"This work takes the reader from Rubens's birth through an impoverished upbringing, three short-lived marriages, and her career in pictures for Triangle Film, Cosmopolitan, Fox and other production companies"--Provided by publisher.

Yvonne Kapp, best known today for her biography of Eleanor Marx, was a remarkable woman whose life spanned virtually the entire twentieth century. "Time Will Tell" charts her life: 'enfant terrible' in London, the literary editor of "Vogue" in France in the late 1920s, work for anti-fascist refugee committees in 1930s' London, research for the Amalgamated Engineering Union and the British Medical Research Council, then, in her later years, work as a translator and a biographer. Kapp is a gifted writer on the details of family life and a fine recorder of shifting political and cultural patterns. Accounts of the many encounters she had with various important figures--Quentin Bell, Rebecca West, Paul Robeson, John Heartfield, Melanie Klein and Herbert Morrison, to name only a few--are expertly woven into the fascinating story of her own life. This is the autobiography of a woman who took issue with the dominant political movements of her age, with Fascism and with Communism, while at the same time reflecting on the changing cultural and political climate in Britain during her lifetime.

Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.

A lecture delivered at the library on March 1, 1983 focusing on Wilde's Oxford years. Frontispiece and black and white illustrations. Acknowledgments. Wrappers faded at spine. 30, 2 pages. stiff paper wrappers. 8vo..

Thrown Among the Bones -- My Life in Fiction is a candid account of Patricia Schonstein's creative, deeply lived life as a novelist. Annotated with extracts from her writings, this generous memoir welcomes you behind the scenes, into her Workshop and Costumery. She shows how her own life configures with the scaffolding of her fictions; how characters take up roles both archetypal and simple to tackle existential questions; and how urban landscapes and wilderness serve as the neon-spangled theatres of her story telling."--

Full-color reproductions of 400 oil paintings of prominent Jews from various cultures, eras, and continents exhibited at the Jewish Museum, Vienna, 22 September-31 October 1999; Beth-Hatefutsoth, the Nahum Goldmann Museum of Jewish Diaspora, Tel Aviv, 12 May-13 August 2000; Hallisch-Frankisches Museum, Schwabisch Hall, 1 September-12 November 2000. Includes portraits of well-known politicians, scientists, writers, philosophers, artists, musicians, composers, businessmen and actors, among others, from Moses to the present.

In this collection of informal reminiscences, first published in 1975, Max Born has written an extraordinarily vivid account of his life and work, originally intended for his family. Ranging from his time at the University of Göttingen, where Born had his first real motivation for a professional career in science, to the period in Berlin as professor extraordinary, when he and his wife became close friends of Einstein, these anecdotes and memories chart the "heroic age of physics" from the perspective of one of its leading characters. In 1954 Born was awarded the Nobel Prize in physics for his fundamental contributions to the great discovery of that cadre of superlative scientific minds - quantum theory. But his scientific research provides only one strand of this story. Born's varied interests outside science led to many interesting experiences - some of historical importance insofar as they offer a glimpse into German society before and between the wars.

In this collection, Maureen Lipman presents a variety of her adventures and views on topics as diverse as supermodels, sleeping policemen, cones, Cohens and critics. She also wards of awards, salutes Streisand and snuggles down with something with a hard spine.

In her inimitable, stylish, witty way, Maureen Lipman entertains us with stories from her personal and professional life over the last 25 years.

A festschrift comprising ten contributions by British, American, and Israeli scholars assessing some of the most famous Jewish travelers, writers, and scholars and their contributions to understanding of the Islamic world. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Jacob Rader Marcus (1896-1995), scholar, professor, and rabbi, was called the Dean of American Jewish historians by students and colleagues alike. A seminal force in the evolution of the academic study of American Jewish history, Marcus was the first to apply modern critical methodology to this field. In the course of his long life, he published more than 300 books and articles on the history of American Jews. In 1947 he founded the American Jewish Archives, which he directed for almost fifty years. A beloved teacher and mentor for several generations of Hebrew Union College (HUC) students, Dr. Marcus remains a very significant figure in the history of American Jewry during the twentieth century. Marcus, raised in West Virginia, was the child of East European immigrants. At the age of 15, he moved to Cincinnati to matriculate at HUC, America's oldest rabbinical seminary. After serving in the U.S. Army during World War I, Marcus became a member of the HUC faculty upon his rabbinical ordination in 1920. He subsequently moved to Europe to pursue doctoral studies and, upon returning to Cincinnati, Marcus taught courses in Jewish history. During the late 1930s and early 1940s, Marcus realized that the i American Jewry was fast becoming the most influential Jewish community in the world. In the aftermath of the brutal destruction of European Jewry during World War II, Marcus's keen interest in the history of American Jewry burgeoned. Marcus left the pulpit for a career of scholarship and teaching, he nevertheless maintained a close connection to his students and, through them, to the American rabbinate. A mentor to generations of HUC students and graduates, Marcus was an active participant in the Central Conference of American Rabbis (the organizational arm of the American Reform rabbinate), serving as its president from 1949-1951. In this volume, Gary Philip Zola brings together a unique assortment of Marcus's most important unpublished essays, written for a more popular audience between 1916 and 1989. Read collectively, these essays bring the key themes of Marcus's work into bold relief. In the early "America: The Spiritual Center of Jewry" (1916), as in the much later "Three Hundred Years in America" (1955), Marcus calls upon American Jewry to study its heritage, arguing that this knowledge will kindle a renaissance in American Jewish life. In "Lost: Judaism in the American Expeditionary Forces, the Urgent Need for Welfare Work" (1919), he insists that the Jewish experience in America consists of a symbiotic relationship between individual Jews and the larger Jewish community. A focus on the individual in relation to the whole guided many of Marcus's essays, as did his emphasis on Jews studying their own past, strong echoes of both can be found in "New Literary Responsibilities (1941-1942) as well as works for specific occasions, such as "The Program of the American Jewish Archives" (1947) and Genesis: College Beginnings (1989). Another leitmotif linking these diverse topics is Marcus's view that American Judaism will thrive and distinguish itself as long as Jewish education and Jewish cultural life become a high priority on the Jewish communal agenda. This collection enhances our understanding of how the ideas of one of American Jewry's pioneering historians evolved, while preserving historical documents that trace the development of American Jewish life over the course of the twentieth century.

Book by Porter, Jack Nusan

"First published in 1987, and encompassing texts from almost four decades, Kleist, moss, pheasants brings together autobiographical pieces, diary entries and reflections on fellow authors by Ilse Aichinger. As Richard Reichensperger remarks, the volume demonstrates the complex interconnections between historical events and Aichinger's life, thought and writing. The style, tone, and force of Kleist, moss, pheasants foreshadow the major achievements of Aichinger's late productive period around the turn of the millennium, which are evidenced in Film and fate and Improbable journeys."--Back cover.