This is an account of the life and career of the entrepreneur, Tiny Rowland, the head of Lonrho and the owner of "The Observer". It is a story of empire-building, unresolved mystery, commercial skulduggery, financial acumen, and confrontations with a succession of governments in Europe, America and Africa. The book reflects not only the fortunes of an individualist, but the ambitions, machinations and limitations of an array of power-brokers in the City, Whitehall, Wall Street and elsewhere in the world. The author's previous books include " the Outsider".

This is an account of the life and career of the entrepreneur, Tiny Rowland, the head of Lonrho and the owner of "The Observer". It is a story of empire-building, unresolved mystery, commercial skulduggery, financial acumen, and confrontations with a succession of governments in Europe, America and Africa. The book reflects not only the fortunes of an individualist, but the ambitions, machinations and limitations of an array of power-brokers in the City, Whitehall, Wall Street and elsewhere in the world.

Tony Kushner is one of America's leading dramatists and writer of the acclaimed Angels in America. This book, an effervescent call to action, offers words of inspiration to the young and talented. Kushner urges political engagement on the side of what is moral, just and true, appealing not just to a sense of responsibility but to the fulfilment of human potential and engement in life with passion. At once funny and serious, pointed and compassionate, Kushner's words spill from the page in a torrent to demolish the dark mills of lethargy and cynicism.

In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s. The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors. His role as a generational (read "national," "liberal," "socialist," "Jewish," "queer") spokesman has provided him with a public platform from which to address concerns that lie at the center of national debate. In a short time Kushner has capturedand retained a nation's fascination, and his opinions are widely sought out on a wide range of topics. And, most often, the platform from which Kushner expresses his ideas is the personal interview, in which he boldly confronts Americans to rethink, even to reinvent, themselves as the Millennium approaches. Tony Kushner in Conversation is the first book to compile Kushner's most significant interviews of the past decade, tracing his career from its early years to his maturing artistic and political visions. The collection includes pieces that first appeared in an amazingly broad range of periodicals as well as interviews not previously published, such as his appearance on PBS on The Charlie Rose Show. In addition to Angels in America, Tony Kushner is author of Slavs! and is currently finishing work on Henry Box Brown, scheduled to have its world premiere at the Royal National Theatre in the summer of 1997. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.

University professor and social activist Tova Hartman, discouraged by failed attempts to make her modern Orthodox synagogue in Jerusalem more inclusive of women, together with other worshippers, set about creating their own own, Shira Hadasha ("a new song"). Since it opened in 2002, this new synagogue's mission-to develop a religious community that embraces halakhah (Jewish law), tefillah (prayer), and feminism-has drawn thousands to services. The courageous act of creating the synagogue-against amazing odds-is testimony to Hartman's own deeply felt commitment to both feminism and modern Orthodox Judaism.The story of the creation and ongoing development of similar"partnership minyans" in Jerusalem and elsewhere anchors and ties together this book's five essays, each of which explores a vital contact point between contemporary feminist thought and aspects of Jewish tradition. Hartman discusses three feminist analyses of Freudian psychology for reading Jewish texts; modesty and the religious male gaze; the backlash against feminism by traditional rabbis; the male imagery in liturgy; and Orthodox women and purity rituals. Throughout, Hartman emphasizes the importance of reinterpretation, asking her readers to view as "creative tensions" what seem like obvious and insurmountable contradictions between traditional and modern beliefs. Such tensions can offer unexpected connections as well as painful compromises. The conclusion revisits the construction of the synagogue as well as discusses its impediments and actualizing these types of social and religious changes. Hartman's book will speak directly to scholars and students of gender, religion, and psychology, as well as anyone interested in the negotiation of feminism and tradition.

"One Hundred Philistine Foreskins centers on the life of Temima Ba'alatOv, known also as Ima Temima, or Mother Temima, a charismatic woman rabbi of extraordinary spiritual power and learning, and an utterly original interpreter of the Hebrew Bible. Temima is revered as a guru with prophetic, even messianic powers-- one who dares to raise her woman's 'naked' voice even in the face of extreme hostility by the traditional establishment. Moving between two worlds-- Temima as a child in Brooklyn and Temima as an adult in Jerusalem-- the story reveals the forces that shaped her, including the early loss of her mother; her spiritual and intellectual awakening; her complex relationship with her father, a ritual slaughterer; her forced marriage; her 'ascent' to Israel; and her intense romantic involvements with charismatic men who launch her toward her destiny as a renowned woman leader in Israel"--

Computer Control and Human Error presents accounts of various incidents at computer-controlled plants. These incidents include equipment and software faults; treating the computer as a "black box"; misjudging the way operators respond to the computer; errors in the data entry; failure to inform operators of changes in data or programs; and unauthorized interference with peripheral equipment. The discussion then turns to the use of hazard and operability studies (Hazops) to prevent or reduce errors in computer-controlled plants. The book describes the conventional Hazop as used in the process industry and an overview of the different Chazop frameworks/guidelines suggested by engineers and researchers. It then presents new Chazop methodology which is based on incident analysis. The final chapter presents reasons for failures in computerized systems, each of which is illustrated with an example. Most of the examples did not cause an actual safety problem, simply because they occurred within systems that are not safety-related. Some of these examples appear in the literature; others are from personal experience or from private communications.

6.5 The Clapham Junction railway accident -- 6.6 Piper Alpha -- 6.7 What more can senior managers do? -- 6.8 The measurement of safety -- 6.9 Conclusions -- 7: The probability of human error -- 7.1 Why do we need to know human error rates? -- 7.3 A more complex example -- 7.2 Human error rates - a simple example -- 7.4 Other estimates of human error rates -- 7.5 Two more simple examples -- 7.6 Button pressing -- 7.7 Non-process operations -- 7.8 Train driver errors -- 7.9 Some pitfalls in using data on human reliability -- 7.10 Data on equipment may be data on people -- 7.11 Who makes the errors? -- 7.12 Conclusions -- 8: Some accidents that could be prevented by better design -- 8.1 Isolation of protective equipment -- 8.2 Better information display -- 8.3 Pipe failures -- 8.4 Vessel failures -- 8.5 The Sellafield leak -- 8.6 Other design errors -- 8.7 Conceptual shortcomings -- 8.8 Problems of design contractors -- 8.9 Domestic accidents -- 9: Some accidents that could be prevented by better construction -- 9.1 Pipe failures -- 9.2 Miscellaneous incidents -- 9.3 Prevention of construction errors -- 10: Some accidents that could be prevented by better maintenance -- 10.1 Incidents which occurred because people did not understand how equipment worked -- 10.2 Incidents which occurred because of poor maintenance practice -- 10.3 Incidents due to gross ignorance or incompetence -- 10.4 Incidents which occurred because people took short cuts -- 10.5 Incidents which could be prevented by more frequent or better maintenance -- 10.6 Can we avoid the need for so much maintenance? -- 11: Some accidents that could be prevented by better methods of operation -- 11.1 Permits-to-work -- 11.2 Tanker incidents -- 11.3 Some incidents that could be prevented by better instructions -- 11.4 Some incidents involving hoses -- 11.5 Communication failures

Two feature-length stories in one volume! Video games can get too realistic, as the flying teenager, Go Girl! discovers in "Prisoners of the Machine," when she and her friends find themselves trapped inside a computer, menaced by giant anime-robots! And in "Double Trouble," Go Girl!'s arch-enemies create a robot that looks just like her, except that it has the mind of a master criminal! How can our heroine convince the cops that she didn't rob that bank, when everyone saw her do it? Plus, Go Girl!'s sidekick, Haseena, tired of always being rescued by the flying teen, takes up sleuthing herself in "Haseena Ross, Girl Detective."

This is the first book to explore the effect of genetic research on the Lemba Judaising community of Southern Africa and the phenomenon of Israelite identity. The science of genetics as relayed by the media is perceived by laymen as being irreproachably objective 'hard science': its disinterested 'scientific' findings appear immensely impressive and may therefore act as a powerful catalyst for change. In this case, an oral tradition cherished by many of the Lemba that they are of Jewish origin appears to be supported by recent DNA testing, which has deeply affected the narrative and religious identity of the group and the way the tribe is perceived in the Western world. International in appeal, this topical text brings together cutting-edge research on the social, cultural and ethical implications of genetics and the study of Judaising movements across the world. This book will be of interest to researchers and students of Jewish history, genetic anthropology, race and ethnicity studies, and religious and cultural studies.

Yemen was ruled in the 20th century by imams from the extremist Zaydi Muslim sect. The Jews suffered from legal restrictions and persecutions. In 1910 the victorious Imam Yahya reinstated the "sharia" as the legal code in place of the Turkish civil code, and promulgated the law which imposed on the Jews the status of dhimmi in its most rigid form. In 1922, the reintroduction of forced conversion of Jewish orphans to Islam initiated a Jewish campaign to smuggle many of them to Aden. In the same year, the Imam Yahya virtually banned Jewish emigration from Yemen. Popular hatred of Jews was intense. The UN decision on the partition of Palestine in 1947 engendered a blood libel in San'a and anti-Jewish riots (aggravated by a civil war in Yemen), as well as pogroms in neighboring Aden and Shaykh Othman in which ca. 100 Jews were murdered. In 1948-50 most of the Jews left Yemen.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision , philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet , and King Lear , Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

This study explores the real - as against the ideal - social, political, and religious status of women in Palestinian Judaism of Hellenistic and Roman periods. This investigation concludes that extreme religious groups in Judaism of the period influences other groups, classes, and factions to tighten their control of women. They also encouraged an understanding of ideal relationships between men and women, represented in the literature and the legal codes of the time that required increasing chastity. Despite this, the lives of real women and their relationships to men continued to be varied and nuances. This book integrates both Jewish and Early Christian sources together with a feminist critique. It is the most comprehensive work of this sort published thus far and offers a vast repository of relevant material, as well as a fresh interpretation.

When she died, in 2009, Anthony Thwaite described U.A. Fanthorpe as a 'smiling subversive with a voice like bird-song'. An encouraging example to all late developers, this particular bird's voice took its time: she didn't become a poet until she was 45. But these examples of her very earliest work show the latent mastery and the rapid development of the craft that would bring her wide critical acclaim and an affectionate general readership. The mysteries of the trade gradually reveal themselves as rooted in a wide and uncensored range of subject-matter, a life-time's love of words, and an intuitive grasp of the mechanics of form and voice. Recognising her role so late, she was a woman in a hurry; there wasn't time for self-consciousness or grandiose notions of 'vocation'. 'A poet, ' she said, 'is a smuggler. He imports things clandestinely which are not supposed to have got through the customs.' Poetry 'happened to me', she would say. Her job? To listen, to pass it on.

Aboriginal and Torres Strait Islander peoples are advised that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Essays. Criticism. Memoir. This odd and engaging volume consists primarily of essays written between 1900 and 1944, in which the Italian poet Umberto Saba writes of himself in the third person, providing a truly fascinating critique of his own work. As work of criticism written pseudonymously, and without irony, about one's own work, and for the primary purpose of celebrating that work, the History and Chronicle of the Songbook remains unique . . . in literary history . . . This is not a work of self-promotion; it is, like all Saba's writing, in poetry or prose, a work of self-definition, even self-creation (from the Translator's Foreword). As an exercise in self-objectification, then, the book becomes not only a useful work about Saba's poetry, but an inquiry into identity, the relationship of the self to the world around the self, and the ability of a poet to explicitly create a poetics but of a response to his or her own work.