This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess.

Some people say scohn, while others say schown. He says bath, while she says bahth. You say potayto. I say potahto And- -wait a second, no one says potahto. No one's ever said potahto. Have they? From reconstructing Shakespeare's accent to the rise and fall of Received Pronunciation, actor Ben Crystal and his linguist father David travel the world in search of the stories of spoken English. Everyone has an accent, though many of us think we don't. We all have our likes and dislikes about the way other people speak, and everyone has something to say about 'correct' pronunciation. But how did all these accents come about, and why do people feel so strongly about them? Are regional accents dying out as English becomes a global language? And most importantly of all: what went wrong in Birmingham? Witty, authoritative and jam-packed full of fascinating facts, You Say Potato is a celebration of the myriad ways in which the English language is spoken - and how our accents, in so many ways, speak louder than words

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures - not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.

Religious faith is under assault. In books, movies, and on television, secular critics are attacking religion and the religious with ever-increasing intensity. These "new atheists" typically repeat a two-part mantra: They claim that only an idiot could believe in God, and that idiots who do so have been responsible for most of the hate and violence that have plagued humanity. Abandon religion, they urge, and the world will finally know peace. Surprisingly few books have emerged to defend faith from this onslaught. Yet when it comes to this second argument--the behavior of religious people in the world--abstract claims can be tested by reference to objective facts. In Defense of Faith examines the historical record and demonstrates that far from encouraging hate and aggression, the Judeo-Christian tradition has been the West's most effective curb on these dangerous defects of human nature. In Defense of Faith asserts that the belief in the sanctity and equality of all humans at the core of both Judaism and Christianity--what Brog calls the "Judeo-Christian idea"--has been our most effective tool in the struggle for humanity. The Judeo-Christian idea, Brog argues, has provided the intellectual foundation for human rights. Even more importantly, he maintains, the Judeo-Christian idea has repeatedly inspired the faithful to devote their lives to, and often risk their lives in, the fulfillment of these high ideals. In Defense of Faith also convincingly demonstrates that when we abandon religion as the critics urge, peace does not break out. Instead, we quickly revert to the most base instincts of our selfish genes. Written by a Jewish author who works closely with the Christian faith community, In Defense of Faith will appeal to secular and religious readers alike. This book will challenge the secular to reconsider the role of religion in Western civilization. It will inspire the religious to embrace a proud legacy of faith in action for the sake of humanity.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

How much of our political tradition can be absorbed and used by other peoples? Daniel Boorstin's answer to this question has been chosen by the Carnegie Corporation of New York for representation in American Panorama as one of the 350 books, old and new, most descriptive of life in the United States. He describes the uniqueness of American thought and explains, after a close look at the American past, why we have not produced and are not likely to produce grand political theories or successful propaganda. He also suggests what our attitudes must be toward ourselves and other countries if we are to preserve our institutions and help others to improve theirs. ". . . a fresh and, on the whole, valid interpretation of American political life."—Reinhold Niebuhr, New Leader

This book tells the story of an event that changed the world forever and raises important issues that are still relevant today

"The number of women who have ruled as queens or empresses, or governed as presidents or prime ministers, remains but a small subset of the total of those who have attained ultimate political power. But this elite group of women have reached the hights of political and ceremonial leadership, including some of the most charismatic figures." -- BOOK JACKET.

Over the course of a monumental career, Claude Lévi-Strauss has interwoven artistic materials and themes into his seminal analyses of the “savage mind.” Now the world's most famous anthropologist turns his attention entirely to the domain of aesthetics. In a series of brilliant but meticulous studies, he ranges widely across the domains of painting, music, literature and the plastic arts, his fertile mind opening more general, philosophical perspectives. Look, Listen, Read begins with an analysis of Nicolas Poussin's method of visual composition, and after drawing a surprising parallel with Marcel Proust, moves into a fascinating discussion, joined by Ingres and Delacroix among others, on the art of painting. Next the author turns to music, taking his inspiration from an inquiry into certain chord modulations in Rameau's opera Castor et Pollux, which at the time of its composition were considered a musical breakthrough. The book then considers the nature of the “beautiful.” The reference point here remains the French Enlightenment, and in particular Diderot's reflections on painting. Focusing on the aesthetic controversies of this same period, but with regard to music, a fascinating series of chapters revives the work of the largely forgotten eighteenth-century musicologist Michel-Paul-Guy de Chabanon and his surprisingly contemporary discussion of music's partial resemblance to language. This leads to a consideration of the relations of words to music in opera, where Lévi-Strauss reveals something of his own tastes in music while engaging in a critical review of a work by his recently deceased friend and colleague, Michel Leires. The relation between sounds and colors is considered next, largely through a breathtaking examination of a famous but difficult poem by Arthur Rimbaud. There follows an exchange of notes with André Breton, written some fifty years ago, on the nature of the work of art. In the book's concluding chapters the author dons the more familiar mantle of the anthropologist, and by looking at the myths of the American Indians, offering an analysis of their understanding of the place of art and of the artist in their own societies. Look, Listen, Read is a truly original work, far removed from the intellectual fads that mark contemporary discussions on aesthetics, as Lévi-Strauss advances into new territory even as he remains faithful to his structuralist inspiration. The book weaves a dense tissue of connections, correspondences, and principles, while at the same time remaining sensitive to the specificities of each of the beaux-arts. In a valedictory statement capping a lifetime's work, Lévi-Strauss has made a major new contribution to our understanding of the place of art in human life, the nature of its appeal, the source of its creativity, and its universality.

An indictment of the person and practices of President Bill Clinton, arguing that the public focus on Clinton's sexual indiscretions has detracted attention from even worse behavior including his cronyism and financial misdeeds.

Mystery and adventure for four young detectives in Ancient Roman times.. It seems that Flavia's tutor, Aristo, has committed a terrible crime - attempting to murder Flavia's own father. When Aristo escapes, Flavia and her friends give chase, but they aren't the only ones on Aristo's trail. Who else is after the young tutor? And what made him want to kill?

In 1815, after immigrating from Scotland to Canada, thirteen-year-old Isobel chronicles her family's experiences as they adjust to their new home in Rupert's Land, Manitoba, with the help of their Cree Indian neighbors and, especially, White Loon, their father's new wife.

"Are you sitting down? It turns out that everything you learned about the First Amendment is wrong. For too long, we've been treating small, isolated snippets of the text as infallible gospel without looking at the masterpiece of the whole. Legal luminary Burt Neuborne argues that the structure of the First Amendment as well as of the entire Bill of Rights was more intentional than most people realize, beginning with the internal freedom of conscience and working outward to freedom of expression and finally freedom of public association. This design, Neuborne argues, was not to protect discrete individual rights--such as the rights of corporations to spend unlimited amounts of money to influence elections--but to guarantee that the process of democracy continues without disenfranchisement, oppression, or injustice. Neuborne, who was the legal director of the ACLU and has argued numerous cases before the Supreme Court, invites us to hear the "music" within the form and content of Madison's carefully formulated text. When we hear Madison's music, a democratic ideal flowers in front of us, and we can see that the First Amendment gives us the tools to fight for campaign finance reform, the right to vote, equal rights in the military, the right to be full citizens, and the right to prevent corporations from riding roughshod over the weakest among us. Neuborne gives us an eloquent lesson in democracy that informs and inspires."--

The story of wartime Shanghai unveils the savage political intrigue, diplomatic maneuvering, and sometimes deadly espionage that defined this city at the height of World War II, as foreign representatives converged on the city with its promise of cheap living and excitement. Tour.

In a revised edition of Morris' earlier work, which explored the realities behind the Palestinian exodus of 1948, fresh material considers battles, expulsions and atrocities that contributed to the disintegration of Palestinian communities. The story is harrowing. Refugees now number four million - their cause remains a major obstacle to peace.

Black music has always expressed, consciously or not, its African oral heritage, reflecting the conditions of a minority culture in the midst of a white majority.