No one before or after Kurt Tucholsky has captured the horrors of the "Great War," as World War I was known, quite like he did. The famed Weimar writer, who would become one of Germany's best-known satirist and journalists, describes surviving in the trenches and fighting a losing battle, the arrogance of the officers and the desperation of the loved ones back home. His writing is similar to that of Heinrich Heine, his role model, in that it appears superficially simple but is replete with hidden meanings. His works are touching, stirring, and precisely to the point. He brings alive the war that still looms even into our own 21st century. This is the first bilingual anthology in German and in English of his works on World War I. The First World War was the "Great War". Everything that happened after this war, even into our own 21st century, is contingent on the years between 1914 and 1918. The Great War also shaped Kurt Tucholsky who emerged from the war.. His style is biting, satirical, and penetrating, full of Berlin gallows humor. This bilingual anthology contains English translation of his short stories as well as a rendition of his poetry about World War I, all representative of his style.

A couple of years ago, on the very verge of the illness that subsequently overwhelmed me, I took a small furnished house in Pineland. I made no inspection of the place, but signed the agreement at the instance of the local house-agent, who proved little less inventive than the majority of his confreres. Three months of neuritis, only kept within bounds by drugs, had made me comparatively indifferent to my surroundings. It was necessary for me to move because I had become intolerant of the friends who exclaimed at my ill looks, and the acquaintances who failed to notice any alteration in me. One sister whom I really loved, and who really loved me, exasperated me by constant visits and ill-concealed anxiety. Another irritated me little less by making light of my ailment and speaking of neuritis in an easy familiar manner as one might of toothache or a corn. I had no natural sleep, and if I were not on the borderland of insanity, I was at least within sight of the home park of inconsequence. Reasoned behaviour was no longer possible, and I knew it was necessary for me to be alone. [...] This historic book is the reprint of the original novel published in 1916.

Armchair Fiction presents extra large editions of classic science fiction double novels. The first novel is by sci-fi/fantasy master Frank Belknap Long, "Woman From Another Planet." This is the unusual and sensual story of David Loring, an artist, and his beautiful fiancée, Janice Reece. David loved Janice but the Martian Empire had a plan to entice David away from his beloved. With their plan for world domination at stake the Martians selected these two lovers' for their first attack. Together, David and Janice became involved in a highly emotional and physical conflict that broke through the barriers of outer space itself. Join renowned horror and sci-fi author Frank Belknap Long for a 1960 sci-fi tale he wrote for Chariot Books, a book company famous for their sexually provocative paperback novels. Although this tale is fairly tame by today's standards, it's interesting to see how Long weaves the elements of sex and science fiction together. The second novel is "Homecalling," by Judith Merril. The ship had crash landed on an alien world, burning to death the two parents of two small children on board. Although thoroughly jostled and bruised, Dee and her little brother Petey had somehow survived. Comprehending their horrible situation wasn't easy for a child of eight! But, gathering up all the courage she could muster, she set off exploring the area near the ship. What she found, was a large garden, and a lot of very big, ugly, and overly curious, bugs! Veteran science fiction author Judith Merril has presented here a fascinating and convincing picture of the thought-processes of a different species on a far-off world. It's a tale filled with unusual adventure and thought-provoking situations.

Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica--an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

Family is one topic that Lindsey wants to avoid. She loves her family more than anything, but no one else understands their dynamic. So what if her family fights or the next meal is a big question mark? That's all normal in the Holdermann house. When Lindsey begins a friendship with Baylee, things start to change. Her views of herself and her family all come into question. What once was so simple has Lindsey struggling to find her identity and her place in her family. Speaking the Truth of Family is a novel-in-verse that delves into family secrets, explores self-identity, and fosters the bonds of friendship.

Excerpt from The Master: A Novel Despite its long stretch of winter, in which May might wed December in no incompatible union, 'twas a happy soil, this Acadia, a country of good air and great spaces; two-thirds of the size of Scotland, with a population that could be packed away in a corner of Glasgow; a land of green forests and rosy cheeks; a land of milk and molasses; a land of little hills and great harbors, of rich valleys and lovely lakes, of overflowing rivers and oversurging tides that, with all their menace, did but fertilize the meadows with red silt and alluvial mud; a land over which France and England might well bicker when first they met oversea; a land which, if it never reached the restless energy of the States, never retained the Old World atmosphere that long lingered over New England villages; save here and there in some rare Acadian settlement that dreamed out its life in peace and prayer among its willow-trees and in the shadows of its orchards. At Minudie, at Clare in Annapolis County, where the goodly apples grew, lay such fragments of old France, simple communities shutting out the world and time, marrying their own, tilling their good dyke land, and picking up the shad that the retreating tide left on the exposed flats; listening to the Angelus, and baring their heads as some Church procession passed through the drowsy streets. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet "the Dickens of the Ghetto" primarily based on his much lauded novel 'Children of the Ghetto: A Study of a Peculiar People' in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, 'The Big Bow Mystery' (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890s he had joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume 'Blind Children' in 1908 shows his promise in this new endeavour. 'The Melting Pot' in 1909 made Zangwill's name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.

Rose loves the moon. She loves the holidays that come when the moon is full, and she especially loves the holiday that comes with every new moon. Together with her mother, Rose experiences celebration and sisterhood every month. This enchanting book also has a coloring book within. All the illustrations are included in both full color and in black and white so that children can add their own creativity to this very special book.

Evokes old loves, intense friendships, literary ghosts, and a lifetime in the landscape of the 20th century. The poems in this collection try to draw a coherent shape out of inner uncertainties. Carcarnet also publish Elaine Feinstein's "Selected Poems".

When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.

Few writers have inspired such affection ain their contemporaries, and in later generations of readers, as Robert Louis Stevenson. And yet, difficult though it is to resist the generous, enchanting personality tht shines out from his letters, it is even harder to define it. A descendant of Calvinists who spent his youth in a Bohemian milieu, a lover of his native Scotland who became committed to exile, a man whose humorous enjoyment of human foibles did not preclude an awareness of the nightmarish background against which some lives are lived - Stevenson was highly complex, with a deep sense of moral ambiguities which runs throughout his work. He could have no abler or more sympathetic biographer than David Daiches, Professor of English Studies at Sussex University, and author of an earlier book on the master (Robert Louis Stevenson: A Revaluation) as well as of biographies of Burns and Scott in this series. In a brilliant and absorbing text, Professor Daiches traces Stevenson's life, from his childhood and early manhood in Scotland (whose scenery and townscapes inspired his work throughout his life), through his visits to France and the United States, and on to his las years in Samoa. Professor Daiches also discusses Stevenson's writings, explaining how he harnessed the disparate elements in his nature so that they fertilized his imagination while he developed his gifts as a romancer, essayist, poet and historical novelist, from his early travel books and Treasure Island - the greatest of all adventure stories for boys - to the tragic conflict so superbly realised in Weir of Hermiston, the masterpiece which he did not live to complete.

Book jacket/back: In this beloved novel of immigrant life in Brooklyn, David Fuchs speaks to us in a distinctive, affecting voice. He evokes the special, marvelous qualities of the Jewish-American experience by creating characters and conflicts whose idiom and flavor he catches with uncanny precision. This is an exceptional novel about ordinary people. Each of the central characters lives in the same tenemant building in the Williamsburg section of Brooklyn. This single building is a miniature of the teeming, dynamic community of which it is a part. It is inhabited by solitary souls and families. These people are students, idlers, shopkeepers, mothers, hustlers, lovers and husbands. Fuch's vivid, sharply observed prose folds these separate lives into a full-blooded human comedy. The story he tells reveals people living their lives with all the twists and dodges, the puzzles, the contradictions, the idiocies and the wonderful moments. In short, the busines of living, the banquet of life.

Opening with a fight between the Azrael, the Angel of Death, and Beelzebub, Lord of the Flies, for the soul of the great writer August Strindberg. Beelzebub wins and Strindberg, dead in 1912 is brought back to life in 1961 to become the lover of Mrs Nilson, his housekeeper.

The Rise of Iskander is a novel written by Benjamin Disraeli, a British politician and novelist. The book is set in the fictional country of Vraibleusia, which is a thinly veiled representation of Greece. The story follows the rise of Iskander, a young and ambitious Greek man who seeks to restore his country to its former glory.Iskander is a charismatic and brilliant leader who quickly gains a following among the people of Vraibleusia. He is aided in his quest by a group of loyal followers, including the beautiful and cunning Princess Ida, who becomes his lover and confidante.As Iskander's power grows, he faces opposition from the ruling class, who fear his radical ideas and populist appeal. He also must navigate the treacherous waters of international politics, as other countries seek to exploit Vraibleusia's resources and influence.The novel is a political thriller that explores themes of power, ambition, and the struggle for freedom and independence. Disraeli was known for his interest in Eastern cultures and his sympathy for the struggles of oppressed peoples, and these themes are evident throughout the book.Overall, The Rise of Iskander is a gripping and thought-provoking novel that offers a fascinating glimpse into the world of 19th-century politics and society. It is a must-read for anyone interested in history, politics, or literature.At length he was on the centre of the centre arch, an eminent position, which allowed him for a moment to keep them at bay, and gave him breathing time. Suddenly he made a desperate charge, clove the head of the leader of the band in two, and beat them back several yards; then swiftly returning to his former position, be summoned all his supernatural strength, and stamping on the mighty, but mouldering keystone, he forced it from its form, and broke the masonry of a thousand years. Amid a loud and awful shriek, horses and horsemen, and the dissolving fragments of the scene for a moment mingled as it were in airy chaos, and then plunged with a horrible plash into the fatal depths below.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Florrie makes her stern father angry by building a fire in her toy stove, but by the end of the day she finds out Papa really loves her after all.

Before Europeans arrived in British Columbia, the coastal Indians lived in an environment where there was no want. The fish and fur-bearing mammals in the sea fed and clothed them, they were sheltered in post-and-beam houses, and they travelled around is sturdy canoes. They plundered and waged war against their enemies, and they captured slaves. There's was a world filled with superstition and magic, with supernatural creatures such as the raven, the gluttonous trickster, that could assume human form. The Europeans brought with them smallpox and other communicable diseases to which the Indians had no immunity, and they died by the thousands. The Haida of the Queen Charlotte Islands (since renamed Haida Gwai) were particularly hard hit, their numbers reduced from an estimated 14,000 to 800. Ignoring the rights of the Indians, the Europeans established government, first as a crown colony of Great Britain, then as a province of the Dominion of Canada. The jurisdiction was sustained at first by gold strikes, but when the gold ran out, the mainstay of the economy became the forests. The ones on the coast, with huge trees nudging 300 feet in height and some exceeding 12 feet in diameter, were the first to be exploited. There arose a stalwart band of men known as loggers, who harvested the big trees. One of them, whose name was Bill Clayton, became a legend in his lifetime for his strength and ability to do the work, and they called him "Logger Bill." At the end of the depression, when he is just 16 years old, Bill is unable to find work in Queen Charlotte City. He is forced to leave his Haida sweetheart and go to a remote logging camp, where the only holidays come at Christmas time, and only last for two weeks. She find she is pregnant, and marries her cousin, a common practice among the Haida. Bill is crushed when he hears the news, and sublimates himself in the logging business.Through tragedy and triumph, Bill works his way through life, with four loves and three illegitimate offspring, and through a living history of forest management in BC. He meets a premature death, and his three sons eventually find out about their ancestry. Throughout, the raven appears from time to time, giving rise to the feeling that he may still have some magic in him.

The first biography in a generation of Canada's most eccentric and most important prime minister -- Mackenzie King -- and his defining influence on our 20th century. Most Canadian historians consider William Lyon Mackenzie King to be not only the country's greatest prime minister but also its most peculiar. From 1919 to 1948 he occasionally lorded over the Liberal Party, also serving as prime minister for much of that time. Mackenzie King was a brilliant tactician, was passionately committed to Canadian unity, and was a protector of the underdog, introducing such cornerstones of Canada's social safety net as unemployment insurance, family allowances and old-age pensions. At the same time, he was insecure, craved flattery, became upset at minor criticism, and was prone to fantasy -- especially about the Tory conspiracy against him. King loosened the Imperial connection with Britain and was wary of American military and economic power. Yet he loved all things British and acted like a praised schoolboy when British Prime Minister Winston Churchill or U.S. President Franklin Roosevelt treated him as an equal. King comes at a time when the Canadian people have resoundingly rebuffed the Liberal party under Michael Ignatieff; while the party's future remains uncertain, this definitive biography sheds light on its history under its greatest leader. This first major biography of Mackenzie King in 30 years mines the pages of his remarkable diary. At 30,000 pages, King is one of the most significant and revealing political documents in Canada's history and a guide to the deep and often moving inner conflicts that haunted Mackenzie King. With animated prose and a subtle wit, Allan Levine draws a multidimensional portrait of this most compelling of politicians.

In the midst of a "caring" divorce, North America's first known yuppies Dirk and Bree have become celebrities after an appearance on national TV, and Bree's former lover, screenwriter Neil Blender, has stepped in to appropriate their story for a new movie

In this tale of life at sea the author tells of voyages round the Horn and his time in the Aland Islands where he fitted out a small boat and sailed with the lovely Elsa. He describes the trials and pleasures of life under sail, including adventures with sharks, drunken captains and a stowaway.

"Checking In comprises a long poem and a series of other post-conceptual pieces - concrete poems, homolinguistic translations, Yiddish aphorisms - that offer exuberant commentary on the timelessness of digital information and our ravenous appetite for data and connection. The title poem, composed as a series of faux social-media updates, is a parodic investigation of contemporary literary and pop culture. As a euphoric parade of "alternative facts" or "fake news," "Checking In" offers satiric comment on the state of American politics. Each ironically investigative line erupts as a self-reflexive mash-up, speaking to our seemingly insatiable desire for information while acknowledging how fraught that information can be. The Internet is not only voyeuristic but a mirage. We seek fulfillment but enter an unsettling, uninhibited flow of information in which every data point refers to itself and reinforces a techno-capitalist culture. Checking In founds a site of radical, grafted linkages, codes, indices, ludic identities. An interdisciplinary and paradoxical repository of fragments, analyses, echoes, and provocations, (re)presented in a slippery ellipsis of contexts and possibilities, its poems are inter-subjective theatres of infinite re-framing. From Gargantua and Pantagruel listening to They Might Be Giants to bill bissett and Slavoj i̓ ek Awake in the Red Desert of the Real, Checking In tours the shards of post-consumerist culture and reminds us we are living in a resonant present, where the past is always with us, and our icons, idols, and ideologies are posting, poking, sharing, and liking ̥Karasick's words luxuriate in the materiality of language and the production of meaning. She checks in with pop culture, media studies, semiotics, critical theory, feminist theory, and contemporary Canadian and American literature. The lover of language play, the poetry reader, and the academic alike will drink in this poet-performer's concoctions; as ever, they're fun, smart, and topical. With full-colour Vispo video stills by Jim Andrews."--