A celebrated poet writes on the hidden beauty of American cities. This is the book of an urban mystic, someone who believes that the streets he walks, the incidents he sees and in which he sometimes plays a part have significance; he understands that the hidden beauty and music of New York City. Madison Avenue, the Brooklyn Bridge, Central Park appear and reappear as though they, the poet, and the work were inseparable. The people he recalls – a bag lady, E.E. Cummings – are as familiar to us as the city itself, but here they are lyrical and light, these poems also hold love, loss, melancholy, and tenderness –they reflect the incessant rhythms between a man and his surroundings.

An American Romance (1960) is about love and marriage--and the devastating difference between them. For Philip, Ann is the woman of his dreams. But he has not learned to live with fulfillment. In this story, Koning looks deeply into the natures of men and women. Copyright © Libri GmbH. All rights reserved.

In a Hotel Garden is a provocative work by the English novelist once described by Sir Frank Kermode as "an admirable and rare example of the writer-critic." It is a captivating novella, written almost entirely in dialogue. In a Hotel Garden unfolds character and meaning with a lovely, meditative tension. The narrator Ben relates to his friends his enthralling encounter with a Jewish woman in the Dolomite Alps. The tale of her compulsive visit to a hotel garden in Siena--where her grandmother fell in love with a man soon to be a victim of the Holocaust--illuminates Ben's half-lived life, and raises the question of how we can ever come to terms with the destruction of the European Jews in our century. The Independent in England (where this novel first appeared) said, "Its [the novel's] enigmas are those of life itself, and Josipovici sets them before us with clarity, tact and compassion."

A mysterious web of solitude, love, illness, and loss is seamlessly woven into a captivating historical and personal narrative in this poignant yet concise novel. As three characters move through their increasingly haunting lives, they discover how to piece together their past and recreate connections.

Prince Alban finds his curse of unrequited love fulfilled, when his quest for Lady Ursula takes him into the realm of the deadly Morgeld. This is the sequel to Mustapha and His Wise Dog (1985).

In a diverse and innovative selection of new essays by cutting-edge theologians and philosophers, Suffering Religion examines one of the most primitive but challenging questions to define human experience - why do we suffer? As a theme uniting very different religious and cultural traditions, the problem of suffering addresses issues of passivity, the vulnerability of embodiment, the generosity of love and the complexity of gendered desire. Interdisciplinary studies bring different kinds of interpretations to meet and enrich each other. Can the notion of goodness retain meaning in the face of real affliction, or is pain itself in conflict with meaning? Themes covered include: *philosophy's own failure to treat suffering seriously, with special reference to the Jewish tradition *Martin Buber's celebrated interpretations of scriptural suffering *suffering in Kristevan psychoanalysis, focusing on the Christian theology of the cross *the pain of childbirth in a home setting as a religiously significant choice *Gods primal suffering in the kabbalistic tradition *Incarnation as a gracious willingness to suffer.

Poetic explorations of a celebrated poet's inner world. With that three-line epigraph, David Ignatow declares the thrust and purpose of his compelling new book. Unlike his previous work, which was written largely in reaction to the world about him—the urban landscape with its clamor and violence and business pressures—these new poems turn inward. They explore and confirm the individual in his never ending search for awareness and realization: a process in which conflict, love, sorrow, and insight in the end come together into a precarious balance that is its own form of peace.

Poet Loiterer is D.L. Lang's fifth poetry book. This 180 page collection features nature poems, protest poems, spiritual poems, and story poems. "Lang's themes include wanderlust, love for nature (and especially hiking in the California hills), religious devotion, paying the bills versus living the artist's life, and transforming from a passive pacifist to an activist. "You gave me lungs, / so that I might breathe peace" expresses forthright praise to God in "What You Created," and elsewhere, verse expresses delight in Jewish practice: "There's music and Torah both running through my soul," she observes--a quirky combination that brings to mind a Jewish Janis Joplin. In the satirical "Doves in Season," the traditional peace symbol is being hunted. "Fear not the rocking boat," another poem advises, encouraging readers to question racism, capitalism, and America's reliance on weapons. There's "More than one way to be an American," the poem "Headline Antidote" insists; indeed, this collection imagines a peaceful, joyful future America." -- Kirkus Reviews

A humorous collection of love stories from an award-winning author who has been called "a compassionate and witty satirist" ( Kirkus Reviews ). From Holocaust survivors to Yiddish artists, a petty thief and a Polish shiksa with a passion for Jewish history, what unites the delectable characters in Curt Leviant's witty collection of romantic tales is the universal desire for love and admiration. With settings as various as the Deep South, Boston, New York, Italy, Israel, each story is a wry look at romantic pursuit, each relationship as unique as the lovers themselves. Whether or not love succeeds for Leviant's all-too-human characters, the journey is always filled with humor and heart.

Clive Sinclair's first collection of stories won the Somerset Maugham Award. His second was short-listed for the inaugural Dylan Thomas Award. His third won both the PEN Silver Pen, and the Jewish Quarterly Award for fiction. This is his fourth. The new stories range from New Orleans and Texas to Peru and Venice. Their subjects are loss, the fear of loss, and love, most especially that between husbands and wives, fathers and sons. Their cast includes the quick and the dead, the real and the imagined: Davy Crockett, Kinky Friedman, Captain Haddock, Princess Diana, and Shylock. They are as cruel as life, and as funny.

Poetry. Book + CD. The poetry in VAGABOND DAWNS evokes images ranging from cyclical rhythms of nature, to the passions and complexities of love, to the timeless spiritual potentialities of the human mind and soul. Professor Doctor Bernfried Nugel, Director of the Centre for Aldous Huxley Studies at the University of Muenster, writes in his Prologue, "The all-encompassing vigor of Kleefeld's individual style does not merely allude to outstanding representatives of the poetic tradition, such as Rimbaud, Pound, Eliot, Kazantzakis and others, but rather incorporates them into poetic tapestries of her own." The book includes a CD of Kleefeld reading a selection of the poems, accompanied by musicians Barry and Shelley Phillips, who have played for Coleman Barks in his readings of Rumi.

Product Description This art booklet combines paintings and poetry to create "a visual chartology of the evolutionary path." It includes ten full color reproductions of Carolyn s art and nine poems. About the Author Born in England, philosopher, poet, author, and visual artist Carolyn Mary Kleefeld grew up in Southern California before studying art and psychology at UCLA. Her innovative artwork and writing has been explored for more than twenty-five years in the fields of human consciousness and creativity. A visionary pioneer, she possesses the rare ability to convey through lyrical language, metaphor, and symbolic image the spiritual potential of human beings. Fueled by a need for creative expression and a lifelong fascination with psychological and spiritual transformation, Ms. Kleefeld has authored three award-winning poetry books that explore these archetypal themes. These books have been studied in university courses internationally and translated into Braille by the Library of Congress. Her book, The Alchemy of Possibility: Reinventing Your Personal Mythology (Merrill-West) inspired by the I Ching, with an introduction by Laura Archera Huxley combines visual art, philosophical prose, and poetry, and includes quotes from the I Ching and Tarot. Healers and professors of art and psychology alike have utilized Alchemy as an inspirational text and oracular guidebook. An interview with Kleefeld can be found in the anthology Mavericks of the Mind: Conversations for the New Millennium (Crossing Press), alongside conversations with Alan Ginsberg, Terence McKenna, Dr. Timothy Leary and other contemporary cutting-edge thinkers. Other works of note include Kissing Darkness: Love Poems and Art, a poetic lovers dialogue written in collaboration with David Wayne Dunn (published in 2003 by Riverwood Books, an imprint of White Cloud Press) and Soul Seeds; Revelations from the Mystery, an inspirational collection of Kleefeld s philosophical maxims (Cross Cultural Communications, 2008). Over the past three decades, she has created an extensive and diverse body of drawings and paintings, ranging in style from romantic-figurative to abstract. In her unique language of poetic imagery, Ms. Kleefeld expresses the passions of the human heart and a pantheistic reverence for the Big Sur wilderness she inhabits. In addition to past features in art magazines and textbooks, her esteemed work can be found in the personal collections of Ted Turner and Laura Archera Huxley, the United Nations, and in hospitals, galleries, and museums around the world.

Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.

"The Second Mrs. Tanqueray" by Arthur Wing Pinero is a gripping drama that delves into the complexities of love, morality, and societal expectations in Victorian England. The play centers around the character of Paula Tanqueray, a woman with a troubled past who marries for the second time and must grapple with the consequences of her previous actions. As Paula navigates the challenges of her new marriage and attempts to integrate into high society, she faces judgment and scrutiny from those around her. Despite her efforts to leave her past behind, Paula finds herself haunted by the shadows of her former life, leading to tensions and conflicts with her husband, his family, and society at large. Pinero's masterful storytelling and rich character development draw audiences into Paula's world, inviting them to empathize with her struggles and dilemmas. Through Paula's experiences, the play explores themes of forgiveness, redemption, and the enduring impact of one's past choices.

"A moving tale about middle age, divorce, modern love, and returning home by one of the great American storytellers. Asher's career as a Hollywood screenwriter has come to a humiliating end; so has his latest marriage. Returning to New York, where he grew up, he takes a room at a hotel and wonders what, well into middle age as he is, he should do next. It's not a question of money; it's a question of purpose, maybe of pride. In the company of an arch young poet, Michael, Asher revisits the streets and tenements of the Lower East Side where he spent his childhood, though little remains of THE past. Michael introduces him to Aurora, perhaps his girlfriend, who, to Asher's surprise, seems bent on pursuing him, too. Soon the older man and his edgy young companions are caught up in a slow, strange, almost ritualized dance of deceit and desire. The End of Me, a successor to In Love and Her Face for the World to See, can be seen as the final panel of a triptych in which Alfred Hayes anatomizes, with a cool precision and laconic lyricism that are all his own, the failure of modern love. The last scene is the starkest of all"--

In Life is a Funny Business Alan Shatter revisits his early life experiences and explores how he was shaped and influenced by them. For the first time he describes the tragedy and comedy in his family history and background, depicted through the lens of an Irish Jewish boy growing up in 1950s and 60s Dublin, and his insights as a member of Ireland's small Jewish community. His story travels through the Ireland of the 1950s, 60s and 70s, and his early years of social and political activism and experiences as a lawyer. It ends shortly after Christmas 1981, just over six months following his first election to Dáil Éireann at the age of thirty. It also touches on some more recent events of social, political and historical significance linked to his past. His surprising and perceptive narrative uniquely depicts an Ireland of decades partially forgotten, profound changes that have taken place, incidents and events he has not previously publicly discussed and how he coped with childhood adversity. Alan's deeply moving and thoughtful story reveals the real person behind the public figure and what shaped his values, beliefs, character and self-deprecating sense of humour. It is a story of love, laughter, tears and resilience.

In 2004, Hippocampus Press published Out of the Immortal Night-an initial attempt to collect the widely dispersed and largely uncollected work of Samuel Loveman (1887-1976), an associate of H. P. Lovecraft, Ambrose Bierce, Clark Ashton Smith, and others, and an immensely talented poet and bookman in his own right. But that volume was largely restricted to Loveman's poetry, drama, and selected short fiction. Now, editors S. T. Joshi and David E. Schultz have vastly expanded the scope of this volume to include a great deal of other work by Loveman. More poems have been discovered in the amateur press; many more works of fiction have come to light; and, most significantly, Loveman's critical essays and reviews, amounting to more than 100 pages, have been included. These essays range from articles on poets and poetry to memoirs of Hart Crane (who counted Loveman among his closest friends), and notices of books in book catalogs. In addition, the volume includes a lengthy and previously unpublished series of interviews that Loveman gave late in life to Thomas J. Hubschman, in which all manner of subjects-Hart Crane, H. P. Lovecraft, the writing of poetry, and much else-is covered. All told, this augmented edition presents a comprehensive portrait of one of the most interesting literary figures of his era.

Edith Bruck recreates the hardships of her existence as a Jewish child in Hungary before the Holocaust, the horrors of her time in the camps and the protracted pain and disorientation of her lonely return to normal life after the war.