During these shocking times of war, violence, and hate many are now seeking answers to important questions. What are the bases of the claims of the Jewish people to the Holy Land? What are the foundations of the conflicts between Muslims and Jews? What does Western Culture and its decline have to do with Israel and the Muslims? How does the rise of extreme leftism in Canada and the United States facilitate and encourage extreme hate and violence at home and in the Middle East? These and many other questions are answered by David Solway in this timely collection of essays-- easily read, easily understood, and written with erudition, scholarship, and style. Solway's style is appropriate for general readers or those with long backgrounds of knowledge of Judaism, Islam, Israel, the Middle East, American and Canadian cultural and political radicalism and decline, the Jewish People, and the intersection of Judaism and Islam in the Middle East. The most recent horror for the Jews that began on October 7, 2023, can be better understood with a clear understanding of Israel, diaspora Jews, ancient and modern Jewish history, and the decline of the West into moral relativism, communism, and leftist utopianism. Times of strife and horror are best explained by clarity of thought and writing. Solway provides both in this important work that provides both context and background to the horrors seen recently in Israel, across Europe, in the United States, and across the world.

Uses popular literary material - sermons, novels, journals, etc. - to show the growth of a German-Jewish ideology and subculture in the first half of the 19th century. Argues that this subculture was the response of the Jewish minority to partial political emancipation and social integration. It was partial since Jews could not deny their religious and national identity, and German society was not willing to accept them even if they did so. Although designed to foster integration, the German-Jewish subculture encouraged the growth of a new identity, and thus greater separatism.

"This fifteenth-century Haggadah, with a prologue by a Dominican friar, offers a unique view of contemporary Christian perceptions of Judaism. This edition includes a facsimile of the codex; a critical edition and translation of the prologue; a translation of the Haggadah; and essays describing the historical and theological background"--Provided by publisher.

The capacity of speech to build and destroy trust, create and devastate relationships, fuel rivalry and bring peace gives language enormous power. The ways we use speech - oral, written or on the Internet - can build or destroy our communities. This volume explores the different ways that speech shapes every person's life.

During the dry summer of 1871 in rural Wisconsin, as forest fires threaten, Sylvanus Morgan, a wealthy landowner, falls in love with Susannah Snell, the local minister's neglected wife

Ten years after their graduation from Palisades High School, authors Medved and Wallechinsky find out what has become of their former classmates. CLASS OF '65 has tremendous human interest and recounts the incredible changes in U.S. society from 1965 - 1975.

In Tyranny's Ally, David Wurmser shows that current U.S. policy will never bring down Saddam Hussein's regime. All our previous efforts have failed because they targeted only the tyrant, not the institution of tyranny in Iraq and in the region. By tolerating centralized, statist oppression, the United States has assisted totalitarian despots and promoted the violent politics and social demolition that attend such predatory regimes.

Excerpt from Why I Am a Jew I offer this small book humbly, as a sheaf garnered from the rich harvest of Judaism. A massive literature, a history of four thousand years, a courageous, articulate and unend ing struggle for moral determinism, cannot readily be com pressed, nor would I make bold to attempt to do this without the earnest hope that this book may be but an introduction to the study of the great tradition which it is our heritage to know, to understand and to share. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In this thought-provoking book, David Weiss Halivni asserts that the act of acknowledging and accounting for inconsistencies in the Pentateuchal text is not alien to the biblical or rabbinic tradition and need not belie the tradition of revelation. Moreover, the author argues that through recognizing textual problems in the scriptures, as well as efforts to resolve them in tradition, we may learn not only about the nature of the Pentateuch itself but also about the ongoing relationship between its people and its source. 'Writing with an unsurpassed command of the full span of rabbinic sources, Halivni has produced a tremendously important book, confronting te "maculation" of scripture, those blemishes that have accrued to the revealed text... As a sustained meditation on scripture and tradition, this book should be read with great profit by anyone, Jew or gentile, interested in critically engaging the Bible and its exegesis.' Choice 'An excellent book which gives Christians surprising suggestions for their own struggle with problems analogous to the Jewish ones with which David Halivni deals.' George Lindbeck, Yale University 'Revelation Restored is a testimony to the learning, faith, and reason of Halivni, who is simply the greatst historical-critical scholar of rabbinics alive today. In this new theoretical work, he shows, with stunning erudition, just how one can fully belive that the Torah is the word of God and still recognize the very active role of human reason in the construction of the actual biblical text itself. As ever, all of us owe him so much, both from our heads and our hearts.' David J. Novak, University of Toronoto

The "Critical Performance" series pairs a performance artist or playwright with a critical theorist in a dialogue aimed to elucidate both disciplines. This volume focuses on Deb Margolin, one of the three founding members of the American performance troupe Split Britches.

With 50 illustrations, including 24 plates in full color. Bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.

Delighted when she lands a job with the eminent Flower Poet Z., Annabelle G., an aspiring young poet, soon realizes that she has acquired the mentor from hell instead of finding a meaningful relationship and learns more than she wants to about Z.'s dysfunctional family, adultery, and backstabbing.

Rodent Angel is a story of innocence and betrayal; of the death drive and the drive to create-a violent, powerful story about the human family. With an unflinching eye, Debra Weinstein writes of live and destruction and gives us insight in the telling. In these spare, elegant lyrics, the poet slowly advances on her subject until it is trapped in the reader;s palm. Rodent Angel is a book where pieces and fragments of a picture emerge before the entire picture-and just when you think that the writer has resolved an issue it reemerges in another form. These are poems of no uncertain terms. Whether she is singing of loss or her coming child, Debra Weinstein's voice is gutsy and uncompromising.

What does it mean to meet the spirit in our mundane world? How do we communicate with the other side? Can we really forge a proof that the dead live on among us? A young American writer, having long admired the work of Argentine writer Julio Cortázar, travels to France in 1974 to meet him, hoping to commune with a literary soul mate and to create a political alliance in the face of the brutal coup that has overtaken Chile. But circumstances compromise their brief encounter, and for years afterwards, though she and Cortázar correspond through books and letters, she feels unfulfilled by what she knows could have been a far more meaningful collaboration between them. The writer feels this loss all the more keenly when Julio Cortázar dies . . . until inexplicable signs and portents lead her to understand that their relationship has not ended; the deceased writer may have more to say to her. She becomes obsessed with reaching Cortázar. She tries to summon him into her life with all the force of her mind, heart, and will. She imagines writing a book with a dead man, but without resorting to trickery or fantasy, and her attempts to conjure forth Cortázar s spirit create a bizarre triangle between Julio, the writer and her bemused husband. Ultimately the writer s search for the door that will open between two worlds leads her to question the very nature of reality . . . and to the strange, joyous climax of her seemingly impossible quest. In Doors: A Fiction For Jazz Horn, Deena Metzger has achieved something wholly unique a book about writing a book that has all the suspense of a great thriller, and the depth of a profound metaphysical mystery.

La Negra y Blanca is the crowning achievement of Deena Metzger's lifetime as a novelist, poet, and playwright. On the surface, it is a meditation on memory as the narrator pieces together the bright flashes of images of her life recalled, piecing them together with the intention of creating a healing matrix that reflects a life lived in search of meaning. On a deeper level, it weaves in the history and tragedy of the Conquest's ongoing political and environmental effects on Latin America through the narrator s relationship with Victor Perera, a Guatemalan-American writer and journalist who documented the destruction of the native Lacandon tribe of Guatemala by imperialistic forces. We become acquainted with La Negra, a mysterious woman who is pregnant, but who will not give birth to her child until the world is safe enough for its continued existence, and who is the centerpiece character of a natural world struggling to survive and maintain its integrity in the midst of industrialization and the decimation of the sacred forests. Metzger has created a complex novel that weaves the personal, political, global and spiritual threads of her life into a tapestry of beauty, sorrow, transcendence, and ultimately, the assurance of a world renewed by the unwavering examination of all of its component parts to create a path into a future that promises reverence for all life.