"The Archimedes Palimpsest is the name given to a Byzantine prayer-book which was written over a number of earlier manuscripts, including two unique examples containing works by Archimedes, unquestionably the greatest mathematician of antiquity. Sold at auction in 1998, it has since been the subject of a privately funded project to conserve, image, and transcribe its texts. In this volume the scientists, conservators, classicists, and historians involved in the project discuss in full their techniques and their discoveries. These include new speeches by the classical Athenian orator Hyperides, a lost commentary on Aristotle's Categories from the second or third century AD, and substantial re-readings and reinterpretations of the works by Archimedes. The book discusses the pioneering imaging and post-processing techniques used to reveal the texts, and includes detailed codicological descriptions of all eight manuscripts comprising the Palimpsest. It will be of interest to manuscript scholars, classicists, and historians of science"

"A luxuriously comic novel in which three awesome women of different generations raise Armageddon tempests in otherwise mild and humble familial teapots. Oldest of the volcanic trio is Malka--born in Russia and never popular ("no one would rise up to call her blessed") in New York, where she's discovered dead by her despised daughter Helen only after a half-hour of the usual one-sided conversation. And, alas, years later in California, Helen finds the spirit of Malka "Here she was back again"--in her own first-born, Marilyn: the grandmother's interior lava pit of fierce frustrations, her intelligence, scorn, and madness, "had been handed down intact and unmistakable." After all, Marilyn is horn screaming, swings the whip over her two sisters--good-natured Phyllis and meek Natalie and says she hates Helen (and means it); she's the kind of child who wouldn't clap for Tinker Bell. Marilyn is instead Daddy Lenny's girl--and with the keen aim of a stalking cheetah, she claims his total adoration. She even marries gentle CPA Ira merely because Daddy likes him, but later she shrugs off hubby and kids, pursuing her own law career. All this infuriates mama Helen, and after Lenny dies of cancer (a torment that nearly kills Marilyn too), full-scale war breaks out. Helen brings off a mating of Ira and dear, unprepossessing Natalie just when recuperating Marilyn is thinking of reacquiring him: Marilyn retaliates by ripping to pieces every one of Helen's plants. A cease-fire follows, true, yet at the close there are tiny inklings of revived sniper activity. . . Kohan's dialogue crackles; there are some marvelous originals (including a shrewd, Yiddish-accented Greek chorus in Lenny's mother); and there's a breadth of scale which admits both irony and hilarity, as giant passions are forced to play on a stage of Muppets Kohan (Save Me a Seat, 1979) is gaining in control and stature."--Kirkus

With the help of his aunts and his trusty racecar, undercover agent Otto Pillip battles his parents' arch nemesis, I.Skreem. Includes words spelled backwards, anagrams, and palindromes.

With the help of his aunts and his trusty racecar, undercover agent Otto Pillip sets out to stop a criminal from blowing up the Grand Canyon. Includes words spelled backwards, anagrams, and palindromes.

A complete summary of the story Crash! Boom! Zzzap! Bang! Pow! Zooooom! Splam! Whoosh! Swish! Yeooow! Oooch! Oof! Pzzzzt! Brrring! Yuk Yuk!!! An incomplete summary of the characters A racecar disguised as a fire truck a baby dressed like Otto A prison escapee with a dangling head Two dumb bad guys that you already know A turkey who looks like a chicken

The description for this book, Legal Order in a Violent World, will be forthcoming.

This volume explores the trade in television programme formats, which is a crucially important ingredient in the globalization of culture, in Asia. It examines how much traffic there is in programme formats, the principal direction of flow of such traffic, and the economic and cultural significance of this trade for the territories involved and for the region as a whole. It shows how new technology, deregulation, privatization and economic recession have greatly intensified competition between broadcasters in Asia, as in other parts of the world, and discusses how this in turn has multiplied the incidence of television format remakes, with some countries developing dedicated format companies and others becoming net importers and adapters of formats.

"Coming soon--the most fantastic contest ever conceived: an airplane race pitting Amelia Earhart, Charles Lindbergh and Howard Hughes against Manfred von Richthofen (the Blood Red Baron), his kid brother Lothar, and Princess Irina Lvova of Russia! Which team will be the first to complete the never-before-attempted round-the-poles flight? Warning: on this doughnut-shaped alternate Earth it is possible to fly off the edge!"--Pg. [4] of cover.

Someday giant cities will travel through space, orbiting the sun or carrying colonists to distant worlds as they circle alien stars. These space cities resemble ocean liners more than battleships. Or they may develop complete, self-contained civilizations, producing their own food, housing, and entertainment. Forever City is the story of Alfonso Ivanovich Petrov and Mariel O'Hara, two members of a space-bred generation to whom Earth is little more than their ancestral home, a legend of the past. When Mariel's brother, Dylan, disappears on an expedition to explore the distant Oort Cloud that circles the sun at a distance far beyond the orbit of the most remote planet, Mariel refuses to give him up for lost. Along with Alfonso, Mariel explores deep space in search of her missing brother! Also included in Deep Space: A Novel and Two Novelettes are Richard A. Lupoff's acclaimed, Nebula-nominated stories "After the Dreamtime" and "Sail the Tide of Mourning."

From the Introduction by Ed Gorman: If there's one thing Dick Lupoff understands (with perverse glee) it's the sorry state of the human condition. In this collection you'll find a wide variety of humans whose conditions leave much to be desired. A pit bull owner who's just as nasty as his dog A thief who believes his father-in-law was a real Nazi A dead-end boxer who has come back in a boxing movie A detective named Caligula Foxx who might be Nero Wolfe in drag A crooked corporal whose payoff is death Not only are the storylines original, the writing is indelibly stamped with Dick's vision and voice. Dick's writing talents really can't be defined by the usual means. Yes, he writes science fiction. Yes, he writes fantasy. Yes, he writes mystery. But what he really writes are Lupoffs. Long, short, hilarious, whimsical, dark, mysterious-they're all Lupoffs. Richard A. Lupoff is the author of many books including the popular Lindsey-and-Plum mysteries. The next of these, The Emerald Cat Killer, will be published by St. Martin's Press in October, 2010. His most recent collection of mysteries is Quintet: The Cases of Chase and Delacroix, published by Crippen & Landru.

The weird and wacky mind of Daniel M. Pinkwater, author of The Snarkout Boys and the Avocado of Death--and popular NPR radio celebrity--is invaded for the third time by noted SF author Lupoff, as he invites readers to come along with Melvinge of the Megaverse on his quest for the One True Mall. Sequel to Night of the Living Rat.

"If you have any interest at all in satire, science fiction's new wave, the '60s, pop music, comic books, or the picaresque tradition of literature, this book is for you...32 years after its composition, this roaring tiger of a book still has the capacity to shock, amuse, enlighten, and provoke, more so than many a "bold, experimental novel" published just yesterday to waves of praise by the short-sighted and historically illiterate. This is a book that spits in the face of death and despair." -- Paul Di Filippo

A film studio sets out to create a documentary about the Tuskegee Airmen, a unit of African-Americans who flew combat missions in World War Two - but filming has barely begun when a corpse is found on the set. Hobart Lindsey, insurance investigator turned detective, enters the scene, aided by Marvia Plum, his policewoman girlfriend. Soon he uncovers a mystery stretching half a century into the past - and suddenly and unexpectedly is flying through a hazardous murder investigation by the seat of his pants!

A valuable cache of stolen comic books originally brought insurance investigator Hobart Lindsey and police officer Marvia Plum together. Their tumultuous relationship endured for seven years, then ended as Plum abandoned her career to return to the arms of an old flame, while Lindsey's duties carried him thousands of miles away. Now, after many years apart, the two are thrown together again by a series of crimes, beginning with the murder of an author of lurid private-eye paperback novels and the theft of his computer, containing his last unpublished book...

Prior to World War II, black actors were restricted to minor roles in mainstream films - though there was a 'black' Hollywood that created films with all-black casts for exhibition to black audiences. When a cache of long-lost films is discovered by cinema researchers, the aged director Edward 'Speedy' MacReedy appears to reclaim his place in film history. But insurance investigator Hobart Lindsey and homicide officer Marvia Plum soon find themselves enmeshed in a frightening web of arson and murder with its roots deep in the tragic events of a past era...

VISIONS by Richard A. Lupoff is a collection of fantasy and horror short stories selected from decades of writing. The author consistently shows himself to be a master storyteller, and these short stories are fine examples, containing psychic detective tales, stories of Lovecraftian horror, and other fantasy and horror tales.

In the early 1950's, in Los Angeles, at 6 AM, John West, vice-president of the National Broadcasting Company in charge of west coast, gets a phone call from New York City on the NBC tie line. The caller is General David Sarnoff, chairman of the Board of RCA, the Radio Corporation of America, NBC's parent company. Awakened from sleep, Mr. West groggily says "Hello" "John, this is General Sarnoff." Mr. West swiftly clears the cobwebs. "Good morning, General, it's always good to hear from you." "John, you're acquainted with my nephew Richard Baer, aren't you?" "Yes, General, I am. He's a fine young man. I think very highly of him." "Last night I spoke with his mother, my sister. She's upset. The reason she's upset is that Richard has been out of work for four months and he has no prospects, so it looks like his life is going nowhere." "General, I'm surprised and sorry to hear that." "John, I want you to find Richard a job. And I want you to find him a job by nine o'clock this morning, your time. I'll be waiting for your call saying you took care of it. Goodbye."

(Vocal Collection). Margaret Garner , with a libretto by Nobel prize winner Toni Morrison, was premiered in 2005 at Michigan Opera Theater. This collection features three arias sung by the title character: "Margaret's Lullaby," "A Quality Love," and "Intermezzo." Mezzo-soprano and piano.

Neither a call to "exterminate the beasts" nor a soft-hearted "sympathy for the devil" [the book] is a compelling argument that the surest way to unintentionally abet a terrorist organization is to deny its authenticity.--Blurb.

This book analyses how certain types of social systems generate violent conflict and discusses how these systems can be transformed in order to create the conditions for positive peace. Resolving Structural Conflicts addresses a key issue in the field of conflict studies: what to do about violent conflicts that are not the results of misunderstanding, prejudice, or malice, but the products of a social system that generates violent conflict as part of its normal operations. This question poses enormous challenges to those interested in conflict resolution, since the solution to this problem involves restructuring social, political, and cultural systems rather than just calling in a mediator to help people arrive at an agreement. This study breaks new ground in showing how local conflicts involving crime, police, and prisons; transnational conflicts involving religious terrorism by groups like ISIS; and international conflicts involving Great Power clashes are all produced in large part by elite-driven, exploitative or oppressive social structures. It also presents new ideas about the implications of this 'structural turn' for the practice of conflict resolution, emphasizing the need for conflict resolvers to embrace a new politics and to broaden their methods far beyond traditional forms of facilitation. Written by a leading scholar, this book will be of much interest to students of conflict resolution, peace studies, war and conflict studies, sociology, political science and international relations in general.