Jack Lear is a predator driven by unbridled ambition. He makes a great fortune as a pioneering radio and television broadcaster, founds a network, and marries two beautiful socialites, but despite his conquests he continues to hunger for what he cannot have - the social respectability of old money. The women in his life are legion. His first marriage is to an exquisitely beautiful and shrewd WASP princess who turns him from the wealthy son of a Jewish scrap metal king into an elegant man, surrounded by tasteful trappings of wealth; his second marriage is to a lovely English aristocrat of impeccable lineage and sophisticated style, who introduces him to international high society. But nothing can ever tame Jack Lear's need to succeed, to overcome his enemies and rivals, to expand his network - until, finally, a threat from where he least expects it promises to tear his beloved empire out of his hands...

At the age of 12, Eva Salomon becomes disillusioned about all the "isms" raging through her world. Crushed by her father's rigid Jewish orthodoxy and by the cruelties of a burgeoning Nazi regime, she renounces all belief systems, and even belief itself. Five years later, when she and her father leave Germany for Palestine, she's still a skeptic, yet hopeful about a fresh start in a new country. But her yearning for unfettered freedom soon puts her at odds with collective pressures in the new-old homeland. Eva finds love with a man who is anything but "kosher." Duncan Rees is a British constable in the Palestine Police Force. As a gentile, he's taboo even in the secular circles of a society forging its new nationalist identity. What's more, he represents the British Mandate government, a regime seen to increasingly impede Zionist dreams for a Jewish state in the contested country. And so the relationship hits obstacles right from the start. Set during complex upheaval of Palestine in the 1930s and 1940s, Eva Salomon's War tells of the struggle to find a faith that doesn't blind, a love that doesn't lie, and solid human truths in the midst of ideological ferment.

Set in the early 1900s, Viennese Romance tells the story of Michael Rost, an eighteen-year-old Jewish youth who travels to Vienna, hungry for experience. There, he forms passing relationships with everyone who crosses his path - prostitutes, revolutionaries, paupers, army officers, and rich men alike. With a foreword that explains how this lost novel came to light, Viennese Romance is a seminal work that explores the conflicts faced by many Jewish intellectuals in early-twentieth-century Europe. A compelling portrait of a decadent society, it also lays bare the obsessive-destructive nature of love.

"If Graham Greene's thrillers fascinate you, if Brighton Rock gives you mental fever blisters, don't miss this book. In a desolate underworld setting, Kabbalah generates continuous suspense and a haunting religious intensity. Like Greene, David Scott Milton uses people in danger to illuminate the interior drama of souls in jeopardy. And he goes further than Greene in one way. He ends the book with a vision of redemption which may be uniquely Jewish and is surely ecstatic."- West Coast Review of Books "Will be read by a devoted audience long after other novels have been discarded!"- Chronicles of Culture

Norman is the clever one of a close-knit Jewish family in the East End of London. Infant prodigy; brilliant barrister; the apple of his parents' eyes... until at forty-one he becomes a drug addict, confined to his bedroom, at the mercy of his hallucinations and paranoia. For Norman, his committal to a mental hospital represents the ultimate act of betrayal. For Rbbi Zweck, Norman's father, his son's deterioration is a bitter reminder of his own guilt and failure. Only Bella, the unmarried sister, still in her childhood white ankle socks, can reach across the abyss of pain to bring father and son the elusive peace which they both desperately crave.

The world of Jacob and his younger brother Solly falls apart when they are orphaned and pitched into a Sydney children's home, where other refugee Jewish children are gathering as Hitler rises to power in Europe.

Very good hard cover, with unclipped dust jacket. Shelf and handling wear to DJ; wear and discolouration to front, rear and folds, creasing to edges and corners. Minor blemishes to page block. Boards very clean, pages tightly bound, content unmarked. CN

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

Noted folklorist Howard Schwartz retells 12 Jewish tales from around the world. Each tale combines elements of magic with a link to a Jewish holiday, giving new perspectives on Rosh Hashanah, Yom Kippur, Hanukkah, Purim, and Passover--plus Shabbat, the weekly Sabbath. These memorable stories of holiday miracles and miraculous escapes have been passed down orally for thousands of years. Now the best of them--from "A Flock of Angels" to "The Enchanted Menorah" and "The Magic Winecup"--have been collected, and enriched by Monique Passicot's luminous illustrations.

At the center of the novel is Gershon Loran -- a young rabbi, the product of a parochial New York Jewish upbringing -- whose early life [was] shaped by darkly irrational circumstances ... It is this young man -- raised in the absolute belief that 'the Jewish religion made a fundamental difference in the world' --who at the end of the Korean War, finds himself a chaplain in a country where Judaism has played no part ... Gershon begins to see his own people -- and himself -- in a new light ... Gershon has the most disturbing ... of his visions -- encompassing both light and dark, both good and evil, just as life must; just as, he begins to understand, Judaism must, if it is to remain a living faith.

A compilation of first-person accounts by survivors and witnesses of the Jewish Holocaust.

An anthology of poetry that captures the spirit of Jewish life during the nineteenth and twentieth centuries

Benny Cooperman is a detective with flair, known and loved the world over as a witty, egg salad-loving, Jewish gentleman sleuth. This kinder, gentler detective-funny, smart, and squeamish about violence-is the creation of master of the genre Howard Engel, and readers stretch now to thirteen countries, from his native Canada to Japan, England, Germany, Italy, Spain, Denmark, and the US.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially — the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

This anthology presents an ambitious cross-section of Jewish American short fiction. It covers a full century of extraordinary writings, from turn-of-the-century immigrant fiction to stories by some of the finest young contemporary American writers. To read through its pages is to encounter a remarkable?and remarkably diverse?literary tradition. The volume opens with stories by two important immigrant writers from the early twentieth century, Abraham Cahan and Anzia Yezierska. There follows a generous selection of modern Jewish American stories by such celebrated authors as Isaac Bashevis Singer, Saul Bellow, Grace Paley, Tillie Olsen, Bernard Malamud, and Philip Roth. The collection concludes with a rich sampling of stories by contemporary writers whose works illustrate the impressive variety and vitality of recent Jewish American fiction. Equally suited to scholars, students, and general readers, American Jewish Fiction provides an invaluable survey of literary works that have enriched and transformed American?and world?literature.

These rollicking tales of the Helmites--full of both merriment and wisdom--are guaranteed to delight children of all ages. The collection of Jewish folk tales that the New York Times called "a delightful little book . . . a classic of its kind . . . full of merriment and wisdom." Illustrated with whimsical drawings, these humorous stories are just right for children. Read along as the people of Helm are faced with foolish challenges and watch how they come together as a community to merrily overcome them. The collection of stories celebrates life in Helm where the townsfolk's well-meaning but often comical actions lead to unexpected and entertaining outcomes

Spanning the first half of the twentieth century, Golden Country brings to life the intertwining stories of three Jewish immigrants seeking their fortunes--the handsome and ambitious Seymour, a salesman-turned-gangster-turned-Broadway-producer; the gentle and pragmatic Joseph, a door-to-door salesman who is driven to invent a cleanser effective enough to wipe away the shame of his brother's mob connections; and the irresistible Frances Gold, who grows up in Brooklyn, stars in Seymour's first show, and marries the man who invents television. Their three families, though inextricably connected for years, are brought together for the first time by the engagement of Seymour's son and Joseph's daughter. David and Miriam's marriage must endure the inheritance of not only their parents' wealth but also the burdens of their past. As Gilmore's characters witness and shape history, they come to embody America's greatness, as well as its greatest imperfections.--From publisher description.

Zosha Palovsky was born in a Displaced Persons camp in Germany, the daughter of Holocaust survivors, but she has grown up in Brooklyn and in Washington Heights, joined a Latina gang, and refused to attend a yeshiva. She's a rebel, outspoken, sexually liberated, and determined to live her own life, free of her parents' past. Yet, as daring and defiant as she is, Zosha cannot escape. Her entire life is touched by the war. She has dreams of Auschwitz, falls in love with "her own private Nazi," and has an affair with a kinky Holocaust scholar. Obsessed with events that took place before her birth, she becomes a writer. By day she summons a "shlock muse in rhinestone harlequin glasses, cabana pants, and spiked heels" to write Elizabeth Taylor stories for the readers of Movie Screen magazine and, by night, writes "blood-eyed poems" about the Holocaust. Her parents wonder: Why can't she get married like a normal person? How are they to understand their American daughter? With unflinching honesty and wild humor, Sonia Pilcer follows the Holocaust legacy as it courses through lust and desire, guilt and fear, and unexpected joy, revealing the emotional depths beneath the quest to free oneself from an ever-present past.

Shayna Steinblatt, a lesbian, tries to help her grandmother with the adjustment to nursing home life, make peace with her mother, and work out a lasting relationship with Luz Maria Borges, who may be the love of her life.