Small underlinings or marks on the side, see photo.

A caravan of Jews wanders through pre-World War II Eastern Europe on a heartbreaking quest, in this latest novel from the award-winning writer. Among the group is Laish, a 15-year-old orphan, who narrates the story of this against-all-odds journey.

Presents a comprehensive theory of legal interpretation. This book argues that an alternative approach - purposive interpretation - allows jurists and scholars to approach legal texts in a similar manner while remaining sensitive to the important differences.

Halakha is the all-encompassing source of normative Jewish conduct, and values and ethics are among Judaism's most important and fundamental aims. In this volume, Rabbi Aharon Lichtenstein masterfully plots the interplay of law and ethics. Drawing on his vast knowledge of classic Jewish sources, the analytic depth of the Brisker tradition, and his wide grasp of Western scholarship and thought, Rabbi Lichtenstein charts how values are intertwined with the details of Halakha and inform its general worldview. Exploring such topics as the relationship between individual and community, the extent to which Halakha encourages or demands altruism, and the role of humanistic concerns in practical halakhic determination, Rabbi Lichtenstein analyzes rulings of halakhic giants in context of the relevant source material. The result is a first-of-its-kind study that offers a lucid yet extensive presentation of detailed halakhic points that combine to form a broad tapestry of the most basic questions of values in Halakha. -- cover page 4.

Work Hard and You Shall be Urban Folklore from the Paperwork Empire (paperback)

This is an ADVANCE REVIEW COPY, UNCORRECTED PROOF. Originally intended for a book reviewer. Softcover in very good plus condition. Mild shelf wear. Fiction.

If you own a gun, you can defend yourself against a criminal attack. But how can you defend yourself against people who what to take away your right to even own a gun? This book tells you how.

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.

Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution , Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.

This superb collection signals the long overdue return of Albert Maltz, one of the "Hollywood Ten" blacklisted during the McCarthy era, to the forefront of American letters. From "Afternoon in the Jungle"--an unforgettable glimpse of the brutalization of poverty--to the gripping adventure of "The Farmer's Dog," Maltz probes deep into the American consciousness, displaying a keen outrage at the injustices of poverty, prejudice and oppression. Yet, throughout, he remains true to a central vision of the essential dignity of man.

This is the second revised edition of Anarchism: Arguments For and Against and was the edition that Albert Meltzer was working on at the time of his death on May 7th, 1996. This book was an important one to Albert and it was one whose arguments he came back to often in his other writings. Albert had become increasingly concerned about what he saw as the ghettoisation of anarchism. Separated from the working class base so necessary to achieve social revolution, anarchism could easily fall into the twin traps of philosophical radicalism or revolutionary arrogance, the we're more militant than anyone else approach. Both stands have appeared in British anarchism alongside a sometimes demoralising and destructive incestuous approach to revolutionary change. Anarchists talk only to other anarchists and are unable to relate to the vast majority of people who are not of their belief and see anarchism as a rather exotic or illogical idea. This then was Albert's attempt to examine arguments people may have about why anarchism can never work and to counter them. He also examines the basic tenets of anarchist thought and practice and in doing so destroys some of the myths that have been created about anarchist theory and action. It's a book fro those of us who try to win people over to our ideas in everyday life and such it is a book that tries to break down the walls of the ghetto that anarchism has become trapped in.

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

"A Dictionary of English Phrases" is an exhaustive reference work compiled by Albert Montefiore Hyamson, meticulously documenting phraseological allusions, catchwords, stereotyped modes of speech, metaphors, nicknames, sobriquets, and derivations from personal names prevalent in the English language. This comprehensive dictionary provides explanations and thousands of exact references to the sources or early usage of these phrases. It serves as an invaluable resource for writers, linguists, historians, and anyone interested in the nuances and origins of common English expressions. Discover the roots of everyday language and gain a deeper understanding of the cultural context behind familiar phrases. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

8809--Since this light-hearted story deals with a dictator, his Secret Police, his mistress, and a plot against his life, it is perhaps not surprising-even though the scene is laid in an imaginary country 'on the other side of the ocean'-that it was suppressed by the fascicst authorities when it was published in Italy in 1941.