This landmark study is a detailed textual and thematic analysis of one of Nietzsche’s most important but least understood works. Stanley Rosen argues that in Zarathustra Nietzsche lays the groundwork for philosophical and political revolution, proposing a change in humanity’s condition that would be achieved by eliminating the decadent existing race and breeding a new race to take its place. Rosen discusses Nietzsche’s systematically duplicitous rhetoric of esoteric messages in Zarathustra, and he places the book in the contexts of Greek, Christian, Enlightenment, and postmodernist thought.

A fascinating autobiography by renowned US architect, theorist and designer Stanley Tigerman.

"Jewish Prayer Texts from the Cairo Genizah, which sets a new tone for future studies, consists of a selection of transcribed and translated Genizah fragments that contain some of the earliest known texts of rabbinic prayers. Reif describes in detail the physical makeup of each manuscript and assesses the manner in which the scribe has tackled the matter of recording a preferred version. He then places the prayer texts included in the manuscript within the context of Jewish liturgical history, explaining the degree to which they were innovative and whether they established precedents to be followed in later prayer-books. He offers specialists and more general readers a fresh understanding of the historical, theological, linguistic, and social factors that may have motivated adjustments to their liturgical formulations"--

Two Books In One Volume. Additional Authors Are K. S. Gill And D. D. Kosambi. Additional Contributors Are Leo Huberman And Paul W. Sweezy.

Roman philosophique et humoristique, tant sérieux que parodique, Bayamus narre les aventures d'un mutant à trois jambes, dont l'une équipée d'un patin à roulettes, qui désire créer et propager une nouvelle espèce. Cheminant vers le Théâtre de la Poésie Sémantique dans un Londres fantastique, notre héros croise la route de prostituées sémanticiennes, de monstres fervents de poésie en vers, une étrange femme à sept doigts ou encore des policiers rubiconds adeptes de la traduction instantanée. Car si l'humour est au centre de cet ouvrage, il fraie une voie royale à une réflexion sur les rouages et les absurdités du langage. L'auteur se joue des mots, de ses personnages mais aussi des lecteurs, les malmène et les distord. Car c'est la force des génies d'être sérieux sans en avoir l'air !

"Mary Stuart's execution remains an entirely unacceptable crime morally (...) However, it is equally difficult to deny that the destruction of Mary Stuart was a prudent course of action from a public policy standpoint. Because, regrettably, in politics, the determining issue is not the correctness of a legislation, but its success." Stefan Zweig was enchanted with Mary Stuart, whose life he perceived as immensely paradoxical and from whom he perceived a "inexhaustible attraction of mystery." Thus, he investigated the queen of Scotland and Elizabeth I's fierce rival through the lens of a novelistic biography. Zweig is the undisputed master of this genre: he meticulously details the tumultuous life of this amazing woman, who culminated on the scaffold. Biography Stefan Zweig (1881-1942) was born into a Jewish commercial family in Vienna. He created poetry, stories, plays, and essays, all of which were burned by the Nazis in 1933. He resided in Salzburg from 1919 until 1934, then moved to England and then to Brazil in 1941. His epic works, like his historical miniatures and biographical works, made him famous. He deliberately put up his life in Petrópolis, Brazil, on February 23, 1942.

Two of the most destructive moments of state violence in the twentieth century occurred in Europe between 1933 and 1945 and in China between 1959 and 1961 (the Great Leap famine). This is the first book to bring the two histories together in order to examine their differences and to understand if there are any similar processes of transmission at work. The author expertly ties in the Taiwanese civil war between Nationalists and Communists, which included the White Terror from 1947 to 1987, a less well-known but equally revealing part of twentieth-century history. Personal and family stories are told, often in the individual's own words, and then compared with the public accounts of the same events as found in official histories, commemorations, school textbooks and other forms of public memory. The author presents innovative and constructive criticisms of social memory theories in order to make sense both of what happened and how what happened is transmitted.--From publisher description

Originally published in 1966. This volume analyzes the general structure of scientific theories, their relation to experience and to non-scientific thought. Part One is concerned with the logic underlying empirical discourse before its subjection to the various constraints, imposed by the logico-mathematical framework of scientific theories upon their content. Part Two is devoted to an examination of this framework and, in particular, to showing that the deductive organization of a field of experience is by that very act a modification of empirical discourse and an idealization of its subject matter. Part Three analyzes the concordance between theories and experience and the relevance of science to moral and religious beliefs.

'Father of the Man' covers a week in the life of father and son, Ephraim and Roger Mild. Each is currently engaged in battle - Ephraim against the dictates of both his own depressive nature and of his cocky young boss at work; and Roger, against an equally intransigent British Rail.

Have you ever wondered: How it feels to be eponymous? Why some German pigeons were painted blue in the First World War? What connects Rachmaninoff to Chief Sitting Bull? It is 1972. Bernard Robins is in London – American, innocent, uninformed and arrogant – to make his name and fortune as a pianist, composer and conductor. He lives at the Kensington Music Society, a haven for aspiring musicians, including afro-headed violinists, cellists in caftans and coloraturas from Colorado. During his time there, Bernard accidentally encounters his long lost great-uncle, Hermann Heinrich Zweck, a nonagenarian – a once eminent, now forgotten composer, who has known most of the great musical figures of the Twentieth Century and hated almost all of them. Zweck is engaged in a war against stupidity, laziness and cowardice with the entire world, and especially with Bernard and Charles Forsythe – a hapless English musicologist whose only crime, (grievous in Zweck's view) is to be both English and an academic. The romantic relationships the three principals have with strong women, ranging from promiscuity to endless love, change the lives of all concerned. Throughout the novel, Zweck engages in a battle of words with the author in a series of interruptions and monologues. Comically written by an author skilled in both writing and music, Zweck is an accessible and hilarious novel about fame, identity, music and dumplings.

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The screenplay of Poliakoff's comedy about a group of old friends who get together to perform a Shakespeare play for old time's sake in the woods.

Hitting Town opens with Ralph, a student drop-out from Birmingham University, dropping in unexpectedly on his sister, Clare, in her Leicester bed-sit. Together they decide to "hit the town". But against a background of commercial radio, city-centre precincts, Wimpy Bars and dangerous practical jokes, the incestuous relationship that develops between them seems the only way of affirming their vitality...2 women, 1 man

Heralding a return to the stage for renowned dramatist Stephen Poliakoff, My City is a lyrical exploration of storytelling, interwoven personal and political histories, memory and the ties of the past. Beautifully atmospheric and infused with a sense of yearning nostalgia, the play presents a series of strange, seemingly coincidental encounters with others which evoke momentous trends in the city they live in and the shifts of society throughout history. Two former school friends are reunited with their erstwhile teacher, the glamorous, gracious Miss Lambert who is now engaged in nightly pilgrimages on foot across London as an antidote to her chronic insomnia. In the course of these nocturnal journeys, she witnesses a paradigmatic range of incidents reflecting today's society: the kindness and the violence, the glut of discarded rubbish and the sanctity of that which is carefully preserved, as well as the ghostly vestiges of the past. My City contains all the hallmarks of Poliakoff's best writing: high in style and sustained mood, the play tells stories of the past with melodic descriptions, cinematic scope and aesthetic preciseness.

Stephen Poliakoff 'has been one of our sharpest and least predictable writers for the past twenty years' (Daily Telegraph) In his new play, Remember This, Stephen Poliakoff looks at the insidious role that technology plays in all our lives. The video camera becomes an interruption in the daily existence of Rick and Victoria and their friends and relations as the couple prepare for their wedding, to such an extent that the video diary they are recording begins to take over their lives. If events have not been recorded they have not been lived. Their memory of events is only what exists on tape for an audience to see or hear. When the stress of modern living reaches a critical peak, Rick's forsakes real life for one totally imagined. Remembering becomes harder and harder."Stephen Poliakoff addresses the problem of the amnesia that threatens to overtake us all, as a hundred different developments - social, cultural, technological - conspire to cut us off from the past" (Sunday Telegraph); "His social observations often have a deadly accuracy" (Guardian)