Vera Prudhomme Kennan watches in awe as her husband Lex and Sally Pendergast romp around the world in their quest for stardom on the concert stage. A tragic accident and powerful people are not the only threats to the duo. Passion breaks and binds Lex, Vera, and Sally as they grapple with who they are when the performance stops. No man carries Sally Pendergast's baggage. She is a consummate musician whose Spanish guitar is with her wherever she goes. She's also known for keeping Delta and United grounded at the gate until they let her precious instrument board with her. Lex Kennan lacks the guts to make a career with his flute. Married to the ever practical Vera Prudhomme, he is caged in a secure government job in the nation's capital. Intensely absorbed in themselves and each other, Sally, Lex, and Vera bring their intimate secrets to you in their own voices. Sally and Lex meet at a music party neither wanted to attend. They form a duo and rehearse as Vera -- who shares none of their devotion to music -- watches warily. Sally asks Lex to perform with her in Europe. She tries to convince Vera that the duo is going on a concert tour, not a fuckfest. Music becomes desire and desire becomes music. The Two Musicians call their duo Romanzas and contemplate Mozart's bones, fame and their fate. The Wife Who Isn't hosts a candlelight supper and more in their absence. A powerful patron pushes Sally and Lex down a path they never intended to take. International success threatens to tear the duo apart. Temptation and a tragic accident almost succeed in killing Romanzas. A major recording contract brings Lex and Sally to the cusp of fame. But nothing in this tale of three turns out as expected. Passion breaks and binds Lex, Vera, and Sally as they grapple with who they are when the performance stops.

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Characterizing it as a "mythic discourse," Jean Baudrillard proceeds, in this brilliant essay, to dismantle the powerful, seductive figure of Michel Foucault. In a torrent of haikus, which can now be seen as classically Baudrillardian, he swirls Foucault's concepts of repression, sexuality, production, consumption, and history around in an intense, and often comical, reversal of forces. Exceeding the boundaries of literary or philosophical critique, Baudrillard writes from beyond the horizon of political thought and in a space of phantasmic speculation, finally "using" Foucault's terminologies and public significance to launch his own form of occult, philosophical clarity. In the second half of the book, Baurillard meets his match in an interview with Sylvere Lotringer, who teases Baudrillard with his own ideas, in turn making commentaries on subjects as diverse as panic, ecstasy, and May '68.

Jean Baudrillard meets Cookie Mueller in this gathering of French theory and new American fiction. Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.

This is a collection of published and unpublished photographs by Sylvia Plachy, photographed while on exclusive assignment for the Goings On About Town section of The New Yorker.

Excerpt from Four Years in Rebel Capitals: An Inside View of Life in the Southern Confederacy, From Birth to Death; From Original Notes, Collated in the Years 1861 to 1865 Fortunate, indeed, is the reader who takes up a volume without preface; of which the persons are left to enact their own drama and the author does not come before the curtain, like the chorus of Greek tragedy, to speak for them. But, in printing the pages that follow, it may seem needful to ask that they be taken for what they are simple sketches of the inner life of Rebeldom' -behind its Chinese wall of wood and steel during those unexampled four years of its existence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book analyzes the European Great Recession of 2008-12, its economic and social causes, its historical roots, and the policies adopted by the European Union to find a way out of it. It contains explicit debates with several economists and analysts on some of the most controversial questions about the causes of the crisis and the policies applied by the European Union. It presents the cases of Iceland, Greece, and Ireland, the countries that first declined into crisis in Europe, each of them in a different way. Iceland is a case study for reckless banking practices, Greece of reckless public spending, and Ireland of reckless household indebtedness. At least seven other countries, mostly from the peripheries of Europe, had similarly reckless banking and spending practices. In the center of the book are the economic and social causes of the crisis. Contemporary advanced capitalism became financialized, de-industrialized and globalized and got rid of the "straitjacket" of regulations. Solid banking was replaced by high-risk, "casino-type" activity. The European common currency also had a structural problem - monetary unification without a federal state and fiscal unification. The other side of the same coin is European hyper-consumerism. A new lifestyle emerged during two super-prosperous periods in the 1950s to 1960s, and during the 1990s to 2006. Trying to find an exit policy, the European Union turned to strict austerity measures to curb the budget deficit and indebtedness. This book critically analyzes the debate around austerity policy. The creation of important supranational institutions, and of a financial supervisory authority and stability mechanisms, strengthens integration. The correction of the euro's structural mistake by creating a quasi-fiscal unification is even more important. The introduction of mandatory fiscal rules and their supervision promises a long-term solution for a well-functioning common currency. These measures, meanwhile, create a two-tier European Union with a fast-track core. This book suggests that the European Union will emerge stronger from the crisis. This book will be of particular interest to students and researchers of economics, history, political science and international finance, but will also prove profitable reading for practitioners and the interested public. Book jacket.

Feminist science fiction that anticipates a post-patriarchal future. Our Fatal Magic is a collection of feminist science fiction by contemporary artist Tai Shani. Foregrounding explorations of sensation, experience, and interiority, these twelve fantastical prose vignettes refract their ideas through a series of curious characters, from Medieval Mystics to Cubes of Flesh, from Sirens to Neanderthal Hermaphrodites. Drawing on the speculative narrative strategies pioneered by writers like Marge Piercy, Octavia Butler and others, Our Fatal Magic metabolizes new and necessary fictions from feminist and queer theory to propose an erotic, often violent space of critique in which gender constructs are destabilized, alternative histories imagined, and post-patriarchal futures proposed.

Most studies about women, Jewish and otherwise, are usually confined to the domestic sphere: the home, the family, the bed. Yet women were present at all historical events, and it is not only the presence but also their significance for these events which should be recognized. All the sources seem to militate against an approach which assumes the presence of women in public events: When dealing with politics, war and religion, scholars can ignore women, confining themselves instead to the woman's role in the domestic sphere. Tal Ilan here seeks to discover women in the public spaces and main events of Second Temple Judaism. The main principle guiding her is that if by chance women are mentioned in the sources, they should not be treated as a means for explaining the event but rather as an end in themselves. Thus sources showing women as remote or obscure turn out to yield much relevant material. Ilan investigates women's association with the Pharisees and other sects. She analyzes women's roles in the writings of Josephus, Ben Sira, and other important sources. Furthermore she discusses famous women like Beruriah and Berenice. The Dead Sea Scrolls play an important role in her study.

'In Becoming the People of the Talmud,' Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud—which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later—precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life.What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, 'Becoming the People of the Talmud' reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena—the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud—were indirectly linked to the new eminence of this written text in Jewish life.

This study uses the tools of literary criticism to discover what Ezra-Nehemiah says by looking at how it says it. More specifically, the author demonstrates how Ezra Nehemiah employs structure, characters, and a variety of literary devices to express themes associated with the centrality of the community, the expansion of the house of God from temple to city, and the importance of documents as a source of authority. These themes combine to depict an era in which all the major accomplishments are enacted by a community of otherwise anonymous persons rather than a few illustrious, "heroic" men. A discussion of the relationship between Ezra-Nehemiah, Chronicles, and I Esdras is also included, especially as the latter text - by way of comparison-highlights Ezra-Nehemiah's appreciation of ordinary lives and the "prosaic" side of reality.

The makers of obi, the elegant and costly sash worn over kimono in Japan, belong to an endangered species. These families of manufacturers, weavers, and other craftspeople centered in the Nishijin weaving district of Kyoto have practiced their demanding craft for generations. In recent decades, however, as a result of declining markets for kimono, they find their livelihood and pride harder to sustain. This book is a poignant exploration of a vanishing world. Tamara Hareven integrates historical research with intensive life history interviews to reveal the relationships among family, work, and community in this highly specialized occupation.Hareven uses her knowledge of textile workers' lives in the United States and Western Europe to show how striking similarities in weavers' experiences transcend cultural differences. These very rich personal testimonies, taken over a decade and a half, provide insight into how these men and women have juggled family and work roles and coped with insecurities. Readers can learn firsthand how weavers perceive their craft and how they interpret their lives and view the world around them. With rare immediacy, The Silk Weavers of Kyoto captures a way of life that is rapidly disappearing.

The makers of obi, the elegant and costly sash worn over kimono in Japan, belong to an endangered species. These families of manufacturers, weavers, and other craftspeople centered in the Nishijin weaving district of Kyoto have practiced their demanding craft for generations. In recent decades, however, as a result of declining markets for kimono, they find their livelihood and pride harder to sustain. This book is a poignant exploration of a vanishing world. Tamara Hareven integrates historical research with intensive life history interviews to reveal the relationships among family, work, and community in this highly specialized occupation. Hareven uses her knowledge of textile workers' lives in the United States and Western Europe to show how striking similarities in weavers' experiences transcend cultural differences. These very rich personal testimonies, taken over a decade and a half, provide insight into how these men and women have juggled family and work roles and coped with insecurities. Readers can learn firsthand how weavers perceive their craft and how they interpret their lives and view the world around them. With rare immediacy, The Silk Weavers of Kyoto captures a way of life that is rapidly disappearing.

In this monograph Tanya Reinhart discusses strategies enabling the interface of different cognitive systems, which she identifies as the systems of concepts, inference, context, and sound. Her point of departure is Noam Chomsky's hypothesis that language is optimally designed--namely, that in many cases, the bare minimum needed for constructing syntactic derivations is sufficient for the full needs of the interface. Deviations from this principle are viewed as imperfections.The book covers in depth four areas of the interface: quantifier scope, focus, anaphora resolution, and implicatures. The first question in each area is what makes the computational system (CS, syntax) legible to the other systems at the interface--how much of the information needed for the interface is coded already in the CS, and how it is coded. Next Reinhart argues that in each of these areas there are certain aspects of meaning and use that cannot be coded in the CS formal language, on both conceptual and empirical grounds. This residue is governed by interface strategies that can be viewed as repair of imperfections. They require constructing and comparing a reference set of alternative derivations to determine whether a repair operation is indeed the only way to meet the interface requirements.Evidence that reference-set computation applies in these four areas comes from language acquisition. The required computation poses a severe load on working memory. While adults can cope with this load, children, whose working memory is less developed, fail in tasks requiring this computation.

Son of a squirrel and a mouse, Willie, resident of an apartment house wall, links the lives of two neighboring families in a very unusual way.

Solotaroff was one of the notable intellectuals of his generation, the founder of the New American Review, editor and friend of Philip Roth, and editor-in-chief at HarperCollins. Solotaroff reveals himself here as a thinking man with a big heart and gaping wounds of love that are not disconnected from the contributions he has made to American culture throughout his career. Solotaroff turns back to the earliest pages of his romance with Lynn, remembering his first sighting of her emerging from the water as if from a dream. Yet the image, as he penetrates the intervening layers of sorrow and disappointment, is almost impossibly distant, fragile. First Loves reenacts the blurring of a perfect conception in the mind of a man who would devote his life to precision of thought and word. This opposition, of romantic and intellectual passion, drives the narrative and eventually brings it to crisis. First Loves could be described as a very private feat of honesty from a public intellectual. Solotaroff’s willingness to admit the failures, personal and professional, alongside the triumphs of his career gives a three-dimensional intensity to the emotions on the page. Working with all of the gritty and romantic elements of his storied life, Solotaroff manages to avoid a tone too heroic or honey-dipped; he manages simply to tell the tale.