Arnold Eisen here calls for a fundamental rethinking of the story of modern Judaism. More than simply a study of Jewish thought on customs and rituals, Rethinking Modern Judaism explores the central role that practice plays in Judaism's encounter with modernity.

Arnold Eisen here calls for a fundamental rethinking of the story of modern Judaism. More than simply a study of Jewish thought on customs and rituals, Rethinking Modern Judaism explores the central role that practice plays in Judaism's encounter with modernity.

"This is a book of extraordinary quality and importance. In tracing the encounter of Jews (the chosen people) and America (the chosen nation) . . Eisen has given the American Jewish community a new understanding of itself." —American Jewish Archives ". . . one of the most significant books on American Jewish thought written in recent years." —Choice What does it mean to be a Jew in America? What opportunities and what threats does the great melting pot represent for a group that has traditionally defined itself as "a people that must dwell alone"? Although for centuries the notion of "The Chosen People" sustained Jewish identity, America, by offering Jewish immigrants an unprecedented degree of participation in the larger society, threatened to erode their Jewish identity and sense of separateness. Arnold M. Eisen charts the attempts of American Jewish thinkers to adapt the notion of chosenness to an American context. Through an examination of sermons, essays, debates, prayer-book revisions, and theological literature, Eisen traces the ways in which American rabbis and theologians—Reconstructionist, Conservative, and Orthodox thinkers—effected a compromise between exclusivity and participation that allowed Jews to adapt to American life while simultaneously enhancing Jewish tradition and identity.

Text: English, German (translation)

The Gedanke manuscripts, from which The Musical Idea is compiled, are legendary writings of Arnold Schoenberg. Central to his concern was his concept of the "musical idea," which represents the wholeness of the musical work and embraces Schoenberg's notions of motive, gestalt, phrase, theme, rhythm, harmony, and form. Ultimately, the musical idea is the vision of the composer by which a musical work achieves unity in relation to the means by which the work is comprehended in its unity by the listener.

The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket

A long-awaited collection of the most important writings from a lifetime of work by one of the most influential Jewish thinkers in American life over the last half-century. 'He has written with unique clarity, penetration, belief, and sophistication.'NEugene B. Borowitz, in his Foreword to the book. Edited by Jonathan S. Wolf.

It’s 1958 and Australia is becoming a different place. The Melbourne working-class suburb of Carlton is now home to many immigrant families trying to begin new lives and make sense of the old. Romek and Zofia, liberated from the camps in Poland, work hard at the local market, but their love is in ruins. Bloomfield is king and custodian of Curtin Square and is rarely absent from his post. The resplendent Valerio, stylish and soccer-mad, has just arrived from Italy. War veteran Mr Sommers sits alone on his verandah, while Yiddish actors gather at the barber’s to reminisce and curse. Romek and Zofia’s skinny twelve-year-old son Josh takes up boxing and becomes bewitched by the Swedish Girl. But Zofia is tormented, and as she falls further into madness, Josh wonders if she can ever be made whole again. Scraps of Heaven is a stunning evocation of a changing world, where optimism is tinged with sorrow at the raw memories of war. Arnold Zable’s irresistible storytelling becomes a celebration of survival, a reminder that all lives are to be lived and that scraps of heaven can be found everywhere.

Xanthe is drawn to Ithaca, the birthplace of her father Manoli and her maternal grandfather Mentor. She is translating Mentor's manuscript, his story of leaving Ithaca and his life in Australia: fleeing the Kalgoorlie riots, working in Melbourne coffee houses with his compatriots, studying in the State Library, and learning to dream his way back to Ithaca and back to his lost son. Slowly she begins to understand her father's dark moods. The lure of the sea. The promise of fortune. And the ache for the hum of the Ionian winds, the rhythm of the looms and the silence of the rocky Ithacan soil. The island of Homer's Odyssey has beguiled readers for millennia. Master storyteller Arnold Zable takes us to modern-day Ithaca, to its mountains, its villages and its harbours, and into the houses of its people. Sea of Many Returns is a profound meditation on displacement, nostalgia and exile-a story that affirms the enduring resonance of the Odyssey for voyagers of all times.

A new translation of a forgotten masterpiece of German World War I literature, based on the author's own first-hand experiences of combat The war, an operation instigated by men, still felt to him like a storm decreed by fate, an unleashing of powerful elements, unaccountable and beyond criticism. Arnold Zweig's novel was first published in 1933 and is based on his own experiences in the German army during World War I. Following the unlawful killing of his younger brother by his own superiors, Lieutenant Kroysing swears revenge, using his influence to arrange for his brother's unit, normally safely behind the lines, to be reassigned to the fortress at Douaument, in the very heart of the battle for France. Bertin, a lowly but educated Jewish sapper through whose eyes the story unfolds, is the innocent man caught in the cross-fire. The book not only explores the heart-breaking tragedy of one individual trapped in a nightmare of industrialized warfare but also reveals the iniquities of German society in microcosm, with all its injustice, brutality, anti-Semitism, and incompetence. A brilliant translation captures all the subtleties, cadences, and detachment of Zweig's masterful prose.

First U.S. edition, May 1938. Red, white, black, and silver jacket in very good condition. Small tears at corners. Un-clipped jacket with $2.50 price. Black cloth covered boards with gilt text and illustration. Bright on both cover and spine. Red top stain to text block. Illustrated end pages with map of Eastern Europe and Western Russia. Tanning at the hinge.

It is September 1944; the war is going badly for the Germans, and they are in a hurry to complete their 'final solution'. Compromises are being made on all sides, conditions are unspeakable, rumours are rife, but nothing definite is known of the Nazis' intentions. On the outskirts of a concentration camp in northern Bohemia three people - two eighteen-year-old men and a desperately lost young woman, Leah - are thrown together, sharing their precarious existence in an attic room. While the world disintegrates around them their relationships are charged with passion, their days filled with erotic and spiritual attraction. Caught in the web of their relationships, their futures are uncertain and any choices they have left to make will be made in the face of almost certain death...

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