This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

The Misunderstanding is Irène Némirovsky's first novel, written when she was just twenty-one and published in a literary journal two years later. An intense story of self-destructive and blighted love, it is also a tragic satire of French society after the Great War. Yves Harteloup, scarred by the war, is a disappointed young man, old money fallen on hard times, who returns for the summer to the rich, comfortable Atlantic resort of Hendaye, where he spent blissful childhood holidays. He becomes infatuated with a beautiful, bored young woman, Denise, whose rich husband is often away on business. Intoxicated by summer nights and Yves' intensity, Denise falls passionately in love, before the idyll has to end and Yves must return to his mundane office job. In the mournful Paris autumn their love flounders on mutual misunderstanding, in the apparently unbridgeable gap between a life of idle wealth and the demands of making a living, between a woman's needs and a man's way of loving. As Denise is driven mad with desire and jealous suspicion, Yves, too sure of her, tortures himself and her with his emotional ambivalence. Taking her sophisticated mother's advice, Denise takes action...which she may regret forever. With a sharp satirical eye and a characteristic perception for the fault lines in human relationships, Irène Némirovsky's first novel shows sure signs of the brilliant novelist she was to become.

An unforgettable novel of mothers and daughters, wives and muses, secrets and outright lies 'Freud is a modern literary rarity: a born storyteller' THE TIMES 'Such a powerful book' RICHARD CURTIS'Delivers an emotional punch that left me in tears' RACHEL JOYCE'Utterly compelling' HANNAH ROTHSCHILD 'I couldn't love it more' POLLY SAMSON 'I loved this book' AMANDA CRAIG 'Completely, inspiringly wonderful' BARBARA TRAPIDO 'Breathtakingly beautiful' JULIET NICOLSON AN EVENING STANDARD BOOK OF 2021 Rosaleen is still a teenager, in the early Sixties, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic - drinking in Soho, journeying to Marseilles. But it's not long before Rosaleen finds herself fearfully, unexpectedly alone. Desperate, she seeks help from the only source she knows, the local priest, and is directed across the sea to Ireland on a journey that will seal her fate. Kate lives in Nineties London, stumbling through her unhappy marriage. But something has begun to stir in her. Close to breaking point, she sets off on a journey of her own, not knowing what she hopes to find. Aoife sits at her husband's bedside as he lies dying, and tells him the story of their marriage. But there is a crucial part of the story missing and time is running out. Aoife needs to know: what became of Rosaleen? Spanning three generations of women, I Couldn't Love You More is an unforgettable novel about love, motherhood, secrets and betrayal - and how only the truth can set us free.

'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

Alice Hoffman's most magical novel to date--three generations of extraordinary women are driven to unite in crisis and discover the rewards of reconciliation and love. Women of the Sparrow family have unusual gifts. Elinor can detect falsehood. Her daughter, Jenny, can see people's dreams when they sleep. Granddaughter Stella has a mental window on the future--a future that she might not want to see. In "The Probable Future" this vivid and intriguing cast of characters confronts a haunting past--and a very current murder--against the evocative backdrop of small-town New England. By turns chilling and enchanting, "The Probable Future" chronicles the Sparrows's legacy as young Stella struggles to cope with her disturbing clairvoyance. Her potential to ruin or redeem becomes unbearable when one of her premonitions puts her father in jail, wrongly accused of homicide. Yet this ordeal also leads Stella to the grandmother she was forbidden to meet and to a historic family home full of talismans from her ancestors. Poignant, arresting, unsettling, "The Probable Future" showcases the lavish literary gifts that have made Alice Hoffman one of America's most treasured writers.

Enraged about the literary successes of his ex-girlfriend and her new lover, Ian, an aspiring writer and coffee shop employee, becomes involved in a scheme to pen a bogus memoir and discovers unsettling industry hypocrisies.

Fiction. LGBTQIA Studies. 2019 Lambda Literary Award finalist for Transgender Fiction. A body-swapping personal trainer and her trans girlfriend turn to a life of crime. A man mourning his dead lover becomes trapped in the mind of the leader of a bathhouse raid. A trans man, recovering from top surgery paid for with a stolen credit card, finds strange connection and condemnation among his fellow patients. The fifteen stories in this debut fiction collection from author Calvin Gimpelevich move in the borderlands between realism and surrealism, investigating gender, class, relationships, and the powers we still hold within spaces of powerlessness. They articulate the invasions we commit, the invitations we receive to cross over into another person's world. "INVASIONS blew my mind. Flipping between speculative worlds deeply rooted in realness and emotion and more familiar landscapes that tip on the edges of personal apocalypses, Gimpelevich's writing is strong and sure, taking us places we really haven't been. I'm hooked."--Michelle Tea "In INVASIONS, Calvin Gimpelevich writes fearlessly about trans and queer bodies, sex, and the possibilities of gender. In these edgy, strange stories, characters transform, transition, and transgress to discover themselves and, sometimes, each other."--Carter Sickels "Gimpelevich's stories are so firmly controlled, immaculate lakes with roiling depths that unapologetically probe interlocking webs of queerness, class, protection, disability, transness, addiction, race, and love. This is one of the most gripping, crisp, and moving collections of short fiction I have read in a long time."--Casey Plett "INVASIONS flows from experiences that border on the divergent and taboo--polyamory, secret queer encounters--into the surreal, the unreal, the fluidity of moving from body to body. Gimpelevich writes with a rhythm that sings like a rock ballad; we have no idea where he might take us next and we don't much care as long as we get to come along."--Afrose Fatima Ahmed, City Arts

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent sixties. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky (" Hey, you do all that stuff in that book?" ), but he also finds himself the target of admonishers, advisers, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Zuckerman to wonder if " target" may be more than a figure of speech. In Zuckerman Unbound-- the second volume of the trilogy and epilogue "Zuckerman Bound"-- the notorious novelist Nathan Zuckerman retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother...and all because of his great good fortune!

"Of all the characters in modern Jewish fiction, the most beloved is Tevye, the buoyant, compassionate, philosophical, Bible-quoting dairyman whose life embodies the precarious existence of a Jew in Eastern Europe. Three of Tevye's daughters are well known from the musical and film Fiddler on the Roof. Here the story continues with the tales of his younger daughters, Schprintze and Beilke" --back cover.

On the road with the Blank Generation, Go Now takes readers on a wild trip across the country and into the head of a down-on-his-luck punk musician. Billy, a burnt-out, drug- and sex-addicted punk musician, sets out with his erstwhile French girlfriend, Chrissa, on a cross-country writing assignment that turns into a ricocheting, brain-searing, agonizing head trip.

When We Were Romans is a haunting psychological novel and another masterful work from the author of the prize–winning English Passengers . Nine-year-old Lawrence is the man of his family. He watches over his mother and his willful little sister Jemima. He is the one who keeps order, especially when his mother decides they must leave their life in England behind because of threats from Lawrence's father. But their new life in Rome does not go as planned. Short of money and living off of his mother's old friends—all who seem to doubt her story—Lawrence soon realizes that things are not what they seem.

My Secrets Joan Collins

Gus Washington, a 1970s descendant of the famous traitor George Washington in this alternative history, redeems his family's name by engineering a tunnel from England to the colonies in America.

“In these 35 stories, one struggles to find a sentence that is anything less than jewel–box perfect.” — The New York Times Book Review Gina Berriault is known for the complexity and compassion with which she weaves her characters, and her stories are such models of economy that they seem almost telepathic. In this reissue of her collected stories—twenty years after its first publication—with a new introduction by renowned author and devoted Berriault advocate Peter Orner—we see the deft hand of this well–loved master of the short story at its best. Berriault employs her vital sensibility—sometimes subtly ironic and sometimes achingly raw—to touch on the inevitability of suffering and the nature of individuality, daring to see into the essence of our predicaments. What moves us? What dictates our behavior? What alters us? Her writing is spare, evanescent, pulsing with life and shimmering with life's strange hope. Her stories illustrate the depth of her emotional understanding. “Half the women in the world are right now in bed, theirs or somebody else's, whether it's night or day, whether they want to be or not...” With Women in Their Beds, Berriault's prose—moving, honest, and wise—achieves a mastery of the short story form that was in evidence every step of her long career. She was a completely modern writer, blessed with an exquisite sense of the potency of words and the ability to create moments of empathy that are both disturbing and mysteriously amusing.

Raphael Lipkin is a man obsessed. He hears voices. He talks to ghosts. He is spending the summer at the Mountain Clinic, a psychiatric hospital in upstate New York--not as a patient, but as a visiting professional with a secret, personal quest.A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin's Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him?

Kevin is a thirtysomething homebody, happily committed to his hydroponics-expert girlfriend, Amber, as they grow weed in their basement in Vancouver. Out of the blue, Amber announces that she has been selected for a reality show where she will compete for one of two seats on the first human-led mission to Mars. If selected, she must stay on Mars for good, because the technology to come home doesn'[Bokinfo]

"The final volume in the series that offers readers the best gay-themed stories of the strange, uncanny, and fantastical is out! In these pages are work by such acclaimed spec fic authors as Richard Bowes, Sam J. Miller, Sean Eads, and John Chu. Turn a page and walk the halls of a library shelved with every book never completed by authors before they passed away, a fish grants a young man wishes without ever explaining their true cost, ghosts relive their erotic past, Captain Hook and the Greek god Pan finally meet, and even Oscar Wilde himself makes an appearance in this anthology by Lambda Literary Award-winning editor Steve Berman."--Page 4 of cover.

At the tail end of the Roaring Twenties, a birthday bash for publishing heir John Sebastian, Jr., perfectly coincides with the twelve days of Christmas. Among the twelve invited guests is Ellery Queen, a newly published mystery writer planning to enjoy every last minute. But when an uninvited Santa Claus shows up on Christmas Eve and then mysteriously goes missing, the party takes a disturbing turn. Threatening clues masked as gifts begin to appear under the tree, and Queen - a novice crime fighter on his first solo case - must try to solve the killer's puzzle before someone gets murdered. After a dead body turns up, Queen is no closer to stopping the killer. If he can't anticipate the next clue before it shows up, John Sebastian's birthday will end up his funeral. From his first appearance in print in 1929, Ellery Queen became one of America's most famous and beloved fictional detectives. Over the course of nearly half a century, Frederic Dannay and Manfred B. Lee, the duo writing team known as Ellery Queen, won the prestigious Edgar Award multiple times, and their contributions to the mystery genre were recognized with a Grand Master Award, the highest honor bestowed by the Mystery Writers of America. Their fair-play mysteries won over fans due to their intricate puzzles that challenged the reader to solve the mystery alongside the brilliant detective. Queen's stories were among the first to dominate the earliest days of radio, film, and television. Ellery Queen's Mystery Magazine , which the writers founded and edited, became the world's most influential and acclaimed crime fiction magazine.

"A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there's little glamour for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening, they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there's always disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz clearly saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany's self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz's The Passenger was rediscovered in 2021, it was heralded as a masterpiece that terrifyingly captured the zeitgeist of life under Nazism. Now, Berlin Shuffle-his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm-brings to life the society that would enable fascism's takeover. The triumph of one of world literature's spectacular talents, Berlin Shuffle is a dire warning, sent from a pivotal moment in history to our own time"-- Provided by publisher.