washington press corps—those rare evenings in the nation’s capital when the president trades in his bully pulpit for an open mike. In a town where C-SPAN passes for entertainment, Katz faced the sometimes surreal task of finding the funny in an administration rocked by politics and partisanship; Whitewater and Waco; Dr. Elders and Henry Hyde; and—ultimately—the circus of impeachment. Here, too, are the unlikely adventures of an itinerant wiseass careening down the bumpy path that takes him from the principal’s office to the Oval Office. After college, Katz hitched his wagon to Michael Dukakis’s star—only to become the joke writer for a campaign that was a joke unto itself. Four years later, he was an unemployed advertising copywriter in need of a job when he got a call from a Clinton White House desperately in need of jokes. And the rest, as they say, is comedy. With fearless and irreverent wit, Mark Katz chronicles the triumphs, tribulations, and power players of an eventful presidency from a unique vantage point—a lone humorist embedded deep inside the chaotic West Wing. Dramatic, revealing, intimate, and uproarious, Clinton & Me is an epic comic journey and a once-in-a-lifetime look at the funny business that is American politics.

THIS is the story of a gallant, beautiful and glamorous American woman. For more than thirty years, Margaret Bourke-White had made photographic history as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a camera to report wars, politics and social and political revolution on three continents. In the world of pictures, of magazines, of books, she won fame and fortune. Here are the tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures and wonderful picture-taking in the mines of South Africa, in the frozen North, in war-torn Korea. And then, tragically, this beautiful and indomitably vigorous woman was stricken by Parkinson's disease. This story of Miss Bourke-White's winning battle with Parkinsons was the subject first of a long report in Life Magazine and then of a thrilling documentary television film which was seen throughout the nation.