Eminent Anglo-Saxonist Nicholas Howe explores how the English, in the centuries before the Norman Conquest, located themselves both literally and imaginatively in the world. His elegantly written study focuses on Anglo-Saxon representations of place as revealed in a wide variety of texts in Latin and Old English, as well as in diagrams of holy sites and a single map of the known world found in British Library, Cotton Tiberius B v. The scholar's investigations are supplemented and aided by insights gleaned from his many trips to physical sites. The Anglo-Saxons possessed a remarkable body of geographical knowledge in written rather than cartographic form, Howe demonstrates. To understand fully their cultural geography, he considers Anglo-Saxon writings about the places they actually inhabited and those they imagined. He finds in Anglo-Saxon geographic images a persistent sense of being far from the center of the world, and he discusses how these migratory peoples narrowed that distance and developed ways to define themselves.

Set in the woolen mills of northern England in the later part of the nineteenth century. Raised in extreme poverty in the North of England, the life working in the woollen mill was transformed by visits to an aunt in Redcar. Abel Moss rises from poverty to become a mill owner. He married Marion Hart, deeply in love with this self-made business man in the Yorkshire wool trade. At first, she was happy in her marriage, but eventually, she finds herself trapped in a loathsome marriage, and his brutish passion disgusted her and she comes to fear this domineering, and unfaithful husband.

Elspeth Baker - vibrant, gutsy, irrepressible, single and pregnant. Her lover suggests a back-alley abortion. Her girlfriends recommend mustard and castor oil. Her long-suffering parents rush her to an expensive doctor. But Elspeth sidesteps them all and flees to start a new life, have her baby and find true love. Always a staunch survivor, she sells hardware, pumps gas and encounter a colorful array of unabashed Bostonians from rabbis to shrink to hoods to a young couple who propel her toward the most crucial decision of her self-made life. The Love of Elspeth Baker is a rich, energetic and uplifting novel of a truly modern woman who knows what she wants and ultimately has the courage to find it.

Introduces the different kinds of poetry and the mechanics of writing poetry, providing an opportunity for the reader to experience the joy of making a poem.

Leo Axelrod, blocked painter, successful illustrator, lonely and alone in England, asks a girl to go with him to Greece. He doesn't know anything about her, he doesn't even know her name, but amazingly she says yes. By the author of Madness, a Novel.

The Canadian-born comic novelist, back in his homeland after twenty expatriate years, writes about the places, people, objects, and experiences that characterize Canada and have shaped his own life and career

Poetry. "Maxine Chernoff's THE TURNING turns at the moment 'when we survive our disappearances,' 'when murder chastises history,' in other words, right now - when all that's left is the leveled playing field of the page, where graffiti scrawled on a wall is just as likely to carry import as Kristeva or Emerson or 'memory or Memorex.' In stanzas taut as guitar strings - or purse strings pulled tight against the chest - these poems recall a kind of classic Ahkmatovan cry (though they never plangent) combined with a Tsvetaeva-like pluckiness, all of which gets overridden by Chernoff's supreme humanity, ferocity, intelligence, wit, honesty: 'I had thought I knew how the world would end, but all I really know is how to stare and point.' Then the book takes yet another turn, beyond the staring and pointing" - Gillian Conoley.

This Is A New Release Of The Original 1897 Edition.

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When methodology relating to the history of ancient Israel is discussed, the issue of historiography is frequently injected into the debate. This includes both principles of writing history from a modern perspective and also historiography as it relates to ancient writings. The first part of this most recent volume in the European Seminar in Historical Methodology series contains essays on historiography, including such well-known scholars as Ehud Ben Zvi, Philip Davies, and Axel Knauf. The second part is made up of reviews of histories of Israel or related works by such writers as William Dever, Baruch Halpern, Steven McKenzie, Mario Liverani, Alberto Soggin, Lester Grabbe, Jens Bruun Kofoed, and Iain Provan, V. Phillips Long, and Tremper Longman, III. Reviewers include Rainer Albertz, Niels Peter Lemche, Joseph Blenkinsopp, Philip Davies, Bob Becking, Ehud Ben Zvi, and Lester Grabbe. The original authors had the opportunity to respond to the reviews, while the editor provides an introduction that summarizes the various contributions and a conclusion that provides personal reflections on the debate.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.