This book distinguishes between conservative and socialist humanism in contemporary Spanish culture. The author gives special attention to aesthetics and politics in Falangist culture; the rhetoric of conservative humanism; the influence of Frued in Spain; the Marxist essay in Spain; the rhetoric of anti-humanism; Jose Luis Aranguren and the role of the moralist.

"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present. "The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface ". . . a judicious combination of seminal works and more recent commentaries that achieves the editor's purpose of stimulating curiosity and developing a point of view."—C. Bickford O'Brien, The Russian Review "These three volumes cover quite well the main periods of Russian civilization. The choice of the articles and other material is made by a competent and unbiased scholar."—Ivan A. Lopatin, Professor of Asian and Slavic Studies, University of Southern California

Hermann Sudermann's "The Song of Songs" explores the complexities of love and passion within a historical setting. This enduring work of German literature, presented here in English translation, delves into the intricacies of human relationships and the timeless allure of romance. A compelling example of historical fiction, the novel captures the emotional intensity of its characters as they navigate the challenges of love and desire. Sudermann's prose masterfully portrays the depths of human emotion, making "The Song of Songs" a resonant and engaging read for anyone interested in classic literary fiction. Experience the enduring power of this translated work, a testament to the timeless nature of love stories and the enduring appeal of German literature. Prepare to be captivated by a narrative that explores the universal themes of the heart, meticulously presented for your reading pleasure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The libertarian philosophy of freedom is characterized by two fundamental beliefs: the right to be left alone and the duty to leave others alone. Psychiatric practice routinely violates both of these beliefs. It is based on the notion that self-ownership--exemplified by suicide--is a not an inherent right, but a privilege subject to the review of psychiatrists as representatives of society. In Faith in Freedom, Thomas Szasz raises fundamental questions about psychiatric practices that inhibit an individual's right to freedom. His questions are fundamental. Is suicide an exercise of rightful self-ownership or a manifestation of mental disorder? Does involuntary confinement under psychiatric auspices constitute unjust imprisonment, or is it therapeutically justified hospitalization? Should forced psychiatric drugging be interpreted as assault and battery on the person or is it medical treatment? The ethical standards of psychiatric practice mandate that psychiatrists employ coercion. Forgoing such "intervention" is considered a dereliction of the psychiatrists' "duty to protect." How should friends of freedom--especially libertarians--deal with the conflict between elementary libertarian principles and prevailing psychiatric practices? In Faith in Freedom, Thomas Szasz addresses this question more directly and more profoundly than in any of his previous works.

Roman.

This striking new contribution to gender studies demonstrates the essential role of Israelite and Near East law in the historical analysis of gender. The theme of these studies of Babylonian, Hittite, Assyrian, and Israelite law is this: What is the significance of gender in the formulation of ancient law and custom? Feminist scholarship is enriched by these studies in family history and the status of women in antiquity. At the same time, conventional legal history is repositioned, as new and classical texts are interpreted from the vantage point of feminist theory and social history. Papers from SBL Biblical Law Section form the core of this collection.

"The present exhibition includes a series of oils on canvas, a new development within the artist's practice that further breaks down the distinction between painting and drawing. Executed on a smaller scale, and at times filling out the entire surface, these works open up for a more intimate dialogue with their surroundings, onto which their own space seems to become projected. The support of the canvas lends new weight to the subject matter, while underscoring a dichotomy between the physicality of the former and the ethereal appearance of the latter. The works in the exhibition depict ropes in various configurations along with subjects from the natural world-mountain ranges, tree branches, and rivers. A canvas with an abstract mosaic of small squares in varying shades of black and blue contrasts with the more figurative compositions, while at the same time emphasizing their own inherent abstraction. A river is distilled to an interwoven mesh of wavy lines and myriad branches overlap or are overlapped to create a sophisticated lattice in which it is difficult to maintain a distinct focus. In two paintings presenting aerial views of a mountain range, the tension between form and narrative, or abstraction and realism, extends into a question of difference and repetition: at a closer look, it emerges that they show the same view with the shadows inverted. A drawing depicting a large explosion evokes this tension both literally and conceptually, as the smoke captured by the soft pencil strokes appears at once decipherable and disappearing from view. The viewer's attention, in turn, is focused onto the exercise of looking." -- From gallery website https://www.davidzwirner.com/ accessed 13.01.2022.

"Internationally acclaimed as a painter and sculptor, Tobi Kahn draws on his Jewish heritage to create abstract, spiritual works evocative of the cosmos and the elements of the earth. Kahn's minimal formations reflect sky, land, water, molecules, blood and the nuclei of life itself. The paintings, inspired by the book of Genesis, become metaphors for creation. Kahn's artworks direct the viewer inward to reflect upon his or her own spirituality. Preface by Reba Wulkan, Contemporary Exhibitions Curator"--

This lively second collection from a young, much-travelled writer, falls into two parts. ‘Transit’ includes poems of abroad, especially Japan, where Tobias Hill lived for two years. ‘Back to the City’ is about London, from hangover to Underground; Hiroshima; and the `City of Clocks’, a fusion of cities and ages. They are poems crammed with a young man’s curiosity and eye for detail, and show his great ability for story-telling. Tobias Hill lives in London, and besides writing (his short stories and novels are published by Faber) he reviews and edits several new magazines. “Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk

In this latest collection of poems, Hill invokes people and place, mythologizing and demythologizing city lives as they are led. From poignant vignettes and celebrations to urban-pastoral and elegy, these poems extend Hill’s romance with London’s psychic and surreal fabric. Selected as a Next Generation poet, Hill continues to delight us with sensuous observation and imaginative embrace.“Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk

Zoo is Tobias Hill’s third collection of poems. It shows the growing maturity of a voice already distinctive three years ago, when his first collection was noted for its ‘grand irony and playful humour, with episodes of tenderness and even charm’. Hill’s poems combine narrative impetus with musical lyricism. Influenced by the poetry of Japan and the paintings of Edward Hopper, they are full of intense sound, smell, and visions, Often through a nocturnal eye, Hill describes an urban-pastoral landscape, full of the greenhouse luxuriance of city flora, fauna and humanity. “Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk

Schott

"The tragedy of the left is that, having achieved an unprecedented victory in helping stop an appalling war, it then proceeded to commit suicide." So writes Todd Gitlin about the aftermath of the Vietnam War in this collection of writings that calls upon intellectuals on the left to once again engage American public life and resist the trappings of knee-jerk negativism, intellectual fads, and political orthodoxy. Gitlin argues for a renewed sense of patriotism based on the ideals of sacrifice, tough-minded criticism, and a willingness to look anew at the global role of the United States in the aftermath of 9/11. Merely criticizing and resisting the Bush administration will not do-the left must also imagine and propose an America reformed.Where then can the left turn? Gitlin celebrates the work of three prominent postwar intellectuals: David Riesman, C. Wright Mills, and Irving Howe. Their ambitious, assertive, and clearly written works serve as models for an intellectual engagement that forcefully addresses social issues and remains affirmative and comprehensive. Sharing many of the qualities of these thinkers' works, Todd Gitlin's blunt, frank analysis of the current state of the left and his willingness to challenge orthodoxies pave the way for a revival in leftist thought and a new liberal patriotism.

The riveting tale of how the wanabee aristo Conrad Black and his social-mountaineering wife Barbara gulled their way into the City, the Tory party, Wall Street and High Society. This new paperback edition will be fully updated to include details of Black's high-profile trial for corporate fraud, sure to claim international attention. The rise and fall of the media tycoon Conrad Black is rivalled in its spectacular extravagance only by the machinations of his social-mountaineering wife, Barbara Amiel. Together their story of overweening ambition and greed is a modern-day classic of hubris. There is no bolder or better-informed chronicler of the follies of the rich and powerful than Tom Bower. Fearless in the approach which has brought him accolades for his gripping exposés of Robert Maxwell, Tiny Rowland, Mohammed Fayed and Richard Branson, Bower reveals how the Blacks financed a billionaire's lifestyle and won friends and influence in London and New York. Born into considerable wealth in Canada, Conrad Black bought and sold (but never effectively managed) several businesses, from mining and tractors to broadcasting companies and newspapers. In 1985 he bought the Telegraph group in London, where very little was known of the controversy over his past financial dealings. In 1992 he married Barbara Amiel, who later famously said, 'I have an extravagance that knows no bounds'. Besotted with his wife, he began living way beyond his means. Fabulous parties, jewellery, clothes, private jets and homes followed. In 2003 an independent report in America accused him of 'outright fraud', 'ethical corruption' and 'corporate kleptocracy' - allegations that he will vigorously deny at his trial in Chicago in 2007. This edition will be updated to include the full story of the trial in all its sensational detail. Tom Bower's book, based on over 150 interviews with bankers, politicians, celebrities, power-brokers and close friends, is packed with intimate revelations. It is a hugely entertaining account of gullibility in high places.

The riveting tale of how the wannabe aristo Conrad Black and his social mountaineering wife Barbara gulled their way into the City, the Tory party, Wall Street and High Society.

The gripping inside story of the complex and ambitious Chancellor of the Exchequer's time in power. Gordon Brown's arrival at the Treasury in May 1997 was greeted by a stampede--officials of every rank spontaneously rushed to the door to cheer the new incumbent, excited about the change. As Master of the New Era, Brown created a matrix of relationships across every Whitehall department, and extended his influence to every aspect of government activity. He has been behind the most important budgetary decisions of the past decade: the commitment to Private Finance Initiative, which would affect infrastructure from the London Underground to the NHS to state schools; the management of the Inland Revenue; the increase in taxes; and the demise of Britain's pension funds. Seven years after his arrival at the most powerful department at Whitehall, Brown is now a contender to be the next leader of the Labour Party, but despite extensive newspaper coverage of his activities, his personal agenda has not yet been investigated and described. In this gripping biography of the Chancellor, Tom Bower--author of the best-selling Broken Dreams--documents the rise to power of a driven and complex politician, exposing conflicts within the government and exploring how the repercussions of Brown's ambitions will affect the country for decades to come.