Jews in Old China was originally published by Hippocrene Books in 1984 with considerable success. It was then translated into Hebrew and published in Israel in 1987. This expanded edition offers a rich exposition, according to the Chinese investigations, on the origins of these Jewish migrants-when and why they came, the routes they followed, where they settled, and descriptions of their religious and social lives under the Hans, the Mongols and the Manchus. This book provides a wealth of information about the conflicts, contributions, adaptation and ultimate assimilation of the Jews in China.Sidney Shapiro, an American lawyer, came to China in 1947 and "joined the revolution." He became a Chinese citizen in 1963, and is now member of the Consultative Conference, the Translators Association of China, the Chinese Writers Association, and the Soong Ching Ling Foundation. He is the author of several books, and the highly acclaimed translator of the Ming-Dynasty classic Outlaws of the Marsh and Deng Rong's biography of her father Deng Xiaoping and the Cultural Revolution.

Based on an intensive study of the original German text of Freud's writings, letters and journals, S. S. Prawer's new book is the first to make a full and systematic map of Freud's use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who, like Montaigne, absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder; from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology and anthropology to the origins of religion. Though Freud's genius was unique, his sense of being a citizen of a world far wider than Vienna was not, and it can tell us much about the exchange of ideas across national and linguistic frontiers. Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can come to mean to them, and for their sense of who they are.

Siegfried Kracauer (1889–1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature, and media theory that Kracauer wrote during the quarter century he spent in America after fleeing Nazi-occupied Europe. In the decades following his arrival in the United States, Kracauer commented on developments in American and European cinema, wrote on film noir and neorealism, examined unsettling political trends in mainstream cinema, and reviewed the contemporary experiments of avant-garde filmmakers. As a cultural critic, he also ranged far beyond cinema, intervening in debates regarding Jewish culture, unraveling national and racial stereotypes, and reflecting on the state of arts and humanities in the 1950s. These essays, together with the editors' introductions and an afterward by Martin Jay offer illuminating insights into the films and culture of the postwar years and provide a unique perspective on this eminent émigré intellectual.

In this vivid memoir, Silviu Brucan traces half a century of East European history, bringing to life the drama of a generation caught between the 1944 communist revolution and the 1989 anticommunist revolution. Brucan himself was at the heart of political power from World War II through the formation of a new government after the overthrow of Nicolae Ceausescu. After participating in the antifascist underground movement in World War II, he became acting editor of Romania's leading communist daily. He served as Romania's ambassador to the United States and then as its ambassador to the United Nations. He later grew disenchanted with the Ceausescu regime, becoming a prime mobilizer of popular support for reform and subsequently one of the leaders of the National Salvation Front. Brucan's insider position gave him a unique perspective on the inner workings of the Gheorghiu-Dej and Ceausescu regimes as well as of the political machinations of Soviet and other East European leaders. He reveals for the first time the details - available nowhere else - of secret meetings between communist leaders: the 1944 conspiracy with King Michael against the German occupation; the extraordinary 1945 meeting between Gheorghe Gheorghiu-Dej and Joseph Stalin when the Soviet dictator decided that Georghiu-Dej and not Ana Pauker should lead the Romanian Communist Party; the secret mission assigned to Gheorghiu-Dej by Nikita Khrushchev during the 1956 revolution to install Janos Kadar as leader of the communist party; the 1958 Khrushchev-Gheorghiu-Dej meeting after a bear hunt in the Carpathians, which appeared to be a chat between two canny old peasants but concluded with Khrushchev's decision to withdraw Soviet troops from Romania; and Ceausescu's astute maneuver to seize power while Gheorghiu-Dej was on his deathbed. Brucan then recounts the real story behind the 1989 revolution, which was rooted in earlier plots to overthrow Ceausescu. He traces his own memorable transformation from staunch communist to outspoken critic of the regime, weaving his own story within the larger framework of his country's transformation and hopes for the future.

Following Tradition is an expansive examination of the history of tradition—"one of the most common as well as most contested terms in English language usage"—in Americans' thinking and discourse about culture. Tradition in use becomes problematic because of "its multiple meanings and its conceptual softness." As a term and a concept, it has been important in the development of all scholarly fields that study American culture. Folklore, history, American studies, anthropology, cultural studies, and others assign different value and meaning to tradition. It is a frequent point of reference in popular discourse concerning everything from politics to lifestyles to sports and entertainment. Politicians and social advocates appeal to it as prima facie evidence of the worth of their causes. Entertainment and other media mass produce it, or at least a facsimile of it. In a society that frequently seeks to reinvent itself, tradition as a cultural anchor to be reverenced or rejected is an essential, if elusive, concept. Simon Bronner's wide net captures the historical, rhetorical, philosophical, and psychological dimensions of tradition. As he notes, he has written a book "about an American tradition—arguing about it." His elucidation of those arguments makes fascinating and thoughtful reading. An essential text for folklorists, Following Tradition will be a valuable reference as well for historians and anthropologists; students of American studies, popular culture, and cultural studies; and anyone interested in the continuing place of tradition in American culture.

Counter Harold Bissonette owns a small-town grocery store in New Jersey, running the daily gauntlet of his nagging wife, demanding daughter, loud-mouthed son, prudish townspeople, blind or just plain ornery customers, and of course, Baby LeRoy. But when his rich uncle Bean dies, Harold can at last realize his dream of owning an orange grove in California. From this unpromising material the genius of W.C. Fields fashioned one of the most sheerly funny comedies Hollywood ever produced. In it, the Fields persona was honed to perfection: the misanthropic curmudgeon, nursing his small triumphs over the women and small children who beset him, managing, however improbably, to transorm disaster into success. Simon Louvish has performed a splendid work of excavation in tracing back the origins in Fields' stage work of the wonderful set pieces from which the film is constructed. But in dissecting the origins and techniques of the routines, Louvish does not murder the comedy, for his descriptions of Fields at work recreate the joy of watching the most anarchic and original comic Hollywood ever discovered. -- Provided by the publisher.

At the heart of this volume is a concern with exploring levels of interaction between two particular objects of study, islands on the one hand, and military orders on the other. According to Fernand Braudel, islands are, 'often brutally', caught 'between the two opposite poles of archaism and innovation.' What happened when these particular environments interacted with the Military Orders? The various contributions in this volume address this question from a variety of angles. 1291 was a significant year for the main military orders: uprooted from their foundations in the Holy Land, they took refuge on Cyprus and in the following years found themselves vulnerable to those who questioned the validity of their continued existence. The Teutonic Order negated this by successfully transferring their headquarters to Prussia; the Knights Templar, however, faced suppression. Meanwhile, the Knights Hospitaller conquest of Rhodes assured both their survival and independence. Islands are often, by definition, seen to be embodiments of 'insularity', of an effort to be separate, distinct, cut-off. Military Orders are, conversely, international in scope, nature and personnel, the 'first international orders of the Church', as they have often been described. Therein lies the crux of the matter: how did insular outposts and international institutions come together to forge distinct and often successful experiments? Hospitaller Rhodes and Malta still impress with their magnificent architectural heritage, but their success went beyond stone and mortar and the story of islands and military orders, as will be clearly shown in this volume, also goes beyond these two small islands. The interaction between the two levels - insulation and internationalisation - and the interstices therein, created spaces conducive to both dynamism and stability as military orders and islands adapted to each other's demands, limitations and opportunities.

Elkin, Stanley

When THE BLACK FLAME was first published in 1939, Stanley G. Weinbaum has already been dead for three years. By that time, over 18,000 words had been excised or edited from the original manuscript. The intact manuscript, held by Sam Moskowitz, was auctioned off to Forrest J. Ackerman at the First World Science Fiction Convention in 1939. It was subsequently stolen from his collection & never recovered. The publication of this edition was made possible by the discovery of a carbon copy of the manuscript in a trunk of Weinbaum's papers found in the basement of his grandson's house in Denver, Colorado. Weinbaum burst onto the science fiction scene back in 1934, in the words of Isaac Asimov. "like a nova, capturing the imagination of the readers at once, altering the nature of science fiction & converting every other writer into an imitator." Tachyon Publications is a small press, publishing science fiction hardcover editions by a variety of well-respected authors. Also available: GANGLION & OTHER STORIES by Wayne Wightman & LOT & LOT'S DAUGHTER by Ward Moore. And coming soon: THE BEST OF CLIFFORD D. SIMAK (March) & STANDARD CANDLES: THE BEST OF JACK MCDEVITT (August). To order Tachyon Publications, 1459 18th Street, No. 139, San Francisco, CA 94107. Phone: (415) 285- 5615.

This is a classic science fiction novella by Stanley G. Weinbaum that was originally published in Astounding Stories in 1935. This is the only of Weinbaum's stories to be set on the planet Pluto, written only five years after the planet's discovery. The tale starts with a spaceship called Aardkin that gets boarded by the notorious pirate ship the Red Peri. One year on Frank Keene and astrophysicist Solomon Nestor crash land on Pluto and find themselves captives of the Red Peri herself, the nineteen year-old daughter of the man who built the Red Peri. During their ordeal the secret of the reason behind her forays into piracy are revealed. This work is part of our Vintage Sci-Fi Classics Series, a series in which we are republishing some of the best stories in the genre by some of its most acclaimed authors, such as Isaac Asimov, Marion Zimmer Bradley, and Robert Sheckley. Each publication is complete with a short introduction to the history of science fiction.

"In Apogee of Empire, the authors argue that the inability to renovate the Hapsburg legacies reflected reluctance to undertake radical changes first at home, then in Spain's relationship with its colonies." "The Steins trace in detail efforts to reform the Spanish establishment in the early 1760s, initially under the leadership of the marques de Esquilache, who accompanied Charles from Naples. Reformers had to determine which adjustments could be made without risking radical innovation. The ensuring seven-year conflict between reformers and traditionalists ended in a coup that outsted Esquilache. The authors then analyze the shift in focus to the colonies and the emphasis on incrementally modifying a key element of Spanish colonialism, transatlantic trade, via so-called free trade within the imperial system. Comercio libre, like most Bourbon reformism in general, neither realized a colonial pact nor improved Spain's competitive position in the Atlantic trading system. At the time of Charles III's death, the authors conclude, Spain had only made superficial changes, rather than the profound transformation the situation demanded, and by 1789 Spain and its wealthiest colony, New Spain, would be ill-prepared for the coming decades of upheaval in Europe and America."--Jacket

Stanley Kunitz has received numerous awards for his poetry, including the Pulitzer Prize for "Selected Poems 1928-1958," the Brandeis Medal of Achievement, the Harriet Monroe Award, and "Poetry's" Levinson Prize. He is editor of the "Yale Series of Younger Poets" and of "Twentieth Century Authors," and is known for his teaching of poetry at such institutions as Columbia, the New School, Yale, Brandeis, and Bennington.

Plato's great attempt to define the nature of the sophist -- the false image of the philosopher -- has perplexed readers from classical times to the present. The dialogue has been central in the ongoing debate about the theory of forms, and it remains a crucial text for Plato scholars in both the analytical and the phenomenological traditions. Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in any language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all subsequent technical themes and analyzes in detail such problems as non-being or negation and false statement. Arguing that the dialogue must be treated as a dramatic unity, he pays careful attention throughout to the setting, the events, the language used, and the relations between the natures of the speakers and the topics under discussion. Rosen's new approach to the technical issues in the dialogue will be of interest to Plato scholars of all schools, and his analysis of the sophistical dimension of the world will engage all who have puzzled over what it means to be a philosopher.

Philosophy in the twentieth century has been dominated by the urge for analysis, a methodology that is supposed to be comparable in clarity and correctness to scientific thought. In this brilliant and devastating attack on such exaggerated claims, Stanley Rosen demonstrates how analysis alone lacks the power to approach the deepest and most important philosophical questions. He thus provides us with a new and deeper understanding of the nature and limits of analytic thinking.