These articles, written over a period of time from the end of World War II to the American invasion of Vietnam, expose the deception propagated by various administrations and their apologists. That deception was the claim that the United States Government was fighting for "freedom and democracy".

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

My Life And Loves In Greenwich Village is a memoir written by Maxwell Bodenheim, an American poet and novelist who lived in the bohemian neighborhood of Greenwich Village in New York City during the early 20th century. The book is a candid account of Bodenheim's personal and professional life, detailing his struggles as a struggling writer, his relationships with women, and his experiences with drugs and alcohol. Bodenheim describes the colorful characters and events that defined the Greenwich Village scene during his time there, including the rise of modernist art and literature, the emergence of jazz music, and the social and political movements of the era. The book also provides insights into the author's own creative process, as he discusses his writing techniques and the inspiration behind his work.Overall, My Life And Loves In Greenwich Village is a fascinating glimpse into the bohemian lifestyle of early 20th century New York City, as seen through the eyes of one of its most talented and troubled writers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

From the romantic, highly detailed realism of his large-scale "Mountain" photographs to multimedia pieces that embrace abstract forms drawn from close observation of nature, Clifford Ross's work is unlike any other. In 2002, Ross invented his R1 camera, with which he has produced some of the highest resolution single shot photographs ever realized. In a Ross landscape, viewers can spot a bird in a tree on a mountain a mile away. Ross's longstanding desire to reconcile realism and abstraction in his art intensified when he took up photography in the mid-1990s. This book offers the first comprehensive survey of his work, from large-scale, highly detailed landscape photographs to his latest "invisible art" -- an augmented reality app for smartphones that reveals a hidden work within a work. Seen & Imagined accompanies a landmark exhibition at MASS MoCA. Featuring 139 images, most of them in color, including such major Ross series as "Mountains," "Mountain Redux," "Harmoniums," and "Digital Waves," it is the first fine-art book to offer readers an augmented reality 3D "pop up" experience (through a free downloadable app) using their smartphones. Texts by noted writers and critics David Anfam, Quentin Bajac, Arthur C. Danto, Jack Flam, Nicholas Negroponte, and Jock Reynolds, comment on Ross's work, placing it within the history of art and technology, alongside an interview by Orville Schell with the artist. -

The scientific achievements of the modern world failed to impress the leading writers of this century, leaving them instead profoundly disturbed by a sense of lost values and of the insignificance of the individual in a universe seemingly indifferent to human concerns. In The Search for Selfhood in Modern Literature Roston explores the strategies adopted by such mid-century authors as Greene, Salinger, Osborne, Baldwin and others in their attempt to cope with the spiritual vacuity - strategies including the emergence of the anti-hero and of literary existentialism - and offer in the course of the investigation fascinatingly new insights into their work.

Mariano Siskind’s groundbreaking debut book redefines the scope of world literature, particularly regarding the place of Latin America in its imaginaries and mappings. In Siskind’s formulation, world literature is a modernizing discursive strategy, a way in which cultures negotiate their aspirations to participate in global networks of cultural exchange, and an original tool to reorganize literary history. Working with novels, poems, essays, travel narratives, and historical documents, Siskind reads the way Latin American literary modernity was produced as a global relation, from the rise of planetary novels in the 1870s and the cosmopolitan imaginaries of modernism at the turn of the twentieth century, to the global spread of magical realism. With its unusual breadth of reference and firm but unobtrusive grounding in philosophy, literary theory, and psychoanalysis, Cosmopolitan Desires will have a major impact in the fields of Latin American studies and comparative literature.

Review 47th Street Abc Of Culture Adoration Of The Moon Autobiography Battle Report Beyond The Demonic Element Blue Eyes The Bridge Brooklyn Heights: 1 Brooklyn Heights: 2 City City Portrait Cityscape Combat Comment Cry Of The Small Rabbits Cummings Curtains Cynthia Days And Nights Death Of A Grandmother Ditty Domestic Matters The End Feast Of The Ram's Horn For Delmore Schwartz For The Yiddish Singers In The Lakewood Hotels My Childhood For Wcw From A Chinese Master From An Autobiography From Martin Buber The Gift Of Remembering: 1 The Gift Of Remembering: 2 The Gift Of Remembering: 3 The Heart History In The Room The Intensity Interlude Italy, 1944 A Jerusalem Notebook: 1 A Jerusalem Notebook: 10 A Jerusalem Notebook: 11 A Jerusalem Notebook: 12 A Jerusalem Notebook: 13 A Jerusalem Notebook: 14 A Jerusalem Notebook: 15 A Jerusalem Notebook: 2. Postcard A Jerusalem Notebook: 3 A Jerusalem Notebook: 4. Tourists A Jerusalem Notebook: 5 A Jerusalem Notebook: 6 A Jerusalem Notebook: 7 A Jerusalem Notebook: 8. For C. R. A Jerusalem Notebook: 9. The Old Jewish Poet Floats ... July The Kingdom Last Things May 14, 1978 A Message From Rabbi Nachman Middle Class Monday Mountain Fire, Thornbush Muse Poem Musical Shuttle National Cold Storage Company News Of The World The Night Nightsounds A Notebook Notes At 46 Observations The Old Nostalgia Past Time Power In America The Prophet Announces The Realization Riding Westward Riverside Drive Saul's Progress Sister The Six Hundred Thousand Letters Spirit Of Rabbi Nachman Summer Sunday Morning The Synagogue On Kane Street The Talker Through The Boroughs Tides Tight Like That To The Teacher Two Cornell Deaths Vacation Poetry The Way Where I Am Now -- Table of Poems from Poem Finder® Product description Book by Shapiro, Harvey From Publishers Weekly This collection, which consists of new verse as well as selections from Shapiro's previous books, spans over 30 years, and reveals his evolution as artist and observer. An American urban poet with an informal style that is direct and often colloquial, he captures the essence of life in anxiety-ridden, overstimulating New York: "If you walk by the river, Manhattan / is like a book, the pages turn, / the words march down those pages. / Look back to the lights along the river. / Wait for the dark, wait for the city to come on, / windows and bridges blazing, / Whatever you needed was there, wasn't it?" With haunting insistence Shapiro, former editor of the New York Times Book Review , explores his ambivalence, pain and fascination regarding his Jewish lineage, childhood, women and marriage, fatherhood, and mortality: "I was conceived on the night / of my sister's funeral. / . . . This is family history. / What is unclear is my father's role. / Was the night of my sister's funeral / a suitable time for making love? / Did they both think that? / Or was my father excited by my mother's grief? / Though I honor my mother and father, / I want to ask a few more questions." He describes domestic life candidly and with considerable humor and humility, but his words are serious and linger. The length of the poems varies; many are spontaneous snippets of thought, others are longer, carefully crafted and, richer in texture and content, offer more of Shapiro's seasoned insight and tenacity of spirit. Copyright 1988 Reed Business Information, Inc. From Library Journal Meticulous and deceptively simple, Shapiro's poems embody craft and concept. Had William Carlos Williams been Jewish, fought in World War II, and later lived in New York City, he might well have written poems like these. Though Shapiro offers a unique exploration of the American Jewish identity, what stands out in this collection are the love poems: "I believe we came together/ Out of ignorance not love." Shapiro's career in publishing (including editorship of The New York Times Book Review from 1975 to 1983) has overshadowed his poetry, but one comes away from this collection wishing it had inclu

From a height of almost 100,000 members during the Depression, when politicians, workers, and intellectuals were drawn into its orbit, the American Communist Party has descended into irrelevance and isolation, failing even to run a presidential candidate in 1988. Indeed, as Guenter Lewy writes in this critical account of American Communism, despite decades of feverish activity and ferocious discipline, it was a cause doomed to fail from the very beginning. In The Cause that Failed, Lewy offers an incisive narrative of the American Communist Party from the days of John Reed to the advent of glasnost. He traces its origins and development, underscoring how its devotion to Moscow and inflexible Marxist ideology isolated it from the American scene--in fact, most of its first members were Eastern European immigrants. During the left wing tide of the Depression the Communist Party reached the peak of its influence, as it joined labor unions and progressive organizations in a "Popular Front." But Lewy reveals the deceptive, antidemocratic, self-defeating tactics the Communists pursued even then, as they manipulated front organizations, seized control of political parties, peace groups, and labor unions, and enforced political conformity among members and sympathizers. He follows the Party through its inexorable decline in the succeeding decades, up to its current position as one of the last Stalinist parties left in a world of glasnost and perestroika. Lewy also provides a sharply critical discussion of the encounter between Communism and liberal and mainstream America

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue.In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization - both internally driven and supported by Israeli-and American-based Jewish organizations - which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar.These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue. In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization—both internally driven and supported by Israeli-and American-based Jewish organizations—which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar. These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.

Tells of the dramatic, often hilarious story of Arthur Miller working with the Beijing People's Theatre to produce his play "Death of a Salesman" from first read-through to opening night.

"Stephen Cope approaches Oppen's various prose writings--essays, bound daybooks and papers of interest—with the same intensive and self-reflexive care that Oppen's poems cultivate toward the world. This is exemplary editing of exemplary thinking. I was surprised and delighted by many of the particulars, especially a brilliantly measured review of Charles Olson. But the major revelation was the range and precision and constructivist architecture that went into Oppen's Daybooks: they rival his books of poetry, as if Minima Moralia could thrive on amphetamines."—Charles Altieri "George Oppen's daybooks, prose and papers offer the singular record of a mind determinedly thinking toward poetry, the world and human company, and that elusive point where they converge. In these pages, scrupulously assembled, edited and annotated by Stephen Cope, we find the groundwork for some of the finest American verse of the twentieth century. The collection should prove invaluable to those interested in the often fitful, yet resolute, steps along the way of truths not easily attained."—Michael Palmer, author of Company of Moths "Any number of poets keep notebooks, but George Oppen's are unique in their rigor, their conceptual profundity, and especially their ethical awareness and insistent self-criticism. Stephen Cope's meticulously edited and annotated collection of Oppen's "Daybooks," short critical essays, and fugitive pieces should be required reading for anyone who cares about the place of poetry in the post-World War II era. With his characteristic modesty, Oppen didn't set out to formulate a full-scale aesthetic; he just happened to produce one of the finest we have."—Marjorie Perloff, author of Radical Artifice: Writing Poetry in the Age of Media "Here is the essential record of George Oppen's indelible voice, astonishing as it wanders and discovers a new mode 'between the grim gray lines of the Philistines and the ramshackle emplacements of Bohemia' in order to recover an open ground that is, in the fact, ' the function of poetry to serve as a test of truth.' Few documents in our time would better serve to illuminate the hard-won life of being a poet in the American language than this volume, brilliantly edited by Stephen Cope. Simply put, what a laboratory is to hard science, these daybooks are to poetry."—Peter Gizzi, author of The Outernationale

This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.

"This volume celebrates the literary oeuvres of David Shrayer-Petrov-poet, fiction writer, memoirist, essayist, and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov's eighty-fifth birthday, thirty-five years after the writer's emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov's multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography"--

In this comprehensive, up-to-the-minute survey of research and opinion by leading Latin American cultural and literary critics, Naomi Lindstrom examines five concepts that are currently the focus of intense debate among Latin American writers and thinkers. Writing in simple, clear terms for both general and specialist readers of Latin American literature, she explores the concepts of autonomy and dependency, postmodernism, literary intellectuals and the mass media, testimonial literature, and gender issues, including gay and lesbian themes. Excepts (in English) from relevant literary works illustrate each concept, while Lindstrom also traces its passage from the social sciences to literature.

This collection of covers of official UK football programs--in American, that's soccer programs--includes every league club active from the end of World War II to the start of the Premiership (1992), which comes to more than 100 teams from across the United Kingdom. It covers the golden age of British football, a time of local pride and growing success, of "Roy of the Rovers" good feeling, all of which is reflected in period designs, colorful graphics and charming illustrations, far from the glossy corporate memorabilia that fans accumulate today. These pieces are rare and highly collectible, and the majority are reproduced in this book for the first time, but more importantly for most readers, they offer an armchair anthropologist's trip through 1960s, 70s and 80s England. By Bob Stanley, who worked as a freelance music writer with NME and Melody Maker before forming the group Saint Etienne, and with an introduction by Brian Glanville, a highly regarded sports writer and a leading authority on British soccer.