By focusing on the human side as well as the intellectual dimensions of how economists work and think, this collection of interviews with top economists of the 20th century becomes a startling and lively introduction to the modern world of macroeconomics. A fun read! For more information, frequent updates, and to comment on the forthcoming book, visit William A. Barnett's weblog at http://economistmind.blogspot.com/. Acclaim for Inside the Economist's Mind "In candid interviews, these great economists prove to be fabulous story tellers of their lives and times. Unendingly gripping for insiders, this book should also help non-specialists understand how economists think." Professor Julio Rotemberg, Harvard University Business School, and Editor, Review of Economics and Statistics. "Economics used to be called the 'dismal science'. It will be impossible for anybody to hold that view anymore ... This is science with flesh and blood, and a lot of fascinating stories that you will find nowhere else." Dr. Jean-Pascal Bénassy, Paris-Jourdan Sciences Économiques, Paris, France "This book provides a rare and intriguing view of the personal and professional lives of leading economists ... It is like A Beautiful Mind , scaled by a factor of 16 [the number of interviews in the book]." Professor Lee Ohanian, University of California at Los Angeles " ... if you want an insider view of how economics has been developing in the last decades, this is the (only) book for you." Professor Giancarlo Gandolfo, University of Rome ‘La Sapienza,’ Rome "Here we see the HUMAN side of path-breaking research, the personalities and pitfalls, the DRAMA behind the science." Professor Francis X. Diebold, University of Pennsylvania, Philadelphia

Reflects on the interrelationship between war, genocide, and identity in the 20th century. Contends that World War I provided a pattern for the industrial killing that reached its apex in the Nazi Holocaust. Comparing France and Germany, both of which looked for an "elusive enemy" to help them cope with the trauma of World War I, notes that Germany found it in the Jews. This perception allowed the Germans to see themselves as victims and their actions against the Jews as self-defense. The search for "elusive enemies" (to blame for perpetrating the genocide) and "elusive victims" (e.g. the French or German people) continued after the war. Compares the French, German, and Jewish postwar discourses of the Holocaust. Presenting themselves as the main victims of Nazism, the French and Germans have tended to neglect Jews as the main victims. Criticizes writings by Hannah Arendt, Ka-Tzetnik, and some other postwar writers on the Holocaust and its roots.

What is the exact nature of the consumption function? Can this term be defined so that it will be consistent with empirical evidence and a valid instrument in the hands of future economic researchers and policy makers? In this volume a distinguished American economist presents a new theory of the consumption function, tests it against extensive statistical J material and suggests some of its significant implications. Central to the new theory is its sharp distinction between two concepts of income, measured income, or that which is recorded for a particular period, and permanent income, a longer-period concept in terms of which consumers decide how much to spend and how much to save. Milton Friedman suggests that the total amount spent on consumption is on the average the same fraction of permanent income, regardless of the size of permanent income. The magnitude of the fraction depends on variables such as interest rate, degree of uncertainty relating to occupation, ratio of wealth to income, family size, and so on. The hypothesis is shown to be consistent with budget studies and time series data, and some of its far-reaching implications are explored in the final chapter.

In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thomas G. Corcoran, Benjamin V. Cohen, William O. Douglas, Abe Fortas, and James Rowe helped FDR build the modern Democratic Party into a progressive coalition whose command over power and ideas during the next three decades seemed politically invincible. This is the first book about this group of Rooseveltians and their linkage to Lyndon Johnson's Great Society and the Vietnam War debacle. Michael Janeway grew up inside this world. His father, Eliot Janeway, business editor of Time and a star writer for Fortune and Life magazines, was part of this circle, strategizing and practicing politics as well as reporting on these men. Drawing on his intimate knowledge of events and previously unavailable private letters and other documents, Janeway crafts a riveting account of the exercise of power during the New Deal and its aftermath. He shows how these men were at the nexus of reform impulses at the electoral level with reform thinking in the social sciences and the law and explains how this potent fusion helped build the contemporary American state. Since that time efforts to reinvent government by "brains trust" have largely failed in the U.S. In the last quarter of the twentieth century American politics ceased to function as a blend of broad coalition building and reform agenda setting, rooted in a consensus of belief in the efficacy of modern government. Can a progressive coalition of ideas and power come together again? The Fall of the House of Roosevelt makes such a prospect both alluring and daunting.

Describes the bombing of the Temple, Atlanta's oldest synagogue, in October 1958, against the background of anti-Black and anti-Jewish violence prevalent in the South at the time. States that "whites aimed at blacks through the Jews, " and that 10% of the bombs in the South in 1954-59 exploded at synagogues, rabbis' homes, and Jewish community centers. The target of the Atlanta bombing was the Temple's rabbi, Jacob M. Rothschild, a vigorous advocate of racial integration. Describes Rothschild's activities, as well as those of George Michael Bright, a member of the neo-Nazi Columbians and the racist National States' Rights Party, one of five men indicted in the Temple bombing. Describes the trials of the accused, none of whom were convicted; Bright's trial ended in a deadlock and declaration of a mistrial, while the other four were acquitted.

inspired by recent women's marches, sisters Lucy and Grace Lang's book for very young children honors the centennial of the passage of the 19th Amendment, which secured women's right to vote in the United States. As the world churns, all parents are striving to raise informed, courageous children, equipped to handle a changing and dangerous world in the most responsible and productive ways possible. March On! draws on the iconography of the women's march that started it all, the historic 1915 New York City women's march, highlighting the tremendous potential for collective activism, in rhyme, coupled with unique and diverse pictures to appeal to both children's imaginations and adults' familiarity with archetypal American imagery.

Documents all sides of the Rushdie controversy, providing an international chronology of events, early reviews of the book, and more reflective articles drawn from the huge, worldwide coverage, fairly and fully representing all points of view.

A valuable study of what the term "genocide" means - and what the concept should include. To solve the problem of precision, UCLA emeritus professor Kuper starts with the UN Convention on Genocide (1948). There, genocide was defined as any of the following acts "committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such": killing members of the group, or causing them serious physical or mental harm; prevention of birth within the group, or transfer of children out of the group; infliction of conditions calculated to bring death or destruction to the group. By tracing the path of this document through the UN, Kuper shows the political processes that helped narrow the concept of genocide. For example, the West wanted a provision labeling the destruction of political groups as genocide, but the Soviets blocked it; conversely, the Soviets wanted cultural genocide included, and the West blocked that. Kuper concludes that nations don't want to block their own possible future actions - and argues that political groups should be included in the definition. Then, accepting the UN definition as a starting point, he turns his attention (via historical instances of genocide) to the 20th century and the nature of genocide. It is a feature of plural societies, he contends - of societies that contain "persistent and pervasive cleavages" between the racial, ethnic, and/or religious groups that compose them. In cases of extreme pluralism, the divisions between these groups are overlaid with divisions between power, and genocide is one possible means by which an elite can maintain itself. The classic case of this is the Turkish massacre of its subject Armenians, the first of two cases Kuper explores in some depth. The second, the German extermination of Europe's Jews, differed in degree; it knew no national boundary, employed more sophisticated technology, had a more developed

, 468 pages, index at rear

"What is the future of the Jewish people? In Arguments for the Sake of Heaven, first published in 1991, Rabbi Lord Jonathan Sacks explores the contemporary issues that influence Judaism and the controversies that affect its destiny. If the Jewish world is to be mended, Rabbi Sacks contends, Jews must move beyond sectional thinking and recognize alternatives within Judaism. The tradition of argument requires respect for positions with which one doesn't agree; rabbinic texts imply more than one legitimate stance. It is in this spirit of healing that Jewish unity will be achieved, and 'to see this is already to have begun the transition from Torah as the faith of some Jews to Torah as the constitution of the whole Jewish people."-- Provided by publisher.

Book by Judis, John B.

Did America's fortieth president lead a conservative counterrevolution that left liberalism gasping for air? The answer, for both his admirers and his detractors, is often "yes." In Morning in America , Gil Troy argues that the Great Communicator was also the Great Conciliator. His pioneering and lively reassessment of Ronald Reagan's legacy takes us through the 1980s in ten year-by-year chapters, integrating the story of the Reagan presidency with stories of the decade's cultural icons and watershed moments-from personalities to popular television shows. One such watershed moment was the 1984 Los Angeles Olympics. With the trauma of Vietnam fading, the triumph of America's 1983 invasion of tiny Grenada still fresh, and a reviving economy, Americans geared up for a festival of international harmony that-spurred on by an entertainment-focused news media, corporate sponsors, and the President himself-became a celebration of the good old U.S.A. At the Games' opening, Reagan presided over a thousand-voice choir, a 750-member marching band, and a 90,000-strong teary-eyed audience singing "America the Beautiful!" while waving thousands of flags. Reagan emerges more as happy warrior than angry ideologue, as a big-picture man better at setting America's mood than implementing his program. With a vigorous Democratic opposition, Reagan's own affability, and other limiting factors, the eighties were less counterrevolutionary than many believe. Many sixties' innovations went mainstream, from civil rights to feminism. Reagan fostered a political culture centered on individualism and consumption-finding common ground between the right and the left. Written with verve, Morning in America is both a major new look at one of America's most influential modern-day presidents and the definitive story of a decade that continues to shape our times.

Predicts an imminent global political crisis, including a dangerous rivalry between America and China and a breakdown of the European Union, citing key events and contributors that have culminated in present-day instabilities.

For fans of The Passenger , this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss, as chosen by Ian Rankin on BBC Radio 4's A Good Read . 'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd 'One of the best London novels of the 20th century.' Benjamin Myers Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse ... 'A haunting, remarkable novel, as startlingly original as any of Pressburger's films.' Nicola Upson 'A dark and harrowing window on the past: the ending will haunt your dreams.' Janice Hallett

A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politics Following the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Elaine Mokhtefi, a young American woman immersed in the struggle and working with leaders of the Algerian Revolution, found a home here. A journalist and translator, she lived among guerrillas, revolutionaries, exiles, and visionaries, witnessing historical political formations and present at the filming of The Battle of Algiers. Mokhtefi crossed paths with some of the era's brightest stars: Frantz Fanon, Stokely Carmichael, Timothy Leary, Ahmed Ben Bella, Jomo Kenyatta, and Eldridge Cleaver. She was instrumental in the establishment of the International Section of the Black Panther Party in Algiers and close at hand as the group became involved in intrigue, murder, and international hijackings. She traveled with the Panthers and organized Cleaver's clandestine departure for France. Algiers, Third World Capital is an unforgettable story of an era of passion and promise.

The Waverly Inn has been a landmark in New York’s Greenwich Village since the 1920’s. But since 2006, when Vanity Fair editor Graydon Carter bought and refurbished the restaurant, it has also been one of the most sought after destinations in the city. And while we can’t guarantee you a reservation there, we can bring you the wonderful, witty mural by Edward Sorel that graces its walls. Sorel--whose caricatures and drawings regularly appear in The New Yorker and on its cover--chose forty Greenwich Village greats from the past 150 years to cavort in bacchanalian splendor. Each of the 40 makes a solo appearance in these pages alongside a charming, telling vignette of his or her life by Dorothy Gallagher, then appears in a foldout of the entire mural at the back of the book. Here you will find Walt Whitman being attacked by a ferocious Truman Capote butterfly; Jane Jacobs, Gertrude Vanderbilt Whitney and Willa Cather playing ring-around the rosy; those famous denizens of the White Horse Tavern, Dylan Thomas--who breakfasted on beer and lunched on brandy--and Jack Kerouac, typing his long roll of a novel. Anais Nin appears nude, which, Gallagher points out, was her usual state. Norman Mailer admires himself in a reflecting pond. Here, too, are Djuna Barnes and Edna St. Vincent Millay, Jackson Pollack and James Baldwin, Thelonius Monk, Bob Dylan, and Joan Baez, Andy Warhol and Fran Lebowitz, Margaret Sanger, Marlon Brando, and many others. The Mural at the Waverly Inn is an enduring delight to treasure and to give.

Discusses the legal and illegal ways that millions of Jews managed to leave Germany, the challenges they faced, and the diversity of the refugee experience

Whether they came from Sioux Falls or the Bronx, over half a million Jews entered the U.S. armed forces during the Second World War. Uprooted from their working- and middle-class neighborhoods, they joined every branch of the military and saw action on all fronts. Deborah Dash Moore offers an unprecedented view of the struggles these GI Jews faced, having to battle not only the enemy but also the prejudices of their fellow soldiers. Through memoirs, oral histories, and letters, Moore charts the lives of fifteen young Jewish men as they faced military service and tried to make sense of its demands. From confronting pork chops to enduring front-line combat, from the temporary solace of Jewish worship to harrowing encounters with death camp survivors, we come to understand how these soldiers wrestled with what it meant to be an American and a Jew. Moore shows how military service in World War II transformed this generation of Jews, reshaping Jewish life in America and abroad. These men challenged perceptions of Jews as simply victims of the war, and encouraged Jews throughout the diaspora to fight for what was right. At the same time, service strengthened Jews' identification with American democratic ideals, even as it confirmed the importance of their Jewish identity. GI Jews is a powerful, intimate portrayal of the costs of a conflict that was at once physical, emotional, and spiritual, as well as its profound consequences for these hitherto overlooked members of the "greatest generation."

"From James Bond to the Beatles, from Saturday Night Fever to Grease, from Daniel Day-Lewis to Dustin Hoffman, from Steve Martin to Cheech and Chong. As president of United Artists, Paramount, and Columbia, producer of The Jerk, Lenny, and The Crucible, [David Picker's] seen it all, loved it all (well, most of it), and now he's sharing it all. When the show is over you will have learned about the deals, the hits, the flops, the good guys, the bad guys, and all the rest"--Amazon.com.