Danny Zilber is a world-acclaimed trumpet player. A constant procession of women traipse through his dressing room, yet none can satisfy his need for love. Until, that is, an encounter with a mysterious woman who leaves just as quickly as she drops her panties ... are just some of the means Danny's manager and his compatriots employ in order to safeguard the security of Israel and propagate German guilt. Meanwhile Danny holds dear the sole memento he has of that fateful meeting - the brassiere his 'one and only' left behind. scathingly comic take on Zionist politics and Israeli espionage.

Delivered as an improvised monologue at a writer's conference, Gordon Lish's novel My Romance weaves a intriguing pattern of tell-and-show on such themes as money, psoriasis and how to deal with it, why Lish dresses the way he does, and mortal matters--illness and death--in the Lish family.

Short stories summon up the tones and twists of contemporary marriages, careers, pleasures, and social quirks

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ WOMAN'S FRIENDSHIP GRACE AGUILAR

hard cover dust jacket present. dust jacket has heavy chipping and rubbing along spine. some yellowing to edges, tearing to corners. book has tight binding, limited chipping or tearing to edges, limited markings or creasing.

Text: English, Hungarian (translation)

Structuring Sense explores the difference between words however defined and structures however constructed. It sets out to demonstrate over three volumes, of which this is the first, that the explanation of linguistic competence should be shifted from lexical entry to syntactic structure, from memory of words to manipulation of rules. Its reformulation of how grammar and lexicon interact has profound implications for linguistic, philosophical, and psychological theories about human mind and language. Hagit Borer departs from both constructional approaches to syntax and the long generative tradition that uses the word as the nucleus around which the syntax grows. She argues that the hierarchical, abstract structures of language are universal, not language specific, and that language variation emerges from the morphological and phonological properties of inflectional material. The Normal Course of Events applies this radical approach to event structure. Integrating research results in syntax, semantics, and morphology, the author shows that argument structure is based on the syntactic realization of semantic event units. The topics she addresses include the structure of internal arguments and of telic and atelic interpretations, accusative and partitive case, perfective and imperfective marking, the unaccusative-unergative distinction, existential interpretation and post-verbal subjects, and resultative constructions. The languages discussed include English, Catalan, Finnish, Hebrew, Czech, Polish, Russian, and Spanish.

The son, Christopher Wendelin, a member of Germany’s guilt-gnawed Hitler Youth generation, attempting under an assumed Hebrew name, on an Israeli kibbutz, the most extreme form of atonement for his father’s unforgivable sin. The father, Richard Wendelin, Germany’s leading film producer under the Hitler regime - the man who made the most infamous of all the anti-Semitic propaganda films of the Third Reich, "Ritual Murder," shown throughout Germany and especially to the concentration camp guards as a documentary of the murder of a Christian girl by Jews… These are the inevitable antagonists in this stunning novel of Germany’s post-war generation and its confrontation with the Nazi past - certainly one of the most controversial books to come out of Germany in years. Only after his abortive flight to Israel, at the riot-torn première of his father’s first film since the war - Richard Wendelin’s attempt to make a comeback in a Germany resisting reminders of its past - does Christopher first grasp the full complexity of the contemporary fathers unable to erase the past and sons who won’t even let them try…

By any measure, Hans Mark was a warrior of the Cold War. Born in Mannheim, Germany, in 1929, he spent his early childhood in Vienna before escaping the Nazi Anschluss in 1938 and eventually emigrating to the United States, settling in New York. He graduated from high school in 1947, went west to attend the University of California, Berkeley, and later earned a PhD in physics from MIT. His work in nuclear engineering soon set him on a path that would be shaped by aeronautics, space exploration, and national defense. It was through advanced technology that Mark believed the United States could win the Cold War. In An Anxious Peace , Mark recounts in detail his life as a twentieth-century “rocket man.” Here is the inside story of one who—in a career spanning more than six decades—was on the technological front line, from long-range bombers to the space shuttle. Along the way, Mark reveals many never-before-told stories from life at NASA and more. Readers will revel in learning the background behind the decision to place a plaque on Pioneer 10 , a space probe that the NASA Ames Research Center designed to fly past the asteroid belt, Jupiter, and Saturn to collect data and images. Mark tells how he, Carl Sagan, and NASA insider John Naugle kept secret the addition of the now iconic 6x9-inch aluminum “message from humanity” until the probe had been launched. To this day Mark is pushing for a manned mission to Mars. One thing is sure: Hans Mark has left a major impact on academic and scientific communities that will be felt for decades to come.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Harold Fisch explores the biblical influence on the style and the structure of landmark novels by Fielding, Defoe, Gearge Eliot, Kafka, Dostoevsky and others. These turn out, again and again, to be re-readings of biblical stories. This echoing is sometimes explicit as in Joseph Andrews , where Fielding offers us a comic revision of the career of the biblical Joseph. But it can be inexplicit and even unconscious as in Kafka's The Trial , which, without mentioning Job, reads (as Northop Frye has noted) like a midrashic commentary on that book. In a study remarkable for its range and subtlety, the author develops the notion of the novel as midrash but argues that while the great novelists were held in thrall by the biblical patterns and stories, they were also regularly compelled to throw off this thraldom. They could not manage without the Bible but at the same time "it would not do." Fisch discusses the adversial realation to the biblical text with reference to two archetypal narratives: the Job story and the Dinding of Isaac. Of particluar interest are the chapters devoted to the Israeli novelist S.Y. Agnon and A.B. Yehoshua.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.