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The poems of a man in exile, this refined, painful, and haunting collection deals with the loss of a community and social context. The keynote is regret, expressed in a series of personal poems about the author's loss of his eyesight, and in dramatic monologues about the waste of effort in the lives of great men. His confessional poems strike out at an unlovely world"--Library Journal.

A powerful portrait of Maceo, committed anti-imperialist and heroic independence fighter.

This centennial edition of Philip Foner's documentary study presents this first-hand material to a new generation.

At The Beginning Of The Civil War, The Confederate Navy Was A Very Small Collection Of Nearly Anything That Would Float, Mostly Small, Unmilitary Vessels And A Few Captured Union Ships; There Was Not One Real Warship In The Fleet. The North Had Men-Of-War And A Large Fleet Of Merchant Ships That Could Be Armed Quickly. As A Result, The North Was Soon Able To Blockade The Southern Coast And Capture Port After Port. But The South Fought Back Ingeniously, Sending Agents To England And France To Have The Finest Warships Built, Innovating Such Modern Weapons As The Torpedo, The Submarine, And The Armored Warship, All Of Which Changed The Nature Of Naval Warfare.

University of Chicago (1969)

Enlightenment ideals of a society rooted in liberationist reason and morality were trampled in the wake of the savagery of the Second World War. That era's union of cold technology and ancient hatreds gave rise to a dark, alternative reason—an ethic that was value-free and indifferent with regard to virtue and vice, freedom, and slavery. In a world where "the unthinkable" had become reality, it is small wonder that theorists would turn to the writings of a man whose eighteenth-century imagination preceded twentieth-century history in its unbridled exploration of viciousness, perversion, and monstrosity: the Marquis de Sade. Klossowski was one of the first philosophers in postwar Europe to ask whether Sade's reason, although aberrant and perverted to evil passions, could be taken seriously. Klossowski's seminal work inspired virtually all subsequent study of Sadean thought, including that of de Beauvoir, Deleuze, Derrida, Bataille, Blanchot, Paulhan, and Lacan.

A collection of essays and articles translated from the revised edition of "Les Juifs, la mémoire et le présent" (Paris: La Découverte, 1991), with some changes. The following deal with antisemitism or the Holocaust:

R. H. Quaytman is one of the most outstanding contemporary American artists, trying to revive and update the intellectual and emotional potential of the painting medium. Her work, which is a constantly evolving project, is a multi-threaded story divided into subsequent chapters, which, despite their apparent separateness, connect with each other. These images often have a strong autobiographical basis. Feminist threads appear here many times. Part of the series is a record of the artist's family history. We can find here the motives of her experiencing motherhood and raising her daughter. "The Sun" - the name of the first chapter refers to the title of the newspaper in which the artist found a notification of the sudden, tragic death of her grandfather. Her visit to Łódź in 1999, for many reasons of a city that was particularly important to her, initiated a fascination and then a constant creative dialogue with the art of Władysław Strzemiński and Katarzyna Kobro. Despite the fact that the impulse to create many of her works were genuine important events in the artist's life, these images escape unambiguous interpretation. Often times, it only becomes clearer when they are put together, when their relationships, bonds and influence are formed.

"Rachel Tzvia Back transmutes the hard and sharp facts of the world into green and gold in these poems that bristle with desperate hope. She's always biblical to me, not just because the Galilean landscape she lives in is so like that of those old psalms, but also because she too was a mother who sent her son to war, though she sees in that son another's son--a boy killed on a beach in far Gaza, while playing. The poet here becomes mother to both, she rises up in need to save both, to spin these new and much needed Psalms. Shone upon by a tradition of humanism and compassion, Back dares to ask the famous questions first articulated by Fanny Howe: 'Where did the days go? Where to now?' And the last one, the one that always haunts her, throughout all the poems in this painful and wise book: 'Are my children safe?' 'We will need a new language, ' Back warns. Good then that she's giving it to us."--Kazim Ali "'What Use Is Poetry, the Poet Is Asking, ' and the book itself is the answer: Poetry --this poetry--is necessary, irreplaceable, urgent. This is the best work of an important Israeli-American poet, translator, peace activist and scholar who reminds us, through the courageous beauty of her poems, that not to be political in these times is to collaborate with the forces of darkness. And what is political for Back couldn't be more intensely personal, as the mother of an air-force paramedic who suffers from PTSD. Narrating the endless cycle of violence of her region, Back's poems protest, grieve, and rescue language from its political and commercial appropriations. Throughout she adopts the irreverent tradition of textual allusion in Jewish poetry, allowing herself to radically rewrite the Hebrew Bible, from Genesis to Psalms, and feminize the Jewish liturgy. This is one of the best new books of poetry I have read in recent years!"--Chana Kronfeld "Poetry may make nothing happen, as Auden infamously wrote, but Rachel Tzvia Back's poetry makes something delicately yet fiercely come forth: the grief of mothers, the fear of soldiers, the tenderness of a younger brother's hand, the stones and sand against which cyclamens struggle to flower in Israel/Palestine. This is a poetry that honors the vast silence out of which and into which we go, and the silences before and after extreme violence. Drawing on ancient epic and myth, alert to the rhythms of land- and sea-scapes, Back's poems arise from a background of unending war, refugee crises, the 'sea of small feathered/things' and 'of mortar fire fired.' These are incantations offered in part to heal a son, to recognize injury, to sound out grief and guilt, but also to register difficult flashes of beauty and the presiding elemental forces of "eastern winds," sun, moon, season, and sea. Back's lyrics are as purposive, stealthy, and precise as the step of the tutelary cat in some of her poems. Her beautifully spare lines offer 'a narrow bridge and all the world'." --Maureen McLane

A comprehensive history of the Holocaust in Hungary, relating also to the history of Hungarian Jewry from its emancipation in 1849 to the present. The first anti-Jewish laws in the 1920s and the increase of antisemitism in the 1930s were followed by persecution, forced military occupation by the Nazis, ghettoization, and deportation. Discusses the events of the Holocaust according to six territorial zones: the Carpathians and the northeastern parts of Hungary; northern Transylvania; northern Hungary; southeastern Hungary; western Hungary; Budapest and environs. Describes the fate of the Jews in many locations. Relates, inter alia, to the military labor service units, the Jewish Council, Jewish rescue operations, the Nazis' actions and the cooperation of the Hungarian authorities, and the actions of the Arrow Cross, as well as international interventions and rescue actions of the Christian Churches.

In March 1983 a mass poisoning was reported in the girls' middle school of Arrabeh, a village near Jenin in the West Bank. The malaise recurred in the following weeks in Jenin, Hebron, and other towns in the West Bank. All the sufferers, mainly young Arab women, were hospitalized, but soon released. The toxic agent which allegedly caused the malaise was not found; Israeli authorities concluded that the attacks were caused by mass hysteria. Nonetheless, both local Palestinian authorities and the PLO leadership accused Israel of an attempt of mass poisoning, aiming to affect the women's reproductive system and thus to tamper with the natural growth of the Palestinian population. The accusation was taken up by the media, not only Arab but also in the West (French, British, German, etc.). Once the hoax became apparent, the whole affair disappeared from the media. Compares the "poisoning affair" to blood libels in the past. Raises questions regarding the strange credulity of the Western press, otherwise very cautious in presenting similar affairs in other countries, its anti-Israeli disposition, and its disproportionally great interest in the Palestinian-Israeli conflict. Contends that the media's incrimination of Israel is a manifestation of its latent antisemitism. Where the Arabs incriminate the Jews as a people, the Westerners, reluctant to look ethnophobic, incriminate the Jewish state. Includes many quotes from the press.

HANDSOME HARDBOUND ED AS SHOWN.

First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

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