When Claire, the author of a novel about love among young CIA trainees, receives an e-mail from an Iranian admirer who wants to obtain a copy of her work, she agrees to meet him, but soon learns that someone is intercepting their communications.

Poetry. Drama. Fiction. This book contains rare unpublished and out of print poems, a play, and an unfinished 'novel', all written in collaboration in the early 1960's. HYMNS comprises the full run of poetry and prose the two poets wrote in collaboration between 1960 and 1964. Two-thirds of these have never before appeared in book form. Berkson's and O'Hara's "hymns," inspired by the crooked steeple of the Church of St. Bridget on New York's Lower East Side, address themes of love, protestation, travel and more. (The final two are songs in praise of the New York School master painters, Willem de Kooning and Philip Guston.) The other writings include further collaborative poems; a lengthy epistolary fiction involving two long-lost brothers, Angelicus and Fidelio Fobb; Marcia, an Unfinished Novel (with Patsy Southgate), a play written on a jetliner over the Atlantic, and dizzying notes on the New York City Ballet and the French 'cubist' poet Pierre Reverdy.

Sybil, a novel by Benjamin Disraeli, is a powerful representation of the social and political issues of 19th-century England. Through a narrative of love, class struggle, and national identity, Disraeli provides a compelling account of the challenges of the day. The story follows Sybil, a passionate young woman, as she navigates the complexities of English society and the struggles of the working class. Disraeli's writing is richly detailed and poignantly captures the social and political issues of the era, providing a unique insight into the past. With its vivid characters and thought-provoking themes, Sybil is an essential read for those interested in 19th-century England and its people. Benjamin Disraeli (1804-1881) was an English politician, statesman, and author who served as the Prime Minister of the United Kingdom twice over his long and distinguished career. Disraeli is also remembered for his prolific literary career and renowned works of fiction, which often featured themes of ambition, power, and social climbing. Disraeli was born in London on December 21, 1804, to Isaac D'Israeli and Maria Basevi. He was educated at a variety of schools and universities, including Higham Hall and Trinity College, Oxford. In 1826, he left Oxford without a degree and embarked on a career in law. Despite his legal career, Disraeli was an avid reader and writer of fiction, and his first novel, Vivian Gray, was published in 1826. The book was well-received, and Disraeli continued to write political and social satire throughout his life. In 1837, Disraeli was elected to the House of Commons, where he aligned himself with the Conservative Party. In 1841, Disraeli's second novel, Coningsby, was published and was an instant success. This was followed by Sybil in 1845, and Tancred in 1847. His novels focused on social and political issues, such as the power of the aristocracy, the role of the Church, and the struggle between tradition and modernity. Throughout his political career, Disraeli continued to write and publish fiction, including Lothair in 1870, Endymion in 1880, and a collection of his works, The Works of Benjamin Disraeli, in 1883. His literary works have been praised for their insight into British society and class structure, and his novels remain popular to this day. Disraeli's legacy as both a politician and an author lives on in the United Kingdom, and his works continue to inspire readers and writers alike. His novels will remain a testament to his incredible talents and singular vision.

In this unforgettable book, Arthur Waley brings together a number of his articles, poems and translations. Included in this collection are pieces on the eighth-century Chinese poet Ts'�n Sh�n and the great Chinese prose writer, Han Y�, as well as some of Waley's original poems and stories. But the most compelling is 'The Secret History of the Mongols', consisting of long extracts from a thirteenth-century Chinese saga. Written in vivid, elegant prose, it recounts fantastic tales of epic battles; of betrayal and love; of tyrants and prisoners. Suffused with symbolism and folklore, it is a masterpiece of storytelling which will appeal to the scholar and the ordinary reader alike.

Following his career-spanning monograph "The big picture", Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort?s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done. On this journey through the hallways and rehearsal spaces of some of the world?s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers? natural glamor as they work to perfect their craft. Elgort?s snapshot style allows the pain and pleasure of one of the world?s most beloved forms of expressive dance to be seen with beauty.

It’s 1958 and Australia is becoming a different place. The Melbourne working-class suburb of Carlton is now home to many immigrant families trying to begin new lives and make sense of the old. Romek and Zofia, liberated from the camps in Poland, work hard at the local market, but their love is in ruins. Bloomfield is king and custodian of Curtin Square and is rarely absent from his post. The resplendent Valerio, stylish and soccer-mad, has just arrived from Italy. War veteran Mr Sommers sits alone on his verandah, while Yiddish actors gather at the barber’s to reminisce and curse. Romek and Zofia’s skinny twelve-year-old son Josh takes up boxing and becomes bewitched by the Swedish Girl. But Zofia is tormented, and as she falls further into madness, Josh wonders if she can ever be made whole again. Scraps of Heaven is a stunning evocation of a changing world, where optimism is tinged with sorrow at the raw memories of war. Arnold Zable’s irresistible storytelling becomes a celebration of survival, a reminder that all lives are to be lived and that scraps of heaven can be found everywhere.

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, Independent In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s,it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died. Antal Szerb (1901-1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murderedin a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend , Oliver VII and his masterpiece Journey by Moonlight , as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories .

A collection of poems by Anne Michaels. The poems are meditations on how love changes in order to survive, how we move from obsolete science to new perceptions, and how, in her words, the same loneliness that closes us/ Opens us again.

"This volume publishes Anna Sokolow's Ballade in Labanotation for the first time. It is a dance which explores youth and its discoveries, following the restlessness and inconclusiveness of young love to a final sombre note. The complete score is accompanied by detailed study and performance notes, historical background and photographs. Since moving to New York in 1961, Ray Cook has worked as a dancer and notator with many leading choreographers and has dedicated himself to working with Labanotation. He has directed major dance works from score, restaged many which had been considered lost and proven through his work that Labanotation is an essential means of preserving our dance heritage. He is currently an Associate Professor of Dance at Vassar College." -- Publisher description.

"The Matrimonial Flirtations of Emma Kaulfield is an often laugh-out-loud comedy of conflicting manners, values, and customs, set against the backdrop of a Russian immigrant family's struggle to assimilate, their newfound love of capitalism, and their insistent push for their children's tangible success. Emma Kaulfield escaped the Soviet Union in the 1980s when she was 10--hers was one of the last Jewish families to be let out. Now a gorgeous young woman, going to grad school at NYU, chaffing at the cultural restraints of her heritage, Emma is engaged to someone just like her--a handsome young Russian Jew--but then a steamy encounter with a stranger in a restaurant bathroom turns into a torrid love affair. She wrestles with what she knows she should do (career vs. art); who she should love (one of her own vs. the exotic temptation), to remain loyal to her family, her people--after all they have suffered--or cut ties and defy those who love her. The Matrimonial Flirtations of Emma Kaulfield builds in power and suspense, easily becoming an all-night binge read, impossible to put down. Fishbeyn's debut novel is sexy, hilarious, heartbreaking, and breathtaking"--back cover.

Rafael, a young Jewish boy living in Spain during the Inquisition, wants to have a Bar Mitzvah and when his father opposes it, Rafael leaves, meets and falls in love with Miriam, and journeys with her toward Safed, Israel, the spiritual home of mystical Jews.

"A searing family drama from one of Latin America's most original voices One trip. Two love stories. Three voices. Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is seriously ill. Together, father and son embark on travels that take them through strange georgraphies, ones that seem to unite the borders of Spanish-speaking world. In the meantime, Lito's mother Elena looks for support in books, undertaking an adventure of her own that will challenge her moral limits. The narratives of father, mother, and son each embody one of the different ways that we talk to ourselves: through thought, speech, and writing. While neither of them dares to tell the complete truth to the other two, their solitary voices nonetheless form a poignant conversation. Sooner or later, we all face loss. Andre;s Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection on death, sex, grief, and the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, humanism, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have cared for a loved one. "--

The essays collected here, prepared by a think tank of the Elijah Interfaith Academy, explore the challenges associated with sharing wisdom—learning, teachings, messages for good living. How should religions go about sharing their wisdom? These chapters, representing six faith tradition (Jewish, Christian, Muslim, Hindu, Sikh, and Buddhist), explore what wisdom means in each of these traditions; why and how it should be shared, internally and externally; and the role of love and forgiveness in sharing. This book offers a theory that can enrich ongoing encounters between members of faith traditions by suggesting a tradition-based practice of sharing wisdom, while preserving the integrity of the teaching and respecting the identity of anyone with whom wisdom is shared. Contributors: Pal Ahluwalia, Timothy Gianotti, Alon Goshen-Gottstein, Sallie B. King, Anantanand Rambachan, Meir Sendor, Miroslav Volf

Laura is placed with adopters after her unmarried mother, Colette James, has been abandoned by Laura's father, Sean Brannigan. To her adopters, John and Jenny Masterson, Laura is their daughter and they love her dearly. Their world is turned upside down when they learn that Colette has changed her mind and wants Laura back.

Agnieszka Holland's Olivier, Olivier has been described as "perverse" and "subversive" by some, and as "profoundly religious" by others. It is a family tragedy, a tale of assumed identities and debts that must be repaid. Made in France in 1992, Olivier, Olivier was based on a newspaper account of the disappearance of a nine-year-old boy in a small French town, and his supposed return as a teenager six years later. When the film was released, some called the film "perverse," "subversive," "shocking and disorienting," and "the transmutation of incest into an acceptable love." Other praised it for its emotional generosity, sensuality, and intellect; they hailed the film as "profoundly religious," praised the director for her psychological storytelling, and even compared her to Dostoevsky.

Ada Leverson (1862 - 1933) was a British writer who is now known primarily for her work as a novelist. She began writing during the 1890s, as a contributor to Black and White, Punch, and The Yellow Book. She was a loyal friend to Oscar Wilde, who called her Sphinx. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki. In this book: Love at Second Sight (1916) Tenterhooks (1912) Love's Shadow (1908)

Jimmy Gallivan is a glum fellow in jail, with three weeks to go on a seven-year term for attempted murder, when he's caught up in a massive jailbreak. He doesn't want to leave, but another con forces him to come along. Gallivan gradually realizes the whole jailbreak was meant to get him out, but he doesn't know why. Why him? Why couldn't they wait three weeks until he'd be released anyway?