Before Europeans arrived in British Columbia, the coastal Indians lived in an environment where there was no want. The fish and fur-bearing mammals in the sea fed and clothed them, they were sheltered in post-and-beam houses, and they travelled around is sturdy canoes. They plundered and waged war against their enemies, and they captured slaves. There's was a world filled with superstition and magic, with supernatural creatures such as the raven, the gluttonous trickster, that could assume human form. The Europeans brought with them smallpox and other communicable diseases to which the Indians had no immunity, and they died by the thousands. The Haida of the Queen Charlotte Islands (since renamed Haida Gwai) were particularly hard hit, their numbers reduced from an estimated 14,000 to 800. Ignoring the rights of the Indians, the Europeans established government, first as a crown colony of Great Britain, then as a province of the Dominion of Canada. The jurisdiction was sustained at first by gold strikes, but when the gold ran out, the mainstay of the economy became the forests. The ones on the coast, with huge trees nudging 300 feet in height and some exceeding 12 feet in diameter, were the first to be exploited. There arose a stalwart band of men known as loggers, who harvested the big trees. One of them, whose name was Bill Clayton, became a legend in his lifetime for his strength and ability to do the work, and they called him "Logger Bill." At the end of the depression, when he is just 16 years old, Bill is unable to find work in Queen Charlotte City. He is forced to leave his Haida sweetheart and go to a remote logging camp, where the only holidays come at Christmas time, and only last for two weeks. She find she is pregnant, and marries her cousin, a common practice among the Haida. Bill is crushed when he hears the news, and sublimates himself in the logging business.Through tragedy and triumph, Bill works his way through life, with four loves and three illegitimate offspring, and through a living history of forest management in BC. He meets a premature death, and his three sons eventually find out about their ancestry. Throughout, the raven appears from time to time, giving rise to the feeling that he may still have some magic in him.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leyland, Winston (ed) Love Poems and Selected Letters

The Faith of the Mithnagdim is the first study of the theological roots of the Mithnagdic objection to Hasidism. Allan Nadler's pioneering effort fills the void in scholarship on Mithnagdic thought and corrects the impression that there were no compelling theological alternatives to Hasidism during the period of its rapid spread across Eastern Europe at the turn of the nineteenth century. In Nadler's account, Mithnagdism emerges as a highly developed religious outlook that is essentially conservative, deeply dualistic, and profoundly pessimistic about humanity's spiritual potential—all in stark contrast to Hasidism's optimism and aggressive encouragement of mysticism and religious rapture among its followers.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Greek History For Young Readers <author> Alice Zimmern <publisher> Longmans, Green, and co., 1908 <subjects> Greece

The syndicated columnist takes a satirical look at many of the more absurd trappings of nouvelle American culture--channeling, fashion, relationships, and diet soda

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

The acclaimed Barcelona Plates revealed Alexei Sayle as a writer with an outstanding ability to describe contemporary life in an unusual way. Now, in his new collection The Dog Catcher, he brilliantly captures the morals and absurdities of our so-called 'cool' culture, populated by characters as recognizable as they are memorable. The Dog Catcher will confirm Alexei Sayle's reputation as not only one of the great exponents of the short story genre, but also as a profound commentator on the way we live now.

PAPERBACK

NY 1946 1st Abramson. Translated by Osselt and Zistel. Limited to 1000 copies. Hardcover. Octavo, 79pp., 11 fullpage illustrations by Oskar Kokoschka, cloth. Near Fine in Good DJ, browned and a bit worn on spine ends.

Although folklore has been collected for centuries, its possible unconscious content and significance have been explored only since the advent of psychoanalytic theory. Freud and some of his early disciples recognized the potential of such folkloristic genres as myth, folktale, and legend to illuminate the intricate workings of the human psyche. In this volume Alan Dundes, a renowned folklorist who has successfully devoted the better part of his career to applying psychoanalytic theory to the materials of folklore, offers five of his most recent and mature essays on this topic.

Ada Leverson (1862 - 1933) was a British writer who is now known primarily for her work as a novelist. She began writing during the 1890s, as a contributor to Black and White, Punch, and The Yellow Book. She was a loyal friend to Oscar Wilde, who called her Sphinx. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki. In this book: Love at Second Sight (1916) Tenterhooks (1912) Love's Shadow (1908)

Body and Soul (1947), which stars John Garfield, Lilli Palmer, and Canada Lee, is written by screenwriter Abraham Polonsky and directed by Robert Rossen. Mr. Polonsky received a best screenplay nomination from the Motion Picture Academy for this film. He would go on to write and direct Force of Evil the next year before being blacklisted from 1951 through 1968. The story revolves around a boxer (Garfield) from the lower East side of New York who fights his way to becoming champion, and then agrees to fix his last fight to get the big monetary payoff he thinks he deserves. Realizing he's been double-crossed by the gambling interests who've set up the fight, he exacts his revenge. This publication of the complete script of Body and Soul blends the shooting script (written before the film was shot) and the continuity script (the elements which are contained in the finished film). The illustrated volume includes the complete text of "Fifty Grand" by Ernest Hemingway on which the screenplay is loosely based. Critical essays are written by Abaham Polonsky (a tribute to John Garfield), Dr. John Schultheiss (artistic and political betrayal), Peter Valenti (Warner Bros. and HUAC), Mark Rappaport (Jewish symbolism in the movies), Kevin Lewis (actor Canada Lee), and Joseph Janeti (Abe Polonsky's final days).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.