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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century. Lapidus created fantasy environments in which America's middle class, flush with expanding postwar incomes and optimism, could fulfill its desire for glamor, relaxed luxury, and leisure. His signature forms - chevrons, "beanpoles," "woggles," or amoeba shapes, and curving walls and ceilings punctuated by "cheese holes," or cutouts - have become treasured icons of American postwar vernacular architecture. Born in Russia in 1902, Lapidus was brought to New York by his parents a year later, and the family first settled on the Lower East Side. He completed his architecture degree at Columbia University and first earned a reputation by designing stage sets and retail stores in which he developed new theories in store design and essentially created the modern storefront as we now know it. For his famed resort hotels of the 1950s Lapidus designed not only the vast structures but a melange of quasi-French provincial and Italian Renaissance decorative elements that critics would dub "Miami Beach French," including everything from the tableware to his famous "stairways to nowhere." He was one of the first architects to acknowledge the cinema as an overriding influence on American taste.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Examines the political aspects of the rescue of Ethiopian Jewry in the 1980s-90s, focusing on the factors at work in the U.S. and in Israel. In the 1970s, Israel was reluctant to accept Ethiopian refugees, but changed its policy due to a large extent to a group of Jewish activists in the U.S. who prodded Israel to take action. The American Association for Ethiopian Jews (AAEJ) was founded in 1974 and became the principal American organization advocating on behalf of the Beta Israel. Relates the suffering of Ethiopian Jews, which is attributed to a combination of discrimination, hostility on the part of local Christians, and the Jews being caught in a crossfire between the government and the rebels. Jews were persecuted for attempting to flee the country in order to reach Israel. Ch. 10 (177-188), "The Holocaust Analogy", discusses how the AAEJ compared the situation of Jews in Ethiopia with that of Jews facing the Holocaust in order to stir Israel and America to action.

Architect, writer, teacher--and agent provocateur--Michael Sorkin was commissioned by the University of Chicago in 1998 to produce an "alternative" master plan for its architectural revitalization. His studio had barely begun before they were dropped from the process. In the capacity of concerned alumnus, however, Sorkin and his group soldiered on and, in Pamphlet Architecture 22, present their background studies and proposed schemes, shown here in models and colorful drawings.This critical analysis of the official plans adopted by the University juxtaposed against Sorkin's "Other Plans" provides concrete evidence of his visionary ideals and what remarkable architecture and planning mean today.

Book is used and has been withdrawn from service from a Library. Book has a Library Binding and the usual Library Stamps, Stickers, Card Holder, Library Markings. May or May Not have a Dust Jacket.

First published in 1974. This volume illustrates the growth of two attitudes towards government in China during the first century B.C., the one progressive, realist and forward looking, the other conservative, idealist and harking back to the past. It demonstrates the close relationship that existed between political decisions, intellectual policy and the choice of religious observances of state, whilst showing how personal ambitions and the intrigues of the palace were intimately involved with the interplay of these two basis attitudes.

"The first journalist to be embedded with an Air Force combat unit in the War on Terrorism, Michael Hirsh flew from Moody Air Force Base with the 71st Rescue Squadron to their expeditionary headquarters at a secret location in Central Asia. His unparalleled access to the PJs, as well as to the courageous men and women who fly them where they have to go, often under enemy fire, allowed him to uncover incredible stories of courage in the War on Terrorism being fought in Afghanistan. Among them: the drama of a plane crash at ten thousand feet in the Hindu Kush mountains, where PJs climb with hundred-pound packs through chest-deep snow to rescue the crew ... the tension of an unprecedented nighttime combat parachute jump into the middle of an Afghan minefield ... and the heartbreak during Operation Anaconda, when seven American fighting men die, including the first PJ killed in combat since Vietnam. Absolutely committed to their calling, these are real American heroes. Their motto as pararescuemen is "These things we do that others may live." Indeed, there are none braver"--Page 4 of cover.

The Jewish Religion is an unchanged, high-quality reprint of the original edition of 1891. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A collection of essays published previously. Partial contents:

The relationship of the Seminary and its chancellor to the Conservative Movement has long been a subject of debate, if not a source of tension, among the national organizations of the movement as well as its rank and file. This is no less true today than it was eighty years ago. In order for one to understand the nature of JTS and the movement today, it seems necessary to understand the source(s) of this issue and the efforts from inside and outside the Seminary to grapple with it. To what extent is the JTS-Conservative Movement relationship particular to JTS or similar to that of other seminaries and the religious movement with which they are connected? This is the question that the author, Michael B. Greenbaum, seeks to answer within this study.