This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A septuagenarian contract killer, a chronic hypochondriac, two zombie-creating comedians, a good Samaritan and a man called Barnaby whose holiday takes an unexpected turn. In these sleek and witty tales, described by Loaded as 'an excellent collection of dark, funny and bizarre short stories', Alexei Sayle's characters are vividly, wryly - and occasionally disturbingly - portrayed. Their voices, and the stories they have to tell will remain in the mind for a long, long time.

Alexei Sayle's Great Bus Journeys of the World - a howlingly funny miscellany with surprisingly little to do with buses - first appeared as a regular column in Time Out. Now this reissue brings to light once again the comic gifts and cartooning talents of the professional fat bloke. In a startling combination of anarchic humour, trenchant philosophy and deep political analysis, he explores the depths of his minefield psyche through such eccentric devices as an ode to Doris Lessing, tutorials on writing jokes, and a safety notice which no-one who has ever made a purchase from the Nagasaki Futon Company can afford to miss. This is a startling tour of an endlessly inventive imagination - and a boon to eel-fanciers everywhere.

The acclaimed Barcelona Plates revealed Alexei Sayle as a writer with an outstanding ability to describe contemporary life in an unusual way. Now, in his new collection The Dog Catcher, he brilliantly captures the morals and absurdities of our so-called 'cool' culture, populated by characters as recognizable as they are memorable. The Dog Catcher will confirm Alexei Sayle's reputation as not only one of the great exponents of the short story genre, but also as a profound commentator on the way we live now.

First edition, limited to 1250 copies. Most of the marks reproduced were drawn by Dwiggins with some done by Warren Chappell. Set in Arcadia, a type designed by Dwiggins and used here for the first time. From the library of T.M. Cleland with his booklabel. Presentation from Knopf on free endpaper dated 1967. vi , 41 pages of text followed by 4 plates showing Borzoi marks and a colophon. cloth.. 12mo..

Trouble On Titan by Arthur K. Barnes Slaves of the Life Ray by Alfred Bester Hercules Muscles In by Kelvin Kent 7x10 128 pages Earle K. Bergey Cover

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

The author recounts his 1924 journey to Poland in search of his Jewish roots, and paints a portrait of Jewish life in the years prior to the Nazis' rise to power

This is a definitive biography of the composer Christoph Willibald Gluck by one of the foremost musicologists of the twentieth century. Alfred Einstein provides a detailed analysis of Gluck's life and works, including his most famous operas such as Orfeo ed Euridice and Alceste. This book is an essential resource for anyone interested in the history and development of opera. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"At a Hollywood party, a screenwriter rescues an aspiring actress from a drunken suicide attempt. He is married, disillusioned; she is young, seemingly wise to the world and its slights. They slide into a casual relationship together, but as they become ever more entangled, he realises that his actions may have more serious consequences than he could ever have suspected. Hayes' exquisite novella, written in his cool, inimitable style, holds a revealing light to the hollowness of the Hollywood dream and exposes the untruths we tell ourselves, even when we think we have left illusions behind."--Publisher's description

McGraw-Hill, 1957, Good., Ex-library. Text clean. No dust jacket. [Business, Management] Out-of-print and antiquarian booksellers since 1933. We pack and ship with care.

Le present volume rassemble plusieurs etudes qu' Alfred Schutz avait consacrees a diverses questions qui gravitent autour d'un probleme philosophique majeur: celui de la socialite. La plupart de ces etudes ont Me publiees ailleurs, mais elles etaient dispersees et d'un acces parfois difficile. Tel quel, l'ouvrage que nous presentons n' est que la premiere partie d'un ensemble dans lequell'auteur se proposait de faire reunir par son disciple et ami Maurice Natanson les nombreux essais qu'il avait ecrits depuis son arrivee aux Etats-Unis au debut de la demiere guerre. La mort l'empecha de voir realiser ce projet. 11 nous a semble que la pUblication successive de cet ensemble, dans la fidelite aux indications laissees par l'auteur, etait Ie plus bel hommage que nous pussions rendre a ce penseur qui fut notre ami et meritait sans nul doute de tenir dans Ie courant phenomenologique une place de premier plan que faillirent lui refuser les circonstances dramatiques de sa vie, jointes a sa trop grande modestie per sonnelle. II me faudrait ici parler de l'homme, evoquer sa finesse d'esprit, son ironie penetrante, sa serenite et son courage dans l' exil, l' event ail tres vaste de ses preoccupations, Ie don de jeu nesse et de sympathie grftce auquel il entreprit a quarante ans d'assimiler avec bonheur une culture nouvelle, pour y exceller bientOt."

This is a fine copy of the magazine. Light shelf wear. Tight binding. Clean pages. Third 'On Location' issue. Studio visits with Lynn Davis, Mary Ellen Mark, and others. Not an ex-library copy. Shipped Weight: Under 1 kilogram. Category: Photography; ISBN: 0893816604. ISBN/EAN: 9780893816605. Inventory No: 011938.

In the midst of a "caring" divorce, North America's first known yuppies Dirk and Bree have become celebrities after an appearance on national TV, and Bree's former lover, screenwriter Neil Blender, has stepped in to appropriate their story for a new movie