"Having previously expressed no interest in color photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening to the potential of color in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and art brut-like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts. The color images in Spirits and Spaces, created in conjunction with Ballen's artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy, and tragedy apparently exist side by side. Both a visual revelation and an artistic evolution by one of contemporary photography's most unique voices, Spirits and Spaces will be an essential and much-anticipated photobook for all Roger Ballen fans." - Publisher's description

Explores how poetry is necessary to prayer, illustrated from the Psalms, Isaiah and Caedmon's Hymn.

Follows the century-long life story of Rose Smith, who is born in 1900, loses her mother in childhood, and witnesses firsthand the remarkable history-making events, changes, and advances taking place in America.

How involved should the government be in American healthcare? Ronald Hamowy argues that to answer this pressing question, we must understand the genesis of the five main federal agencies charged with responsibility for our health: the Public Health Service, the Food and Drug Administration, the Veterans Administration, the National Institutes of Health, and Medicare. In examining these, he traces the growth of federal influence from its tentative beginnings in 1798 through the ambitious infrastructures of today - and offers startling insights on the current debate. The author contends that until the twentieth century, governmental involvement in health care policy was nominal. With the sweeping food and drug reforms of 1906 and the Medicare amendments to Social Security in 1965, a whole new system of health care was brought to the American public. A careful analysis of the various programs generated by this legislation, however, shows a different picture of pet projects, budgetary lobbying, competitive bureaucracy and discord between the agencies and their opposition. Government and Public Health in America provides an illuminating look at the complicated forces that created these institutions and provokes discussion about their usefulness in the future. Hamowy's thoroughly researched analysis fills a substantial gap in the history of health policy. Economists, political scientists, historians, sociologists and health professionals concerned with the interface between government and health care will find much to recommend in this highly readable account of a fascinating topic.

THE STORY: TAKING SIDES takes place in the American Zone of occupied Berlin, in 1946. It is here the American portion of the De-Nazification Tribunal has convened to take over the questioning of Wilhelm Furtwängler, one of the outstanding conductors of hi

Now in its fourth edition, Armed and Dangerous is the first-hand account of Kasrils's years in both the liberation struggle and in government. Kasrils gives an insider's account of the workings of Umkhonto weSizwe, the armed wing of the ANC. Nicknamed 'The Red Pimpernel' by the South African press and public for slipping in and out of South Africa in disguise to run secret missions, Kasrils narrowly escaped arrest in several close shaves with security forces. Following the arrests of Mandela and other ANC leaders, he fled into hiding overseas, became one of the key commanders of Umkhonto weSizwe and set up training camps in Tanzania, Cuba and elsewhere. Armed and Dangerous is dedicated to the Born Frees, the generation born after the attainment of a democratic South Africa in 1994, to help them understand the struggle and carry on where we left off to make South Africa a better place for all who live in it.

Over the course of more than 30 years, Roni Horn has developed a body of work of concentrated visual power, classical in its restraint, beauty and sensitivity to material. Horn's pieces invite conceptual engagement, though her practice defies easy categorization, and also elicit in the viewer a refreshed attention to matter itself, to "make being here enough" (as the title of a previous monograph put it). Her subtle explorations of the complex energies between object and subject have expanded the vocabulary of every medium in which she works. This slipcased, two-volume set accompanies the most comprehensive overview of Horn's work to date--which opens at Tate Modern in London in February 2009 and then travels to New York's Whitney Museum of American Art in November of that same year--and has been overseen by the artist herself. The first volume includes a plate section of works in the exhibition with an essay by Briony Fer; the second volume, the subject index, is fully illustrated and includes texts on a variety of topics related to Horn's work by a host of prominent artists, critics, curators and cultural figures, alongside the artist's own writing. Born in New York in 1955, Roni Horn achieved international recognition in the 1980s, and her works have been the subject of numerous major exhibitions since. In 2007, she undertook Artangel's first international commission, creating Vatnasafn/Library of Water, a long-term installation in the town of Stykkisholmur, Iceland. She has had solo exhibitions at numerous leading art institutions, including Inverleith House, Edinburgh (2006), Fotomuseum Winterthur (2003), The Art Institute of Chicago (2004), Folkwang Museum, Essen (2004), Centre Pompidou, Paris (2003), Dia Center for the Arts, New York (2001-02) and Museo Serralves, Porto (2001).

The distinctive geography, climate and culture of Iceland has engaged Roni Horn for over 30 years. Her intimate relationship with the island has led to a multidisciplinary series of works, including books, drawings, sculpture, texts and photographs. Located in a converted library building on a promontory overlooking the ocean in Stykkishólmur on Iceland's west coast, Vatnasafn/Library of Water incorporates Horn's abiding interest in water and weather, reflection and illumination, and the relation of these phenomena to the fluidity of human identity. The installation houses 24 glass columns containing local glacier water that reflect outside weather conditions onto a rubber floor embedded with weather-related adjectives. It also functions as a community space, a writers' studio and an oral archive of local weather reports. An introduction by co-director of the London-based nonprofit Artangel, James Lingwood, surveys Horn's substantial body of Iceland-related work alongside essays by critics Briony Fer and Adrian Searle, a selection of weather reports and writings by Horn, inspired by her experience of the enigmatic island.

The murder of a third of Europe's Jews by the Nazis is unquestionably the worst catastrophe in the history of contemporary Judaism and a formative event in the history of Zionism and the State of Israel. Understandably, therefore, the Shoah, written about, analyzed, and given various political interpretations, has shaped public discourse in the history of the State of Israel. The key element of Shoah in the Israeli context is victimhood and as such it has become a source of shame, shrouded in silence and subordinated to the dominant discourse which, resulting from the construction of a "new Hebrew" active subjectivity, taught the postwar generation of Israelis to reject diaspora Jewry and its alleged passivity in the face of catastrophe. This book is the culmination of years of preoccupation with the meaning of the Shoah for the author, an Israeli woman with a "split subjectivity: - that of a daughter of a family of Shoah survivors, and that of a daughter of the first Israeli-born generation; the culmination of her need to break the silence about the Shoah in a society which constructed itself as the Israeli antithesis to diaspora Jewry, and to excavate a "truth" from underneath the mountain of Zionist nation-building myths. These myths, the author argues, not only had deep implication for the formation of her generation but also a profound impact on the Israeli-Palestinian conflict. Moreover, they are shot through with images of the "masculine" Israeli, constrasted with those of the weak, passive, non-virile Jewish "Other" of the diaspora. This book offers the first gendered analysis of Israeli society and the Shoah. The author employs personal narratives of nine Israeli daughters of Shoah survivors, writers and film makers, and a feminist re-reading of official and unofficial Israeli and Zionist discourses to explore the ways in which the

"In the beginning there was Lucette, who is the mother to three children--Sammy, a gentle giant, almost blind, but a genius with locks; Corinne, a flighty beauty who cannot keep a job; and "the child," an afterthought, who strives to make sense of her fractured Egyptian-Jewish immigrant family. Lucette's children would like a kinder, warmer home, but what they have is a government-issued concrete box, out in the thorns and sand on the outskirts of Tel Aviv; and their mother, hard-worn and hardscrabble, who cleans homes by night and makes school lunches by day. Lucette quarrels with everybody, speaks only Arabic and French, is scared only of snakes, and is as likely to lock her children out as to take in a stray dog. The child recounts her years in Lucette's house, where Israel's wars do not intrude and hold no interest. She puzzles at the mysteries of her home, why her father, a bitter revolutionary, makes only rare appearances. And why her mother rebuffs the kind rabbi whose home she cleans in his desire to adopt her. Always watching, the child comes to fill the holes with conjecture and story. In a masterful accumulation of short, dense scenes, by turns sensual, violent, and darkly humorous, The Sound of Our Steps questions the virtue of a family bound only by necessity, and suggests that displacement may not lead to a better life, but perhaps to art"--

While it may be tempting to hoard gold bars under your mattress and brace yourself for the worst, the best thing that you as an entrepreneur can do right now is to turn off the news, get back to work and avoid making any decisions you'll regret. So before you slash your prices, close your doors, run out and get a job, fire your employees or commit any other act of small business desperation, take a deep breath and READ THIS BOOK! You'll find hundreds of road-tested tips, strategies and case studies from Rosalind Resnick, Founder and CEO of Axxess Business Consulting, America's leading business planning and consulting firm for startups and fast-growing companies. Don't miss your chance to find out how small business owners like you are surviving -- and even thriving -- in today's challenging economic climate!

Zwi was born in Mexico in 1928 but spent most of her life in South Africa. She moved to Australia in 1988. Her family came from Zhager, a small town on the Lithuanian-Latvian border, where over 3,000 Jews were massacred on 2 October 1941 by members of the Lithuanian Militia, and lie in a mass grave in Naryshkin Park, formerly the heart of the shtetl. Zwi recounts her quest to discover the fate of her father's family, that perished in the Holocaust, and that of her uncle Leib Yoffe, a communist idealist. Includes interviews and her own observations based on trips to Zhager (Zagare in Lithuanian) in 1991 and 1993.

Complete facsimile of Italian text, translation, with commentary; biographical notes, references, index. Introduced, translated and annotated by Rudolf & Margot Wittkower. With 32 b/w illustrations and reproductions of original document pages.

Book fine except for name inside front cover. Scuff in top and bottom left corners of front cover. (w)

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

Italian Colonialism is a pioneering anthology of texts by scholars from seven countries who represent the best of classical and newer approaches to the study of Italian colonization. Essays on the political, economic, and military aspects of Italian colonialism are featured alongside works that reflect the insights of anthropology, race and gender studies, film, architecture, and oral and cultural history. The volume includes many essays by Italian and African scholars that have never been translated into English. It is a unique resource that offers students and scholars a comprehensive view of the field.