The Education of Fanny Lewald is the autobiography of the most popular and prolific German woman writer of her period (1811-1889). The author of more than fifty books of fiction, travel memoirs, and articles about current events, Lewald was a friend or acquaintance of many of the prominent intellectual, artistic, and political figures of nineteenth-century Europe. Her autobiography is clearly and engagingly written. We see her developing from the bright, oldest child of a middle-class Jewish family in East Prussia into a successful writer and financially independent woman. And we see her struggles with a patriarchal society along the way.

Arnold Daghani (1909-85) came from a German-speaking Jewish family in Suczawa, then in the Austro-Hungarian Empire, now Romania. His understated narrative of his experiences in the slave labour camp at Mikhailowka, south west Ukraine (1942-43), presented here in its first English book edition, provides a day-by-day account of the chilling experiences of Jewish slave labourers. It is written in a compelling style and illustrated by watercolours and drawings that Daghani made secretly in captivity and smuggled out of the camp and a Romanian ghetto. It includes an extraordinary account of the couple's escape and the shooting of over three hundred prisoners. The uniqueness of Daghani's Holocaust testimony lies in his role as an artist which led to his (and his wife's) escape from the camp and their survival. The camps in Ukraine have been under-investigated and the diary provides significant material. It was used as the basis of investigations in the 1960s into war crimes in the slave labour camps in Ukraine, helping to bring attention to the region and providing some form of recognition for those who suffered there. This richly illustrated and scrupulously edited book is distinguished from more conventional Holocaust memoirs by focusing on fundamental questions of historical testimony and the problems of representation in both words and images. Daghani's diary is contextualized on the basis of wide-ranging new historical, archival and art historical research in essays that document the artist's attempts to achieve justice and reconciliation. They locate the diary in relation to contemporary issues on migration and statelessness, genocide and trauma, self-reflection and memory. The diary is both art and document, addressing how we understand and construct history. It enables readers to engage with the Holocaust via the viewpoint of an individual, making statistics more meaningful and history less distant.

Ever wondered where that demonic voice on NPR comes from? In these memoirs, Codrescu recalls his life with irrepressible and uncensored candor. From the bitter-sweet delights of a fantastic childhood in the ruins of a Transylvanian castle to the horror and ecstasy of re-inventing himself as an American in a new language, this Proustian romp brims with erotic delight and language at high heat. In an age rife with "memoirs" set on grinding dull axes, Codrescu's razersharp language is both pitiless and unsparing of his experience.

Dennis Altman first travelled from Australia to the United States when Lyndon Johnson was President, beginning a long obsession with the US. In the early 1970s he was involved in New York Gay Liberation; his 1971 study Homosexual: Oppression and Liberation, is widely regarded as a classic work in its field. In the 1980s Altman lived in San Francisco during the onset of the AIDS epidemic. Later he sat on the Australian National Council on AIDS and international organisations including, as president, the AIDS Society of Asia and the Pacific. The election of Donald Trump took place while Altman was back in California on one of his frequent visits. In this diarised memoir, moving between Australia, the United States, Europe and parts of Asia, Gore Vidal, James Baldwin, Susan Sontag, Christopher Isherwood and many others people a story of a half century of activism, intellectualism, friendship and conflict.

Writing a Jewish Life chronicles novelist Lev Raphael's struggle to claim both his religious and sexual identities, and the happiness he subsequently found. Until he reached his mid-20s, the author felt alienated from other Jews, ambivalent about his homosexuality; or as he puts it, "twice strange ... in each [community], different, lesser, ashamed." A son of Holocaust survivors, Raphael grew up in an unmistakably Jewish but nonreligious home. However, as an adult he initiated his own affiliations with Judaism: He had a bar mitzvah at age 30, went to Israel twice, and fell in love with a Jewish man. It was "coming out as a Jew,' he writes, that "ultimately made it possible for me to come out as a gay man and then work at uniting the two identities." Attesting to his journey is the contrast between his confused childhood and the joyful domestic life he now shares with his lover, Gersh, and their two sons.

"The best voice that ever graced 2-Tone."-- Rolling Stone "The iconic queen of ska. . . . It's gritty, witty, and compelling."-- Elle Lead singer for platinum-selling 2-Tone band The Selecter, Pauline Black has been in the music business for over thirty years. The only woman in a movement dominated by men, she was very much the Queen of British Ska. She saw The Specials, Madness, Dexy's Midnight Runners, and all the other top bands of that generation at their very best . . . and worst. Black was born in 1953 of Anglo-Jewish/Nigerian parents. Adopted by a white, working class family in the fifties, Pauline was always made to feel different, both by the local community and members of her extended family, who saw her at best as a curiosity, at worst as an embarrassing inconvenience. Weaving her rise to fame and recollections of the 2-Tone phenomenon with her moving search for her birth parents, Black By Design is a funny and enlightening memoir of music and roots. Pauline Black is a singer and actress who gained fame as the lead singer of seminal 2-Tone band The Selecter. The band's new album was released in September 2011.

Imagine that the most severe physical pain and sorrow of your life was caused by the people you trusted most. In the spring of 2007, Belo Cipriani was beaten and robbed of his sight at the hands of his childhood friends. Blind: A Memoir chronicles the two years immediately following the assault. At the age of 26, Belo found himself learning to walk, cook, and date in the dark. Armed with visual memory and his newly developed senses, Belo shows readers what the blind see. He narrates the little known world of the blind, where microwaves, watches, and computers talk, and where guide dogs guard as well as lead.

Robin Morgan is known as a prize-winning author, a political theorist, and a founder of the contemporary women's movement. But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

"Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age." -- Provided by Publisher.

The author shares the story of his family, their immigration, and the challenges of navigating two cultures.

In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Facts recalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.

The life story of a Holocaust survivor: his prewar childhood in Czechoslovakia, his experiences in 8 Nazi concentration camps, his liberation and emigration to the USA, and his career as a General Motors engineer, a Christian minister, and a consummate teacher. For Walter Ziffer, who today considers himself a Jewish secular humanist, life has always been a search for meaning. His compelling and insightful memoir distills the experiences of a remarkable man.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

The number one bestselling memoir of one of New Labour's three founding architects, now with a revealing new chapter updating this paperback edition. Peter Mandelson is one of the most influential politicians of modern times. The Third Man is his story - of a life played out in the backroom and then on the frontline of the Labour Party during its unprecedented three terms in government. Much of the book is devoted to the defining political relationships of Peter Mandelson's life - with Tony Blair and Gordon Brown. Charting what he terms the 'soap-opera' years of the Labour government, his book continues to ruffle feathers with an updated preface bringing the story up to the tempestuous present.

A unique memoir that interweaves poetry, narrative, meditation, and social history, A Spiritual Life explores the complex facets of a Jewish woman's spiritual coming-of-age, capturing the emotional and spiritual reality of contemporary Jews as well as religious seekers of all types. From the experiences of early childhood, to the spiritual awakening of a secular adolescent encountering Jewish tradition, to the alternately funny and searing tales of new-found independence, early married life, young motherhood, and midlife, Feld comments with remarkable honesty and clarity on the many stages of spiritual and artistic exploration and growth. Overarching all these accounts is the picture of how the cycle of the Jewish calendar year comes to provide an ever-renewing source of sustenance for the author's deepening spiritual expression.

'The most life-affirming book ever written about death.' Sandi Toksvig 'One of the most powerful and helpful books about grief that you will ever read.' Anita Anand 'Grief is more than the price of love. It is love. We must learn not just to live with it, but to make it welcome.' Mother and daughter Anne Mayer Bird and Catherine Mayer were widowed within 41 days of each other on the eve of the pandemic, then locked down alone. Their profound isolation was broken just once a week, when Catherine visited Anne to care for her, at distance and in a mask. Together they found ways to navigate their loss and the startling questions and challenges that confronted them. In this memoir, Catherine also investigates the possibility that her husband, renowned musician Andy Gill, contracted Covid-19 when his band, Gang of Four, toured China in late 2019. Her main focus, however, is not on death, but on life and love. This is a captivating account of lives well lived, moving and spiked with black humour. It is interwoven with letters Anne wrote to her husband John to tell him of the astonishing and heartrending events since his death and her small triumphs in living independently. In sharing their insights and experiences, Catherine and Anne aim to help those who have lost or will lose people or who wish to know how best to support others in such circumstances. They also celebrate love--for John and Andy and each other. 'We are extraordinarily lucky, my mother and I. We have each other and we have this room. 'In this living room, we are learning to embrace the things we can't touch, each other and the lovely dead.'

In his memoir, Heading South, Looking North, Dorfman explores the many exiles of a life torn, from age two, between the United States and Latin America, between revolution and repression. Interwoven with the remarkable story of how he switched languages and cultures - not once, but three times - is a day-by-day account of his multiple escapes from death during a military takeover in Chile. Dorfman filters these events through his dual and hybrid life, speaking, reading, thinking at times in Spanish, at times in English.

But who could describe my fright when, on the next morning, I awoke and found myself feeling as if completely changed into a woman. — Case 129, Autobiography, from Psychopathia Sexualis, a Medico-Forensic Study by Richard Von Krafft-Ebing At the time the passage above was written, people who felt trapped in the wrong gender automatically became case-studies. Today they become the men and women they always felt they were. Transsexuals test our notions of what it is to be male or female and, more provocatively, what it means to be one self as opposed to another. “Their stories,” says Jonathan Ames, “hold the appeal of an adventurer’s tale.” In Sexual Metamorphosis , Ames presents the personal narratives of seventeen gender pioneers. Here is Christine Jorgensen, the first celebrity transsexual, greeting thousands of well-wishers from the stage of Madison Square Garden. Here is Caroline Cossey, former model and Bond (as in James) girl, being outed in the tabloid press. Here is novelist and English professor Jennifer Finney Boylan discussing her impending transformation with her heartbroken spouse and supportive yet confused colleagues. The result is a fascinating and compulsively readable book, filled with anguish, introspection and courage.