In 1981, after several years of disappointment and reconceptualization, an exhibit called "Volumen I" featuring eleven young Cuban artists opened at the Centro de Arte Internacional in Havana. It was to be the symbolic and much mythologized birth of the new art in Cuba - although critics, not realizing that this was the first generation of artists shaped completely by the Cuban revolution, complained that the artists had abandoned their national identity and had been seduced by cosmopolitan ideals. Luis Camnitzer begins with this event in the first comprehensive look at the work of forty young Cuban artists, all working and educated after the 1959 revolution. He also examines the relationship among Cuban artists, the art world at large, and the Cuban government. Surprisingly, he finds that rather than being controlled by their relationship with the government, these artists produce works that both criticize and praise Castro and the revolution and provoke fierce social debate. Enriched by some 200 black-and-white illustrations of works never before seen in the United States, New Art of Cuba is a must for students of modern art, art history, and Cuban and Latin American studies.

The distinguished contemporary Jewish philosopher, teacher, and editor, Rabbi Eugene B. Borowitz, examines the responses of Jewish thought to the challenge of the modern world. This book celebrates the achievement of the thiinkers who responded to the unprecedented challenge modernity issued to Jewish faith. Large numbers in our community doubt God's existence, are skeptical about the revelation of the Torah, and cannot believe that the Jewish people has a unique role in human history. By studying the ideas of our great modern philosophers, wven when one disagrees with them one is stimulated to think more keenly about one's own Judaism.

Now in paperback! Taking Hold of Torah Jewish Commitment and Community in America Arnold M. Eisen A personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America. "Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News "...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent "Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward "...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish Advocate Jews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America. Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award. The Helen and Martin Schwartz Lectures in Jewish Studies Contents: Introduction 1. Genesis: Taking on Tradition 2. Exodus: History, Faith, and Covenant 3. Leviticus: Ritual and Community 4. Numbers: Politics in the Wilderness 5. Deuteronomy: Legacies

Told for the first time, this is a unique and heart-warming tale of World War Two Jewish evacuees sent to Mousehole, Cornwall from London's East End. In a time of conflict and atrocities, this story of mutual acceptance and integration is an inspiration to modern society. From East End to Land's End is the heart-warming and inspiring story of the World War Two evacuation of Jews' Free School (JFS) in the East End of London to Mousehole, a remote fishing village on the tip of Cornwall. In June 1940, around 100 JFS children and 5 of their teachers, together with thousands of other London evacuees, embarked on the lengthy and exhausting train journey from Paddington to Penzance. The JFS group was bussed to Mousehole, where the children were billeted with the villagers, and Jews' Free School, Mousehole, was established in the premises of Mousehole School. Arrangements were made for synagogue services to be held in the church hall of a nearby village, while many of the evacuees also attended chapel with their foster families, most of whom were strong Methodists. Remarkably, most of the evacuees quickly integrated into village life, and were accepted by the villagers as their own

This is Volume I. Oral History Testimonies of American Liberators from the Archives of the Center for Holocaust Studies.

Rejecting the dictatorship of world financial markets and defending the social values of modern democracy, Hessel reminds us that life and liberty must still be fought for. She urges us to reclaim those essential rights we have permitted our governments to erode since the end of World War II.

"Blowing the Whistle on Genocide tells the story of a young Treasury Department lawyer who helped alert the world about the Holocaust and force U.S. government action to rescue Jews from the Nazis." "Risking his career and ignoring threats that were made against him, Josiah E. DuBois, Jr., relentlessly investigated and then exposed the State Department's suppression of news about the Holocaust and obstruction of rescue attempts." "His report, "The Acquiescence of This Government in the Murder of the Jews," helped force President Roosevelt to belatedly establish the War Refugee Board. With DuBois as one of its leaders, the board played a key role in the rescue of more than 200,000 refugees during the final months of the war." "At every turn, DuBois was confronted by officials who tried to stop him - from the powerful Assistant Secretary of State who sabotaged rescue attempts, to the War Department official who blocked DuBois's proposal to bomb Auschwitz and worked to pardon Nazi war criminals after the war." "But DuBois persevered. He overcame the obstacles and saved lives. He was America's Schindler."--BOOK JACKET.

When Britain was compelled to introduce conscription in 1916, the question arose of what to do with its 'friendly aliens'-its 30,000 Russian-Jewish refugees of military age. The Tsar didn't want them back to serve in his army, and they had no desire to help his war effort. But when sections of the British press commented that as asylum seekers they should show gratitude and join up, a campaign with strong anti-Semitic overtones took off and became Parliamentary business. Then the Tsar was overthrown, and by the summer of 1917 the question was settled with the new regime: Russian Jews of military age had to choose either to join the British Army or to return to Russia to serve there. MI5 and Special Branch kept watch on the Communist Club in the West End, where Russian revolutionaries agitated tailors, cobblers and cabinet-makers who agonised over what to do. Many ended up in the British Army or were exempted for war work, but nearly 4,000 chose to go back to Russia-for a variety of reasons. Arriving there via the Arctic within weeks and days of the Bolshevik revolution, they found a vacuum of authority, which soon turned into the chaos and dangers of civil war. How they fared and how they struggled to return to their families in Britain is the story of War or Revolution. With the help of personal documents, official British and Russian archives, and interviews of survivors and their families, the author illuminates an unknown corner of the First World War and sets it against the background of the period.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.

Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the 'Saturday Evening Post'. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations who were in touch with many who left to help organize the armies of South American countries, and in the USA there were the Friends of the New Germany. German consulates sprang up and aircraft would make unusual detours to observe interesting parts of foreign countries. News agencies and various associations dedicated to maintaining contacts with particular countries were encouraged to supply information. Film studios would send large crews abroad to shoot documentaries as well as perform acts of espionage. Foreign nationals were bribed or blackmailed; and pro-fascist groups in foreign countries were supported via the Auslandsorganization. All Germans living abroad were encouraged to report their observations to the authorities, particular attention was being focused on engineers, technicians, scientists and people in other professions who were particularly likely to obtain valuable information; however, other Germans abroad were also used, even cabaret singers, waiters, language teachers, as well as Germans traveling abroad as tourists. Germans living abroad were exempt from mobilization because of their value as spies. Foreigners were given opportunity to study in Germany, and connections with them were kept in the hope that they would one day provide useful information. All of this was Goebbels' 'Total Espionage'.

In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s. The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors. His role as a generational (read "national," "liberal," "socialist," "Jewish," "queer") spokesman has provided him with a public platform from which to address concerns that lie at the center of national debate. In a short time Kushner has capturedand retained a nation's fascination, and his opinions are widely sought out on a wide range of topics. And, most often, the platform from which Kushner expresses his ideas is the personal interview, in which he boldly confronts Americans to rethink, even to reinvent, themselves as the Millennium approaches. Tony Kushner in Conversation is the first book to compile Kushner's most significant interviews of the past decade, tracing his career from its early years to his maturing artistic and political visions. The collection includes pieces that first appeared in an amazingly broad range of periodicals as well as interviews not previously published, such as his appearance on PBS on The Charlie Rose Show. In addition to Angels in America, Tony Kushner is author of Slavs! and is currently finishing work on Henry Box Brown, scheduled to have its world premiere at the Royal National Theatre in the summer of 1997. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.

This is an account of the life and career of the entrepreneur, Tiny Rowland, the head of Lonrho and the owner of "The Observer". It is a story of empire-building, unresolved mystery, commercial skulduggery, financial acumen, and confrontations with a succession of governments in Europe, America and Africa. The book reflects not only the fortunes of an individualist, but the ambitions, machinations and limitations of an array of power-brokers in the City, Whitehall, Wall Street and elsewhere in the world.

. . . Mr. Itzkoff places most of the blame for America's alleged intellectual decline on what he sees as an economically and intellectually elite cast of misguided liberals. They have isolated themselves from American society, he says, by their paternalistic treatment of the underclass, by discounting the importance of traditional family values and by failing to raise enough bright children to sustain national competence. The New York Times Book Review Few doubt that the United States has slipped from its longstanding eminence as the world's wealthiest and most productive nation. The problem for the past 30 years has been the diagnosis of both the decline and then the cure. Literally trillions of dollars have been expended in futile programs to stanch the hemorrhaging of our economic wealth, jobs, educational achievement, and cultural elan. Itzkoff argues that we will never stop the fall until we understand our real national dilemma. This is the decline in our national intelligence profile: fewer citizens of high intelligence, educational potential, and economic productivity. These ideas are taboo. Itzkoff, however, insists that these are the facts, and they must be examined. In this book, he lays out the available evidence for our social disintegration and suggests a rational program of policy initiatives that would begin to restore us to what we were as recently as 1955--the great hope of the world.

"A breathtaking historical novel that recreates the intimate milieu around Germany's Kaiser Wilhelm from 1907 through the 1930s, a period of great human suffering and destruction and also of enormous freedom and creativity, a time when the remnants and artifices of the old word still mattered, and yet when art and the social sciences were pirouetting with successive revolutions in thought and style. Set in a time when many men in the upper classes in Europe were gay, but could not be so publicly, Jews Queers Germans revolves around three men: Prince Philipp von Eulenburg, Kaiser Wilhelm II's closest friend, who becomes the subject of a notorious 1907 trial for homosexuality; Magnus Hirschfeld, a famed, Jewish sexologist who gives testimony at the trial; and Count Harry Kessler, a leading proponent of modernism, and the keeper of a famous set of diaries which lay out in intimate detail the major social, artistic and political events of the day and allude as well to his own homosexuality. The central theme here is the gay life of a very upper crust intellectual milieu that had a real impact on the major political upheavals that would shape the modern world forever after"--

"In 1917, a band of communist revolutionaries stormed the Winter Palace of Tsar Nicholas II, a dramatic and explosive act marking that Vladimir Lenin's communist revolution was now underway. But Lenin would not be satisfied with overthrowing the Tsar. His goal was a global revolt that would topple all Western capitalist regimes starting with the British Empire. This book tells the story of the British spies in revolutionary Russia and their mission to stop Lenin's red tide from washing across the free world. They were an eccentric cast of characters, led by Mansfield Cumming, a one-legged, monocle-wearing former sea captain, and included novelist W. Somerset Maugham, beloved children's author Arthur Ransome, and the dashing, ice-cool Sidney Reilly, the legendary Ace of Spies and a model for Ian Fleming's James Bond. Cumming's network would pioneer the field of covert action and would one day become Britain's Military Intelligence 6 (MI -6) -- book jacket.

Henryk Grossman is best-known as a Marxist economist but he also wrote valuable political texts as a leader of the revolutionary organisation of Jewish workers in the Polish province of Austria, before the First World War, as a member of the Communist Workers Party of Poland, during the early 1920s, and as a Marxist academic during the early 1930s. These writings dealt with the political situation, tactics and strategy of Jewish Social Democratic Party of Galicia, the initial reception of Marxism in Poland and then substantial entries on left wing movements, organisations and individuals in a multi-volume reference work.

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.