Jeremi Suri--Nobel Fellow and leading light in the next generation of policy makers--looks to America's history to see both what it has to offer failed states around the world and what it should avoid. Far from being cold imperialists, Americans have earnestly attempted to export their invention of representative government. We have had successes (Reconstruction after the American Civil War, the Philippines, Western Europe) and failures (Vietnam), and we can learn a good deal from both. The framers of the Constitution initiated a policy of cautious nation-building, hoping not to conquer other countries, but to build a world of stable, self-governed societies that would support America's way of life--yet no other country has created more problems for itself and for others by intervening in distant lands and pursuing impractical changes. Suri has mined more than two hundred years of American policy in order to explain the five Ps of nation-building: Partners, Process, Problem-solving, Purpose, and People.--From publisher description.

As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s. First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life. Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere. Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?

This book is both a powerful personal memoir and the definitive history of an organization that helped change American society. Jack Greenberg was a key figure at the NAACP Legal Defense and Educational Fund (LDF) for some thirty-five years. Most of the cases we associate from that period--school integration, equal employment, fair housing, voter registration--were LDF cases, either argued by Greenberg himself or litigated under his direction. Greenberg represented Martin Luther King, Jr., in Birmingham and won for him the right to march from Selma to Montgomery. Under Greenberg's leadership, the LDF forced the University of Mississippi to admit James Meredith and integrated the University of Alabama when George Wallace stood in the schoolhouse door. Greenberg won the cases in which the Supreme Court repudiated the "all deliberate speed" doctrine, which had made school desegregation intolerably slow. Through the 1970s and 1980s, LDF tackled most of the important cases that enforced the new civil rights legislation of the 1960s involving public accommodations, employment, education, and health care, and started the campaigns for prisoners' rights and against capital punishment. More than a history of the litigation that made the LDF so important, the book offers unique insights into its strategies, courtroom techniques, values, and personal relationships. Filled with stories only Greenberg could tell of his experiences with Thurgood Marshall, Martin Luther King, Jr., Marian Wright Edelman, Lani Guinier, Roy Wilkins, Vernon Jordan, Charlayne Hunter-Gault, Lyndon Johnson, and scores of others, Crusaders in the Courts is an epic saga of a critical period in American history as well as the poignant personal story of the evolution of a white Jewish lawyer into a major civil rights advocate.

As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline "Atomic Bomb Dropped on Japan" and was glad—the war would be over. "Like other Americans," writes Zinn, "I had no idea what was going on at the higher levels, and had no idea what that 'atomic bomb' had done to men, women, children in Hiroshima, any more than I ever really understood what the bombs I dropped on European cities were doing to human flesh and blood." During the war, Zinn had taken part in the aerial bombing of Royan, France, and in 1966, he went to Hiroshima, where he was invited to a "house of rest" where survivors of the bombing gathered. In this short and powerful book, the backstory of the making and use of the bomb, Zinn offers his deep personal reflections and political analysis of these events, and the profound influence they had in transforming him from an order-taking combat soldier to one of our greatest anti-authoritarian, anti-war historians. Simultaneous publication this August in the U.S. and Japan commemorates the 65th anniversary of the USA's two atomic bombings of Japan by calling for the abolition of all nuclear weapons and an end to war as an acceptable solution to human conflict. "It's my favorite. . . . He wrote the book to remind himself and to remind us that anybody can throw the wrench in the machinery, and we often should." -- Bill Moyers "Part history, part memoir, part sermon, The Bomb is meant to wake up citizens, to rouse them to reject 'the abstractions of duty and obedience' and to refuse to heed the call of war." —Jonah Raskin, The Rag Blog

A preeminent intellectual historian here examines the profound changes in ideas about the nature of history and historiography. Georg G. Iggers traces the basic assumptions upon which historical research and writing have been based since history's emergence as a professional discipline in the nineteenth century, and describes how the newly emerging social sciences transformed historiography following World War II. The discipline's greatest challenge may have come in the last two decades, when postmodern ideas forced a reevaluation of the relationship of historians to their subject and called into question the very possibility of objective history. Iggers sees the contemporary discipline as a hybrid, moving away from a classical, macro-historical approach toward microhistory, cultural history, and the history of everyday life. Still, while the postmodern critique of traditional historiography offers important correctives to historical thought and practice, it "has not destroyed the historian's commitment to recapturing reality or his or her belief in a logic of inquiry."

Isaias Hellman, a Jewish immigrant, arrived in California in 1859 with little money in his pocket and his brother Herman by his side. By the time he died, he had effectively transformed Los Angeles into the modern metropolis we see today. In Frances Dinkelspeil's groundbreaking history, the early days of California are seen through the life of a man who started out as a simple store owner only to become California's premier money man of the late 19th and early 20th centuries. Growing up as a young immigrant, Hellman quickly learned the use to which capital could be put, founding Los Angeles's Farmers and Merchants Bank, that city's first successful bank, and transforming Wells Fargo into one of the West's biggest financial institutions. He invested money with Henry Huntington to build trolley lines, lent Edward Doheny the funds that led him to discover California's huge oil reserves, and assisted Harrison Gray Otis in acquiring full ownership of the Los Angeles Times. Hellman led the building of Los Angeles's first synagogue, the Wilshire Boulevard Temple, helped start the University of Southern California, and served as Regent of the University of California. His influence, however, was not limited to Los Angeles. He controlled the California wine industry for almost 20 years, and after San Francisco's devastating 1906 earthquake and fire, calmed the financial markets there in order to help that great city rise from the ashes. With all of these accomplishments, Isaias Hellman almost single-handedly brought California into modernity --

Avi Shlaim, one of the world’s foremost experts on the Israel–Palestine conflict, reflects with characteristic rigour and readability on a range of key issues and personalities. From the 1917 Balfour Declaration to the failure of the Oslo peace process, from the 1948 War to the 2008 invasion of Gaza, Israel and Palestine places current events in their proper historical perspective. It assesses the impact of key political and intellectual figures, including Yasir Arafat and Ariel Sharon, Edward Said and Benny Morris. It also re-examines the United States’ influential role in the conflict, and explores the many missed opportunities for peace and progress in the region. Clear-eyed and meticulous, Israel and Palestine is an essential tool for understanding the fractured history and future prospects of Israel-Palestine.

The remarkable story of the season when the New York Jets, Mets, and Knicks all won championships, recounted by the players who made it happen and the fans who experienced it In 1969 three underdog New York sports teams won World Championships. It was an unprecedented feat in the history of sports, and it helped bring the nation's largest city---and much of the country---euphoria to balance the lingering political despair of 1969. And here, in The Magnificent Seasons , is that story---a re-creation of one of the most magical periods in sports history. In reflecting on these events, what they meant then and what they still mean today, Art Shamsky, a 1969 "Miracle Met," introduces the thoughts of members of every team. Highlights include comments from Joe Namath, Tom Seaver, Bill Bradley, Yogi Berra, Emerson Boozer, Jerry Koosman, and many more. But as important as these wins were to the players and coaches who made them happen, their victories meant just as much to the city and the people who celebrated them, and Shamsky includes their perspectives through such personalities as Bob Costas, David Halberstam, Rudy Giuliani, and many other fans of the city and its sports. Together, the words and pictures within make a wonderful keepsake---a book that lets fans relive three championship runs and gives a true sense of what these sports victories meant to a country suffering through a turbulent period in its history. The words and memories of the players, their fans, and their opponents carry a tremendous emotional charge, and The Magnificent Seasons takes readers back with all the heart-stopping thrill of the time when three teams captivated the country, and when New York City ruled the sporting world.

Looking at the figures for movie attendance in the 1930s, one might conclude that the America of the Great Depression was a land of Bijous, Gems, Orpheums, Strands, and Rivieras. Americans needed their movies, as Mr. Bergman notes, and they needed them not just for escape. In We're in the Money, Mr. Bergman looks at the films of the thirties (many of them which we now regard as classics) and shows how Hollywood helped prop up the nation's fundamental institutions during the gravest economic crisis in history. Movies, he demonstrates, kept alive the myth of a mobile and classless society, focused on the endless possibilities for individual success, turned social evil into personal evil, and made the New Deal into a veritable leading man. "The kind of book that both old film buffs and the new post-grads of Sesame Street' can really enjoy. It makes history fun, enables teachers and kids to test out their own assumptions about how the 30s turned out the gangsters, the hi-steppers, the FBI gurus, the zany anarchists and the mythical down-on-the-farm good guys who took on the whole punchy and reeling microcosm of America." Robert Geller, Center for Understanding Media. "First rate. It should stand for a long time as a pioneer work in a field where all too little has been written." Alfred B. Rollins, Jr."

Who killed Kennedy? Many keen minds have their doubts about the findings of the Warren Commission. Could Oswald have fired 3 shots in 5.6 seconds with the inaccurate rifle he had - and hit a moving target? Did he even kill patrolman Tippit (the bullets in the body were smaller than the barrel of his revolver)? Was the brown paper bag made only to attract attention? Was Bullet No. 399 a plant? Suppose there was a Second Oswald - a man very similar physically and an expert marksman? Such a man was seen both before and at the time of the murder. Was there a rifleman on the knoll as well as at the Book Depository window? If so this was one of the greatest - and most successful conspiracies of modern times... THE SECOND OSWALD has been called "the first plausible and significant argumentation on the Kennedy assassination." It takes into account the books by Edward J. Epstein, Mark Lane and Harold Weisberg. Too much was attempted too quickly. Professor Popkin believes that Lee Harvey Oswald may have been innocent and no more than a decoy in a plot to kill the President. His job may have been to divert suspicion and be arrested. A startling alternative to the 'Single Assassin' theory. For an author bio and photo, reviews and a reading sample, visit bosonbooks.com.

Looks at how the office of the presidency has changed, argues that the president has become too central to national politics, and suggests ways to restore the constitutional balance.

A personal memoir by Eizenstat, who served under President Carter in several capacities, including secretary of state on Holocaust issues, relating his experiences in negotiations with governments of and/or business representatives from Switzerland, Austria, France, and Germany to pay compensation to Holocaust victims or their heirs for looted property and for suffering (slave labor) under the Nazis. Swiss gold, stolen art, and other stolen property of individuals and communities were finally repaid through agreements reached or encouraged by U.S. class-action suits. In addition to the "imperfect justice" of financial recompense, notes the moral success of furthering the truth and inspiring international efforts at Holocaust education. also discusses the author's role in helping establish the U.S. Holocaust Memorial Museum.

From Reich's 1968 essay, "Music as a gradual process," which was the founding call for the development of minimalism, to his work on non-Western music such as the Balinese and African influences that contributed to "Drumming"

Twentieth Anniversary Edition with a new preface and afterword From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space. This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.

In 1960s New York, fifth-grader Ruthie, a Cuban-Jewish immigrant, must rely on books, art, her family, and friends in her multicultural neighborhood when an accident puts her in a body cast.

Celebrated sports writer Roger Kahn casts his gaze on the golden age of baseball, an unforgettable time when the game thrived as America's unrivaled national sport. The Era begins in 1947 with Jackie Robinson changing major league baseball forever by taking the field for the Dodgers. Dazzling, momentous events characterize the decade that followed-Robinson's amazing accomplishments; the explosion on the national scene of such soon-to-be legends as Mickey Mantle, Willie Mays, Bobby Thomson, Duke Snider, and Yogi Berra; Casey Stengel's crafty managing; the emergence of televised games; and the stunning success of the Yankees as they play in nine out of eleven World Series. The Era concludes with the relocation of the Dodgers from Brooklyn to Los Angeles, a move that shook the sport to its very roots.

A deep and widespread crisis affects modern economic theory, a crisis that derives from the absence of a "vision"--a set of widely shared political and social preconceptions--on which all economics ultimately depends. This absence, in turn, reflects the collapse of the Keynesian view that provided such a foundation from 1940 through the early 1970s, comparable to earlier visions provided by Smith, Ricardo, Mill, and Marshall. The "unraveling" of Keynesianism has been followed by a division into discordant and ineffective camps whose common denominator seems to be their shared analytical refinement and lack of practical applicability. This provocative analysis attempts both to describe this state of affairs, and to suggest the direction in which economic thinking must move if it is to regain the relevance and remedial power it now pointedly lacks.

”Proteanism”—or the protean self—describes a psychological phenomenon integral to our times. We live in a world marked by breathtaking historical change and instantaneous global communication. Our lives seem utterly unpredictable: there are few absolutes. Rather than collapsing under these threats and pulls, Robert Jay Lifton tells us, the self turns out to be remarkably resilient. Like the Greek god Proteaus, who was able to change shape in response to crisis, we create new psychological combinations, immersing ourselves in fresh and surprising endeavors over our lifetimes.

"We have always believed that Queen Victoria defined the mores of the nineteenth century. Yet Peter Gay, one of our most eminent cultural historians, asserts in this radical work that it is the sexually emboldened Viennese playwright Arthur Schnitzler (1862-1931), the most influential Austrian writer of his time, who provides a better symbol for the age." "In a set of nine closely linked chapters, each focusing on major topics of bourgeois life, Gay synthesizes three decades of far-ranging research, presenting a lucid reinterpretation of the nineteenth-century middle class - its passions, politics, religion, and anxieties - that we can only think we know well. Extending his examination back to 1815, at the close of the age of Napoleon, Gay chronicles a hundred-year period that witnessed not only the emergence of the middle class but also the birth of a culture that remains vital today. Throughout Schnitzler's Century, he does justice to the complexity of the era, showing that there was superstition as well as science, cruelty as well as humanity, anxiety as well as Eros. But digging deep into bourgeois life all the way from Philadelphia to Moscow, London to Rome, he has recognized a general Victorian style through the Western world, however colored each country was by characteristic local habits." "Schnitzler's Century is not revision for its own sake, but for the sake of the truth about the past. With the daring Viennese playwright Arthur Schnitzler as his companion, Gay provides startling perspectives on once-familiar subjects. Schnitzler's Century provides astonishing insights into an age that made us largely what we are today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent--with echoes of Inglourious Basterds and Seven Samurai--THE YID is a tragicomic masterpiece of historical fiction"--