The Battle of the Line is infamous in Earth history as the climactic campaign in a long and bloody war between Humankind and the alien Minbari race. But how did this apocalyptic conflict erupt? And how did this fateful clash of two civilizations ultimately lead to the creation of the Babylon 5 space station? Here, at last, the great space epic unfolds--in a new novel based on the first full-length Babylon 5 television movie. Eager to expand their trade with other worlds, the people of planet Earth attempt to make contact with the mysterious Minbari, a race of proud and powerful warriors. But when communication turns to violence, Earth becomes the target of a latter-day holy war, waged by a civilization possessing vastly superior numbers and firepower. And the Minbari will stop at nothing short of the total extermination of its enemy: the Human race . . . From the Paperback edition.

One day, while playing in Washington Square Park in Greenwich Village, David and Leilah are thrilled to discover a real wizard living behind the little black door in Washington Square Arch. Alas, he is only a second-class wizard, he tells them, and sometimes he has trouble with his spells. So when the Wizard accidentally turns David's Scottish terrier, D. Dog, into a statue and the statue is stolen by Mr. Pickwell, a nasty antiques dealer, it's up to David and Leilah to get D. Dog back--before Mr. Pickwell sells him!

The twentieth century was awash in war. World powers were pouring men and machines onto the killing fields of Europe. Then, in one dramatic stroke, a divided planet was changed forever. An alien race attacked Earth, and for every nation, every human being, new battle lines were drawn. . HOMEWARD BOUND With his epic novels of alternate history, Harry Turtledove shares a stunning vision of what might have been–and what might still be–if one moment in history were changed. In the WorldWar and Colonization series, an ancient, highly advanced alien species found itself locked in a bitter struggle with a distant, rebellious planet–Earth. For those defending the Earth, this all-out war for survival supercharged human technology, made friends of foes, and turned allies into bitter enemies. For the aliens known as the Race, the conflict has yielded dire consequences. Mankind has developed nuclear technology years ahead of schedule, forcing the invaders to accept an uneasy truce with nations that possess the technology to defend themselves. But it is the Americans, with their primitive inventiveness, who discover a way to launch themselves through distant space–and reach the Race’s home planet itself. Now–in the twenty-first century–a few daring men and women embark upon a journey no human has made before. Warriors, diplomats, traitors, and exiles–the humans who arrive in the place called Home find themselves genuine strangers on a strange world, and at the center of a flash point with terrifying potential. For their arrival on the alien home world may drive the enemy to make the ultimate decision–to annihilate an entire planet, rather than allow the human contagion to spread. It may be that nothing can deter them from this course. With its extraordinary cast of characters–human, nonhuman, and some in between– Homeward Bound is a fascinating contemplation of cultures, armies, and individuals in collision. From the novelist USA Today calls “the leading author of alternate history,” this is a novel of vision, adventure, and constant, astounding surprise.

"It was totally impossible for Cliaand to wage interstellar war...but the crazy little planet was winning, whatever the odds. And there wasn't much the peaceful galaxy could do...." 196 pages

Caught during a failed robbery, Slippery Jim, the Stainless Steel Rat, cuts a deal--to journey to a prison planet filled with homicidal maniacs to recover a lost alien artifact--that puts his freedom and his life on the line. 20,000 first printing. $20,000 ad/promo.

Someone was tampering with time, altering the past to eliminate the present, fading people out of existence into a timeless limbo. One of the victims was Angelina, the wife of James de Griz, better known as the Stainless Steel Rat. That put Slippery Jim on the trail of the villains, a trail that went back to 1984 and an ancient nation called the United States of America. The Stainless Steel Rat was determined to rescue his wife. And before he was through he'd thrown dozens of centuries through time in both directions. But then he didn't have much to save Angelina he had to save the world. Again.

The Predators combines in one novel the finest attributes of A Stone for Danny Fisher and The Carpetbaggers. It will take you on a wild odyssey through the gaudy and reckless life of Jerry Cooper--his struggles to survive in Depression-era New York, his years in Europe during the Second World War, his friends, his lovers, his life in organized crime, and his entrance into the world of high-powered international business. The Predators is the defining work of Harold Robbins's spectacular career.

When his ship crashes on an unknown planet, a young man from Earth finds himself stranded in a polluted world whose inhabitants are controlled by powerful doses of radiation.

Ballantine Books, mass market paperback. One of several printings. First published in 1956, this is the author's second collection of science fiction tales. Collects eight stories: Project Hush (1954); The Discovery of Morniel Mathaway (1955); Wednesday's Child (1956); The Servant Problem (1955); Party of the Two Parts (1954); The Flat-Eyed Monster (1955); The Human Angle (1948); A Man of Family (1956).

"Two expertly crafted crime stories set in a far-future science fiction universe, from two award-winning authors known for their gripping plots and unforgettable characters-a short novel and a long novella that will thrill fans of space adventures, mystery, and intergalactic intrigue in this Saga Double"-- Provided by publisher.

A Nebula-nominated classic by a Grandmaster of Science Fiction, Robert Silverberg, The Masks of Time tells the story of Vornan-19...a naked man who suddenly appears on the Spanish Stairs. *** Vornon-19 claims to have come from the far future and has access to technological marvels that support his claim. But is he really what he claims to be? *** Leo Garfield and his fellow scientists must unravel the truth about Vornon-19, but are they up to the job, or will they too fall under his magic-like spell, just like the rest of the world who is ready to worship a new kind of a messiah?

The eighth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Here is another set of the best stories, stories which were ahead of their epoch when they were new, which display a freshness and vigor that make them almost indistinguishable from the best of today's s-f, and which set the standard by which modern writers have guided their careers. A DUSK OF IDOLS: Not only are the gods cruel, but they can make you like it. THE HUMAN OPERATORS: The great ships possess unlimited cruising range--and unbounded ferocity. WARM: It's just a simple guessing game: to be? or not to be? KLYSTERMAN'S SILENT VIOLIN: Powerful weapons are a fine thing--but you wouldn't want your lover to marry one. THE NEW REALITY: It's amazing how much destruction you can wreak with a few simple tools--if you put your mind to it. These and six other tales of the highest quality--the most amazing conviction

The seventh in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Since its inception in 1970, the Alpha series has been dedicated to the proposition that science fiction can be a literature not only of stimulating and unfamiliar ideas but also of skilful and vigorous writing. Thus far Alpha has offered sixty-odd stories that exemplify the best of science fiction: challenging, provocative views of the universe, presented in crisp, sparkling prose. The volumes in the series offer some of the liveliest work produced in the short-story form anywhere in the world, and not just of the science-fiction category. Alpha serves a secondary purpose: to rescue from oblivion stories that might otherwise be undeservedly forgotten. Herewith, the seventh feast of outstanding fiction.

The sixth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. More of the same, the mixture as before--so Silverberg is tempted to describe this sixth Alpha collection. Not unfair phrases, either, for, like its five predecessors, Alpha Six is a volume of science-fiction stories that have no thematic links, that are held together only by their literary excellence and stimulating science-fictional content. As before, Alpha owes no allegiance to any single literary "school" within the faction-ridden science-fiction cosmos: it hews to a solidly middle-of-the-road line, seeking strong narrative drive and avoiding the excesses of the zap-zap ray-gun school on the one hand and the evanescently precious avant-garde on the other. As always, Silverberg's selection of stories represent the best across a four-dimensional slice of science-fiction publishing.

The fourth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. Simply put, here is the best science fiction from the best science fiction writers. While a small number of science fiction writers are immensely well known, the Alpha series is intended, in part, to draw attention to some of the lesser known writers, whose work is equal in vision and artistry of those who have become household names.

The third in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. Simply put, here is the best science fiction from the best science fiction writers. The main intent of the Alpha series is to assemble groups of stories that give pleasure by demonstrating the richness and variety of the science-fiction form. Quality of storytelling is the touchstone; I make no effort to gather the stories in any one volume according to any thematic pattern. Yet thematic patterns seem to creep into the books like insidious invaders from far galaxies. The first Alpha contained a cluster of tales dealing with travel through time-relativity gone topsy-turvy all over the book. The second volume, through no prior intent of the editor, seemed to deal almost entirely with the tensions arising out of man's confrontation with technology. And in this third one, I find, a prevailing theme in nearly every story is the conflict between ourselves and strangers. Again and again, through some odd accident of balance, you will find tales of tense encounters, showing protagonists facing the unknown quantities of time and space. Freud tells us that nothing ever happens by accident. Perhaps so. These anthologies are not assembled in a random process, and no doubt the editor's mind serves as a thematic filter in ways that are not clear to the editor himself except in hindsight. And one can reasonably object that virtually every good science-fiction story deals in meetings with the unknown, so that the supposed theme detected here is no true theme at all, but only a universal characteristic of the genre. In any event, here are ten outstanding stories. I think they achieve what is for me the basic science-fiction accomplishment: they show the reader visions he has not previously had, and send him away transformed and enlarged. Go thou and read. Go and be changed.

The second in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. Two criteria were used in the selecting of these stories—literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling—brilliant, frightening, clever, bizarre, powerful, witty, funny—and several steps in-between. Whatever else these stories may be doing, they all explore the interplay between human beings and the technological society man has created for himself. Good science fiction simultaneously peers into remote realms of space and time and holds a mirror to the contemporary moment; and if the reflection in that mirror is somewhat distorted, so be it. Blame not the messenger for bearing bad tidings. Herewith ten stories which demonstrate the unsettling kinds of insights that science fiction alone can offer. More are on the way. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

The first in a series of superb science fiction. Alpha is, aside from the first letter of the Greek alphabet, a term that denotes excellence and primacy in a variety of disciplines: in nuclear physics, for example, it is the name of a particle of unusually large mass and charge. It seemed a useful label to attach to this volume, the first of an intended series of collections of science fiction stories. The Alpha series of anthologies will center on no particular theme except that of literary quality. The presence in any one volume of a cluster of stories bearing other thematic resemblance-as in this volume, where there are four or five time-travel stories-will be purely coincidental. I propose to cull the files of the science fiction magazines for stories that an educated and sophisticated reader will find stimulating, and to assemble them in books of roughly equal size that will appear once a year over the next few years. Some of the stories will be fifteen or twenty years old and richly in need of restoration to print. Others will be quite recent: the literary level of the science fiction short story has undergone an extraordinary transformation in the past few years, a fact that demands recognition here. Appropriately enough, this first volume of the ALPHA series covers a roster of writers from A to Z. Specifically, Aldiss to Zelazny-although this coincidence in alphabet is merely incidental to the fact that both these gentlemen, and the several others represented in this anthology, all write superb science fiction. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. So much for policy. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

THE LIFE EXPECTANCY OF A NEW ARRIVAL ON OMEGA AVERAGED THREE EARTH YEARS Barrent had been tried, convicted, and memory-washed on Earth - an Earth strangely altered and stratified by fear of the radical and non-conformist. Now he was serving his sentence on Omega - a prison planet walled by a ring of hovering guard-ships from which there was no escape. Omega was a world of horror, a savage, ruthless way of life. But it was only a momentary ordeal, a prelude to a return to Earth and the subtle terrors of its own status civilization. Robert Sheckley was a Hugo and Nebula-nominated American author. He was first published in science fiction magazines of the 1950's. His numerous quick-witted stories and novels were famously unpredictable, absurdist and comical. Sheckley was named Author Emeritus by the Science Fiction and Fantasy Writers of America in 2001.