With SOME UNKNOWN GULF OF NIGHT, Wilum Pugmire continues his aesthetic exploration of the prose-poem and vignette sequence, many of which may be found in his last collection, THE TANGLED MUSE. With this new title from Arcane Wisdom Press we have a book-length sequence of semi-interconnected pieces, all of which are inspired by H. P. Lovecraft's superb sonnet sequence, FUNGI FROM YUGGOTH. Each numbered segment is an imaginative response to that numbered sonnet in Lovecraft's sequence, and Pugmire's Lovecraftian influence is the main force that drives this present work; yet other influences burrow from his fevered brain - Oscar Wilde, Edgar A. Poe, Baudelaire and the Decadents. Like some freakish soul who has lost his place in modern time, Pugmire's style is like that from another era, and yet it too is tainted by his neoteric experience as a punk rock queen and street transvestite. Like his literary heroes such as H. P. Lovecraft and Thomas Ligotti and Henry James, Pugmire strives to create what he does not hesitate to call "literary art" - prose pieces that are beautifully poetic and imaginatively deranged. This perverse concoction is best when sipped slowly, occasionally, and this is not a book to rush through in one sitting. Let it plant its poisoned fungi gradually upon your innocent brain, and thus blemish forever your paltry soul.

Poetry. Finalist, Acorn-Plantos Award. Winner, Exit Through the Giftshop Award (2013). Best Poetry of 2012 selection, Winnipeg Free Press. Each new volume by Stuart Ross is a more confounding grab bag than the last. In YOU EXIST. DETAILS FOLLOW., his seventh full- length collection of poetry, Stuart Ross veers in opposite directions: narrative confessionalism poems, and works that might be considered abstract expressionist, and a lot both in between and beyond those boundaries. Still, each poem breathes with the signature weirdness, the sharp wit and gentle awe that Ross is known for. Here you'll find poems from Ross's ongoing auto-biographical Razovsky series, one-line poems, centos, fractured sonnets, poems composed through surrealist strategies, and more. Ross's absurdism doesn't rely on unconnected sentences, abstract thought, or an unusual, elevated vocabulary: rather, his poetry delights in the silliness of concrete mundanity....The collection thus begins by launching us into a happily disjointed mind, into images connected as though by sparking, duct-taped wires, buzzing weird electrical fires of thought.--Matrix Magazine A voice all his own. Stuart Ross unleashes his refreshing snark in his latest collection of poems...He runs the gamut from his own brand of absurdist expressionism to fond childhood memories and poetic confessions....Ross wisely and parenthetically writes: (Tension is a good thing sometimes. For example, you should stick it in art.) Stuart Ross loves that tension, fortunately for his readers.--Uptown I personally believe Stuart Ross may be Canada's most important poet...Ross could be called a 'narrative surrealist' but that, like most labels, does not adequately capture the gymnastic feats of construction he employs. At his best Ross combines images and emotions with the same alacrity of a Max Ernst or Salvador Dali. The literal is a sheer curtain that surrealists drape like a fabric or a fold in time. Ross gives a master class in almost every poem in the delicate art of balancing truth from fiction, what we imagine from what we know to be real...For me, there is no poet as entertaining as Stuart Ross and very few as smart. Ross builds a new universe with You Exist. Details Follow. and we get to travel in it like explorers entering a new dimension, luckily it comes with instructions and a guide map for home. Stuart Ross looks at the world through a different lens, how extraordinarily lucky we are that he shares that view with us. --Michael Dennis (blog)

Sophie Hannah's first book was greeted with amazement. The Poetry Review declared, 'Shall I put it in capitals? SOPHIE HANNAH IS A GENIUS.' Each subsequent collection has been formally more inventive, thematically more complex, yet each has met with a similar welcome, and she has become that rare thing, an acclaimed and bestselling poet. Published for the first time in Penguin, this volume includes all of Hannah's best loved verses from The Hero and the Girl Next Door, Hotels Like Houses, Leaving and Leaving You and First of the Last Chances .

THE STORY: A wide assortment of characters gather in the play's setting: a gangster-run New York nightclub. They include a brutal and power-mad labor leader; a female singer who thinks she loves him; an idealistic young attorney haunted by memories

On his son Gideon's 13th birthday, Leo, a successful businessman, starts to reflect on his own life. Aware that he does not spend enough time with his son, he takes him to Rome, where, by chance they meet Chiara, a women Leo once loved, but who is now trapped in a marriage of convenience.

Best Gay Erotica 2006 is a cornucopia of searing man-sex. From the languid, Bolero-paced striptease of a magnificently buff lover in James Williams’s "The End” to the fevered gropings of a skater boy and a pink-haired goth in "DogBoy and the BetaGoth” by Nadyalec Hijazi and Ben Blackthorne, Best Gay Erotica holds something for every wicked taste. In Jeff Mann’s "Daddy Dave,” a lover awakens his gentle new partner’s dominant side by letting him witness a master's skillful savagery. Steven Zeeland’s "Trouble Loves Me” maps a porn director’s odyssey through a vivid underworld of bad boy marines, sailors, and submariners. Edited by Richard Labonté and selected and introduced by the inimitable Matt Bernstein Sycamore, Best Gay Erotica 2006 furthers the series’ reputation for gorgeous storytelling and hot, no-holds-barred sex between men. The book also features an excerpt from Dennis Cooper’s new novel The Sluts.

"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories- children's playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." -Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers' Daughters, Every Mother's Son, and What if your mother are feminist classics. The stories in this new collection, rooted in her experience as a Jane in Chicago's pre-Roe v. Wade underground abortion service, were written as the United States has moved relentlessly into constraining motherhood and denying reproductive justice. By necessity, these stories reach from the past into the future, offering history and hope. "I'm profoundly grateful to Judith Arcana for writing these vital, electrifying stories. With abortion rights in America being stripped away-state by state, clinic by clinic-we need to hear from those who've fought this battle before. Arcana is a Jane; her work in the pre-Roe abortion underground has provide the seeds for her fiction, stories rooted in essential history to spark action in our terrifying present." -Leni Zumas, Author of Red Clocks

A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David , Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art. A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David , Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art.

"I have never read a text which goes even half as far as this one in expressing the particular poignancy which lay at the heart of the impressionist movement. I say this as an art critic. As a novelist I would simply like to pay my tribute to the mastery of language, portraiture and storytelling which Figes has now at her command." John Berger ?Reprinted for the first time in nearly 25 years, this shimmering short novel gives an extraordinary portrait of a day in the life of an artist at work and at home. In prose as luminous as the colors Monet is using to portray his beloved garden, Eva Figes guides us through the day, from the dawn ('midnight blueblack growing grey and misty') through midday ('the sun was high now...shrinking what little shadow remained, fading colours, the pink rambler roses on the fence by the railway track looked almost white, and the grass had turned a tired yellow') to evening ('the tide of shadows rising as the sunset glow faded outside and the room grew dark.'). Monet's wife, Alice, grieving for a lost daughter; a living daughter, Germaine, fretting that she will not be able to marry the young man she loves; their friend, the abbe, eating and drinking with them, observing the essential faith of the painter's art; two children, playing, closest to Monet in the freshness and certainty of their vision; all experiencing in very different ways the richness of the light that Monet works unceasingly to pin down in his last, great paintings.

"Angel-- the voluptuous child-woman, bouncing in and out of every bed in town, until she landed in the wrong one and found death was her lover... Then the town that had played voyeur to her indiscretions pounced upon Angel's husband Jim and, branding him cuckold and killer, began screaming for his blood. But what could Jim do when even the D.A., last in a parade of Angel's lovers, was out to pin the murder on him? Jim had only one choice -- find the lover who had played Angel false, or let an avenging Angel cheat him yet again. And this time he would pay with his life...!" --

Nine stories examine the barriers that shape modern relationships between lovers, parents and children, and friends

Presents a man who has neither loved nor been loved and a young, pursued woman whose amnesia and openness make her the perfect woman

This text is filthy and fertilized, filling and emptying, filling and emptying, atrocious and politic with meaning. The Cow is a mother, a lover, and a murdered lump of meat, rendered in the strongest of languages. "I cannot count the altering that happens in the very large rooms that are the guts of her."

One of the rarest Olympia titles, first published in 1955 as Vol. 12 of the Traveller's Companion Series, later reprinted in the impossibly rare "Ophir Books" set, and not seen since. Chariot of Flesh is the story of Baroness Carla, deceased at the introduction, with recollections of the woman's sensuality by her many paramours, told to a questing former lover. Alfred Chester (who who wrote this book as "Malcolm Nesbit") has largely vanished from the literary scene, but at one point in the late '50s achieved status for Jamie Is My Heart's Desire. He died in Israel in 1971 of a drug overdose, after having twice been ejected from the Beat paradise of Morocco.

Kelvin is a 33-year-old property developer living in a small Lancashire town. He has five close friends, all in well-paid jobs. Having bought their lovely houses cheaply in the early 1990s, they are free to spend money on their own pleasures - particularly clothes, meals and cars. Most of all, their life revolves around going to see things - art exhibitions, comedians, live music, plays... When we first meet the six friends they are on their way to see a new kind of circus. Once there Kelvin does something unforgivable to a clown, has a strange snack and meets the most beautiful girl he has ever seen. It's the beginning of the end of the good life.

MR3971XJKA-also known as Mary-is the Grays' scout, liaison, diplomat, and translator. Along with her boyfriend DuckBob and their friends Tall and Ned she has saved the universe from invasion by beings from another reality. Twice.DuckBob loves her and trusts her without question. Still, he doesn't actually know anything about her past. Which is why, when Mary asks him to accompany her to her college reunion, he jumps at the chance.That tense reunion is interrupted by a distress call-from the Grays themselves. It seems the invaders are back, and this time they're determined to finish the job.Mary and DuckBob quickly find themselves overwhelmed. To pull this one off, they're going to need help. A lot of it.Can they get their disparate allies to work together, though? Or will rivalries, dissension, and distrust do the invaders' work for them, once and for all?

"The play is a love story about a boy and a girl. The boy is a brilliant student, but he is poor. The girl is beautiful, intelligent, and rich. They want to marry, but the girl's father is opposed to the marriage because of the boy's poverty. So the boy turns to Jewish mystical philosophy called Kabbalah in the hope that it will enable him to win the girl. At first things appear to be going well for him, but suddenly they take a turn for the worse. Desperate, the boy turns to forbidden Kabbalah, and falls into the deepest depths. Will Kabbalah permit him to climb out of the depths and attain his goal?"--Amazon.com

New

"The love and peace poems by international poet Ada Aharoni, are among the best in modern literature." (Saul Bellow, Nobel Laureate in Literature) "Rare Flower" by Ada Aharoni is a collection of moving, powerful and well-crafted poems, which has been compared to Jubran Khalil's "The Prophet." In brilliant poem after poem, Ada unfolds before our eyes new depths of human relations, the complexities and intricacies of love, and the joys and pains of life. Several of her poems have been put to music in a delightful manner. Influenced by the British Peace Poet, Wilfred Owen, whom she greatly admires, she powerfully denounces the whole concept and practice of War. As a woman and a mother, she condemns the killing of soldier-sons by involving them in war situations, and she clearly demonstrates that in our nuclear age, the continuation of the practice of war can dangerously lead to the end of humanity. Her beautiful, hopeful poems shed light and a deep comprehension of the possibilities of peace between Israelis and Palestinians, and the creation of "A Global Village Beyond War."