Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Partner of one of the most infamous anarchists of her time, Johann Most, Helene Minkin joined the anarchist movement after emigrating from Russia in 1888 with her father and sister. Framed as a reaction and corrective to Emma Goldman’s Living My Life, Minkin’s memoir provides a unique account of turn-of-the-century anarchism and immigrant life in the United States. Published in the Yiddish-language newspaper Forverts in 1932, this is its first English translation.

1969 DOUBLEDAY & CO. HARDCOVER

Mapping Canada's Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922-2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann's pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Reprint of the original, first published in 1862.

Dearest Reader: The story you now have in front of you is a real-life miracle. Beware, though: for even the most incredible miracles can sometimes come with a price. For ten-year-old Emily Sweet, the price could be her very life. If you decide to read this book, be warned that you will experience Emily Sweet's highs and lows as if you are alongside her. On one hand, you will find her story uplifting, exciting, and inspiring. You'll ride along as she discovers a magical bottle with a life-changing message inside, and travels on both an invisible hot air balloon and a whale-shaped submarine. You'll be there when she converses with talking animals and discovers new and exciting friends on a wondrous secret island filled with super-cool inventions, boundless adventure, and a special child-saving company whose leader happens to be a six-foot, four-inch panda bear doctor! But Emily has her share of disappointment, too. You'll experience Emily's many unpleasantries, like being abandoned at birth and being sent to live with a wretched, hideous pet grooming foster mom. When Emily comes down with a mysterious illness, she rubs shoulders with an evil, child-hating doctor armed with an army of grotesque, masked, killer mall mannequins -- determined to not only stop her and other unfortunate children from being happy, but to destroy the special child saving company and the giant panda bear doctor who runs it. Please help children in need by reading this story, then spread the word so others will also read it. Hopefully, together, we can make sad children happy, one story at a time. For the Children, Dr. Henry J. Baer CSFR Inc. Secretisland4.com "In Emily's Miracle, Chris Lombardi speaks with a true voice; allowing the innocence of youth to inform, enlighten, and guide us all towards those paths we seek; an engaging, imaginative, page turning ride." -- Chris Lemmon, (Actor/Writer and author of "A Twist of Lemmon: A tribute to my father"). "Emily's Miracle is a feast for the senses... Lombardi blends fresh creativity with a sense of stated purpose." -- Thomas Hill. Launchpad book reviews.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

6 1/2"x8 1/2" 494 page softcover published by E. P. Dutton in 1969 on sculpture and painting

Henry Grunwald makes sixteenth-century France under King Henry IV come vividly alive in A Saint, More or Less, as he explores, through the story of two women, the still timely subject of how politics, power, passions, and religious belief can intersect with explosive results.

Product Description Screenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-nots of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.com Review Funny and Sexy! Engrossing, enlightening and entertaining! --Rex Reed, NEW YORK OBSERVER. An ascerbic portrait of the Movie Business in histrionically high gear! --Stephen Holden, THE NEW YORK TIMES. --Kevin Thomas, LOS ANGELES TIMESAn ascerbic portrait of the Movie Business in histrionically high gear! --Stephen Holden, THE NEW YORK TIMESA giddy comic fantasy, full of romance, chicanery and beguiling, sophisticated players! --Kevin Thomas, LOS ANGELES TIMES About the Author The filmmaker/playwright trained in New York at The Actor s Studio, studying acting with Lee Strasberg and writing/directing with Harold Clurman. He performed in off-Broadway theatre and cabaret before coming to Hollywood under contract to Columbia Pictures, where he guest-starred on TV shows ('Gidget,' 'The Flying Nun') and was featured in a number of films, including ones directed by Jack Nicholson (Drive, He Said), Dennis Hopper (The Last Movie) and Orson Welles (The Other Side of the Wind), each of whom he eventually directed in return. Jaglom began his acclaimed filmmaking career, working with Nicholson to edit Hopper's 1969 hit Easy Rider. He made his debut as a writer/director with 1971's A SAFE PLACE, which starred Tuesday Weld, Nicholson and Welles. Since then, Jaglom has written and directed 18 more films, including TRACKS (1976), SITTING DUCKS (1980), CAN SHE BAKE A CHERRY PIE? (1983), ALWAYS (But Not Forever) (1985), SOMEONE TO LOVE (1987), NEW YEAR'S DAY(1989), EATING (1990), VENICE/VENICE (1991), BABYFEVER (1994), LAST SUMMER IN THE HAMPTONS (1996), DEJA VU (1998), FESTIVAL IN CANNES (2002) and GOING SHOPPING (2004). Since selecting her to star in his 2007 HOLLYWOOD DREAMS, Jaglom has collaborated with actress Tanna Frederick on the films IRENE IN TIME (2009), QUEEN OF THE LOT (2010) and THE 'M' WORD, which is currently in post-production.

A native of Vienna, Henry Koerner immigrated to the United States in 1938, a refugee from Hitler's persecution of the Jews. Upon his return to Vienna as an American soldier in 1946, he learned that his family had been deported and killed. This volume documents the painter's formation through his experience of loss, exploring his magical realism work of the period 1945-57.