In the 1930s, Ayn Rand was asked to adapt her first novel , We the Living , for the theatre. Her first statement against communism, it sold over 3 million copies. This edition contains two unpublished versions of the play (the latter entitled The Unconquered ), and is the first substantial piece of Rand's fiction to publish in over twenty years.

A New York Times Notable Book Arthur Gelb was hired by The New York Times in 1944 as a night copyboy—the paper’s lowliest position. Forty-five years later, he retired as its managing editor. Along the way, he exposed crooked cops and politicians, mentored a generation of our most-talented journalists, was the first to praise the as-yet-undiscovered Woody Allen and Barbra Streisand, and brought Joe Papp instant recognition. From D-Day to the liberation of the concentration camps, from the agony of Vietnam to the resignation of a President, from the fall of Joe McCarthy to the rise of the “Woodstock Nation,” Gelb gives an insider’s take on the great events of this nation's history—what he calls “the happiest days of my life.”

An outstanding dispatch from the frontline of war - unsparing, unsentimental, blackly comic and brutally beautiful - by and ordinary soldier who tells it like it is. Arkady Babchenko was still a naove 18-year-old when he and his fellow teenage conscripts arrived in a camp just north of Chechnya. Fresh off the truck, the new recruit rapidly learned the meaning of savagery and fear, before he'd even been near the front line. By the time he started his active duty, he had developed a tough skin against the harsh treatments meted out by his seniors and grew hardened and cynical. With unblinking honesty, Arkady Babchenko traces his journey from innocence to experience, taking the raw and mundane reality of war and twists it into compelling, chilling - and eerily elegant - prose.

The last quarter century has been an extraordinary and turbulent period in the art world. It was a time of creative intensity during which a handful of artists, like Julian Schnabel, Jeff Koons, Keith Haring, and Jean-Michel Basquiat, managed, in their different ways, to cross over from the rarefied world of high art into popular culture. It was also a time when other promising careers and even whole movements, like Graffiti, spurted to life and then just as suddenly disappeared. During the astonishing boom years of the 1980s, the newly vigorous art market transformed the role of dealers and collectors to give them unprecedented power as tastemakers and the dangerous glamour of Hollywood power agents. And then came the bust. Writer Anthony Haden-Guest has moved within the art world, known the players, and reported on the scene for this entire span of time. True Colors draws on two decades of reporting to deliver an authoritative and deliciously inside account of the contemporary art world that will be the most talked-about book on art since The Shock of the New. Haden-Guest gives vivid portraits of the art world's key players and dramatizes the pivotal moments in the always evolving scene. Skillfully conveying a sense of the intricate geography of the art world, he tells of its clashes of ambition, its intrigues, its power plays. This is how artists survive, or don't survive. True Colors is filled with telling anecdotes and expertly told stories that cohere to give a sense of how the art world works, its current state, and where it may be going.

Hollander shows how modern women adapted men's tailoring to their richer scheme of display, making suits do for women what they had long done for men: show their sexuality to be central, serious and interesting, rather than irrational, shallow and dangerous. She shows us, too, how men - now that women have adopted every element of male style - are recapturing the color and ornament they long found taboo, without giving up the potent beauty of tailored suits, which women have made universal. Richly informed, surprising, entertaining, Sex and Suits gives us a fresh view of what we have long taken for granted, and a new context for thinking about our society.

To most Westerners, the Iranian revolution was a shocking spectacle, a distant mass upheaval suddenly breaking into the daily news. It was, in fact, a revolution of the television era, as this book demonstrates. This account of the role of culture and communication in the Iranian revolution also considers revolution as communication in the modern world. Co-authored by participants in the revolutionary upheaval, this study reflects a wide perspective. Drawing on ten years of research, the authors vividly show how the processes and products of modernization actually helped to undermine the very foundation of modernity in Iran. Their work reveals how deeply embedded cultural modes of communication coupled with crucial media technologies were able to mobilize a population within a repressive political context. Tracing the use of small media (audio and video cassettes) to disseminate the revolution, the authors challenge much of the theory that has dominated international communication studies and, in doing so, question the credibility of the established media. Their book also examines the dilemmas of cultural policymaking based on Islamic principles in a media-saturated domestic and international environment. Annabelle Sreberny-Mohammadi and Ali Mohammadi are co-editors of "Questioning the Media".

The beloved Caldecott Honor artist now recounts a tale of vastly different kind -- her own achingly potent memoir of a childhood of flight, imprisonment, and uncommon bravery in Nazi-occupied Poland. Anita Lobel was barely five when the war began and sixteen by the time she came to America from Sweden, where she had been sent to recover at the end of the war. This haunting book, illustrated with the author's archival photographs, is the remarkable account of her life during those years. Poised, forthright, and always ready to embrace life, Anita Lobel is the main character in the most personal story she will ever tell.Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now. 00-01 Tayshas High School Reading List Anita Lobel was barely five years old when World War II began and the Nazis burst into her home in Krakow, Poland, changing her life forever. She spent the days of her childhood in hiding with her brother--who was disguised as a girl--and their Catholic nanny in the countryside, the ghetto, and finally in a convent where the Nazis caught up with her. She was imprisoned in a succession of concentration camps until the end of the war. Sent by the Red Cross to recuperate in Sweden, she slowly blossomed as she discovered books and language and art. Since coming to the United States as a teenager, Anita Lobel has spent her life making pictures. She has never gone back. She has never looked back. Until now.

"Following the great success of Pioneers of the Possible, Angella Nazarian returns with an extraordinary sequel, Visionary Women. Featuring a foreword by Melanne Verveer, the director of the Georgetown Institute for Women, Peace and Security, this new title highlights twenty more innovative and forward-thinking women. From Malala Yousafzai as the youngest Nobel Prize laureate and Carmen Amaya beginning her remarkable dance career at age four to swimmer Diana Nyad breaking a world record at sixty-four and Doris Lessing still penning stories into her nineties, this inspiring volume will compel readers to reconnect with their own dreams and envision new goals to challenge themselves at any stage of life"--Publisher's description.

"Radical feminist author Andrea Dworkin was a caricature of the manhater in the popular imagination as well as a polarizing figure within the women's movement, infamous for her antipornography stance in the 1970s and 1980s. Now, more than a decade after her death, this timely collection of her writing showcases the prescience of her analyses: of the genocidal character of sexual violence; of the devastating nihilism of white male supremacy, and of the toll it takes--especially on those who resist. This rediscovery of Dworkin's work will serve as a flashpoint for crucial feminist conversations today. Why is the cost of speaking out against abuse and inequality still so high? Why is the problematic work of brilliant women forced into oblivion, when that of flawed great men is embraced? What can we learn from the bitter divisions and discarded ideas of previous generations?"--Page 4 of cover.

A highly decorated Israeli military officer, leader, and former director of the internal security service, Shin Bet, sees the light on what his country must do to achieve a lasting peace between Israel and the Palestinians. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspective from Palestinians and Israelis whose experiences differ from his own. As head of the Shin Bet security agency, he gained empathy for 'the enemy' and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose. Researching and writing Friendly Fire , he came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel's civil society while heaping humiliation upon its Palestinian neighbours. 'If Israel becomes an Orwellian dystopia,' Ayalon writes, 'it won't be thanks to a handful of theologians dragging us into the dark past. The secular majority will lead us there motivated by fear and propelled by silence.' Ayalon is a realist, not an idealist, and many who consider themselves Zionists will regard as radical his conclusions about what Israel must do to achieve relative peace and security and to sustain itself as a Jewish homeland and a liberal democracy. 'How can a staunch Zionist who was raised on one of Israel's earliest settlements and trained as a kill-or-be-killed elite commando spearhead a campaign for peace with his enemies? The answer, in Ami Ayalon's captivating narrative, is an eye-opener for Palestinians and Israelis alike.' -Sari Nusseibeh, author of Once Upon a Country- a Palestinian life , former president of the Al-Quds University, and former Palestinian National Authority representative in Jerusalem ' Ayalon's aims and accomplishments are ... undeniably impressive ... Hope finds a prominent presence in what so many think is a hopeless, endless conflict.' - Kirkus Reviews 'Ami Ayalon discusses how he came to see a two-state solution with the Palestinians as the best way to ensure Israel's security, not just through analysing numbers and statistics, but through a humanistic approach. He discusses ... how his humanist paradigm not only allowed him to see how the Palestinians' grievances and aspirations are intertwined with Israel's security, but also how he still acknowledges and sympathises with the narratives of those in Israel whom he may disagree with.' -Jonah Naghi, The Times of Israel

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Most Dangerous Book You Were Never Meant to Read A legendary underground classic that reshaped alternative publishing, Apocalypse Culture is a definitive collection of forbidden ideas, shocking theories, and fringe voices from the edge of modern thought. Edited by Adam Parfrey, founder of Feral House, this anthology dives deep into the darkest corners of politics, belief, and human behavior. Combining essays, interviews, and manifestos, Apocalypse Culture explores topics that mainstream media won't touch: government mind control, body modification, ritual abuse, cult psychology, taboo sexuality, social decay, eugenics, Satanic panic, and end-times theology. Many of these texts have been banned, suppressed, or ignored--until now. Since its initial release in the late 1980s, Apocalypse Culture has become a touchstone for readers interested in the occult, true crime, radical politics, and conspiracy theories. Revered by artists, feared by censors, and cited in countless works of film, music, and journalism, this book continues to challenge what it means to be civilized in an age of collapse. Whether you're a student of subversive literature or a newcomer to transgressive nonfiction, Apocalypse Culture remains a vital document of Western civilization's shadow self.

For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.

A classic work on Broadway sharpers, grifters, and con men by the late, great New Yorker journalist A. J. Liebling. Often referred to as “Liebling lowlife pieces,” the essays in The Telephone Booth Indian boisterously celebrate raffishness. A. J. Liebling appreciated a good scam and knew how to cultivate the scammers. Telephone Booth Indians (entrepreneurs so impecunious that they conduct business from telephone booths in the lobbies of New York City office buildings) and a host of other petty nomads of Broadway—with names like Marty the Clutch and Count de Pennies—are the protagonists in this incomparable Liebling work. In The Telephone Booth Indian , Liebling proves just why he was the go-to man on New York lowlife and con culture; this is the master at the top of his form, uncovering scam after scam and writing about them with the wit and charisma that established him as one of the greatest journalists of his generation and one of New York’s finest cultural chroniclers.

Why the meaning of sin changed radically during the first centuries of Christianity Ancient Christians invoked sin to account for an astonishing range of things, from the death of God's son to the politics of the Roman Empire that worshipped him. In this book, award-winning historian of religion Paula Fredriksen tells the surprising story of early Christian concepts of sin, exploring the ways that sin came to shape ideas about God no less than about humanity. Long before Christianity, of course, cultures had articulated the idea that human wrongdoing violated relations with the divine. But Sin tells how, in the fevered atmosphere of the four centuries between Jesus and Augustine, singular new Christian ideas about sin emerged in rapid and vigorous variety, including the momentous shift from the belief that sin is something one does to something that one is born into. As the original defining circumstances of their movement quickly collapsed, early Christians were left to debate the causes, manifestations, and remedies of sin. This is a powerful and original account of the early history of an idea that has centrally shaped Christianity and left a deep impression on the secular world as well.