Singing to a Bulldog presents the practical and motivational lessons Anson Williams, an accomplished actor, director, singer and producer gleaned from his life experience and words of wisdom from the head janitor at one of his first jobs. Growing up in 1950s California, young Anson William Heimlich showed very little promise. Clumsy, unsure of himself, and made to feel like a failure by his disappointed artist of a dad, Anson started working odd jobs as a teenager to help support his family. His boss at one of these jobs, an aging African-American janitor named Willie, unexpectedly became a mentor—and the lessons he taught young Anson proved to be invaluable throughout his subsequent career as an actor, director, and entrepreneur. In Singing to a Bulldog, Anson Williams (as he came to be known) relates both these lessons and the never-before-revealed stories of the many seminal TV series he has worked on and the famous (and not-so-famous) folks he’s encountered during his 40 years in Hollywood, including: • being directed by Steven Spielberg in his first dramatic role • getting kidnapped by Gerald Ford’s daughter at the White House • subbing for Sammy Davis, Jr., as a headliner with Bill Cosby • being humbled by Sunny, a young volunteer for the Cerebral Palsy National Organization • mentoring Shailene Woodley on the set of The Secret Life of the American Teenager and many more. This compelling read has a cross-generational and broad appeal, combining all the fun of a celebrity memoir with the emotional impact of an inspirational bestseller. With Singing to a Bulldog, Anson Williams brings his gift of storytelling to a new medium in a book that is sure to touch readers’ hearts and lives as profoundly as Willie once touched his.

This selection of Antal Szerb's stories and novellas, set first in a quasi-mythical past and then in the London and Paris of the Thirties, provides an exhilarating guide to the writer's development, from precocious beginnings to a masterful maturity.

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, Independent In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s,it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died. Antal Szerb (1901-1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murderedin a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend , Oliver VII and his masterpiece Journey by Moonlight , as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories .

A fresh account of the medieval mystic, traveling pilgrim, and pioneering memoirist Margery Kempe. This is a new account of the medieval mystic and pilgrim Margery Kempe. Kempe, who had fourteen children, traveled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts Kempe's life and tells her story through the places, relationships, objects, and experiences that influenced her. Extensive quotations from Kempe's Book accompany generous illustrations, giving a fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and her religious visions and later years put in context. And lastly, Bale tells the extraordinary story of the rediscovery, in the 1930s, of the unique manuscript of her autobiography.

A collection of cartoons that make darkly humorous commentary on art, celebrity, and the way we live today..

A magisterial exploration of poetry’s place in the fine arts by one of the twentieth century's leading poets In this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature’s links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare’s The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality.

Bentham and the Arts considers the sceptical challenge presented by Jeremy Bentham's hedonistic utilitarianism to the existence of the aesthetic. Leading scholars from a variety of disciplines reflect on the implications of Bentham's radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally

Before Europeans arrived in British Columbia, the coastal Indians lived in an environment where there was no want. The fish and fur-bearing mammals in the sea fed and clothed them, they were sheltered in post-and-beam houses, and they travelled around is sturdy canoes. They plundered and waged war against their enemies, and they captured slaves. There's was a world filled with superstition and magic, with supernatural creatures such as the raven, the gluttonous trickster, that could assume human form. The Europeans brought with them smallpox and other communicable diseases to which the Indians had no immunity, and they died by the thousands. The Haida of the Queen Charlotte Islands (since renamed Haida Gwai) were particularly hard hit, their numbers reduced from an estimated 14,000 to 800. Ignoring the rights of the Indians, the Europeans established government, first as a crown colony of Great Britain, then as a province of the Dominion of Canada. The jurisdiction was sustained at first by gold strikes, but when the gold ran out, the mainstay of the economy became the forests. The ones on the coast, with huge trees nudging 300 feet in height and some exceeding 12 feet in diameter, were the first to be exploited. There arose a stalwart band of men known as loggers, who harvested the big trees. One of them, whose name was Bill Clayton, became a legend in his lifetime for his strength and ability to do the work, and they called him "Logger Bill." At the end of the depression, when he is just 16 years old, Bill is unable to find work in Queen Charlotte City. He is forced to leave his Haida sweetheart and go to a remote logging camp, where the only holidays come at Christmas time, and only last for two weeks. She find she is pregnant, and marries her cousin, a common practice among the Haida. Bill is crushed when he hears the news, and sublimates himself in the logging business.Through tragedy and triumph, Bill works his way through life, with four loves and three illegitimate offspring, and through a living history of forest management in BC. He meets a premature death, and his three sons eventually find out about their ancestry. Throughout, the raven appears from time to time, giving rise to the feeling that he may still have some magic in him.

We live in an age of disenchantment. The number of self-professed "atheists" continues to grow. Yet many still feel an intense spiritual longing for a connection to what Aristotle called the "eternal and divine." For those who do, but demand a God that is compatible with their modern ideals, a new theology is required. This is what Anthony Kronman offers here, in a book that leads its readers away from the inscrutable Creator of the Abrahamic religions toward a God whose inexhaustible and everlasting presence is that of the world itself. Kronman defends an ancient conception of God, deepened and transformed by Christian belief--the born-again paganism on which modern science, art, and politics all vitally depend. Brilliantly surveying centuries of Western thought--from Plato to Augustine, Aquinas, and Kant, from Spinoza to Nietzsche, Darwin, and Freud--Kronman recovers and reclaims the God we need today.

This work provides an in-depth analysis of thirty years of South African opposition paying particular attention to the development of the Black Consciousness movement founded by Steve Biko, the ANC-aligned United Democratic Front, and the burgeoning trade unions. Marx demonstrates how each group's ideology, focusing respectively on racial assertiveness, national unity, and class organization, influenced each other, and shaped popular activism. His findings help to explain both the recent initiation of negotiations and possible future developments.

This book is about brick and mortar : the same wry look directed at London itself. The result is a surprising array of unique and varied architecture, so frequently overlooked.

Four Australian thinkers come together to ask and answer the big questions, such as: What is the nature of the universe? Doesn't religion cause most of the conflict in the world? and Where do we find hope?We are introduced to the detail of different belief systems - Judaism, Christianity, Islam - and to the argument that atheism, like organised religion, has its own compelling logic. And we gain insight into the life events that led each author to their current position.Jane Caro flirted briefly with spiritual belief, inspired by 19th century literary heroines such as Elizabeth Gaskell and the Brontë sisters. Antony Lowenstein is proudly culturally, yet unconventionally, Jewish. Simon Smart is firmly and resolutely a Christian, but one who has had some of his most profound spiritual moments while surfing. Rachel Woodlock grew up in the alternative embrace of Baha'i belief but became entranced by its older parent religion, Islam.Provocative, informative and passionately argued, For God's Sake encourages us to accept religious differences but to also challenge more vigorously the beliefs that create discord.

This book is an account of Polish political life from the end of the Polish-Soviet war to the defeat of Poland by Nazi Germany, set against the social and economic background of the new state. It describes, above all, the failure of the highly democratic constitution adopted in March 1921 and its replacement by the semi-autocratic regime of Marshal Pilsudski, a regime which became steadily more authoritarian, particularly after the death of the Marshal in May 1935. Considerable attention has been devoted to foreign policy and to the place of Poland in European politics at the time. The book should thus prove of interest not only to East European specialists, but to all those interested in the history of the interwar years.

"Year of the Fat Knight is Antony Sher's account -- splendidly supplemented by his own paintings and sketches -- of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work."--Book jacket.

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