Join Flavia, Jonathan, Nubia, and Lupus as they explore fascinating facets of life in ancient Rome. Evocative text and vivid full-color illustrations bring to life the themes, settings, and personalities in the bestselling series. Topics covered include Flavia on the class system in Roman society, favorite myths and legends, and holidays and celebrations; Jonathan discovering the world of Roman sport and leisure and the different religions; Nubia on animals in Roman times; and Lupus on childhood in Roman times, plus ancient cultures' fascination with number and alphabet puzzles and games.A timeline of key events in Roman history and a map of the Roman Empire are included."

Forty years ago, amidst the decadence and destruction of a nation at war, civil unrest, and political dissention, the most sensational and romanticized event known to mankind was orchestrated by Artie Kornfeld and his partners in Woodstock Ventures. This is the life of a New York archetypal bad boy -- a believer who saw music as the universal solvent for global rapport and acceptance and used his ability to unite the masses. From the streets of New York City, to hit songwriter, to collaborations with legendary musicians, this is the life of an extraordinary man. All these years later, Artie still sees the Spirit of Woodstock as critical for universal peace -- just as he did as a twenty-five-year-old icon in the world of rock royalty. This is a nonfictional diary of an American rock 'n' roller, a proponent of '60s euphoria and the causes that ignited the youth movement. An odyssey, a time machine, and a must-read for the millions of Baby Boomers and younger generations.

In a time of war, of death and destruction, the world needs heroes. Arthur. Theseus. Geriguiaguiatugo. Their names are whispered on the wind - tales of epic quests, of furious battles, beasts slain and the glory of victory.

When American film director Richard Storm first comes to London, he has his own secret mission. Part vacation, part research, he finds renewed purpose working at a curious magazine of weird phenomena, 'Bizarre'. The owner/editor is herself a curiosity and opens up an extraordinary new world - of strange but true hauntings, hunts and spirit worship. When Richard is introduced to beautiful heiress Sophia Endering, he finds himself helplessly in love with her. But she is as dangerous to herself as she is for those who love her - for she has an almost unstoppable death wish. Strange forces are at work and the uncanny twists of fate which brought Richard to London have something much more apocalyptic in store...

Follow sixteen-year-old Faith Duckle in this audacious and darkly funny tale as she moves through the difficult journey from the schoolyard to the harlequin world of the circus. At fifteen, Faith was lured under the bleachers by a bunch of boys at a football game and raped. Now, almost a year later, a newly thin Faith is haunted by her past, and by the cruel, flippant ghost of her formerly fat self, who is bent on revenge. This quest for retribution eventually compels Faith to violence, forcing her to flee home in search of the only friend she has -- a troubled but caring busboy named Charlie, who is the lover of a sideshow performer -- and to tumble into the colorful, transient world of the circus. But as she leaves her old life behind and dives headfirst into a world of adult passions and dreams, mercurial allegiances, and exhilarating self-discovery (while paying considerable dues with a shovel in the elephant tent), Faith ultimately begins to discover who she is and all that she is capable of. Wonder When You'll Miss Me combines tender wit with page-turning energy and characters as original as they are memorable. By turns harrowing and poignant, lyrical and hilarious, it is a vibrant, compelling novel readers won't forget.

"Ancient Mesopotamia - the area now called Iraq - has received less attention than Ancient Egypt and other long-extinct and more spectacular civilizations. But numerous small clay tablets buried in the desert soil for thousands of years make it possible for us to know more about the people of ancient Mesopotamia than any other land in the early Near East. Professor Oppenheim, who has studied these tablets for more than thirty years, has used his intimate knowledge of long-dead languages to put together a distinctively personal picture of the Mesopotamians of some three thousand years ago. He outlines Babylonian and Assyrian history; discusses the social structure and psychology of the Mesopotamian people; describes their daily life, religion, literature, technology, and scientific tradition. This precise and unbiased presentation focuses on those unique cultural features of the ancient land that enabled the Mesopotamian civilization to last for more than three millennia. The result is a deft "portrait," a candid appraisal of the very essence of ancient Mesopotamia." --

As the host of one of National Public Radio's most popular interview programs, Michael Krasny has spent decades leading conversations on every imaginable topic and discussing life's most important questions with the foremost thinkers of our time. Now he brings his wide-ranging knowledge and perceptive intelligence to a thoughtful and thought-provoking exploration of belief -- and lack of belief. Many books and pundits advocate for a specific God, while others adamantly declare there is no God. Yet these strident viewpoints often speak right past each other, rarely convincing anyone but the already convinced. In Spiritual Envy , Krasny helps believers and nonbelievers alike understand their own questions about faith and religion, about God and human responsibility. Krasny challenges each of us to look closely at faith and its power, and to examine the positive and negative aspects of religion as expressed in culture, literature, and human relationships. Personal and universal, timely and timeless, this is a deeply wise yet warmly welcoming conversation, an invitation to ask one's own questions -- no matter how inconclusive the answers.

Written by one of American theater's most avid and knowledgeable proponents, "No Legs, No Jokes, No Chance" traces the American musical from its rich and varied beginnings in European opera, American minstrel shows, and vaudeville through its many permutations to its current state--from, as Sheldon Patinkin puts it, La Boheme to Rent . Minstrelsy, burlesque, revue, dance, and choreographers, the "texts" of musical theater so often overlooked by its historians, finally receive due consideration in this thorough and thoroughly entertaining book about how American musical theater came to be and developed into what it is today. Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma !, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.

"A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there's little glamour for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening, they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there's always disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz clearly saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany's self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz's The Passenger was rediscovered in 2021, it was heralded as a masterpiece that terrifyingly captured the zeitgeist of life under Nazism. Now, Berlin Shuffle-his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm-brings to life the society that would enable fascism's takeover. The triumph of one of world literature's spectacular talents, Berlin Shuffle is a dire warning, sent from a pivotal moment in history to our own time"-- Provided by publisher.

The World of the Talmud by Morris Adler is a comprehensive guide to the history and teachings of the Talmud. The book covers the origins of the Talmud, the development of its teachings, and its impact on Jewish culture and society. Adler provides a detailed analysis of the Talmud's structure, language, and themes, as well as its relationship to other Jewish texts and traditions. The book also explores the Talmud's influence on Jewish law, ethics, and philosophy, and its relevance to contemporary issues facing the Jewish community. With its clear and accessible style, The World of the Talmud is a valuable resource for anyone interested in Jewish history, religion, and culture.Contents: Attempting a Definition; The Rise of the Oral Law; Why Oral? The Mishna; The Gemara; Halacha and Aggada (Law and Lore); Who Were the Rabbis? The Religion of the Rabbis; Aspects of Rabbinic Social Teaching; On Justice and Courts; The Denials of Rabbinic Teaching; The Enduring Worth of the Talmud.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

Rothbards great treatise and its complementary text are now combined into a single 4.5"x7" pocket edition. The full 1,500 page treatise in an easy to read and super convenient package. It might not seem possible but it is done and it works. It makes a great companion volume to Misess Human Action in pocket size, as well as the Bastiat Collection in pocket size. Murray N. Rothbards great treatise provides a sweeping presentation of Austrian economic theory, a reconstruction of many aspects of that theory, a rigorous criticism of alternative schools, and an inspiring look at a science of liberty that concerns nearly everything and should concern everyone. This edition takes this book out of the category of underground classic and raises it up to its proper status as one of the great economic treatises of all time, a book that is essential for anyone seeking a robust economic education. The captivating new introduction by Professor Joseph Salerno that frames up the Rothbardian contribution in a completely new way, and reassesses the place of this book in the history of economic thought. In Salernos view, Rothbard was not attempting to write a distinctively "Austrian" book but rather a comprehensive treatise on economics that eschewed the Keynesian and positivist corruptions. This is what accounts for its extraordinarily logical structure and depth. That it would later be called Austrian is only due to the long-lasting nature of the corruptions of economics that Rothbard tried to correct. Students have used this book for decades as the intellectual foil for what they have been required to learning from conventional economics classes. In many ways, it has built the Austrian school in the generation that followed Mises. It was Rothbard who polished the Austrian contribution to theory and wove it together with a full-scale philosophy of political ethics that inspired the generation of the Austrian revival, and continues to fuel its growth and development today. From Rothbard, we learn that economics is the science that deals with the rise and fall of civilization, the advancement and retrenchment of human development, the feeding and healing of the multitudes, and the question of whether human affairs are dominated by cooperation or violence. Economics in Rothbards wonderful book emerges as the beautiful logic of that underlies human action in a world of scarcity, the lens on how exchange makes it possible for people to cooperate toward their mutual betterment. We see how money facilitates this, and allows for calculation over time that permits capital to expand and investment to take place. We see how entrepreneurship, based on real judgments and risk taking, is the driving force of the market. Whats striking is how this remarkable book has lived in the shadows for so long. It began as a guide to Human Action, and it swelled into a treatise in its own right. Rothbard worked many years on the book, even as he was completing his PhD at Columbia University. He realized better than anyone else that Misess economic theories were so important that they needed restatement and interpretation. But he also knew that Misesian theory needed elaboration, expansion, and application in a variety of areas. The result was much more: a rigorous but accessible defense of the whole theory of the market economy, from its very foundations. But the publisher decided to cut the last part of the book, a part that appeared years later as Power and Market. This is the section that applies the theory presented in the first 1,000 pages to matters of government intervention. Issue by issue, the book refutes the case for taxation, the welfare state, regulation, economic planning, and all forms of socialism, large and small. It remains an incredibly fruitful assembly of vigorous argumentation and evidence. A major advantage of Man, Economy, and State, in addition to its systematic presentation, is that it is written in the clearest English you will find anywhere in the economics literature. The jargon is kept to a minimum. The prose is crystalline and vigorous. The examples are compelling. No one has explained the formation of prices, the damage of inflation, the process of production, the workings of interest rates, and a hundred of topics, with such energy and clarity. Over years, students have told us that this book is what made it possible for them to get through graduate school. Why? Because Rothbard takes on the mainstream in its own terms and provides a radical, logical, comprehensive answer. If you have read the book, you know the feeling that comes with reaching the last page: one walks away with the sense that one now fully understands economic theory and all its ramifications. It is a shame that the authentic edition of the classic that Rothbard wrote fully 40 years ago is only now coming into print. And yet the good news is that, at last, this remarkable work in the history of ideas, the book that makes such a technically competent, systematic, and sweeping case for the economics of liberty, is at last available. REVIEWS As the result of many years of sagacious and discerning meditation, [Rothbard] joins the ranks of the eminent economists by publishing a voluminous work, a systematic treatise on economics.... An epochal contribution to the general science of human action, praxeology, and its practically most important and up-to-now best elaborated part, economics. Henceforth all essential studies in in these branches of knowledge will have to take full account of the theories and criticisms expounded by Dr. Rothbard. Ludwig von Mises It is in fact the most important general treatise on economic principles since Ludwig von Misess Human Action in 1949. Henry Hazlitt Man, Economy, and State is Murray Rothbards main work in economic theory. It appeared in 1962, when Murray was only 36 years old. In it Murray develops the entire body of economic theory, in a step by step fashion, beginning with incontestable axioms and proceeding to the most intricate problems of business cycle theory and fundamental breakthroughs in monopoly theory. And along the way he presents a blistering refutation of all variants of mathematical economics. The book has in the meantime become a modern classic and ranks with Misess Human Action as one of the two towering achievements of the Austrian School of economics. In Power and Market, Murray analyzed the economic consequences of any conceivable form of government interference in markets. The Scholars Edition brings both books together to form a magnificent whole. Hans-Hermann Hoppe In 1972, this book was selling in hardback for $150 in current dollars. So the pocket edition, which includes Power and Market, a great index, plus improved layout, is about a fraction of the cost of the original, for a far better product.

A groundbreaking cultural history of the most influential, most frequently translated, and most imitated novel in the world. The year 2015 marks the four hundredth anniversary of the publication of the complete Don Quixote of La Mancha —an ageless masterpiece that has proven unusually fertile and endlessly adaptable. Flaubert was inspired to turn Emma Bovary into “a knight in skirts.” Freud studied Quixote’s psyche. Mark Twain was fascinated by it, as were Kafka, Picasso, Nabokov, Borges, and Orson Welles. The novel has spawned ballets and operas, poems and plays, movies and video games, and even shapes the identities of entire nations. Spain uses it as a sort of constitution and travel guide; and the Americas were conquered, then sought their independence, with the knight as a role model. In Quixote , Ilan Stavans, one of today’s preeminent cultural commentators, explores these many manifestations. Training his eye on the tumultuous struggle between logic and dreams, he reveals the ways in which a work of literature is a living thing that influences and is influenced by the world around it.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

The 107 tales demonstrate the ways an uprooted people have drawn from the traditions of their past to fashion a life in the New World.

"In Another Place brings us to many remarkable new places in the Mailer universe. Written with tenderness, acuity and unadorned psychological depth, Susan Mailer's memoir is a powerful look at the literary world." -Colum McCann, National Book Award-winning author of Let the Great World Spin"Brisk, enthralling [. . .] full of dramatic family scenes, most of them heretofore unknown. I wish I had her memoir in hand when writing my biography." -J. Michael Lennon, author of Norman Mailer: A Double Life Norman Mailer, Susan Mailer's father, was among the most celebrated, talented, and controversial writers of the 20th Century. The Naked and the Dead (1948), inspired by his experience in World War II, was a bestseller and made him famous at the age of 25. Notoriously combative and egotistical, her father enjoyed a good ¿ght both physically and verbally. Whether cheered or booed, Mailer was front and center in America's cultural battles for more than 50 years. He married six times and was father to nine children. Susan, born in 1949, is the eldest.Susan's parents separated when she was a baby. She grew up shuttling between her mother's home in Mexico and New York. Later she would marry a Chilean activist, spending the majority of her adult life in Chile, where she is a practicing psychoanalyst.In Another Place tells the story of her intense and complex relationship with her father, her ¿ve stepmothers and nine siblings, and the joys and pains of being part of the large Mailer clan. It is a tale of separation, and of the rewards and struggles of living in two very di¿erent cultures. Of being someone who belongs everywhere and nowhere, always longing for a life . . . In Another Place.

The revered author of books for all ages, from Bread and Jam for Frances to Turtle Diary, gives the literary performance of a lifetime in this taut psychological thriller about a boy who tries desperately to stop failing. Things are already looking a little funny to Nick Hartley after he loses yet another fight with Harry Buncher--and gets his head bashed into a wall in the bargain. So he is less confused than he ordinarily would when he meets Moe Nagic, a homeless man with a puzzle and a secret to sell. Moe offers Nick a way to visit Trokeville, the world that exists at the edge of the picture puzzle. Nick has to go there, if he's ever going to change the way his life is going. But he soon discovers the devastating danger of the journey: His mind could leave him stranded there, with no way of returning! Written with the power and precision of a great author, The Trokeville Way is a provocative masterpiece for our time. From the Hardcover edition.

"Life was harsh in the town of Bialystok, particularly for a Jewish boy like Leyzer Zamenhof. But Leyzer thought he knew the reason for the anger and distrust. With every group speaking a different language, how could people understand each other? Without understanding, how could there be peace? Zamenhof had an idea: a "universal" second language everyone could speak. But a language that would be easy to learn was not easy to invent, especially when even his own father stood between him and his dream. Yet when at last in 1887 "Doctor Esperanto" sent his words into the world, a boy's idea became a community that spread across the globe."--Book jacket.

The 900-day siege of Leningrad was one the turning points of the Second World War. It slowed down the German advance into Russia and became a national symbol of survival and resistance. From her own experience of the blockade and using facts, conversations, and impressions collected over many years, Lidiya Ginzburg has created a remarkable everyman hero in whom she distils the collective experience of life under siege. Though the author may depict, often painfully, the hunger and harrowing conditions of that period, the reader takes away a different impression—the dignity, vitality, and intellectual resilience of the thinking mind as it records and makes sense of extreme experience.

Johanna is a modern woman happy with her life as a writer and her love for her fiance, until her research into the life of a mass murderer pulls her into a disturbing world of cults and sinister attractions