First published in 1989, this book seeks to demonstrate the social and political images of late-twentieth century London -- the post-big-bang city, docklands, trade union defeats, a mounting north-south divide -- do not mark as decisive break with the past as they may appear to. It argues that the most striking thing about London's history since 1800 is the continuities and recurrences which punctuate it. The essays collected in this book focus on these themes and address important questions about class, nationality, sexual difference, and radical politics. They combine the established strengths of social history with more innovative approaches such as the history of representations.

De laatste jaren worden vragen gesteld bij het integratieproces van migranten. Nieuwkomers zouden tegenwoordig 'slechter' en 'langzamer' integreren dan in het verleden. Het besef dat West-Europa altijd al immigratie heeft gekend is nauwelijks doorgedrongen tot politici en sociale wetenschappers. Bijgevolg ontbreekt - anders dan in de VS - een discu

This major collection of essays challenges many of our preconceptions about British political and social history from the late eighteenth century to the present. Inspired by the work of Gareth Stedman Jones, twelve leading scholars explore both the long-term structures - social, political and intellectual - of modern British history, and the forces that have transformed those structures at key moments. The result is a series of insightful, original essays presenting new research within a broad historical context. Subjects covered include the consequences of rapid demographic change in the eighteenth and nineteenth centuries; the forces shaping transnational networks, especially those between Britain and its empire; and the recurrent problem of how we connect cultural politics to social change. An introductory essay situates Stedman Jones's work within the broader historiographical trends of the past thirty years, drawing important conclusions about new directions for scholarship in the twenty-first century.

Chase has worked many years and has achieved remarkable success in the arena of Country music. He is among the Nashville elite. Pain and misery have been his calling card with each song as he pines for lost love. He outwardly smiles at the world while drowning in sorrow inside. Then one day out of nowhere, she appears and shakes up his world as he could never have imagined. Nina has been away from Nashville for fifteen years. She's wanted to come home since the day she left, but circumstances were never just right. Now she's back and hoping to rekindle what she has lost, but first, she must atone for her sins. If he were anything short of a superstar, things would be more comfortable, but his status complicates matters. The news she brings could topple his career, and she isn't sure he will be willing to accept that.

Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture considers the potential for a reciprocally illuminating relationship between art history and history in light of recent methodological developments in both fields. The volume opens with contributions from a historian and an art historian; they examine the weaknesses of an art history without a social or economic history and lay the groundwork for the ensuing discussions of how the procedures and methods of each discipline may serve the aims of the other. A wide critique of approaches to the interpretation of realism in Dutch pictures forms the second section of the book. Included are critical views of recent iconographic developments, as well as contributions by a plant taxonomist and a marine historian. In the volume's third section new statistical and numerical models for the study of Dutch art in Dutch society are presented by three economic historians. The concluding essay provides a constructive critique of existing methodologies within each field. Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture offers the most secure basis to date for future work on the interaction between the two disciplines and between the content of pictures and the cultures that produce them.

When wealthy Jewish industrialist David Friedländer proposed in 1799 that Berlin's Jews undergo a sham conversion to Christianity in return for full German citizenship, he touched off a political and theological debate that would continue to define the relation between Jewish and German identity for more than a century. In the series of provocative letters collected here, Friedländer, Protestant leader Wilhelm Abraham Teller, and young Christian theologian Friedrich Schleiermacher debate Friedländer's radical proposal. In so doing, they grapple with many of the thorny problems--such as citizenship, religious tolerance, and assimilation--that continue to vex world political leaders today. Richard Crouter's Introduction provides the cultural, religious, and historical context for this compelling exchange; a postscript by Julie Klassen reveals the ways in which Germany's minorities continue to be marginalized more than two hundred years after Friedländer made his passionate appeal for political liberty and human rights.

Magister Coelus, the College's young and brilliant theorist, has finally found a student capable of learning theoretical magery at the level at which he can teach it. He invites her to help him with his current research project, which promises to funnel through the hands of one mage more power than any mage has ever had. Ellen, who knows more about both the theory and practice of magic than a first year student should know, refuses, arguing that the Cascade will do more harm than good. When news of the project reaches Prince Kieron, brother and heir of the king and Royal Master of Mages, he insists that it be completed in secret and employed, if at all, only under royal authority. Word has also reached Lord Iolen, Kieron's competent, cold-blooded, and ambitious nephew, with his own ideas of how the Cascade should be used, by whom and for what purpose. Ellen and Coelus must together face the conflicting threats and demands of two arrogant and powerful men, the peril posed by the very existence of the Cascade, and their feelings for each other. Forty years earlier Olver, one of the founders of the College, took the first steps in converting magery from a craft to a science. It is for his successors to deal with the consequences.

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The perfect gift for Dad, Kochie's Best Jokes 3 will be a `must-buy' in 2008. The next in the sell-out series from David Koch, Kochie's Best Jokes 3 includes the best of the jokes sent in over the past year from viewers across Australia to Kochie on the top rating Sunrise breakfast on the Seven Network. Just as Kochie's Joke of the Day on Sunrise has become an institution, the Kochie's Best Jokes series of books have become widely anticipated and sought after. Kochie's Best Jokes 3 is in the same vein of humour as the first two books in the series and is sure to be a `hit'.

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I have a Name is a vital engagement with life and an unflinching stare at death, concluding that love transcendent is a reality, Winner of the William Carlos Williams Award (1997) The wondrous subtlety of David Ignatow's art is brought to bear on the timeless themes of love and death. Intimate remembrances evince a rich life: Hebrew lessons, war, first love, friendships with Stanley Kunitz and others, his wife's death. One poem comments on another, often with wit and irony; no statement is ever final. In this way, Ignatow shows that we exist most fully in the fluidity of our perceptions and in our inability to attain a single state of mind or definition of things. I Have A Name is a vital engagement with life and an unflinching stare at death, concluding that love transcendent is a reality, embracing all, the living and the dead.

Upon arriving at the kibbutz, after years of running and living in a constant state of fear and anxiety, I finally felt that I could unburden my heart and mind. I had dreamed of the day I would arrive, alive, in Eretz Israel. The constant stress of the last few years was made easier by my constant desire to achieve that goal. So, when I first arrived in the kibbutz dining hall, it was as if all my dreams had come true. David J. Azrieli was born in 1922 in Maków Mazowiecki, Poland. Written by his daughter Danna, this gripping account of survival during World War II describes David’s extraordinary travels, always just one step ahead of life-threatening danger, which took him to the Soviet-occupied zones of Poland and later to Ukraine, Tashkent, and Buchara. He subsequently served in the Anders Army, before making his way from Baghdad to the frontiers of British-occupied Palestine. The memoir chronicles David J. Azrieli’s arrival in Palestine, his studies at the Technion in Haifa, his experiences as a soldier in the War of Independence, and his realization that most of his immediate family had perished in the Holocaust. Azrieli finally settled in Canada in 1954. There he married his wife, Stephanie, and together they raised four children—Rafi, Sharon, Naomi, and Danna. This story of survival is all the more remarkable given Azrieli’s later achievements as a successful real estate developer and philanthropist. One of the economic giants of the Jewish world, his many developments changed the face of Israel and stand as a striking testament to the strength and courage of a boy whom Hitler could not defeat. The highlight of his activities is the establishment of the Canadian and Israeli Azrieli Foundations, which focus on improving the lives of present and future generations through education, research, healthcare, and arts. -- page 4 of cover.