Night: a time for fun with friends, a time for love and romance, a time for peace and tranquillity, a time for dreams. But it's also a time for attack and destruction, plotting and betrayal, terror and nightmares. With each reflecting a different aspect of night, this latest charity anthology from Writebulb Writers Group features sixteen original stories across a variety of genres. In stories you'll want to read again and again you'll find diverse yet unforgettable characters. Dive into the pages and find your time of night.

"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories- children's playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." -Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers' Daughters, Every Mother's Son, and What if your mother are feminist classics. The stories in this new collection, rooted in her experience as a Jane in Chicago's pre-Roe v. Wade underground abortion service, were written as the United States has moved relentlessly into constraining motherhood and denying reproductive justice. By necessity, these stories reach from the past into the future, offering history and hope. "I'm profoundly grateful to Judith Arcana for writing these vital, electrifying stories. With abortion rights in America being stripped away-state by state, clinic by clinic-we need to hear from those who've fought this battle before. Arcana is a Jane; her work in the pre-Roe abortion underground has provide the seeds for her fiction, stories rooted in essential history to spark action in our terrifying present." -Leni Zumas, Author of Red Clocks

Following in the footsteps of the landmark collection, Dreaming Down-Under, this new book brings together Australia's greatest fantasy writers and cutting-edge new authors 35 new stories celebrating the wild side of Australian fantasy writing Welcome to the energy, invention and imagination of Australia's finest writers of speculative fiction - from acclaimed international bestsellers to the freshest new voices. ten years ago, Dreaming Down-Under captured the excitement of the wild side of Australian fiction and won a coveted World Fantasy Award. Now it's time to start Dreaming Again ... CONtRIBUtORS: Peter M. Ball, Lee Battersby, John Birmingham, Jenny Blackford, Russell Blackford, Adam Brown, Simon Brown, trudi Canavan, Isobelle Carmody, Paul Collins, Rowena Cory Daniells, Cecilia Dart-thornton, Rjurik Davidson, Stephen Dedman, Sara Douglass, terry Dowling, Jason Fischer, Ben Francisco, Christopher Green, Richard Harland, trent Jamieson, Margo Lanagan, Rosaleen Love, Chris Lynch, Sean McMullen, Jason Nahrung, Garth Nix, Cecily Scutt, Angela Slatter, Aaron Sterns, Dirk Strasser, Lucy Sussex, Janeen Webb, Kim Westwood and Kim Wilkins And including a previously unpublished story from the late great A. Bertram Chandler 'Dreaming Again is at once quintessentially Australian and enticingly other. If you read short fiction you'll want this collection. If you don't, this is a reason to start.' Bookseller + Publisher

A humorous collection of love stories from an award-winning author who has been called "a compassionate and witty satirist" ( Kirkus Reviews ). From Holocaust survivors to Yiddish artists, a petty thief and a Polish shiksa with a passion for Jewish history, what unites the delectable characters in Curt Leviant's witty collection of romantic tales is the universal desire for love and admiration. With settings as various as the Deep South, Boston, New York, Italy, Israel, each story is a wry look at romantic pursuit, each relationship as unique as the lovers themselves. Whether or not love succeeds for Leviant's all-too-human characters, the journey is always filled with humor and heart.

Our hometowns raised us all differently. Our roots absorbed different values and experiences that turned us into the people we are today. Whether we realize it or not, it influenced our art in some way. Our first anthology is dedicated to hometowns.

Paperback edition of a novel first published in 1991, giving an account of one man's weekend encounter with insanity. The author has also written the award-winning autobiography TWhole Life', and several novels and short stories. His novel TFlying Home' was selected by the National Book Council as one of the 10 best Australian books of the decade.

A staple in the literary scene for over forty years, Jonathan Baumbach's latest novel, Dreams of Molly , is a wonderful addition to his oeuvre. A love story as only Baumbach can write, it is filled with the longings and lingerings, the sex and deprivation, the humor and heartache, and the New York nuances that have driven Baumbach's fiction from the start. Jonathan Baumbach is the author of fourteen books of fiction, including You, or The Invention of Memory ; On The Way To My Father's Funeral: New and Selected Stories ; B, A Novel ; D-Tours ; Separate Hours ; Chez Charlotte and Emily ; The Life and Times of Major Fiction ; Reruns ; Babble ; and A Man to Conjure With . He has also published over ninety stories published in such places as Esquire , Open City , and Boulevard . Baumbach, co-founder of The Fiction Collective in 1973, the first fiction writers cooperative in America (it was reinvented as FC2 in 1988), has seen his work widely praised. His short stories have been anthologized in Best American Short Stories , The PEN / O.Henry Prize , and The Best of Tri Quarterly . The New York Times Book Review referred to him in 2004 as an underappreciated writer. He employs a masterfully dispassionate, fiercely intelligent narrative voice whose seeming objectivity is always a faltering front for secret passion and despair.

"In the course of an impressive career as a writer, Herbert Gold has demonstrated many gifts, among them his talent for mak-ing high drama of ordinary events, ordinary people." - Chicago Tribune Book World "Gold...has a sharp eye for detail."- The Washington Times Magazine "Not just a good book, but a great one."- Daily Mail (London) "Herbert Gold... gives his stories a wry, bright air of wonder...he is a born storyteller."- New York Times "One of the most gifted writers in America."- Detroit Times Important writers are expected to gather together collections of their shorter works-the obligatory book of stories or essays. In this collection, Herbert Gold discards convention, and instead combines fiction and non-fiction themes that have been important to him as a writer and social thinker. This "interchange between fact and fiction," as Gold writes, "presents the picture of an American mind wrestling with the American mentality." And that mind ranges wide: from the miseries of Haiti to the disasters of Biafra; from the new universities and the beatniks and hippies of San Francisco in the 1960s to the literary life and encounters with random violence, love, death, and sexuality in the present. Portions of this book have been published in periodicals as varied as Esquire and Look , Hudson Review , and Tri-Quarterly , and some appear here for the first time. For this edition, Gold bridges the sections with new introductions, which link the specific works, the times, and his life. The book includes the savage and moving story "A Death on the East Side," and his meditation on the doom of Biafra and the meaning of its fate. He has added two new essays, "King of the Cleveland Beatniks," about his brother, and "Quality Time with Sonny Barger," about the former president of the Hell's Angels Oakland Chapter. These show his consistent interest in what many would see as the margins of social life. Of the title, the author writes: " The Magic Will " seeks to make the real world unreal and magical, and the unreal and magical world practical and real." Amusing, touching, playful, ultimately deeply serious, this book by Herbert Gold further illuminates the mind and heart of a superb writer. It will be a joy to those interested in the humanities, as well as cultural history and social awareness in the broadest sense. Herbert Gold is a novelist, short story writer, essayist, and occasional journalist, who has made his living as a writer for fifty years.

A collection that includes both early and later stories follows an unforgettable cast of characters that are captured in all of their forceful presence and singularity, their foolishness and wisdom, and their venality and nobility.

"This Darkness Will Never End, the first short story collection by the Hungarian-born author Edith Bruck, was published to acclaim in Italy in 1962. After World War II, Bruck, a Holocaust survivor, settled in Rome where she wrote her fable-like stories, recounting the lives of poor Jewish families in Europe before, during, and immediately following the war. In the title story, believed by some film scholars to have inspired the Oscar-winning movie Life Is Beautiful, a young girl shepherds her blind, sickly brother as they are deported. In "Matzoh Bread," a child gets a painful glimpse of anti-Semitism when a friend tells her a legend about the unleavened bread Jews eat at Passover. In one of the more colorful stories, a hapless father whose business partners swindle him over a horse only tells the truth when he's talking in his sleep. Beautifully translated from the Italian by Jeanne Bonner, these stories offer a glimpse into a bygone world. They testify to the resilience of survivors like Bruck, whom Italian critics initially compared to Anne Frank, deeming her the writer Anne would have become had she survived." -- Back cover.

Short fiction exploring the contemporary human condition includes the stories a philosophical discussion concerning the sale of stoves and the effects of woman's lie on her life.

Oxford University is one of the great universities of the world, a national treasure and a place where some of the best and brightest from many countries wish to study. It is true that its ways are old and its traditions often a little incongruent with some aspects of modern life and passing trends. But its enduring qualities have not been achieved by ritual or by managerial skill, they derive wholly from the dedication of the men and women who are its members and custodians. This book, a collection of fictional episodes written by one of its longest-serving and most respected members, and at the same time one of the most significant scientists of his generation, reveals much of the humanity that is integral to its vitality and strength. It provides a rare view of the academic life and of the deeper nature of the University of which the author will forever be a part.

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

First printing. A title in Capra Back-to-Back Series. Two collections of short stories. SIGNED by Gold on his portrait on cover of his side. 71 and 67 pp.

In the spring of 1937, Brooklyn’s Daniel Fuchs, twenty-seven years old and already the author of three remarkable novels (now collected as The Brooklyn Novels), came to Hollywood to bang out a treatment of one of his short stories. His thirteen-week contract turned into a permanent residence―and a lifelong love affair with the movie business. Fuchs worked with the best: Warner and M-G-M and RKO, Wilder and Huston and Joe Pasternak, Raft and Cagney and Doris Day. He spent his days crafting screenplays, but off the lot he continued to write prose, mainly stories for Collier’s and The New Yorker and non-fiction “Letters from Hollywood” for Commentary. The Golden West collects, for the first time, the best of Fuch’s writings about studio life, from a novice screenwriter’s anxious first impressions to a fifty-year veteran’s mellow memoirs. Fuchs may have loved Hollywood, but he saw life as it is, gold and tinsel both, and described it without falling into easy sentiment or condescending laughter.

Often regarded as her finest and most literary work, "Mr. Right Is Dead" is Rona Jaffe's collection of short stories from 1965. Containing five stories and one novella, each story has the savvy and sharp tone that characterize the best of Rona Jaffe's writing. The title novella centers on a call girl with "a heart of gold," who acquires lovers and money with her innocent charm, and closes with "Rima The Bird Girl," about a woman who assumes a new identity each time she has an affair. Each story carries its own unique and engaging voice; altogether they are about women looking for self-fulfillment and salvation through lovers, money, and fleeting worldly pleasures. "Mr. Right Is Dead" is about those searching desperately for "the best of everything" and learning a great deal about love, and its falsities, along the way.

Hafftka began writing Conscious/Unconscious in 1973 and completed it in 2006. Conscious/Unconscious is a book of short stories narrated in the first person, weaving an inner life made real by paradoxes and conflicting drives. The 27 drawings created for this book add another dimension to the written words. Hafftka is a visual artist represented in the permanent collections of The Metropolitan Museum, The NY MoMA, The Carnegie Museum of Art, The San Francisco Museum of Modern Art, The Brooklyn Museum, and other museums. He has had one-man shows at numerous galleries in the U.S and abroad.

This book is a collection of short biblio-mystery stories written by ASW Rosenbach. The central character of these stories is a book collector named Robert Hooker. Every story is related to books, book collecting, and bibliography.

A collection of short stories:I. Ange MarieII. The modern marauderIII. The shrew of MadridIV. An ethical dilemmaV. The fugitive of Adelphie terraceVI. The battling pacifistVII. Mr Brown and the MadonnaVIII. The dancing GentlemanIX. With a dashX. The chateau of phantasies.Major Andrew Forester is a retired British Army officer, of no discernible occupation, who wanders about Europe, England and the United States in the 1920s. He is looking for adventure, but not outside the bounds of the acceptable. He is willing to skirt the law, but not break it. A bachelor, he has been unsuccessful in love, with a limited income. He stays in out-of-the-way hotels, and smaller pensions, and takes an occasional gamble on the tables at Monte Carlo. His peripatetic life style brings him in contact with scam artists, gold-diggers, art thieves, industrial spies,taxi dancers, and flappers. Sometimes he benefits from these associations, but at other times he is their victim. He does this all with style, impeccable clothing, and a humorous tolerance of human failings.