From drawing and painting to printmaking and sculpture, the work of Nicole Eisenman (born 1965) combines formal experimentation with wide-ranging references to art history. Her critical and often humorous commentary on the ever-changing nature of public life consistently challenges power structures and normative conceptions of gender.0Nicole Eisenman: What Happened documents the breadth of the artist's career with over 200 color illustrations, explored in 10 newly commissioned texts. Essays by curators Mark Godfrey and Monika Bayer-Wermuth survey developments in Eisenman's work since the 1990s, while Chloe Wyma considers Eisenman's recent engagements with national and institutional politics.00Exhibition: Museum Brandhorst, Munich, Germany (24.03. - 10.09.2023) / Whitechapel Gallery, London, UK (11.10.2023 - 14.01.2024).

Spanning nearly sixty years, these poems--both new English compositions and Nina Cassian's translations of her work in Romanian--blend her gallows humor with an engagement with the human experience.

In charming and poignant vignettes, Nina Kossman tells of her childhood in 1960s Moscow. Nina wants to become a heroine by awakening Grandfather Lenin during a class trip to his tomb, or by painting Red Square really red. But she also finds herself fascinated with life in the forbidden world "behind the border." B&W photos.

A collection of stories celebrating the Jewish tradition in many different places and different times, some reconstructed from actual events, some based on tradition, and some fictional in form.

That Nissim Ezekiel is arguably the most influential, widely read, and appreciated modern Indian poet writing in English is well known. Less well known is that he is also a prose writer of considerable stature, although he has written very extensively with great sensitivity, style, and distinction on literature, art, television, books, and a range of other subjects for well over three decades. This gap in perception stems primarily from his prose writing being scattered in newspapers, journals and introductions to other books, giving readers and critics little opportunity to see them as an intellectually and stylistically distinctive body of work, of an original, inquiring, questing mind, consistent in the view that there are no easy answers to the questions of life and art; that each individual must seek his own anew every time on every issue. This book remedies this gap in perception by bringing together some of Ezekiel's best prose arranged in five sections entitled "On Poetry," "On Philosophy," "On Art and Culture," "On Life and Thought," and "On Books."

Judaism and Science canvases three millennia of Jewish attitudes towards nature and its study. It answers many questions about the complex relationship of religion and science. How did religious attitudes and dogmas affect Jewish attitudes towards natural knowledge? How was Jewish interest in science reflected, and was facilitated by, links with other cultures - Egypt and Assyria and Babylon in ancient times, Moslem culture in medieval times, and Christian culture during the Renaissance and since? How did science serve as a bridge between religious communities that were otherwise estranged and embattled? How did science serve as a vehicle of assimilation into the wider intellectual culture in which Jews found themselves? The book considers the attitudes and work of particular Jews in different epochs. It takes an "eagle's-eye view" of its subject, considering broad themes from a high vantage, but also swooping down to consider particular individuals at high focus, and in detail.

Discusses classical Greek wrestling, the English foxhunt, medieval ball games, and modern soccer, and examines the psychological, sociological, and biological aspects of sports

The book is divided into three sections. The Ffirst provides a general historical overview for the Jewish thought that follows. The second summarizes the variety of basic kinds of popular, positive Jewish commitment in the twentieth century. The third and major section summarizes the basic thought of those modern Jewish philosophers whose thought is technically the best and/or the most influential in Jewish intellectual circles.

A philisophical approach to the Christian story of creation.

2013 Reprint of 1958 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. A series of lectures on the role of nonlinear processes in physics, mathematics, electrical engineering, physiology, and communication theory. From the preface: "For some time I have been interested in a group of phenomena depending upon random processes. One the one hand, I have recorded the random shot effect as a suitable input for testing nonlinear circuits. On the other hand, for some of the work that Professor W. A. Rosenblith and I have been doing concerning the nature of the electroencephalogram, and in particular of the alpha rhythm, it has occurred to me to use the model of a system of random nonlinear oscillators excited by a random input. . . . At the beginning we had contemplated a series of only four or five lectures. My ideas developed pari passu with the course, and by the end of the term we found ourselves with a set of fifteen lectures. The last few of these were devoted to the application of my ideas to problems in the statistical mechanics of gases. This work is both new and tentative, and I found that I had to supplement my course by the writing over of these with the help of Professer Y. W. Lee. "

Renowned as the legendary rude landlord of the Coach and Horses in London's Soho, Norman Balon has been immortalized in Private Eye and, most recently, as a menacing off-stage presence in Keith Waterhouse's play, Jeffrey Bernard is Unwell. These are his memoirs - a personal view not only of his 50 years at the Coach and Horses where actors, painters, authors, drinkers and Private Eye writers have come and gone (some more peacefully than others), but also of a much-loved and much-changed Soho.

The Sociological Study of Ideology, 1940-1960 I. Introduction The sociological study of ideology raises, in acute form, some of the most pressing problems ...

This Is A New Release Of The Original 1919 Edition.

This is the first comprehensive account, based on manuscript and archaeological evidence, of the high Hebraic culture developed by the Jews in Normandy during the Middle Ages, and in particular during the Anglo-Norman period. The book explores the origins of this remarkable community, beginning with topographical evidence pointing to the arrival of the Jews in Normandy as early as Roman and Gallo-Roman times, and finally uses the rich manuscript evidence of twelfth- and early thirteenth-century writers. The text is illustrated copiously with maps and other illustrations, many reproduced here for the first time.

"Levine is a true artist, who grinds his bones--and anything else he can get his hands on--to make his bread." -- The Sunday Times Reminiscent of Bernard Malamud and Cynthia Ozick, Norman Levine's short fiction was largely ignored in his lifetime. Yet they remain some of the most skillfully-crafted and moving works of the last half of the twentieth century. Taken together, these stories make a convincing argument for Levine's mastery, and as a writer in need of urgent rediscovery.

Landschaftsgeschichte - Siedlungsgeschichte - Siedlungsgeschichte - Naher Osten - Levante - Jungpaläolithikum - Paläolithikum - Epipaläolithikum - Neolithikum - Frühes Neolithikum - Archäologie / Ur- und Frühge

Analyzes the views of Jewish philosophers on the problem of evil and suffering of innocents, stressing their philosophical, not merely religious, responses to the problem. In ch. 10 (pp. 185-219), "The Holocaust", the views of post-Holocaust thinkers Elie Wiesel, Richard Rubenstein, Emil Fackenheim, Arthur Cohen, Eliezer Berkovits, and Ignaz Maybaum are examined, as well as some Christian reactions to the Holocaust. Traditional Jewish thought regards God as very remote from the human world; He gave human beings the Law and freedom of choice, but refrains from intervening in human matters. However, the enormity of the Holocaust in comparison to other Jewish disasters presents a serious problem - why did He not intervene in this special case? The philosophers answer basic questions - such as, does God intervene in history at all; where was He during the Holocaust; does He understand our sufferings; did He partake in the tragedy, and if so, what were His intentions - in different ways. They all insist, however, that we must not abandon Judaism. Criticizes weak aspects of each explanation.

"It is often argued that a very special sort of consciousness went into creating Islamic art, that it is very different from other forms of art, that Muslims are not allowed to portray human beings in their art, and that calligraphy is the supreme Islamic art form. Oliver Leaman challenges all these ideas, showing them to be misguided. Instead he suggests that the sort of criteria we should apply to Islamic art are identical to the criteria applicable to art in general, and that the attempt to put Islamic art into a special category is a result of orientalism." [Publisher's description].