"Orenstein is such a breezy, funny writer, it's easy to forget she's an important thinker too."--People In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone. The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater. Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home. With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

On Stendhal: "The study of human nature, 'the observation of the human heart and its passions, ' was his constant preoccupation. But where could he study the passions better than in himself? Though he lived exuberantly, submitting himself to experience... he went on incessantly writing down everything that happened to him just as it happened. he even led to perform some remarkable experiments upon himself.He laid claim to having been a soldier, a man of fortune, a great lover, a society wit, a diplomat, a traveler, and even, sometimes, a revolutionary conspirator. "Fifty years after his death he becomes one of the demigods of the world's letters, taking his place in the ranks of the great social writers who appeared toward the end of the last century. his manner of life itself has fascinated whole regiments of literary scholars in France, Italy and Germany in the last forty years." -Matthew Josephson, From the Introduction (1946) "Like Josephson's Victor Hugo, it is the best and most comprehensive English study of its subject, a careful collection of material, skillfully assembled and organized...When Freud read Stendhal's memoirs of his childhood and adolescence he called them 'a manifestation of psychological genius.' Stendhal, he saw, had been a Freudian some 70 years before Freud himself."-TIME Magazine (1946)

It has been said that the only warriors who do not suffer after combat are those who were killed. I cannot attest to that for all battle tested warriors but I certainly can for one---me. Some years ago a young, 13 year old eighth grade student from the Fairfield, Iowa Middle School once asked me, "Were you wounded in the war? I had been invited to speak in Mrs. Broz's class for many years to talk about my wartime experiences. I had been asked and answered many questions but this one was different. I paused, thought deeply and quickly, and replied. "Yes I was wounded, seriously wounded but not a wound that anyone could see and fix." His question gave me pause to quickly think about warriors in all the wars that have been fought, including mine, whose wounds were unseen, untreated and debilitating even though no blood was shed. I spent a sleepless night wondering if my answer had satisfied him...or me. What was there about my military service that left me so hopeless and so helpless when I returned home to civilian life? Was it me? The military itself? The combat? This is what I recalled; perhaps the answers would come as I wrote my experiences down. "I've been practicing Transcendental Meditation for 40 years. It's a great tool for reducing stress ... especially the stress our men and women of the Armed Forces are going through now." --Clint Eastwood, Academy Award-Winning Film Director "Stress causes, anxiety, depression, and violent behavior. Transcendental Meditation is a remarkable process for reducing stress-it can help people live a long and better life." --Mehemet Oz, MD, America's Doctor "In this riveting memoir, a true American hero describes how Transcendental Meditation changed his life for good. A must-read for those struggling with the aftershocks of combat, and their loved ones." --Norman Rosenthal, M.D. Author of Transcendence: Healing and Transformation Through Meditation "The hidden cost of war includes long-term pain and suffering for may veterans and their families. This wonderful book shows how meditation can be a practical, simple, and effective way for our returning warriors to find peace." --Professor Linda Bilmes, Harvard University, co-author of The Three Trillion Dollar War "The Resilient warrior is a riveting read. What is especially impressive is how Jerry Yellin conflates his own war and PTSD experiences, and those experiences of other veterans, with the powerful compelling evidence of the benefits of using meditation as a means to overcome this disorder. I highly recommend this book to anyone seeking relief from stress, regardless of the source of the trauma." --Donald Mikkleson, Vietnam Veteran "My son, Dory, was an eight-year Army veteran who committed suicide early this year and I have suffered terribly. On a really bad day, a few weeks after Dory's death, Jerry Yellin suggested that I read The Resilient Warrior and learn to meditate. Since starting to meditate I can feel the stress leaving me, and my days and nights are getting a little better day-by-day, week-by-week. I strongly recommend Jerry's book to veterans and families of veterans, and anyone who is looking for a way of the nightmare of PTSD." --Lin Klock, Vero Beach, Florida Author Jerry Yellin Jerry was a WW 2 fighter pilot from Hillside, NJ. He flew P-51's over Japan from Iwo Jima. Married to Helene for 60 years, they have four sons and six grandchildren. Jerry is the author of the award winning historical fiction book The Blackened Canteen and his memoir Of War and Weddings . The soldier above all other people prays for peace, for he must suffer and bear the deepest wounds and scars of war." --General Douglas Macarthur

This is a new release of the original 1954 edition.

The Staplehurst rail crash of June 9th, 1865 which claimed ten lives, might have passed relatively unnoticed but for the presence of a celebrity passenger among the survivors. Charles Dickens, returning from France on the ill-fated boat train from Folkestone to London, was to be profoundly affected by the experience. In a fascinating exploration of the circumstances surrounding the disaster and probing insight into Dickens' personal life, the writer's great-great-grandson, Gerald Dickens, examines his secret relationship with the actress Ellen Ternan and professional motivation in the years either side of the accident. Questions concerning the conduct of the inquest into the crash and apportioning of blame are raised that remain unresolved even today. Striking parallels are drawn with more recent disasters and the signs of wrestling with Post-Traumatic Stress Disorder are evident in the account of Dickens' final years, powerfully reflected in the stirring ghost story The Signalman.

In Journey Through a Small Planet (1972), the writer Emanuel Litvinoff recalls his working-class Jewish childhood in the East End of London: a small cluster of streets right next to the city, but worlds apart in culture and spirit. With vivid intensity Litvinoff describes the overcrowded tenements of Brick Lane and Whitechapel, the smell of pickled herring and onion bread, the rattle of sewing machines and chatter in Yiddish. He also relates stories of his parents, who fled from Russia in 1914, his experiences at school and a brief flirtation with Communism. Unsentimental, vital and almost dream like, this is a masterly evocation of a long-vanished world.

This is a love story; an unlikely convergence of two people from different worlds who were able to make a rich and tender life together, and not only endure each other's company in alarmingly close quarters but revel in it. Edith Iglauer was born in Cleveland and lived an urban, sophisticated life in New York until she met and married John Daly, a commercial fisherman in British Columbia. She spent more than four years on his forty-one-foot troller, the Morekelp until his sudden death. John Daly was an impassioned and greatly talented fisherman who was convinced that he could "think like a fish"; an amateur philosopher who worked out, and followed, an orginal set of beliefs and principles; a mystic who, after forty years of fishing, felt himself to be at one with the sea and the mountains along the British Columbia coast; a scholarly looking, high-spirited, full-blown eccentric who covered the white walls of his pilothouse with his favorite quotations in bold black letters ("Lawyers spend their professional careers shoveling smoke. O.W. Holmes") Fishing with John established Edith Iglauer as one of BC's most popular writers. This unusual West Coast love story sold 16,000 copies in hardcover and continues to be a bestseller in paperback.

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Surveyor, fur-trader and explorer, David Thompson was the first European to descend the Columbia River from its source to its mouth. A partner in the North West Company, Thompson explored western Canada exhaustively, and the maps he produced became the basis for many future maps of the region. Thompson first came to Canada in 1784 as a clerk for the Hudson's Bay Company. He spent several years gaining knowledge of the fur trade, making extensive expeditions and learning the ways of the aboriginal peoples. After learning the use of sextant, chronometer, telescope, compass and nautical almanac, surveying became his primary interest. He explored new territory whenever possible, keeping detailed journals of his bearings and weather conditions, and charted all of his journeys.

Back from the Living Dead, first published in 1945, is the first-hand account of Army Air Corps Major Burt Bank's experiences as part of the Bataan Death March and his subsequent prison camp experiences in Camp O'Donnell, Davao Penal Colony, and Cabanatuan, Philippines. In January 1945, Bank was part of the group of surviving POWs freed by U.S. Army Rangers. Back from the Living Dead was one of the first post-war accounts detailing the Death March and prisoner of war atrocities. Author Bertram Bank (1914-2009), from Tuscaloosa, Alabama, would go on to serve in Alabama's House of Representatives and Senate, and was also the founder of the Alabama Football Radio Network.

A book on the cultural and revolutionary florescence of the American Theatre, circa 1963-1973

In a tribute to the great musical loves of his life, the popular musician and performer tells the story of his legendary career as America's favorite interpreter of classical popular music and his love affair with Tin Pan Alley and friendship with Ira Gershwin. Reprint.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

STRAWBERRIES WITH EVERYTHING brings a new tone to political memoirs. How did a nice Jewish boy finish up in a place like Poland? In sometimes hilarious detail, Steve Brook describes his early years in prewar London, the emigration of his family to Australia, and his eventual Aussification. While still in his teens he gets a heavy dose of Left politics. After a holiday in Poland, via London, he is offered a job at the Polish Radio in Warsaw. He spends eight years on the wrong side in the Cold War, with a ringside seat at some of the most significant events in European history including the Warsaw Dog Show, the "anti-Zionist" uproar of 1968 and the Soviet-led invasion of Czechoslovakia the same year. He returns to Australia in 1974 and after numerous Candide-like adventures, he finds himself wondering if it was all worthwhile. Of course it was.

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

Search-Cover"I was four years old when my father came back to kidnap me," begins this gripping memoir about Matousek's search for James Matousek, the drifter father he never knew. Described by the New York Times as " part reminiscence, part detective story, part spiritual musing," this memoir is more than the story of one man's search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning. Growing up in a family of troubled women (Matousek's sister committed suicide when the author was 29), he describes the turmoil of growing up "fatherless in America" - an experience shared by millions of children in what sociologists have called the Age of the Absent Father - and the difficult, ultimately successful, struggle to figure out what being a man really means in an age of shifting definitions, evolving sexuality, and "breaking out the man box" of stereotyping and patriarchy. With the tension of a mystery story, the climax occurs when Matousek meets a man he believes to be his father. But is he? And does Matousek, who has reconciled with his mother as she lay dying, really care? These are just two questions leading to this memoir's surprising conclusion. Praise for The Boy He Left Behind "Mark Matousek's memoir The Boy He Left Behind begins with the gripping sentence, 'I was four years old when my father came back to kidnap.' Part reminiscence, part detective story, part spiritual musing, the book is more than the story of one man's search for his father, it is also a look at the meaning of life and how fathers contribute to that meaning." -The New York Times Book Review "This thoughtful and lovingly rendered portrait of an American childhood is a refreshing addition to the genre. Matousek not only tells his own story but brilliantly evokes the troubled lives of his mother and sisters with humor, honesty, and above all, compassion." -Kathleen Norris, author of The Cloister Walk and Amazing Grace "A riveting story in the hands of a master storyteller. Mark Matousek has written a family memoir that is tight and revealing. This is one fine book." -James McBride, author of The Color of Water "[A] searing memoir....The writing is exhilarating...deeply soulful, compassionate, and self-scrutinizing. It is an explosive memoir filled with prose that sings, one that provokes readers to question where we come from and what our places are in this world. Matousek...writes from the heart. Read this book" -Los Angeles Magazine "Matousek's account of his search for the father he hadn't seen since he was four [is] sharp and funny, thanks to the punchy dialogue and dead-on character sketches." -Elle "Interweaving the frustrating suspenseful search for his long-lost father with unsparing recollections of a fatherless boyhood and his confrontation with a life-threatening disease, Mark Matousek expertly guides you through the particulars of his life into a harrowing meditation on the difficulties of becoming a man in a country without fathers. The Boy He Left Behind is beautifully crafted, artful and inspiring. It merits a place alongside the late Paul Monette's masterwork, Becoming a Man; Half a Life Story. Like Monette, Matousek's triumph is twofold - In the book he has written, and in the man he has become. Matousek's probing memoir of lost childhood and found history celebrates the power of manhood." -The Utne Reader "Mark Matousek has produced [a] riveting account of his search-at age 38, with the help of a private detective-for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one's existence." -Publishers Weekly (starred review)

I always meant to be a writer from my earliest recall, writes Marcia Davenport in her memoir, Too Strong For Fantasy, and like all such people I lived from infancy in the world of stories and books, most of them fantasy. When I began to outgrow fantasy, history seized me by the throat and has held on ever since. History is inseparable from place and politics and political men.