Classic fairy tales endure from generation to generation. The source of countless adaptations and reimaginings, this collection is remarkable in its scale and diversity. Featuring familiar tales like "Jack and the Beanstalk," "The History of Tom Thumb," and "The Story of the Three Little Pigs," as well as more obscure gems like "The Old Woman and Her Pig" and "Childe Rowland," this anthology is a treasure trove of outstanding children's literature.

Fictional memoir of Dr. Max Aue, a former Nazi officer who survived the war and has reinvented himself, many years later, as a middle-class entrepreneur and family man in northern France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience the horrors of the Second World War and the Nazi genocide of the Jews in graphic, disturbingly precise detail from the dark and disturbing point of view of the executioner rather than the victim. During the period from June 1941 through April 1945, Max is posted to Poland, the Ukraine, and the Caucasus; he is present at the Battle of Stalingrad, at Auschwitz and Cracow; he visits occupied Paris and lives through the chaos of the final days of the Nazi regime in Berlin. Although Max is a totally imagined character, his world is peopled by real historical figures, such as Eichmann, Himmler, Göring, Speer, Heydrich, Hoss, and Hitler himself.

Sex. Violence. Scandal. These are words we rarely associate with the sacred text of the Bible. Yet in this brilliant new book, Jonathan Kirsch shows that the Old Testament is filled with some of the most startling and explicit stories in all of Western literature. These tales of seduction and rape, voyeurism and exhibitionism, intermarriage and illegitimacy, assassination and murder have been suppressed by religious authorities throughout history precisely because they are so shocking. "You mean that's in the Bible?" is the common reaction of the contemporary reader to the stories that Kirsch retells and explores. In The Harlot by the Side of the Road, Kirsch recounts these suppressed and mistranslated tales in the grand storytelling tradition. Here is the tale of Dinah, the young Israelite daughter raped by a princely suitor. The price for her hand in marriage? The circumcision of every man in his kingdom. Here, too, is the story of Lot's daughters, who, when faced with the possibility that they are the last survivors on earth, must copulate with their drunken father to continue their race. And the story of Tamar, the harlot by the side of the road, who must disguise herself as a prostitute and seduce her father-in-law in order to bear the child who has been promised her. Kirsch places each story within the political and social context of its time, and delves into the latest biblical scholarship to explain why each story was originally censored. He also brings to light when and where each story was first written down, and how it found its way into the Bible. And he shows how these stories have something important to say to contemporary readers who might never pick up a Bible. Kirsch reveals that the Bible's real power lies in its unflinching lessons in human nature. And he illuminates the surprising modernity of the Bible's characters: these were, like us, people delicately balanced between their destructive and generous natures. Certain to excite controversy and ignite intellectual debate, The Harlot by the Side of the Road will undoubtedly be one of the year's most talked-about books.

"Why you are a different you at different times and how that's both normal and healthy. Reveals that each of us is made up of multiple selves, any of which can come to the forefront in different situations. Offers examples of healthy multiple selves from psychology, neuroscience, pop culture, literature, and ancient cultures and traditions. Explores how to harmonize our selves and learn to access whichever one is best for a given situation"--

"Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl-the fortieth prisoner-sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman's modern classic is an important addition to the growing canon of feminist speculative literature"--

From the #1 bestselling author of When Bad Things Happen to Good People, an illuminating book about fear—and what we can do to overcome it. An inescapable component of our lives, fear comes in many guises. In uncertain times, coping with these fears can be especially challenging, but in this indispensable book, Harold S. Kushner teaches us to confront, master, and even embrace fear for a more fulfilling life. Drawing on the teachings of religious and secular literature and on the true stories of people who have faced their fears, we are again inspired by Kushner’s wisdom, at once deeply spiritual and eminently practical.

Provides an exhaustive and organized overview of Jewish life and knowledge from the Second Temple period to the contemporary State of Israel, from Rabbinic to modern Yiddish literature, from Kabbalah to "Americana" and from Zionism to the contribution of Jews to world cultures.

Science fiction is at the intersection of numerous fields. It is literature which draws on popular culture, and engages in speculation about science, history, and all varieties of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from different angles. It examines science fiction from Thomas More to the present day; and introduces important critical approaches (including Marxism, postmodernism, feminism and queer theory).

The Piano Teacher, the most famous novel of Elfriede Jelinek, who was awarded the 2004 Nobel Prize in Literature, is a shocking, searing, aching portrait of a woman bound between a repressive society and her darkest desires. Erika Kohut is a piano teacher at the prestigious and formal Vienna Conservatory, who still lives with her domineering and possessive mother. Her life appears to be a seamless tissue of boredom, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night to watch live sex shows and sadomasochistic films. Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first, but then the dark passions roiling under the piano teacher's subdued exterior explode in a release of sexual perversity, suppressed violence, and human degradation. Celebrated throughout Europe for the intensity and frankness of her writings and awarded the Heinrich Böll Prize for her outstanding contribution to German letters, Elfriede Jelinek is one of the most original and controversial writers in the world today. The Piano Teacher was made into a film, released in the United States in 2001, was awarded the Grand Jury Prize at Cannes.

Anyone who gambles, plays cards, loves puzzles, or simply seeks an intellectual challenge will love this amusing and thought-provoking book. With wit and clarity, the authors deftly progress from simple arithmetic to calculus and non-Euclidean geometry. "Charming and exciting." -- "Saturday Review of Literature." Includes 169 figures.

Unrivaled in Reach and scope, Holocaust illuminates the long march of events, from the Middle Ages to the modern era, which led to this great atrocity. It is a story of all Europe, of Nazis and their allies, the experience of wartime occupation, the suffering and strategies of marked victims, the failure of international rescue, and the success of individual rescuers. It alone in Holocaust literature negotiates the chasm between the two histories, that of the perpetrators and of the victims and their families, shining new light on German actions and Jewish reactions.No other book in any language has so embraced this multifaceted story. Holocaust uniquely makes use of oral histories recorded by the authors over fifteen years across Europe and the United States, as well as never-before-analyzed archival documents, letters, and diaries; it contains in addition seventy-five illustrations and sixteen original maps, each accompanied by an extended caption. This book is an original analysis of a defining event.

Why do we think, feel and act in ways we wished we did not? For decades, New York Times bestselling author Dr. David A. Kessler has studied this question with regard to tobacco, food and drugs. Over the course of these investigations, he identified one underlying mechanism common to a broad range of human suffering. This phenomenon—capture—is the process by which our attention is hijacked and our brains commandeered by forces outside of our control. In Capture , Dr. Kessler considers some of the most profound questions we face as human beings: What are the origins of mental afflictions—from everyday unhappiness to addiction and depression—and how are they connected? Where does healing and transcendence fit into this realm of emotional experience? Analyzing an array of insights from psychology, medicine, neuroscience, literature, philosophy and theology, Dr. Kessler deconstructs centuries of thinking, examining the central role of capture in mental illness and questioning traditional labels that have obscured our understanding of it. He explores the concept of capture through the emotionally resonant stories of both well-known and unknown people caught in its throes. Dr. Kessler argues that the closer we come to fully comprehending the nature of capture, the better the chance to alleviate its effects and successfully change our thoughts and behaviour. Capture offers insight into how we form thoughts and emotions, manage trauma and heal. For the first time, we can begin to understand the underpinnings of not only mental illness, but also our everyday worries and anxieties.

To Persians, the fourteenth-century poems of Hafiz are not classical literature from a remote past, but cherished love, wisdom, and humor from a dear and intimate friend. Perhaps, more than any other Persian poet, it is Hafiz who most fully accesses the mystical, healing dimensions of poetry. Daniel Ladinsky has made it his life's work to create modern, inspired translations of the world's most profound spiritual poetry. Through Ladinsky's translations, Hafiz's voice comes alive across the centuries singing his message of love.

Tristes Tropiques was an immensely popular bestseller when it was first published in France in 1955. Claude Levi-Strauss's groundbreaking study of the societies of a number of Amazonian peoples is a cornerstone of structural anthropology and an exploration by the author of his own intellectual roots as a professor of philosophy in Brazil before the Second World War, as a Jewish exile from Nazi-occupied Europe, and later as a world-renowned academic (he taught at New York's New School for Social Research and was French cultural attache to the United States). Levi-Strauss's central journey leads from the Amazon basin through the dense upland jungles of Brazil. There, among the Amerindian tribes - the Caduveo, Bororo, Nambikwara, and Tupi-Kawahib - he found "a human society reduced to its most basic expression". Levi-Strauss's discussion of his fieldwork in Tristes Tropiques endures as a milestone of anthropology, but the book is also, in its brilliant diversions on other, more familiar cultures, a great work of literature, a vivid travelogue, and an engaging memoir - a demonstration of the marvelous mental agility of one of the century's most important thinkers. Presented here is the translation by John and Doreen Weightman of the complete text of the revised French edition of 1968, together with the original photographs and illustrations.

"Consider the most famous music group in history. What would the world be like if the Beatles never existed? This was the question posed by the playful, thought-provoking 2019 film Yesterday, in which a young, completely unknown singer starts performing Beatles hits to a world that has never heard them. Would the Fab Four's songs be as phenomenally popular as they are in our own Beatle-infused world? The movie asserts that they would, but is that true? Was the success of the Beatles essentially inevitable due to their amazing, matchless talent? Maybe. It's hard to imagine our world without its stars and celebrity geniuses-they become a part of our culture and history, seeming permanent and preordained. But as Harvard law professor (and passionate Beatles fan) Cass Sunstein shows in this startling book, that is far from the case. Focusing on both famous and forgotten (or simply overlooked) artists and luminaries in music, literature, business, science, politics, and other fields, he explores why some individuals become famous and others don't and offers a new understanding of the role of greatness, luck, and contingency in the achievement of fame. First, Sunstein examines recent research-on informational cascades, power laws, network effects, and group polarization-to probe the question of how people become famous. He explores what ends up in the history books, in the great religious texts, and in the literary canon-and how that changes radically over time. He delves into the rich and entertaining stories of a diverse cast of famous characters, from John Keats, William Blake, and Jane Austen to Bob Dylan, Ayn Rand, and Stan Lee-as well as John, Paul, George, and Ringo. How to Become Famous takes you on a fun, captivating, and at times profound journey that will forever change your perspective on the latest celebrity's "fifteen minutes," the nature of memory, success and failure in business, and our enduring fascination with fame"--

International Political Economy is a thriving interdisciplinary area of study and research based on the combined insights of international economics and international relations theory. It has become one of the fastest growing fields of study in the social sciences, and this new title in the Routledge series, Critical Concepts in Political Science, meets the need for an authoritative reference work to make sense of the subjectâe(tm)s already vast literature and the continuing expansion of research output. Edited by Benjamin J. Cohen, a prominent scholar in the field, it is a four-volume collection of classic and key contemporary contributions to the political economy of global economics. The first of the four volumes concentrates on theory, encompassing the full range of conceptual and analytical perspectives that characterize this diverse field of study. The second and third volumes address core structural elements of the world economy while a variety of contemporary policy challenges is taken up in the fourth volume, including problems of economic development, security and conflict, and the environment. With a comprehensive introduction newly written by the editor, which places the collected material in its historical and intellectual context, International Political Economy is an essential work of reference. Researchers, teachers, and students will value the collection as a vital one-stop scholarly and pedagogic resource.

This volume is a product of an informal, personal journal kept by Professor Maslow during his tenure of observation at a California electronics plant, a visit made at the invitation of the firm’s president. “I came there for no specific task or purpose, but I became very much interested in what was going on there for various reasons,” states Professor Maslow. It was the first time he had been confronted with an enlightened, modern management in a business firm. He began to take notes on the operation of the firm. As a theoretical-clinical-personality psychologist, he made suggestions concerning business and organization theory. This volume is composed of knowledge gained from the firm and from the general literature of an enlightened business management, and knowledge acquired through adopted suggestions by the author concerning business organization and theory.

The present publication is intended to supply a recognised deficiency in our literature—a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects. His essays were a sort of literary anatomy, where we get a diagnosis of the writer’s mind, made by himself at different levels and under a large variety of operating influences.Of all egotists, Montaigne, if not the greatest, was the most fascinating, because, perhaps, he was the least affected and most truthful. What he did, and what he had professed to do, was to dissect his mind, and show us, as best he could, how it was made, and what relation it bore to external objects. He investigated his mental structure as a schoolboy pulls his watch to pieces, to examine the mechanism of the works; and the result, accompanied by illustrations abounding with originality and force, he delivered to his fellow-men in a book.

The Trial is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best-known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor to the reader. Heavily influenced by Dostoevsky's Crime and Punishment and The Brothers Karamazov, Kafka even went so far as to call Dostoevsky a blood relative. Like Kafka's two other novels, The Castle and Amerika, The Trial was never completed, although it does include a chapter that appears to bring the story to an intentionally abrupt ending. After Kafka's death in 1924, his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. The first English-language translation, by Willa and Edwin Muir, was published in 1937. In 1999, the book was listed in Le Monde's 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century.

When Albert and his buddies have a "no girls" baseball game, Frances and her sister organize a "Best Friends Outing -- No Boys."