In England, Irish-born citizens are being herded into prison camps. On the high seas, a furious British Navy is seizing American cargo ships bound for Europe. And on the Thames, a new weapon of unparalleled destructive force is sailing toward an impregnable city–spearheaded by a daring act of espionage. For U.S. president Abraham Lincoln, Britain’s Queen Victoria, Lord Palmerston, and a loyal opposition, a day of reckoning is at hand . . . and so is history’s most astounding battle. Harry Harrison’s series of alternate history, based on the U.S. Civil War, stands as a provocative work of imagination, drama, and brilliant historical insight. Now in the thrilling finale, Harrisontells a stunning, action-packed story of America’s rapidly growing military might being locked, loaded, and aimed at the heart of England itself. For the two countries that share a language and a heritage, the conflict began at the dawn of the U.S. Civil War. Just as America was about to tear itself to pieces, Britain itself committed an act of war by seizing a U.S. packet ship. In retaliation, the Confederate States rejoined the Union and took up arms against England. Repulsing a British invasion, and defeating her majesty’s army first in Canada, then in Mexico, then in Ireland, American pride and power swelled. Britain, like a wounded lion, howled in shame and anger. Now, Queen Victoria’s empire is more dangerous than ever before, turning against the Irish on her own soil, flexing her naval might, and all but forcing a weary President Lincoln to authorize the next step in a headlong journey toward war. A tale of daring and strategy, Stars and Stripes Triumphant explores how arrogance turns superpowers into victims, how regional conflicts can explode into world wars, and how the personalities of a few men and women can change the course of history itself–for better or for worse. From the Hardcover edition.

This classic novel by one of the greatest writers of Yiddish literature tells the unforgettable story of three men: Cornelius, an officer in the Roman garrison of Jerusalem in the first century A.D.; Joseph Arimathea, a young Pharisee student at the time; and Yeshua, a radical preacher from Galilee, better remembered by his Greek name of Jesus. The stories of these three men are narrated by Pan Viadomsky, an anti-Semitic Polish scholar who claims to have discovered the lost Fifth Gospel, containing the life of Christ according to his betrayer, Judas Iscariot. With unparalleled historical immediacy, Asch's inspired work presents a sweeping panorama of the Holy Land nearly two thousand years ago.

Superheroes and villains do battle over the human heart in this delightful anthology featuring all-new stories from a wide range of contributors, all set in the Wild Cards universe, where an alien virus mutates some and grants superpowers to others, created by the #1 New York Times bestselling author of A Game of Thrones . An alien virus ravages the world, its results as random as a hand of cards. Those infected either draw the black queen and die, draw an ace and receive superpowers, or draw the joker and are bizarrely mutated. Nevertheless, human nature reigns supreme. And one of the most enduring human drives is the search for love. Aces and jokers alike both want to find it, or have lost it . . . or perhaps just want to use it for personal gain. Crazy, unconventional, touching, strange, and oh-so-familiar, this is love, Wild Cards-style. Within these stories: • A jewel thief seduces a popular actor just so she can track down a long-lost treasure. • A teenager trapped in the body of a giant snail attempts to win his love à la Cyrano de Bergerac. • A man discovers his purpose in life after meeting a beautiful butterfly woman. • A young hero who has been awarded the hideous name of Hero McHeroface finds some solace in the arms of an astrologer hiding her own unique powers. Pairing Up is the Wild Cards take on love—finding it, seeking it, losing it, or achieving it—as aces and jokers enter into the highest-stake game of all: gambling on their heart's desire. With stories by Kevin Andrew Murphy • Christopher Rowe • Marko Kloos • Melinda M. Snodgrass • Bradley Denton • Walton Simons • Peter Newman • Gwenda Bond • David Anthony Durham • Edited by George R. R. Martin

Essays in feminist criticism look at the fiction of Katherine Mansfield, Virginia Woolf, Jane Austen, George Sand, George Meredith, Thomas Hardy, and others

Dreams and nightmares-what Ambrose Bierce called "visions of the night"-are the basis of some of the greatest weird fiction in literary history. The unruly images that torment us in sleep are usually dispelled by the coming of day-but can they be dismissed so easily? Do nightmares have some impalpable reality that can affect our daily lives, the lives of those around us, and perhaps the very fabric of the universe? Who can say that the nightmare is merely a wisp of fancy engendered by our own minds? After all, it was Edgar Allan Poe who said: "All that we see or seem is but a dream within a dream." All original nightmares by David Barker, Jason V Brock, Ramsey Campbell, Gemma Files, Richard Gavin, Caitlín R. Kiernan, Nancy Kilpatrick, John Langan, Reggie Oliver, W. H. Pugmire, Darrell Schweitzer, John Shirley, Simon Strantzas, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson and Stephen Woodworth. This volume is edited by S. T. Joshi, a leading critic and anthologist of weird fiction.

An unforgettable story from one of Brazil's most accomplished and original new voices, this is a profoundly moving portrait of a young woman finding her way back into life. From one of Granta 's Best Young Brazilian Novelists comes a startling and powerful story about returning to one's origins in order to move forward. In Rio de Janeiro, a woman suffering from a mysterious illness, which is eroding her body and mind, decides to accept a challenge from her grandfather: to take the key to the house where he grew up--in the Turkish city of Smyrna--and open the door. As she embarks on this pilgrimage, she begins to write of her progress. The writing soon becomes an exploration of her family's legacy of displacement in Europe, told in several narrative strands. Sifting through family stories--her grandfather's migration from Turkey to Brazil, her parents' exile in Portugal under the Brazilian military dictatorship, her mother's death, and her own love affair with a violent man--she traces her family's history in a journey to make sense of the past and to understand her place in it. With an epic sweep of time and place--traversing Brazil, Turkey, and Portugal--this is a profoundly moving portrait of a young woman finding her way back into life. Spare, heartfelt, and evocative, The House in Smyrna is an unforgettable story from one of the most accomplished and original new voices in Brazil.

Shulamit, a biblical scholar from England, returns to her grandparents' home in Jerusalem for a visit after an absence of many years. Almost immediately she becomes embroiled in a family feud over possession of the so-called Shepher Codex, a mysterious and valuable manuscript which has been discovered in the attic. In tracing the origins of the Codex she uncovers the history of the Shepher family itself: of her great-grandfather, who traveled to Babylon in search of the ten lost tribes; of her grandfather, a dreamer whose Zionist ideals brought him into conflict with his religion; of her parents, and their tormented love affair; and of her own orphaned and unhappy past. At the same time, she struggles to find answers to pressing questions: what is the significance of the Codex and where does it come from? Who is the stranger, Gideon, who is desperate to enlist her help? Above all, whom does the Codex belong to and what part must Shula play in its destiny? Set against the backdrop of a changing Jerusalem over a hundred and thirty years, The Genizah at the House of Shepher is a large-canvas novel of exile and belonging, displacement, and the quest for both love and a true promised land.

"A stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the 20th century, now back in print for the first time since 1969. Sophie Blind is starting a new life. She has left her husband Ezra and taken her three children to Paris. She has lovers there and another in New York. She is lecturing and writing. And she is compulsively reviewing her own history, having resumed the "lifelong struggle" of "coming into consciousness." The task of reclaiming her existence is all the more urgent because, even as Sophie Blind undertakes this necessary transformation-Sophie Blind is dead. Dream and reality overlap in Divorcing, a book in which divorcing is not just a matter of marital collapse but names a rift that runs right through the inner and outer worlds of its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present day New York to her childhood in pre-World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions of Sophie's life now. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes's startlingly original novel was published in 1969 but largely ignored; after the author's tragic early death, it was forgotten. Its republication presents a chance to rediscover a dazzling intense and inventive writer whose work in many ways anticipates the fragmentary, glancing, lyrical novels that Renata Adler and Elizabeth Hardwick would write in the 1970s"--

When a spaceship carrying Neil Armstrong accidentally time travels to 1869 Texas, cowboy Nat Love decides to trade in his horse for a trip to the Moon, and stepsiblings Abby and Doc must untwist history and get everyone back to their own time.

Swirling, curling brushstrokes. Vivid colors. Thick layers of paint. These are the hallmarks of a painting by Vincent van Gogh, whose work his fellow artist Paul Cézanne once called “that of a madman.” But Van Gogh and the Post-Impressionists for Kids moves beyond the image of the mad pauper to reveal a complex young man who loved nature and reading, spoke four languages, and enjoyed a successful career as a gallery salesman before embarking on studies as a minister and, finally, finding his calling as an artist. Kids journey from the Netherlands to Paris to southern France as they learn about van Gogh’s friendships with four other like-minded painters who admired but were determined to depart from Impressionism: Paul Gauguin, Paul Signac, Émile Bernard, and Henri de Toulouse-Lautrec. Aspiring artists and history buffs learn not only how these Post-Impressionists’ daring shapes, colors, and techniques distinguished their work from what was painted before but also how the men helped one another and whether or not they always got along. Twenty-one creative projects bring history and art to life. Readers will create a Starry Night peep box, make a Pointillist sailboat (that can really sail!), craft a Japanese fold-out album, and much more. The text includes a time line, glossary, and reading list for further study.

"Five are chosen for the first mission to Mars; a top-gun Air Force pilot, a tomboy chief engineer, a brilliant scientist, a Texas geologist, and an adventurous historian. In spite of clashing egos and personal friction, the crew of the ship Beagle makes history by becoming the first humans to walk upon the Red Planet."--Jacket.

For nearly a century, Juilliard has trained the artists who compose the elite corps of the performing arts community in the United States. This comprehensive history, in paperback for the first time, takes us behind the scenes of one of the most famous music schools in the world.Detailing Juilliard's colorful history and penetrating the mystique of its rarefied, ultracompetitive conservatory atmosphere, Andrea Olmstead tells a fascinating story of vision and temperament, of talent and backstabbing politics, and of artistry and determination. Through its various incarnations the institution has been shaped by the strong personalities of its administrators, the artistic sensibilities of its faculty, and the prodigious gifts of its students.Drawing on interviews, ephemeral materials, and previously neglected archival records, Olmstead traces the school's ups and downs and documents the accomplishments and foibles of its leaders. She also probes the controversies that have littered the school's history, from Augustus Juilliard's $12.5 million bequest in 1919 to the expensive move to Lincoln Center.

In this unique memoir, renowned poet, fiction writer, critic, and activist Marjorie Agosin writes in the voice of her mother, Frida, the daughter of European Jewish immigrants, living in Chile in the years before, during, and after World War II. Frida recounts stories from her family's Jewish/Chilean history: of her father, who had to leave Vienna in 1920 because he fell in love with a Christian cabaret dancer; of her paternal grandmother, who came to Chile later with a number tattooed on her arm; and of her great grandmother, an immigrant from Odessa, who learned to speak Spanish in Chile and loved the language so much that she repeated its harmonious sounds even in her sleep. Frida's stories of the past soften the realities of present times, when some immigrants from Germany still display portraits of Hitler m their homes and Jews still remain, after two generations, strangers in their own land. These stories are permeated with the shadow of faraway war in Europe, which haunts Frida's dreams and is a vivid presence in the everyday life in this Chilean town. For Frida the cross and the star of the title come to define two worlds that are for her distinct, yet inexorably entwined. Agosin's poetic reflections reveal a culture and a landscape little-known outside of her native land, explore the boundaries of "voice", and create a moving testament to endurance and to the power of memory and of words.

Little John is proud of his mother's work as a stonecutter for a cathedral called "Big John," but struggles to understand the importance of spending so much time on one stone that no one will know Momma cut. Includes a history of New York City's Cathedral of St. John the Divine.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

Esther Gottesfeld is the last living survivor of the notorious 1911 Triangle Shirtwaist fire and has told her story countless times in the span of her lifetime. Even so, her death at the age of 106 leaves unanswered many questions about what happened that fateful day. How did she manage to survive the fire when at least 146 workers, most of them women, her sister and fiance among them, burned or jumped to their deaths from the sweatshop inferno? Are the discrepancies in her various accounts over the years just ordinary human fallacy, or is there a hidden story in Esther's recollections of that terrible day? Esther's granddaughter Rebecca Gottesfeld, with her partner George Botkin, an ingenious composer, seek to unravel the facts of the matter while Ruth Zion, a zealous feminist historian of the fire, bores in on them with her own mole-like agenda. A brilliant, haunting novel about one of the most terrible tragedies in early-twentieth-century America, "Triangle "forces us to consider how we tell our stories, how we hear them, and how history is forged from unverifiable truths.

On March 2 and 3, 1859, the largest auction of slaves in American history took place in Savannah, Georgia. More than 400 slaves were sold. On the first day of the auction, the skies darkened and torrential rain began falling. The rain continued throughout the two days, stopping only when the auction had ended. The simultaneity of the rain storm with the auction led to these two days being called "the weeping time." Master storyteller Julius Lester has taken this footnote of history and created the crowning achievement of his literary career./DIV DIVJulius Lester tells the story of several characters including Emma, a slave owned by Pierce Butler and caretaker of his two daughters, and Pierce, a man with a mounting gambling debt and household to protect. Emma wants to teach his daughters—one who opposes slavery and one who supports it—to have kind hearts. Meanwhile, in a desperate bid to survive, Pierce decides to cash in his “assets” and host the largest slave auction in American history. And on that day, the skies open up and weep endlessly on the proceedings below. Using the multiple voices of enslaved Africans and their owners, Julius Lester has taken a little-known, all-true event in American history and transformed it into a heartbreaking and powerfully dramatic epic on slavery, and the struggle to affirm humanity in the midst of it.

"The Three Kingdoms" is an epic Chinese novel written over six centuries ago. This second volume introduces Liu Bei's greatest ally, his advisor Zhuge Lian a master strategist whose clever strategies allows Liu Bei to claim many victories in the never-ending battle for dominance during the Warring States period in Chinese history.

Down-and-out ex-cop and not-quite-reformed addict Manny Rupert accepts an undercover job to find out if a California prison inmate is who he claims to be: Josef Mengele, aka the Angel of Death. Did the sadistic legend, whose Auschwitz crimes still horrify, fake his own death thirty years ago? Suddenly Manny finds himself in the middle of a conspiracy involving genocide, drugs, eugenics, human experiments, and America's secret history of collusion with the Nazis—all while careening from one extreme of apocalypse-adjacent reality to the other. Not for the faint of heart, Jerry Stahl's Pain Killers hurtles readers into a disturbing, original, and alarmingly real world filled with some of the strangest sex, most horrific violence, and screaming wit ever found on the page.

"Life should have been sunny for Max Glickman, growing up in Crumpsall Park in peacetime, with his mother's glamorous card evenings to look forward to, and photographs of his father's favourite boxers on the walls. But other voices whisper seductively to him of Buchenwald, extermination, and the impossibility of forgetting." "Fixated on the crimes which have been committed against his people, but unable to live among them, Max moves away, marries out, and draws cartoon histories of Jewish suffering in which no one, least of all the Jews, is much interested. But it's a life. Or it seems a life until Max's long-disregarded childhood friend, Manny Washinsky, is released from prison. Little by little, as he picks up his old connection with Manny, trying to understand the circumstances in which he made a Buchenwald of his own home, Max is drawn into Manny's family history - above all his brother's tragic love affair with a girl who is half German. But more than that, he is drawn back into the Holocaust obsessions from which he realises there can be, and should be, no release."--