Dan Caspi offers a comprehensive introduction to the Israeli mass media and a fresh theoretical look at the role and function of a free press in a democratic society. Two major issues underlie this study, patterned after the pioneering work of Morris Janowitz on the community press in the United States: relations between social and communications systems and reciprocal relations among various mass media.Caspi's primary concern is to determine whether the recent flourishing of a local press, in the form of weekly tabloids sold or distributed free throughout their respective cities, reflects and in turn contributes to a process of social and political decentralization. The Israeli audience thirsts for information. The nationwide mass media, developed in the shadow of a centralist political system, is rigid and inflexible, downplaying the news value of local events and attending only to Israel's acutely felt security and economic problems. Hence, there is a burgeoning of over a hundred local newspapers to fill the need for a more intimate press. Contents: "Media Decentralization in a Centralized System: Some General Trends and a Communication Model"; "The Daily Press in Israel"; "The Development of the Local Press"; "Institutional Characteristics"; "Personnel Characteristics"; "Functional Characteristics"; "The Struggle between the Local and Nationwide Press"; "The Inception of the Local Press in Four Major Cities: Jerusalem, Tel Aviv, Haifa, and Beersheba"; "Public Support"; "Political Approaches."

Outside, World War II rages as German planes drop bombs over London. Inside one family's home, a boy lies gravely ill in bed. Before leaving to fight in the war, his father told him about Davin, a teddy bear that holds the power to make sick boys well. But things look bad--no one knows where Davin is. In an attempt to save their friend, the miniature figures of a little Bugle Boy, a blustery Sergeant Major, a princess, Robin Hood, Chingachgook, and Perseus, the Greek hero, come to life and join forces to find the mysterious Davin. Along the way, they encounter a ferocious cat, a man-eating spider, the Dark Knight, and Blackbeard and his band of terrifying pirates. As read by Grandma Goddess to her grandchildren, Davin is a story within a story, a fantasy in which literary and historical characters clash in a war between good and evil to save a child's life.

The book presents a wideranging perspective on the history of soil science comprising a collection of 22 papers. Following an overview on the main paradigms, developments of the concepts of humus, classification of soil types and soil series usage are treated in specific chapters. Some selected topics in the history of soil chemistry and soil physics are treated in detail. A number of articles deal with regional aspects of soil science and the contribution of some outstanding personalities from the 18th to the 20th centuries. This is the first original history in soil science in the English language.

Celia Dinan died some two hundred years ago – back in the twenty-first century. As her life is rediscovered it becomes apparent that she is the author of a powerful and passionate tale – a tale which only she could have written but which 'everywoman' will painfully acknowledge as her own.

To Joel, David and Rachel – Jewish children in post-war South Africa – bitter conflict, racial conflict and social upheaval are all they have ever known. Resolving never to repeat the mistakes of their parents, they seek a new code of behaviour – and one that will lead them all through their journeys of self-discovery.

What kind of a God singles out a particular people for special favours and punishments? What does being chosen by God mean to both parties? What are the opportunities and temptations of such a relationship? Writing from a secular point of view, Jacobson offers a profound and serious meditation that sheds a new light on biblical scholarship and orthodox theology. On first publication, The Story of the Stories was at once perceived to be a seminal work.

While 'A Traveler Disguised: A Study in the Rise of Modern Yiddish Fiction in the Nineteenth Century' focused on the rhetoric of the speaking voice or the persona in these classics, the nine essays gathered here concentrate on the artistic reconstruction of the "world" conveyed by that persona. As much as the earlier volume put to rest the conventional understanding of "Mendele the Book-Peddler" as a mere representative of the author, Sh. Y. Abramovitsh, this book invalidates the common views of the literary shtetl as a mere mimetic reflection of the historical Jewish shtetl of Eastern Europe and examines its structure as an autonomous aesthetic construct. These essays dwell particularly on the fictional modalities displayed in some of Sholem Aleichem's major works. They also offer innovative insights into the works of both earlier and later masters such as A. M. Dik, Y. Aksenfeld, Y .Y. Linetski and Sh. Y. Abramovitsh, Y. L. Peretz, I. M. Vaysenberg, Sh. Asch, D. Bergelson, and I. B. Singer.

"Chess the Hard Way" is the autobiography of Daniel Abraham Yanofsky, who was not only Canada's first chess grandmaster but was Canada's only grandmaster until the modern era. His career is remarkable. He was from a remote Indian town in Central Canada where there were no chess masters. Almost invariably, strong chess players only develop in places where there are other strong players. Almost all chess grandmasters have come from the major population centers such as New York, St. Petersburg and Moscow. The few exceptions are rare cases of genius, Carlos Torre from Merida, Yucatan, Mexico and Sultan Khan from India at a time when India had no chess masters. Daniel Yanofsky falls into this category of genius, because he appears to have been almost entirely self taught."

Book jacket/back: In this beloved novel of immigrant life in Brooklyn, David Fuchs speaks to us in a distinctive, affecting voice. He evokes the special, marvelous qualities of the Jewish-American experience by creating characters and conflicts whose idiom and flavor he catches with uncanny precision. This is an exceptional novel about ordinary people. Each of the central characters lives in the same tenemant building in the Williamsburg section of Brooklyn. This single building is a miniature of the teeming, dynamic community of which it is a part. It is inhabited by solitary souls and families. These people are students, idlers, shopkeepers, mothers, hustlers, lovers and husbands. Fuch's vivid, sharply observed prose folds these separate lives into a full-blooded human comedy. The story he tells reveals people living their lives with all the twists and dodges, the puzzles, the contradictions, the idiocies and the wonderful moments. In short, the busines of living, the banquet of life.

First published in 1890, "Stroud" is a long-established dictionary of the English language as it has been interpreted in the courts and in statutory material. It should be an indispensable tool for the practitioner, and a source of reference for the researcher. Fully updated since the fifth edition and in a more manageable three-volume format, it defines virtually every legal term or expression, even the most obscure and archaic. Definitions have been cross-referred to cases, with many longer entries reorganized or sub-divided for more efficient research. This text is also available on CD-ROM for quick and easy reference.

This work traces the development of the newspaperman's organization from its origin to its emergence as a union affiliated with organized labor.

"The play is full of prickly comedy and offers 90 minutes of civilised pleasure." - Guardian Benjamin Rubin is a cantankerous old writer, whisky aficionado and pedant, still basking in the reflected glory of long-ago success. Martin Wegner is a rising young literary star, heralded as "the voice of his generation". When Martin is given the opportunity to develop his new play under the mentorship of his idol, the writers meet in a dilapidated art-nouveau villa somewhere in the German countryside. Two massive egos are set on a collision course in this perceptive and compelling comedy about art and artists and the legacy of fame. Christopher Hampton's translation of The Mentor by Daniel Kehlmann premiered at the Ustinov Studio, Theatre Royal Bath, in April 2017.

A young wife becomes pregnant only to discover that her husband has been accidentally contaminated by radioactive dust.